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As I Lay Dying (Norton Critical Editions) Paperback – December 4, 2009
Long been recognized not only as one of William Faulkner’s greatest works, but also as the most accessible of his major novels.
This Norton Critical Edition is based on the 1985 corrected text and is accompanied by detailed explanatory annotations.“Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” reprints American, English, and French reviews by Clifton Fadiman, Henry Nash Smith, Edwin Muir, and Maurice Coindreau, among others, along with Valery Larbaud’s never-before-translated preface to the first French edition of the novel. “The Writer and His Work” examines Faulkner’s claim to have written the novel in six weeks without changing a word. It includes his comments on the book’s composition along with his later thoughts on and changing opinions of it, sample pages from the manuscript, his Nobel Prize address, and the little-known short story in which he first used the title. “Cultural Context” reprints an essay by Carson McCullers and an excerpt from James Agee’s Let Us Now Praise Famous Men along with other materials that address questions of Southern Agrarianism and the Southern grotesque.
“Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven major essays are provided by Olga W. Vickery, Cleanth Brooks, Calvin Bedient, André Bleikasten, Eric Sundquist, Stephen M. Ross, Doreen Fowler, Patrick O’Donnell, Richard Gray, John Limon, and Donald M. Kartiganer.
A Chronology and a Selected Bibliography are also included.
- Print length400 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateDecember 4, 2009
- Dimensions5.1 x 0.9 x 8.5 inches
- ISBN-100393931382
- ISBN-13978-0393931389
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About the Author
Michael Gorra is the Mary Augusta Jordan Professor of English at Smith College, where he has taught since 1985. He is the recipient of fellowships from the National Endowment for the Humanities and the Guggenheim Foundation and, for his work as a reviewer, of the Balakian Award from the National Book Critics Circle. His books include The Saddest Words: William Faulkner’s Civil War; Portrait of a Novel: Henry James and the Making of on American Masterpiece, a finalist for the Pulitzer Prize in Biography; The Bells in Their Silence: Travels through Germany; After Empire: Scott, Naipaul, Rushdie; The English Novel at Mid-Century; and, as editor, The Portable Conrad and the Norton Critical Editions of The Sound and the Fury and The Portrait of a Lady.
Product details
- Publisher : W. W. Norton & Company; First Edition (December 4, 2009)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 0393931382
- ISBN-13 : 978-0393931389
- Item Weight : 11.6 ounces
- Dimensions : 5.1 x 0.9 x 8.5 inches
- Best Sellers Rank: #87,417 in Books (See Top 100 in Books)
- Customer Reviews:
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agree to that. Stream of consciousness dictates to the point of distraction, characters contradict
themselves, and you almost break out in a sweat as atmospherically he's nothing but pure Mississippi.
But, he's fascinating with his use of language, and, amazingly, his stories move
forward. The trials and heartache involved in seeking to transport Addie Bundren to her desired
resting place in death are so haunting that the book is nearly impossible to forget.
The newly released Norton Critical Edition is a great help in putting it all together.
There are explanatory footnotes included in the text, along with a fine introduction and critical
essays at the back.
Be prepared to spend some time with this - it isn't a quick read, but it will stay with you for a very long time.
I was especially thrilled to see the comparison between Faulkner and the Russian novelists.
I can't recommend this edition more highly.
I purchased it for an American Lit class in college. I am a big reader but I often struggle with books that are in unique styles or voices. I had an extremely difficult time getting through this book and definitely would have abandoned it if not reading it for school.
I understand that it is a classic, and I am sure many people love and appreciate this novel on a totally different level - the story itself was interesting, however due to the writing I struggled to really pick up many of the concepts of the story until discussed in class. I would not read another Faulkner book if I didn't have to.







