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The Lemur: A Novel Paperback – Deckle Edge, June 24, 2008
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Benjamin Black
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Print length132 pages
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LanguageEnglish
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Publication dateJune 24, 2008
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Dimensions5.5 x 0.33 x 8.5 inches
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ISBN-100312428081
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ISBN-13978-0312428082
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Review
“A dark, ambitious crime novel . . . It's going to make more than a few readers flip the book over to look at the author photo to make sure Banville's really pulling the strings.” ―Newsday on Christine Falls
“Intricately plotted, beautifully written . . . a page-turner told in prose so beautiful you'll want to read some passages repeatedly.” ―The Boston Globe on Christine Falls
“Measured, taut, and transfixing.” ―USA Today on Christine Falls
“Swirling, elegant noir . . . Crossover fiction of a very high order . . . Rolls forward with haunting, sultry exoticism . . . toward the best kind of denouement under these circumstances: a half inconclusive one.” ―The New York Times on Christine Falls
“Christine Falls offers a subtler, deeper satisfaction than just finding out whodunit. . . . What's scariest of all about Christine Falls is the atmosphere of moral claustrophobia enveloping it.” ―The Philadelphia Inquirer on Christine Falls
“A redolent Catholic conspiracy that might stagger the author of The Da Vinci Code . . . more than a mere busman's holiday by a master of English prose.” ―Los Angeles Times on Christine Falls
“A fascinating book, strong on mood and description.” ―The Oregonian on Christine Falls
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
GLASSHOUSES
The researcher was a very tall, very thin young man with a head too small for his frame and an Adam’s apple the size of a golf ball. He wore rimless spectacles the lenses of which were almost invisible, the shine of the glass giving an extra luster to his large, round, slightly bulging black eyes. A spur of blond hair sprouted from his chin, and his brow, high and domed, was pitted with acne scars. His hands were slender and pearly- pale, with long, tapering fingers—a girl’s hands, or at least the hands a girl should have. Even though he was sitting down, the crotch of his baggy jeans sagged halfway to his knees. His none too clean T-shirt bore the legend Life Sucks and Then You Die. He looked about seventeen but must be, John Glass guessed, in his late twenties, at least. With that long neck and little head and those big, shiny eyes, he bore a strong resemblance to one of the more exotic rodents, though for the moment Glass could not think which one.His name was Dylan Riley. Of course, Glass thought, he would be a Dylan.“So,” Riley said, “you’re married to Big Bill’s daughter.”He was lounging in a black- leather swivel chair in Glass’s borrowed office on the north- facing side of Mulholland Tower. Behind him, through a wall of plate glass, gray Manhattan sulked steamily under a drifting pall of April rain.“Does that seem funny to you?” Glass inquired. He had an instinctive dislike of people who wore T-shirts with smart things written on them.Dylan Riley snickered. “Not funny, no. Surprising. I wouldn’t have picked you as one of Big Bill’s people.”Glass decided to let that go. He had begun to breathe heavily through his nostrils, hisss-hiss, hisss- hiss, always a warning sign.“Mister Mulholland,” Glass said heavily, “is eager that I have all the facts, and that I have them the right way round.”Riley smiled his goofy smile and swiveled the chair first to one side and then the other, nodding happily. “All the facts,” he said, “sure.” He seemed to be enjoying himself.“Yes,” Glass said with stony emphasis, “all the facts. That’s why I’m hiring you.”In one corner of the office there was a big square metal desk, and Glass went now and sat down carefully behind it. He felt less panicstricken sitting down. The office was on the thirty- ninth floor. It was absurd to be expected to conduct business—to do anything—at such a height. On his first day there he had edged up to the plate-glass wall and peered down to see, a couple of floors below, fluffy white clouds that looked like soft icebergs sailing sedately across a sub-merged city. Now he put his hands .at on the desk before him as if it were a raft he was trying to hold steady. He very much needed a cigarette.Dylan Riley had turned the chair around to face the desk. Glass was sure the young man could sense how dizzy and sick he felt, perched up here in this crystal-and-steel eyrie.“Anyway,” Glass said, moving his right hand in a wide arc across the desktop as if to sweep the subject aside; the gesture made him think of footage of Richard Nixon, sweating on the evening news all those years ago, insisting he was not a crook. The studios were so harshly lit in those days of paranoia and recrimination they had made pretty well everyone look like a villain in an old Eastmancolor movie. “I should tell you,” Glass said, “that Mr. Mulholland will give you no assistance. And I don’t want you to approach him. Don’t call, don’t write. Understand?”Riley smirked and bit his lower lip, which made him look all the more like—what was it? A squirrel? No. Close, but no. “You haven’t told him,” Riley said, “have you. About me, I mean.”Glass ignored that. “I’m not asking you to be a muckraker,” he said. “I don’t expect Mr. Mulholland to have guilty secrets. He was an undercover agent, but he’s not a crook, in case you think I think he is.”