Other Sellers on Amazon
+ Free Shipping
+ $3.99 shipping
+ $3.99 shipping
The Lions of al-Rassan Paperback – June 1, 2005
|New from||Used from|
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Frequently bought together
Customers who viewed this item also viewed
From the Back Cover
The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan -- poet, diplomat, soldier -- until a summer afternoon of savage brutality changes their relationship forever.
Meanwhile, in the north, the conquered Jaddites' most celebrated -- and feared -- military leader, Rodrigo Belmonte, driven into exile, leads his mercenary company south.
In the dangerous lands of Al-Rassan, these two men from different worlds meet and serve -- for a time -- the same master. Sharing their interwoven fate -- and increasingly torn by her feelings -- is Jehane, the accomplished court physician, whose own skills play an increasing role as Al-Rassan is swept to the brink of holy war, and beyond.
Hauntingly evocative of medieval Spain, The Lions of Al-Rassan is both a brilliant adventure and a deeply compelling story of love, divided loyalties, and what happens to men and women when hardening beliefs begin to remake -- or destroy -- a world.
- Item Weight : 13.8 ounces
- Paperback : 528 pages
- ISBN-13 : 978-0060733490
- Publisher : Harper Voyager; Reprint edition (June 1, 2005)
- Product dimensions : 5.31 x 1.19 x 8 inches
- Language: : English
- Best Sellers Rank: #180,671 in Books (See Top 100 in Books)
- Customer Reviews:
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
One of the things Kay does better than most is characterization. He crafts characters that are so fully imagined they almost remind you of people you once knew, or possibly of historical figures that could have been your friends or enemies. In The Lions of Al-Rassan the characters shine brightly, capturing and holding your attention. The interplay between Rodrigo Belmonte, Jehane bet Ishak, and Ammar ibn Khairan is masterful. Each of those three is not only a character unto themselves, but a (secularized) representation of the three religions that play a part throughout the story. Using historical analogs, Kay has crafted a convincing tale of a land divided, of people journeying through life, and of the cost of hatred, greed, and power. Of course, Kay has a more literary feel than most genre fiction, and so there is a sense in which the ideas themselves tend to rise to the forefront. Kay is careful here not to allow characters or setting to become caricatures merely in service to the idea. Everything is expertly woven together.
The execution of that weaving does have some weaknesses, unfortunately. While the characters are beautifully drawn, Kay tends to use large sections of exposition thinly veiled as an internal monologue. This is particularly true when we haven’t seen a character’s perspective for some time. That character will (conveniently) remember and run through events over the past N weeks. This is forgivable only because Kay’s prose is often so beautiful and he excels at drawing out the readers own emotions. On occasion the plot can also get a bit tangled in multiple perspective jumps that go back to catch up on various characters’ storylines.
These weaknesses were frustrating from time to time, but the rest of the book is so good they can also certainly be ignored. The Lions of Al-Rassan is a gripping tale that leaves you with plenty to think about. That’s one of the things Kay always does in his books, leaves me pondering with a bittersweet sense of loss and longing. 4.4/5 stars.
5 – I loved this, couldn’t put it down, move it to the top of your TBR pile
4 – I really enjoyed this, add it to the TBR pile
3 – It was ok, depending on your preferences it may be worth your time
2 – I didn’t like this book, it has significant flaws and I can’t recommend it
1 – I loathe this book with a most loathsome loathing
I have quibbles. Occasionally, the author withheld information from the reader that I felt should have been disclosed (for instance, when the information was known and important to the point-of-view character). The sections summarizing the sweep of events are less compelling than those anchored in a character's perspective. The prose is beautiful, sometimes haunting, and there is a heightened nature to the characters, who approach ideals -- both these things are part of what draws me so to Guy Gavriel Kay's work, and yet sometimes they set me at a slight remove from the story.
They are only quibbles. I love this book, its arc, its grace, its sensibilities, the sadness inherent in it. The two men at the center who are each other's match. How they reach toward each other against the tide of the world.
Top reviews from other countries
Set in a the same world as the Sarantium books but further west and later (imagine the Iberian peninsular), it tracks several incredible people as they meet, and some very ordinary people as they become extraordinary.
Sadness and tragedy, love,morality, religion, political intrigue, loyalty and betrayal; the novel explores them all.
