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Lies Sleeping Hardcover – November 15, 2018
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Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud, and crimes against humanity, has been unmasked and is on the run. Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.
But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan. A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.
To save his beloved city Peter’s going to need help from his former best friend and colleague–Lesley May–who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch . . .
- Print length406 pages
- LanguageEnglish
- PublisherGollancz
- Publication dateNovember 15, 2018
- Dimensions5.59 x 1.57 x 8.58 inches
- ISBN-101473207819
- ISBN-13978-1473207813
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Product details
- Publisher : Gollancz (November 15, 2018)
- Language : English
- Hardcover : 406 pages
- ISBN-10 : 1473207819
- ISBN-13 : 978-1473207813
- Item Weight : 1.17 pounds
- Dimensions : 5.59 x 1.57 x 8.58 inches
- Best Sellers Rank: #2,710,786 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author

Ben Aaronovitch was born in 1964. Discovering in his early twenties that he had precisely one talent, he took up screenwriting at which he was an overnight success. He wrote for Doctor Who, Casualty and the world’s cheapest ever SF soap opera Jupiter Moon. He then wrote for Virgin’s New Adventures until they pulped all his books.
Then Ben entered a dark time illuminated only by an episode of Dark Knight, a book for Big Finish and the highly acclaimed but not-very-well-paying Blake’s 7 Audio dramas.
Trapped in a cycle of disappointment and despair Ben was eventually forced to support his expensive book habit by working for Waterstones as a bookseller. Ironically it was while shelving the works of others that Ben finally saw the light. He would write his own books, he would let prose into his heart and rejoice in the word. Henceforth, subsisting on nothing more than instant coffee and Japanese takeaway, Ben embarked on the epic personal journey that was to lead to Rivers of London (or Midnight Riot as it is known in the Americas).
Ben Aaronovitch currently resides in London and says that he will leave when they pry his city from his cold dead fingers.
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Fortunately, Rivers of London has not escalated to that extent. The Big Bad for some time has been The Faceless Man. In The Hanging Tree The Faceless Man was exposed as one Martin Chorley, a sorcerer powerful enough to be treated with respect by Nightingale. However, at the very end of The Hanging Tree we learn that Chorley is probably the cat's paw of an even more dangerous entity, Punch (whom we actually encountered in Book 1) Punch is by way of being the malevolent spirit of London. We are not yet up to worrying about the end of the universe, but the destruction of London is certainly on the table.
So, for me, that was the main question going in. I was not really worried that Aaronovitch would destroy his beloved London. I was worried, however, that in the course of coping with Punch Peter would provoke the attention of something yet more dangerous, and down Escalation Road we would go.
Of course I'm not gonna tell you whether that happens.
At the start of Lies Sleeping we learn that Abigail is now fifteen and has been sworn in as an Apprentice at the Folly. Since Abigail was 13 when first we heard of her, some time has passed. In addition, the hunt for Chorley has grown. The Folly is aided by a team of regular cops, including old friends Guleed, Seawoll, and Stephanopoulos.
And so we're off! The game's afoot, and Peter is the star. Peter is no longer just rolling with the punches. Although he's no Nightingale, he's become a much more skillful and able sorcerer, with a talent for throwing a monkey wrench into the gears of any operation he is aimed at. What's more, he is, as he has consistently been, brave, clever, and kind. Those qualities make him an effective policeman.
What really made the book for me was one minor character who appears fairly late. She gives the story a sense of higher mystery -- not mystery in the sense of whodunit, but mystery in the deeper sense of a hidden truth about the way things are. She provokes this observation from Nightingale,
“Here’s a comforting thought for you, Peter,” he said. “However long you may live, the world will never lose its ability to surprise you with its beauty.”
I doubt most readers will consider her as important as I did.
Peter's charm is in his kind of no-nonsense, no ego-driven goals that include a willingness to put himself in danger or sit back and act the low-key fool as the situation demands. I love his deferment to Bev, the river goddess he's still dating, his mother, his healthy respect for friend-turned-antagonist Lesley, and the River Tyburn.