“No,” Riley said, “he’s your father- in- law.”Glass was breathing heavily again. “That’s something I’d like you to forget about,” he said, “when you come to do your researches.” He sat back on his chair and studied the young man. “How will you go about it—researching, I mean?”Riley laced his long pale fingers over his concave stomach and this time rocked himself gently backward and forward in the swivel chair, making the ball- and-socket mechanism underneath the seat squeal tinily, eek, eek.“Well,” Riley said with a smirk, “let’s say I go way beyond Wikipedia.”“But you’ll use... computers, and so on?” Glass did not possess even a cell phone.“Oh, yes, computers,” Riley said, making his big eyes bigger still, mocking the older man, “all sorts of wizard gadgets, don’t you know.”Glass wondered if that was supposed to be a British accent. Did Riley think he was English? Well, let him.He imagined lighting up: the match flaring, the lovely tang of sulphur, and then the harsh smoke searing his throat.“I want to ask you something,” Riley said, thrusting his pinhead forward on its tall stalk of neck. “Why did you agree to it?”“What?”“To write Big Bill’s biography.”“I don’t think that’s any of your business,” Glass said sharply. He looked out at the misty rain. He had moved permanently from Dublin to New York six months previously, he had an apartment on Central Park West and a house on Long Island—or at least his wife had—yet he had still not got used to what he thought of as the New York Jeer.The fellow on the street corner selling you a hot dog would say, “Thanks, bud,” and manage to make it sound merrily derisive. How did they keep it going, this endless, amused, argumentative squaring up to each other and everyone else?“Tell me,” he said, “what you know about Mr. Mulholland.”“For free?” Riley grinned again, then leaned back and looked at the ceiling, fingering the tuft of hair on his chin. “William ‘Big Bill’ Mulholland. South Boston Irish, second generation. Father ran off when wee Willie was a kid, mother took in laundry, scrubbed floors.In school William got straight As, impressed the priests, was an altar boy, the usual. Tough, though—any pedophile cleric coming near Bill Mulholland would likely have lost his balls. Put himself through Boston College. Engineering. At college was recruited into the CIA, became a working operative in the late forties. Electronic surveillance was his specialty. Korea, Latin America, Europe, Vietnam. Then he had a run- in with James Jesus Angleton over Angleton’s obsessive distrust of the French—Big Bill was posted to the Company’s Paris bureau at the time. In those days one did not incur the displeasure”—again that hopeless attempt at a British accent—“of James Jesus without getting cut off at the knees, which is what would have happened to Bill Mulholland if he hadn’t got out before Angleton could give him the shove, or worse. That was the late sixties.”He pushed himself up out of the chair, unwinding himself like a fakir’s rope, and shambled to the glass wall and stood looking out, his hands thrust into the back pockets of his jeans. He went on: “After he left the Company, Big Bill got into the then-blossoming communications business, where he put his training as a spook to good use when he set up Mulholland Cable and right away began to make shitloads of money. It wasn’t until twenty years later that he had to bring in his protégé Charlie Varriker to save the firm from going bust.” He paused, and without turning said: “You’ll know about Big Bill’s matrimonial adventures, I guess? In 1949 he married the world’s most famous redhead, Vanessa Lane, Hollywood actress, if that’s the word, and in 1949 the marriage was duly dissolved”—now he grinned over his shoulder at Glass—“ain’t love just screwy?”He went back to contemplating the misted city and was silent for a moment, thinking. “You know,” he said, “he’s such a CIA cliché I wonder if the CIA didn’t invent him. Look at his next marriage, in ’58, to Claire Thorpington Eliot, of the Boston Eliots—that was some step up the social ladder for Billy the Kid from Brewster Street. He had, as you will know, one child only, a daughter, Louise, by the second Mrs. Mulholland. Miz Claire, as this grand lady was called, died in a hunting accident—balking horse, broken neck—in April 1961, on the eve, as bloody- minded Fate would have it, of the invasion of the Playa Girón, otherwise known as the Bay of Pigs, a venture in which Big Bill was sunk up to his neck. The grieving widower returned from the shores of Florida to find the Eliots already moving his things, including his two- year- old daughter, out of the grand old family mansion in Back Bay.”He turned and walked back and slumped down in the chair and again turned his eyes to the ceiling. “Next thing,” he said, “Big Bill was married a third time, to Nancy Harrison, writer, journalist, and Martha Gellhorn–look- alike, and living with her on a fine estate in County Somewhere on the west coast of Ireland, not an Oscar statuette’s throw from the home of his old friend and drinking buddy John Huston.Grand days, by all accounts, but bound to end, like all such. Blond Nancy couldn’t take the endless rain and the low- browed natives and packed up her Remington and hightailed it for sunnier climes—Ibiza, Clifford Irving, Orson Welles, all that.” He stopped, and lowered his glossy gaze from the ceiling and fixed on Glass. “You want more, I got more. And I haven’t even looked into the crystal ball of my laptop yet....