Guy Gavriel Kay is one of the greatest writers, combining historical fiction and fantasy and keeping the reader in the pages and desperate to turn the next one as they hope the story never ends.
I regard myself as a Kay fan, but I was surprisingly reluctant to start reading this. My only previous encounter with the author was 'Tigana' which I consider a brilliant book, but deeply flawed. Unfortunately, the problems with that book - an over-wrought writing style, too much introspection, a few plot holes, unconvincing last-minute romances - are quite likely to be repeated here. This book is problematic in another way for me, too - it is apparently based on medieval Spain, and the religions are closely modelled on those of the era, only thinly disguised. I find it very disconnecting in a fantasy world to come across anything that reminds me directly of real-world matters. But happily I know nothing at all about that time and place, and 'Tigana' was modelled on medieval Italy and that didn't impinge at all. Altogether, Kay's writing is (mostly) so good that I absolutely have to read this, albeit with concerns.
Typically, having laid out all these reservations, I was under Kay's spell again almost instantly. This is partly the old trick of dangling a mystery under the reader's nose - you have to read on to find out more. What happened to Jehane's father? Whatever catastrophe befell Alvar? But partly it was just the wonderful evocative prose that drew me in. The prologue couldn't quite match the tragedy of the 'Tigana' equivalent, but it was still hugely immersive. Then it was immediately into the middle of a whirlwind of names and places and sly references to events which the reader can't possibly understand (but this is standard fantasy strategy). Despite this, the opening chapters are very readable, with events and settings and characters all interesting in their different ways, culminating in the very moving disclosure of what happened to Jehane's father.
And then somehow, as things move on and the story gets into its stride, everything becomes inexplicably camp and joky and almost silly. Everyone is beautiful and clever and immaculately dressed and three steps ahead of the game. Enemies are easily out-manoeuvred and made to look stupid. The men are super-skilled warriors (or want to be) and/or terribly clever strategists, the women are feisty and opinionated, even the doctor of the low-ranking sect, who should be appropriately subservient, and instead of having her head chopped off for her insubordination, is treated with a chivalrous respect bordering on deference. And everyone has amazing sex, even the religious one who really feels she shouldn't but somehow just can't help herself. There's a certain amount of climbing around on balconies, and writing magnificent poetry, and masquerading unnoticed as a slave, and being tied up by your own wife (one of the feisty women, naturally) leading to more amazing sex. There's a moment where the two leading male protagonists' eyes meet across a crowded room which would be in slow motion if it were a film. It could almost be a parody. And for some completely unknown reason, every time one bloke's pearl ear-ring was mentioned, I had a sudden mental image of Captain Jack Sparrow. And the one with the moustache - Tom Selleck. Very disconcerting.
Fortunately, Kay is a skilled writer who never quite lets things slip out of his grasp into the ridiculous. There's a lot of introspection and people standing around analysing and explaining things to each other, but just at the point where you start thinking - that's enough, get on with it - things start happening again. And all that analysing does make it easy to follow the intricacies of the political situation. There's a lot of jumping about from one perspective to another, and some of the jumping is in time, too, so you hear about an event from one character and later (sometimes much later) see it happen from a different perspective. This is confusing at first, but quickly becomes easy to follow.
The characters are all larger than life, but then sometimes, even in real life, people really are that talented, that charismatic, that brilliant, that far-sighted. The story is about sweeping changes and epic battles and extraordinary times, and maybe that demands extraordinary characters to match. Kay's skill is in also making them human and believable, which he does much better here than in 'Tigana', although a few frailties wouldn't have gone amiss either. Sometimes one tires of perfection.
The various cities, or the parts we see, are created with a nice eye for detail, although the world beyond is only sketched in with a word or two here and there. The author brilliantly conveys the nuances of the different societies and religions in his world, and the uneasy tensions between them - the pious and unrefined Jaddites in the north, the relaxed and cultured Asharites in al-Rassan, and the fanatical desert-dwelling Muwardis to the south. And caught in the middle, the quiet and learned Kindath, despised by everyone.
Eventually, the story builds to the point where Our Heroes are no longer three steps ahead of everyone else, and start having to react to events, and this is where things really become tense. I do find it a little odd that, just as the continent-wide war is coming to the boil, some of the top warriors start careering all over the place on purely personal business, to rescue two specific individuals, the parents of a friend. I know that Kay is making a point about friendship and loyalty (regardless of faith) here, so I let it pass, but it still seems a little suspect for contracted warriors to just take off like that.
