Your Memberships & Subscriptions
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Little, Big Kindle Edition
John Crowley's masterful Little, Big is the epic story of Smoky Barnable, an anonymous young man who travels by foot from the City to a place called Edgewood—not found on any map—to marry Daily Alice Drinkawater, as was prophesied. It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateMay 22, 2012
- File size1292 KB
Customers who bought this item also bought
It was as though she stirred him with cornstarch. He had begun to thicken.Highlighted by 254 Kindle readers
“The things that make us happy,” he said, “make us wise.”Highlighted by 180 Kindle readers
If you know how to read, the World of Books is open to you, after all; and if you like to read, you’ll read. If you don’t, you’ll forget whatever anybody makes you read, anyway.Highlighted by 152 Kindle readers
Editorial Reviews
Review
''A book that all by itself calls for a redefinition of fantasy.'' --Ursula K. Le Guin
''Crowley is generous, obsessed, fascinating, gripping. Really, I think Crowley is so good that he has left everybody else in the dust.'' --Peter Straub, award-winning horror fiction author
Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --Washington Post
''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author
''One of my favorite works of modern fantasy, Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author
Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --Washington Post
''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author
''One of my favorite works of modern fantasy, Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author
Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --Washington Post
''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author
''One of my favorite works of modern fantasy, Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author
Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --Washington Post
''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Little, Big
By John CrowleyHarperCollins Publishers, Inc.
Copyright ©2006 John CrowleyAll right reserved.
ISBN: 0061120057
Chapter One
Men are men, but Man is a woman.
—Chesterton
On a certain day in June, 19—, a young man was making his way on foot northward from the great City to a town or place called Edgewood, that he had been told of but had never visited. His name was Smoky Barnable, and he was going to Edgewood to get married; the fact that he walked and didn't ride was one of the conditions placed on his coming there at all.
Somewhere to Elsewhere
Though he had left his City room early in the morning it was nearly noon before he had crossed the huge bridge on a little-used walkway and come out into the named but boundaryless towns on the north side of the river. Through the afternoon he negotiated those Indian-named places, usually unable to take the straight route commanded by the imperious and constant flow of traffic; he wentneighborhood by neighborhood, looking down alleys and into stores. He saw few walkers, even indigenous, though there were kids on bikes; he wondered about their lives in these places, which to him seemed gloomily peripheral, though the kids were cheerful enough.
The regular blocks of commercial avenues and residential streets began gradually to become disordered, thinning like the extremesof a great forest; began to be broken by weedy lots as though by glades; now and then a dusty undergrown woods or a scruffy meadow announced that it was available to be turned into an industrial park. Smoky turned that phrase over in his mind, since that seemed truly the place in the world where he was, the industrial park, between the desert and the sown.
He stopped at a bench where people could catch buses from Somewhere to Elsewhere. He sat, shrugged his small pack from his back, took from it a sandwich he had made himself—another condition—and a confetti-colored gas-station road map. He wasn't sure if the map were forbidden by the conditions, but the directions he'd been given to get to Edgewood weren't explicit, and he opened it.
Now. This blue line was apparently the cracked macadam lined with untenanted brick factories he had been walking along. He turned the map so that this line ran parallel to his bench, as the road did (he wasn't much of a map reader) and found, far off to his left, the place he walked toward. The name Edgewood didn't appear, actually, but it was here somewhere, in this group of five towns marked with the legend's most insignificant bullets. So. There was a mighty double red line that went near there, proud with exits and entrances; he couldn't walk along that. A thick blue line (on the model of the vascular system, Smoky imagined all the traffic flowing south to the city on the blue lines, away on the red) ran somewhat nearer, extending corpuscular access to towns and townlets along the way. The much thinner sclerotic blue line he sat beside was tributary to this; probably commerce had moved there, Tool Town, Food City, Furniture World, Carpet Village. Well... But there was also, almost indistinguishable, a narrow black line he could take soon instead. He thought at first that it led nowhere, but no, it went on, faltering, seeming at first almost forgotten by the mapmaker in the ganglia, but then growing clearer in the northward emptiness, and coming very near a town Smoky knew to be near Edgewood.
That one, then. It seemed a walker's road.
After measuring with his thumb and finger the distance on the map he had come, and how far he had to go (much farther), he slung on his pack, tilted his hat against the sun, and went on.