Here, Lesley comes in again helping Martin Chorley (FAceless man #2, things do get a little confusing unless you've read prior installments) with a mysterious plan that involves bells, King Arthur, a surprise past enemy, lots of tailing bad guys around London, and some explosions.
Also another fae.
I've never read a book so quickly that was mostly the "boring" side of police work. Peter spends a lot of time waiting around, especially when he gets stuck in an oubliette. Somehow Aaronovitch makes those boring parts interesting because we get Peter's take on the situation, as well as his psychological efforts to get free. Don't get me wrong, there's still a lot of Police and UK slang that sometimes threw me, but mostly watching Peter do his low-key but important stuff surrounded by competent and loving folks is great.
There's more development in this one about the nature of genus loci (the Rivers), ghosts, and Abigail's talking foxes. And there's a wonderful surprise at the end.
I really like reading this series when I can't handle emotional trauma but still want emotional and cultural depth. Can't wait for the next one!
Let the action begin!
This 8th entry (if you count the novelette, "The Furthest Station") in the Peter Grant series carries on with the tongue-in-cheek first-person narrative style that made "Midnight Riot" (2011), "Moon Over Soho" (2011), "Whispers Underground (2012), "Broken Homes" (2013), "Foxglove Summer" (2014), The Hanging Tree (2016), and "The Furthest Station (2017) so un-put-downable. All of our favorite characters appear in "Lies Sleeping," including Nightingale, the unflappable senior magician, various river goddesses, the shiftless half-fae Zachary Palmer, DCI Alexander Seawoll, the foul-mouthed head of homicide, the legendary Detective Inspector Miriam Stephanopoulos ( "Seawoll’s right-hand woman and terrifying lesbian. The only joke ever made at her expense goes: 'Do you know what happened to the last police officer who made a joke about DI Stephanopoulos?' 'No, what did happen to him?' 'Nobody else knows either.'"), and Leslie May, the constable who lost her face in a previous episode and turned to the Dark Side. You almost have to read these books in order, to familiarize yourself with the series' long-running villain, the Faceless Man, and the relationships between characters, which only get more and more complicated as the adventure moves on.
Peter has several action-filled encounters with the Faceless Man but there is also a softer, gentler interlude with a fae called Foxglove: "I’d never met a more obvious fae who wasn’t riding a unicorn. She was impossibly tall and slender, with elongated arms that emerged from a loose brown sleeveless smock and ended in long-fingered hands. She had supermodel legs in black leggings that ended at the ankles to expose dainty pink feet.... I might have gone for a bit of charm, except Foxglove stepped forward and, with no real discernible effort, lifted me up and threw me over her shoulder."
"Lies Sleeping" tidies up lots of loose ends from the previous Peter Grant books, but I am still hoping for further episodes in this sparkling, fast-paced police-procedural/fantasy.
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It has everything I have come to expect from this series - sarcastic narration from PC Grant, whoops Detective Grant as he is now; a plethora of strange peoples popping up out of the demi-monde; a little whiff of Nightingale; genuine peril from the Faceless Man II and the mystery of Lesley May. Throw in a good dollop of the early history of London and it all cracks along at a cracking pace.
Although I didn't race through this book as fast as I have the previous offerings that was down to other time commitments and I hated leaving this wonderfully realised fantasy world to deal with real life. Even better I love how the reach of the Folly is expanding with new people being brought in as adjuncts to their Metropolitan Police sanctioned activities. Either things are getting weirder in London (entirely plausible as Peter seems to rattle everyone's calm albeit accidentally) or the powers that be are just starting to realise how odd everything really is. The cast of core characters is expanding but this is at the loss of spending much time with Nightingale and I am beginning to miss him.
Actually, the one big difference between this and the previous books is that it is much more action led and we don't get too much downtime with Peter. Yes, the sarcastic asides are still there and the voice is as strong as ever but some of the personal touch feels a little lost. Maybe it is time to get Peter back out of the city and exploring the wider British Isles (Foxglove Summer was easily the best of the series thus far). That said, the progression of the storyline started in Rivers Of London is good and feels organic rather than forced and, even better, there is still an openness to the ending that leaves us as bewildered as Peter as to where exactly things stand when the ancient dust settles.
Still a cracking good read and I am looking forward to Book 8.









