From the studio that brought you Lost, comes the groundbreaking series that captured the imaginations of fans from coast to coast. With an irresistible soundtrack and one of the most celebrated casts on television, including Harvey Keitel, Michael Imperioli, Gretchen Mol and Jason O Mara, Life On Mars is a smart, suspenseful drama with a finish that will blow you away. Its one of those endings I believe will make you watch the series again, says Executive Producer Josh Appelbaum. There s a fine line between delusion and reality. NYPD detective Sam Tyler finds himself walking both sides of that line when he is suddenly hurtled back in time to 1973 after being struck by a car in 2008.
Journey back to the 70s and uncover the secrets of Life On Mars. It s a strange and exhilarating ride raves the New York Times. Plus, with unique and exciting bonus features including an insiders view of where the shows concept began, a six million dollar moment in which 1970s legend Lee Majors steps back into the past with the cast and crew, and much more
Bonus Features Include: Time Warp, The Joint, Getting Their Groove On, Lee Majors Six Million Dollar Man.
Life on Mars
wallows in glorious 1970s fashion and music as it follows Sam Tyler (Jason O'Mara), a police detective who gets hit by a car in 2008 and wakes up in the same spot in 1973. The local police precinct, headed by Lieutenant Gene Hunt (Harvey Keitel, who fits seamlessly into the period surroundings), is expecting Tyler, but Tyler doesn't know why or how he's there--or why he's receiving messages from his previous life, as well as mysterious phone calls from the beyond. Life on Mars
blends this science-fiction premise with story lines that would fit in some classic '70s cop show, but Tyler's future knowledge (and his past life) are essential to solving every case, even if it features a missing rock star groupie or a murdered newspaper columnist. Many episodes focus on the mystery surrounding Sam, including meeting his own mother, father, and childhood self, as well as tiny robots, strange men on TV screens, and a hippie chick who speaks in ambiguous koans. The supporting cast includes Michael Imperioli (rocking a serious '70s 'stache) and Gretchen Mol (fetching in Farrah Fawcett wings); guest stars range from Wallace Shawn to Gina Gershon to an uncredited Whoopi Goldberg.
It's regrettable that, in adapting the original British version of Life on Mars, the producers replaced its understated focus with swagger and overstatement; a fantastical premise is more persuasive if the moment-to-moment story makes sense--regrettably, the narrative logic here owes as much to 1970s cop shows as does the production design. Everyone twinkles to excess, wooing the audience and undercutting any sense of grit. The cast is a charismatic bunch who don't need to spend so much time with rueful smiles and approving looks. The producers knew they'd been canceled in time to resolve the mysteries in the final episode, which diverges significantly from the British version. Also included are a number of cheerful audio commentaries and featurettes, including a tour of the set with '70s icon Lee Majors. --Bret Fetzer