A Long Drink of Water
She was not much in his mind as he walked, though for sure she hadn't been far from it often in the last nearly two years he had loved her; the room he had met her in was one he looked into with the mind's eye often, sometimes with the trepidation he had felt then, but often nowadays with a grateful happiness; looked in to see George Mouse showing him from afar a glass, a pipe, and his two tall cousins: she, and her shy sister behind her.
It was in the Mouse townhouse, last tenanted house on the block, in the library on the third floor, the one whose mullioned windows were patched with cardboard and whose dark rug was worn white in pathways between door, bar and windows. It was that very room.
She was tall.
She was nearly six feet tall, which was several inches taller than Smoky; her sister, just turned fourteen, was as tall as he. Their party dresses were short, and glittered, hers red, her sister's white; their long, long stockings glistened. What was odd was that tall as they were they were shy, especially the younger, who smiled but wouldn't take Smoky's hand, only turned away further behind her sister.
Delicate giantesses. The older glanced toward George as he made debonair introductions. Her smile was tentative. Her hair was red-gold and curly-fine. Her name, George said, was Daily Alice.
He took her hand, looking up. "A long drink of water," he said, and she began to laugh. Her sister laughed too, and George Mouse bent down and slapped his knee. Smoky, not knowing why the old chestnut should be so funny, looked from one to another with a seraphic idiot's grin, his hand unrelinquished.
It was the happiest moment of his life.
It had not been, until he met Daily Alice Drinkwater in the library of the Mouse townhouse, a life particularly charged with happiness; but it happened to be a life suited just right for the courtship he then set out on. He was the only child of his father's second marriage, and was . . .
Continues...
Excerpted from Little, Bigby John Crowley Copyright ©2006 by John Crowley. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B005DB7O0U
- Publisher : Harper Perennial (May 22, 2012)
- Publication date : May 22, 2012
- Language : English
- File size : 1292 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 564 pages
- Best Sellers Rank: #102,891 in Kindle Store (See Top 100 in Kindle Store)
- #701 in Contemporary Literary Fiction
- #710 in Contemporary Fantasy (Kindle Store)
- #732 in Historical Literary Fiction
- Customer Reviews:
About the author

John Crowley was born in the appropriately liminal town of Presque Isle, Maine, in 1942, his father then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 14th volume of fiction (Lord Byron's Novel: The Evening Land) in 2005. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all his work is still in print.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the story entrancing, wonderful, and meaningful. They also say the characters stay with them long after the book is put down. Readers describe the magic as subtle, captivating, and immersive. They find the relationships between people poetic and easy to empathize with. However, some find the pacing slow and hard to get into. Opinions are mixed on the writing quality, with some finding it beautiful and well-written, while others say it's not particularly appealing.
AI-generated from the text of customer reviews
Customers find the story entrancing, wonderful, and meaningful. They say the writing is careful and conveys both mystery and deep feelings. Readers also mention the story is winding, fantastical, and strange. They say it has spiritual implications and the author's narration brings it to life wonderfully.
"...anticipation to a crescendo which culminated in a tearful, yet truly sublime ending...." Read more
"...It's an apt comparison in that both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising..." Read more
"...The Tale he tells in this book is a timeless one--love, fantasy, expectations both realized and dashed--and it will stay with you long after reading..." Read more
"...The story is rife with questions, answers to questions you didn't ask, more questions that will never be answered and throughout it all is the..." Read more
Customers find the characters amazing and stay with them long after they have put down the novel. They also mention the house, people, and story are magical.
"...For all the magic-realism trappings of this story, the characters always feel like real people...." Read more
"...less action, the vivid detail of the scenery and the thoughts of the characters are amazing...." Read more
"...John Crowley is a dear and brilliant wizard. I have four print copies of “Little, Big” around the house, and am reading it again, now on my Kindle...." Read more
"...truly wonderful, his ideas are fanciful and profound, his characters are so appealing: one just wants to live in the universe of "Little,..." Read more
Customers find the book mysterious, whimsical, funny, tragic, and fascinating. They say it's captivating, immersive, and rewarding.
"...Nothing did. I get it, it's magical. The prose weaves and dips and leads you like a fairy in the woods...somewhere...." Read more
"...Little, Big is at once epic in scope and deeply personal, magical and commonplace...." Read more
"...totally immune to the lure of the supernatural, although the magic in it is subtle and may be tolerated easily by whoever is open-minded enough to..." Read more
"...It is mysterious, magical, whimsical, funny, tragic, fascinating, unpredictable and totally enjoyable...." Read more
Customers find the writing lovely, evocative, and poetic. They say the relationships between people are equally poetic. Readers also mention the book is epic in scope and deeply personal. They appreciate the characters that are easy to empathize with.
