- Paperback: 280 pages
- Publisher: Coffee House Press (April 12, 2011)
- Language: English
- ISBN-10: 1566892546
- ISBN-13: 978-1566892544
- Product Dimensions: 6 x 1.2 x 9 inches
- Shipping Weight: 15.2 ounces (View shipping rates and policies)
- Average Customer Review: 6 customer reviews
- Amazon Best Sellers Rank: #236,274 in Books (See Top 100 in Books)
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Leche Paperback – April 12, 2011
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From Publishers Weekly
Starred Review. Linmark (Rolling the R's) cunningly follows Philippines-born Vince De Los Reyes through the trials and surprises awaiting him upon his return to his home country after spending 13 years in Hawaii. Filipino émigrés are often known as "balikbayans"—a distinction, Vince finds as soon as he reaches Philippines customs, that is fraught with political and cultural implications. Having won a contest, Vince has returned to free accommodations and fanfare, but he's not prepared for the heat, politics, and eccentric characters that accompany life in Manila. He immediately falls for a cab driver and, at a celebrity-studded party, befriends a famous activist nun, an acclaimed director, and the actress daughter of the country's president. Within the narrative of Vince's Manila sojourn and the teasing out of his dark past, Linmark intersperses tongue-in-cheek tourist tips ("staring is a favorite Filipino pastime") and revealing postcards Vince writes to friends back in Hawaii. As quirky and funny as its oddball characters, Linmark's latest is a unique, colorful portrait of cross-cultural experience and a view into the complexities of modern-day Philippines through the prism of an ex-pat's self-discovery and quasi-homecoming. (May)
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As quirky and funny as its oddball characters, Linmark’s latest is a unique, colorful portrait of cross-cultural experience and a view into the complexities of modern-day Philippines through the prism of an ex-pat’s self-discovery and quasi-homecoming.”Publishers Weekly, starred review
[A]s cheeky a novel as you’ll encounter. . . . the book’s nonstop energy and nonstop attitude are addictive. And in Vince you won’t find a less predictable tour guide. A lively satiric return to early 90s Manila, seen from both sides of the Filipino American divide.”Kirkus Reviews
Linmark delivers a harrowing tale of love, family, and cultural bewilderment, a sardonically funny and vibrant novel about one man’s journey to his past. . . . Linmark’s novel reads like a bittersweet love letter to a vast and perplexing nation. This is a story of heritage, sexuality, and self-discovery that is as riveting as its locale is complex.”Booklist
Linmark offers both a meditation on what it means to be Filipino and an exuberant, affectionate, irreverent love letter to the city of Manila from one of its own. . . . Linmark, who like Vince has lived in both Manila and Hawaii, develops a lively and engaging narrative voice as he skillfully juxtaposes these two very different cultures. . . . This is a jaunty, kaleidoscopic novel that amusingly chronicles the many challenges Vince faces moving between cultures. Recommended for readers of lighthearted literary fiction.”Library Journal
At times uproariously funny, . . . Linmark weaves cultural and historical research into his story and employs a nonlinear structure to the narrative, including jumps in time, lists of Philippines travel tips,” and postcards to and from Hawaii. . . . Above all, Linmark’s writing is literary: heightened, emotional and beautifully crafted. Linmark began as a poet, and pays close attention to rhythm, economy and word choice, even in such a rollicking, gutsy story. It is a story that many people can relate to, but one that can only be told by a writer of his caliber.”Honolulu Star Advertiser
The story examines culture-shock, modern-day gay life and the way things were in the early ’90s, all with Linmark’s sense of funny. Only this time, the narrative is in third person. Embedded within the book is a certain playfulness. Interspersed are Tourist Tips” for Manila, as well as postcards with photos that Vince writes to his friends back home. In short, Leche is all we’ve anticipated from Linmark.”Honolulu Weekly
A whirlwind, whistle stop tour of Manila’s high society, celebrity pop culture and seedy underbelly. . .”Bookmunch
This time around, Linmark uses his trademark po-mo fragmentation for surface texture; it compromises the novel's picaresque forward motion not a whit. This is a languageand a Manila that should be familiar to readers of the Asian American canon, and Leche feels like the long-awaited completion of something we didn't know was incomplete.”Hyphen
"R. Zamora Linmark writes with the incandescent irreverence of a papal heretic, with the poetic and chaotic sense that only the Philippines can bestow, with the language of a sainted seer all held together with an elegant craft and a graceful style. Leche is a beautiful book." Chris Abani, author of GraceLand and Virgin of Flames
"Leche is a combustible comedy, a nightmare, a fever dream that with humor and horror somehow captures the fractured Philippine identity. Eye opening, hilarious, and relentlessly seductive, Zamora Linmark holds the reader until the very last page." Sabina Murray, author of Forgery and The Caprices
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The use of Flashback can be instrumental in clarification or gaining the author's perspective or understanding the situation; but it should be used clearly and with reserve. Linmark flashes so quickly, without warning, over and over, I often lose track of what he was talking about.
I purchased the Kindle version, mostly because I can change Font size, but the book is laced with written, picture-postcards, and I was unable to read any of them. Later, I learned from our reading group that they added much humor and understanding to the book. For that reason, I would not recommend the Kindle version.
Lastly, the author, during recollection of situations, events and people, rattles off an endless stream of "who's who" and "who's doing what" in his writing. This was far more fun for the author than the reader, in my opinion.
J.V. Petretta, author