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Product details
- Publisher : Picador; 1st. edition (June 24, 2008)
- Language : English
- Paperback : 132 pages
- ISBN-10 : 0312428081
- ISBN-13 : 978-0312428082
- Item Weight : 6.4 ounces
- Dimensions : 5.5 x 0.33 x 8.5 inches
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Best Sellers Rank:
#389,095 in Books (See Top 100 in Books)
- #2,781 in Hard-Boiled Mystery
- #50,535 in Thrillers & Suspense (Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Quirke may not be in the picture in this short and tightly constructed murder mystery, but Benjamin Black’s trademark prose is abundant. I find it hard to resist a sentence like this one: “She was attending to her plate of greens with the long-necked, finical concentration of a heron at the water’s edge.” Or this one: “His memories of those days were all hazed over happily, as if he were looking back through a pane of glass that had been breathed on by someone who was laughing.”
The only problem with extraordinary flashes of style like these is that the author’s language sometimes overtakes the story. I become so mesmerized with the words themselves that their meaning can become blurred and the context disappear. With The Lemur, I discover as I write this review that I can’t remember much about the story, only that I enjoyed reading it!
For the record, however, as I learned upon skimming through bits and pieces of the book once again, The Lemur tells the tale of a novelist who has hired a researcher to assist him in preparing a biography his father-in-law has commissioned. The researcher, it turns out, is a lot more than the disdainful young misfit he appears to be. He is, in fact, an accomplished hacker, and in short order he turns up dead. This young man, Dylan Riley, is the lemur of the title for the resemblance his face bears to the animal. The protagonist, a transplanted Irish writer named John Glass, soon finds himself caught up in the ensuing complications of Riley’s murder. Naturally, Riley’s stepfather, the superrich “Big Bill” Mulholland, hovers near the center of the mystery.
Enough said.
It is true that the "mystery" is interesting: A burned out journalist hires a researcher to assist him in finding detail so that he can write his father-in-law's biography -- a biography that the father-in-law requested. The old man is a retired CIA star and business millionaire. But somehow, it appears that the researcher (the Lemur of the title) must have turned up something interesting -- he is found murdered. Who did it?? And why?? That is the mystery.
While that is intriguing, the most important part of this book is the way the characters are drawn, how they come to conclusions. Unlike many authors, Black leaves people with wrong conclusions and, indeed, lots of existential angst, so to speak. He leaves us, the reader, to draw conclusions -- or not, as we wish. But by the end of his books, and especially this one, we have had an excellent introduction to these people and their own special interior torments.
Enjoy!
books are well worth reading. This one detours a bit from his usual fare.
The story line was interesting -- the characters a bit weird
A quick read
Top reviews from other countries
I love everything else I've ever read by John Banville / Benjamin Black, so I can only assume that this is an experiment in genre fiction gone horribly wrong. (Perhaps he was trying to create for today something like the hard-boiled style of noir American thriller writers?) The best bit about the book is the title, which refers to one of the characters, and which really made me remember why I like his writing usually.
Anyway, I didn't like it, and I wouldn't recommend it!

