Let's Make Love
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Anyway, the action begins when the French billionaire Jean-Marc Clement (Yves Montand) finds out his life and playboy scandals are being publicly spoofed in an off-Broadway play. Upset about the possibility of negative press, Jean-Marc hurries down to the theater with his main PR man Alexander Coffman (Tony Randall). Naturally, he does find out he IS being made fun of--but his worries are sidetracked when he lays his eyes on Amanda Dell (Monroe), the female lead in the show.
Jean-Marc and his associates set things up so that he can masquerade as an actor to be closer to Amanda; and as time goes by Jean-Marc forgets about his reputation being slandered. He only wants Amanda for his wife. Of course, the fact that Amanda is involved with another actor named Tony (Frankie Vaughan) doesn't help much.
Look for some wonderful songs by Frankie Vaughan; and Marilyn at least scores one big one with her song and dance classic number, "My Heart Belongs To Daddy." It's not that she looks tired in this film; it's that she's grossly underused. That surprises me because George Cukor, the director, was particularly well known for bringing out the best acting from his leading ladies during production.
After several silly plot twists, Jean-Marc realizes he's got to hire some professionals to help him get Amanda's attention. We therefore get some wonderful cameos by Milton Berle, Bing Crosby and Gene Kelly. They do a wonderful job although Milton Berle wasn't as funny as I hoped he would be.Read more ›
"Let's make love" was fit for #2 (which is how I first saw it,) yet has follen a victim to #1.
I had first seen "Let's make love" on TV and found it rather entertaining and found the characters likable, maybe even lovable. I could relate to Clement (not for having all that money but) his feeling for the Monroe character. The scene where I could most relate to him is when the cast of the musical is notified that the musical doesn't have to worry about money anymore, with that Monroe gives a BIG graciouse hug to her friend Toney (NOT Clement [Yves Montand]) the look on Clement's face is a pretty anguished one.
Others don't like this film because of the supporting role Marilyn has, it's rather arguable if her role was a supporting one or not. Yet if this is a supporting role for her it shouldn't really be a bad thing, let's face it, Monroe's best film's have her in (do I dare say it:) supporting rules, such as "The Seven Year Itche," there is only four major segments of the film she is in (five at the most), and in "Some Like it Hot," the audiance has to wait a lenthy thirty minutes (the waiting is made easier by a chaming Toney Curtis & Jack Lemon) until we see Marilyn. It's not to bad though, after all, absence does make the heart grow fonder.
Right at the outset, Monroe, who was slated to appear opposite Gregory Peck, demanded rewrites. During these star-imposed delays, Peck encountered other obligations and he bowed out of the production. Next, several leading men flatly turned the film down, including Jimmy Stewart, Chuck Heston, Bill Holden, Yul Brynner, Rock Hudson and Cary Grant. When director George Cukor suggested to Marilyn that they hire the unknown-in-America Yves Montand, she happily agreed with the choice. This was almost the last time star and director would work together harmoniously-- they never even spoke to each other while filming.
Sadly, Monroe's dual addictions to alcohol and barbiturates are both plainly evident in the finished work. In some scenes she's obviously glassy-eyed and dull-witted; in others so bloated as to appear 20 lbs. heavier than in the previous shot. Her talent remained intact though: MM's performance of Cole Porter's "My Heart Belongs to Daddy" remains among her very best, while a warm on-screen rapport with both Montand and Frankie Vaughan seems genuine.
The English-born Vaughan was a popular crooner in his native land but never caught on in America. A pity, for he had a marvelous voice-- similar to Tony Bennett's, a bit rougher perhaps but with more power and clarity. His rendition of "Incurably Romantic" on SONY's ...Read more ›
However, even in 1960, when the film seemed rather daring in many ways, it was just not quite as good as one had hoped. Looking at it again, after many years, this writer had hopes that there might be something I missed when I first saw it. Sadly, the film misfires on a number of things. The magic between Monroe and Montand is just not there, and that's remarkable because we all heard about their offscreen love affair (which Montand's wife, actress Simone Signoret, tolerated, believing it would quickly end as it actually did). Nevertheless, one can see glimpses of the talents of both stars and I still remain impressed with Montand's very capable dancing and his competent singing.
Marilyn seldom looked as beautiful and sexy as she did in this film. Her costumes were quite sensational in 1960. Her hair had been changed to the popular bouffant style of the time. Her best singing in the film is in an updated version of the Cole Porter classic, "My Heart Belongs To Daddy." Her voice, however, had become increasingly husky and it often made it hard to understand the lyrics of the songs written for the movie, including the title song.
In the story, Montand's character is aided by Milton Berle, Bing Crosby, and Gene Kelly, in rather delightful cameos.Read more ›
Most Recent Customer Reviews
I bought this movie after I saw it on one of the cable movie networks. I was too young to be allowed to see it when it was first shown in theaters. Read morePublished 5 months ago by Wordsmith
Let's Make Love, from 1960, is not one of Marilyn Monroe's better-known productions. It is a later career effort from Monroe, and an effort that unfortunately falls flat, for the... Read morePublished 8 months ago by Gene Belflower
This is one of her later movies and shows that she still had her beauty and had talent as an actress .Published 9 months ago by Amazon Customer
could watch marilyn monroe movies over and over and have done so with this one - every time i found it on a cable channel i stayed on it so bought my own copy - but still watch it... Read morePublished 10 months ago by t2
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