"...for me to relate to, Crowley creates characters that are very easy to empathize with...." Read more
"...The relationships between people are equally poetic and it is a joy to discover who will end up "holding court" so to speak, over our new..." Read more
"...The slow progression from reality to fantasy is very approachable; it reminds me of Pan's Labyrinth and A Song of Ice and Fire in that regard." Read more
"...Little, Big is at once epic in scope and deeply personal, magical and commonplace...." Read more
Customers find the book creative, unique, and imaginative. They also appreciate the respectful and intelligent handling of the subject.
"...: brilliantly layered, richly lyrical, fresh, wildly fanciful and creative --and all the while solid in its underpinnings...." Read more
"...Mr. Crowley's imaginative, respectful and intelligent handling of this subject...." Read more
"...This isn't an easy to read book, but if you like fairytales it's a unique, wonderful, and delicious." Read more
"Slow, different and often beautiful..." Read more
Customers have mixed opinions about the writing quality of the book. Some mention it's beautiful, well-written, and evocative. However, others say the writing is not particularly appealing, predictable, verbose, and tedious.
"...First off, it's for intelligent adults, not children, or anyone looking for pure escapism. It's also not a Tolkien type fantasy...." Read more
"...both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising and falling fortunes of..." Read more
"...author's vision and the depth of his imagination but this is a very hard book to read...." Read more
"...is a rare writer--he has a massive vocabulary, his sentences are so well-constructed you will fall into them like falling onto a feather bed--..." Read more
Customers find the pacing of the book slow and hard to get into. They also say it's sheer torture.
"...This book was sheer torture. In fact, I’ve heard tell that it’s been used at Guantanamo Bay as an inhumane method of enhanced interrogation...." Read more
"...It is by far the best book I have ever read. Granted, it’s hard to get into, but once you’re hooked (about 100 pages) you’re in!..." Read more
"...It takes its time, moves slowly, sets the mood, and throws you in for the curve...." Read more
"...This tale is more of an experience, than a book. It feels slow at first, but oh, does it ever reward you for your patience...." Read more
Customers find the book tedious, forgettable, and mind-numbing.
"...Auberon, who at least leave the town to do something, everyone else is just kind of boring...." Read more
"...of incest, drug use and infidelity seem completely uninteresting, forgettable and mind numbing...." Read more
"...'s all I can spare for this book, which I found tedious, repetitive, boring, as written, at least for the first ~160 pages...." Read more
"This book is incredibly tedious and boring. Very little movement in the plot ... in fact on page 78 I still haven't found the plot...." Read more
Reviews with images
Non spoiler review
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
What is the Tale? On the surface, it is something a mysterious old woman named Mrs. Underhill may have mentioned to Alice's great grandmother Violet Bramble. It was understood that the Tale involved the family of Violet and her architect husband John Drinkwater, and it wouldn't end for quite some time. LITTLE, BIG tells the story of 4 generations of this family in lavish, beautifully descriptive prose. Part of the plot also involves a distant cousin of the family named Ariel Hawksquill and a sinister individual named Russell Eigenblick. Both will have their own important parts to play in the Tale. A good portion of the story takes place in Edgewood, which is represented by a very unusual house, designed and built by Violet's husband John, and located somewhere in the Northeast countryside (upstate NY?). Edgewood was built not merely to serve as a residence (a quite disorienting one at that), but as a way station between this dimension and the dimension of Faerie. It exists on the "edge" of the 2 realities. Edgewood is actually one of the main characters in the novel, and it's purpose is made clearer at the end of the book. Parts of the story also take place in the Great City (NYC), where Smokey and Alice's son Auberon (named after a great uncle) goes to play his role in the Tale. Auberon's journey is one of self discovery, in which he finds love, then loses it and almost loses his sanity in the aftermath. Crowley is wonderful at drawing parallels between things. In one instance he mentions a time when the Woods were wild and fearsome. Now the Woods are peaceful, and the city is in actuality, the Wild Wood. Smokey journeys from the wild city to the peaceful woods to marry and unwittingly becomes part of something greater and more profound than his humdrum reality, while years later, his only son does the reverse to escape the meaninglessness of his own existence and unwittingly fulfill his own destiny. Beautiful symmetry abounds in this novel. A recurring theme involves the seasons. Each season has a symbolic significance in the novel, and key sections of the narrative have plot elements that reflect the season in which they occur. There are many subtle and clever devices Crowley employs to foreshadow events in the novel. A charming scene in a subway tunnel between Auberon and his lover Sylvie, anticipates future events. Near the end, even something as simple as Smokey reaching for a copy of Ovid's Metamorphosis has a portentous significance which in an offhanded way underscores the Tale's mythic nature.