And so the point arrives that has been unavoidable almost from the start, and the reason for all the Kleenex. And even though I guessed it had to come, I still wanted, deep inside, someone to see sense and call a halt to it all. There has to be a better way to settle differences than having the prime of your manhood slaughtering each other on the battlefield. Football, maybe. Going off to the pub and getting plastered and singing maudlin songs together. Pretty much anything, really. The ending actually feels slightly rushed - a quick summary of the war so far, leading to the inevitable confrontation, where Kay totally cheats - he doesn't tell us the outcome, moving instead to an epilogue twenty years later, with at least two clear pieces of deliberate misdirection before we finally find out what happened. Naughty.
This is one of those books that stays with you. Despite the sometimes overwrought writing style, despite the oddly camp moments, the story has both breadth and depth. The themes it touches on are timeless - duty and honour and the glory of war, as well as the personal tragedy of it. Friendship and loyalty and love and family. The nature of civilisation. Why good men who share love and trust and respect can still kill each other for abstractions like god and country. How honourable and pious people can do unspeakable things to their fellow humans. It's all very depressing, but then it's about war and religion so common sense doesn't come into it. I would have liked a more upbeat ending, but this is Kay's story and it certainly carries great emotional resonance.
My initial reservations were not entirely without foundation. The setting was too close to historical reality for my taste, and the three religions were too easily equated with Christianity, Islam and Judaism. Kay's writing style is still highly emotional, but, compared with 'Tigana', I felt it was under better control here, and the love affairs were much better integrated - entirely integral to the story and given some depth, instead of feeling like an afterthought. I enjoyed this one even more, and see it as a very worthy five stars.
The first thing I would say, to anyone potentially put off by the 'fantasy' tag, is "Don't be". This isn't fantasy so much as alternative history, set in a place very like Spain during the Reconquista. It draws a significant influence from the Poem of the Cid, but it's a darn sight more engaging. It's rich, complex and stirring stuff, mananging to combine an epic narrative sweep with a focus on three or four powerfully-realised characters. And it helps that Kay's writing is elegant and elegaic - perfect for his subject. The plot is effectively a meditation on religious tolerance, but also on what happens when you have to weigh love against duty, religion - and honour. I have to confess to a particular partiality for Ammar, who just had a wonderful nonchalance about him. And I thought the final scenes were very powerful (I would have been happy for the book to finish without the Epilogue). It was how the novel had to end, really. Any other way would have been a cop-out.
Tightly-plotted, well-paced and with vivid characters (both men and women) you really begin to care about, it's the perfect antidote to a lot of more famous, but comparatively flabby and self-indulgent fantasies out there. Here's hoping for more character-based, non-magical stories set in Kay's bewitching world...
The story is very much about these characters, and how situations forced upon them make them work together, dealing with a lot of political backstabbing and religious intolerance. Naturally there is a lot of disagreement, humour, romance and heartbreak along the way. The action is handled deftly - there is not a huge amount of violence in the book, but what there is has a much greater impact for its scarcity. There are some scenes of a sexual nature, nothing too explicit, though.
The prologue, set fifteen years before the main story, sees Ammar sent to assassinate the last of the Khalifs at the instruction of his king. Then, at the beginning of the novel, he is betrayed by the same king on a day that sees many die in the city of Fezana. This brings Ammar into contact with Jehane, as she helps someone escape the killings, and the story spirals outward from there.
Many of the major events are used as a backdrop - GGK keeps everything on a personal level, and the characters are so beautifully written that I couldn't help getting caught up in their troubles. They are all given equal space to breathe, both male and female. In fact the female characters are marvellous - none of them get in peril and stand around waiting to be saved - they are all strong, determined, fully realised people, and more than a match for the men.
Kay has such a lyrical style that it's hard not to keep stopping and re-reading passages just to savour his use of language. It took me a few pages to get my head around it, having just come off the back of authors who are maybe not quite so eloquent, but once I was into it I was hooked. I found it had great depth, was exciting, dark and deeply moving in places. For those looking for traditional fantasy I would still say Tigana is a better starting point for Kay's work, but for anyone else I can't recommend The Lions of Al-Rassan highly enough.