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- 8-page booklet featuring trivia, production notes and a revealing look at the making of the movie
Top Customer Reviews
The producers of this film knew a good model when they found it and obviously allowed the audience to laugh at their copycat ways by creating aliens that alternately look like tongues with teeth and moving intestines. There's also a paean to the real "Alien" near the end that Peter Weller does away with by squishing it's head in an elevator shaft.
And, in the final scene, you won't believe how hokey and stupid this kind of movie could be just a few years before the advent on high tech and high gloss computerization became de riguer in this type of thing. It's worth it to sit through the whole thing just to see that unbelievably dumb final scene.
Weller "starred" in this vehicle two years after his biggest hit, 1987's "RoboCop". This didn't do much for his reputation even though the cast included some great eye candy in Amanda Pays and the steely blue eyes of Meg Foster. A solid supporting cast headed by the great Richard Crenna, Ernie Hudson and Hector Elizondo offer a high level of acting credibility.
Still, they can't make sense of this mishmash which, oddly and fantastically, still works as horror. Leonard Maltin says to, "Skip it" on this one but I'd disagree. I think there's enough humor, whether intentional or unintentional, eye candy, schlock horror and fine acting to give you your money's worth. It didn't work as a big release in the theater but it's pretty good entertainment on a Tuesday night on your home system.
The cast consists of Peter Weller as the geologist boss, Richard Crenna as the semi-doctor and crewed by Ernie Hudson (who gets some of the best lines and steals his scenes), Amanda Pays (and her annoyingly fake accent) Daniel Stern, Michael Carmine, an adorable Lisa Eilbacher, Meg Foster (what IS it about her eyes? And why was she trying so hard to do a crappy acting job?), and the wonderful Hector Elizondo.
After ALIEN did the haunted house in space so successfully there were a lot of immitators. Then we had a few underwater adventures which did fairly well in a vauge sort of way. Think of this as a cheap way of combining both. Except for Pays and Foster, we have a group of really fine actors working in an underwater mining facility.
Personal note: Seriously, if this had been real and I was Pays' charactor I would have severly hurt the Stern character. His behavior was borish to the point of distracting from the movie and something no decent boss would have allowed.
Anyway, the movie cover said the magic words: GENETIC MUTATION! I was hooked, as always. Pays and Stern are outside doing their job when Stern wanders off (why?) and falls off a cliff. Movie goers probably cheered at that point. Pays goes after him, wandering through fakey looking sea worms and finds the Russian freighter. I liked the scary fish that pops up in Pays' face. Stern shows up with a huge safe, carrying it like it weighs 20 pounds instead of several hundred and they head back.
The safe contains a lot of 'personal effects' from deceased crewmembers which should have triggered a lot more concern than it did.Read more ›
Most Recent Customer Reviews
If you enjoy this picture this is probably the closest to a "Special Edition" you will ever see. Read morePublished 1 month ago by Roger M
Wanted to watch this really bad and felt that a DVD version would look kind of dated, so I sprung for the Blu-Ray. Read morePublished 1 month ago by Craig
Leviathan is a classic. It's like a big budget B-Movie. Sure it's essentially just taking elements of The Thing, Alien, a few others and blending them together, but it works... Read morePublished 2 months ago by robotGEEK
I remember preferring Leviathan over The Abyss as a young fella but couldn't remember much of it and got the chance to watch it again tonight. Read morePublished 3 months ago by Adamo
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