LITTLE, BIG consists of 6 books, divided by 26 chapters headed by epigrams from famous philosophers and literary figures like Cicero, Samuel Johnson, and Virginia Woolf; further subdivided into sections with titles crystallizing thoughts presented in each section. This process of subdivision, rather than confusing the reader, allows one to draw a breath and absorb what is presented without getting mentally exhausted. It's necessary, because Crowley's writing often flaunts his erudition. He'll embellish passages with words that send you scrambling for the dictionary. This may not be a style of writing that pleases everyone, but for this novel I think it's effective. The story held my interest from the beginning, further piqued my curiosity as it progressed, and built anticipation to a crescendo which culminated in a tearful, yet truly sublime ending.
Crowley does more than just tell a wonderful story. A fascinating sidelight is the presentation of certain philosophical elements.. historically controversial visions of reality which have seldom been presented in such a beautiful and imaginative way. There are elements of Gnosticism in the Tale; an attempt to link the spiritual with the rational. It brings to mind Hamlet's words to his rational buddy, "There are more things on heaven and earth, Horatio, than are dreamt of in your philosophy". Whether or not Mr. Crowley is a proponent of, or even believes in such notions is not for me to surmise, although I 'm more inclined to think that the Gnostic and Hermetic ideas are used more as plot devices to flesh out the crucial emotional underpinnings of the story, rather than serve as major thematic components. Smokey represents to me, the rational, pragmatic, reasonable world. Alice and her family, the link to the world of spirit and wonder and imagination. The 2 must join together for the Tale to proceed, just as man must recognize his spiritual as well as rational nature. Smokey's life has little value at the start, but ends with a supreme personal fulfillment. The novel describes concentric levels of reality, the deeper in you travel, the more spacious it becomes. Man lives on one level. The faeries on a deeper level. Who knows what exists on levels further in? Carl Jung, in accord with Gnostic and Hermetic sources, describes man as a unique link between the microcosm (Little) and the macrocosm (Big), a portal so to speak, between 2 eternities, one inner and the other outer. The notion presented in the novel of alternative universes is not strictly proprietary to metaphysics. It has been a valid topic of debate in advanced physics. The notion of death in this book is not a fearful notion. Everything we are made of, including our consciousness, has always existed, and will always exist in one form or other for eternity. The deep thoughts are there, but they do not take away from the things in the novel that have primary importance for us as humans who live in the real world and don't pay much thought to alternative realities.
In trying to compare LITTLE, BIG to other works of similar style, I am reminded a bit of One Hundred Years of Solitude, by Garcia Marquez. Both novels make reference to occultism and hermeticism. Both novels contain family trees, and relate unusual family histories through several generations.. but where the Colombian master's Buendia family were almost impossible for me to relate to, Crowley creates characters that are very easy to empathize with. They live and breathe, love and ache, undergo physical, emotional, and spiritual changes, and act all too human even when they become more or less than human. They resonate in your consciousness long after you finish the book. At least they did in mine. I highly recommend this book, and hope more people get to discover it's wonders. Like all great books, this one demands multiple readings. Great books are life experiences..journeys of self discovery, always there to be travelled, each successive venture leading us down more scenic routes to our destination. With LITTLE, BIG Crowley has fashioned his own Edgewood for the reader. We enter through the gates and proceed to a familiar world, one we all know, but nonetheless, a world ripe with mystery, enchantment, and some danger. There are puzzles to solve, and once solved, new ones arise to challenge us. Questions are asked, and once answered, new ones posed for pondering. The world we thought we knew changes into a new world. We leave with new insights, and perhaps a new world view, part of ourselves changed forever as we perceive life from an altered perspective. It may only have been a tale, but it had become our tale. We lived it along with the characters. The experience was just as meaningful for us as for them.
And so this novel asks a lot of big philosophical and metaphysical questions. The author, John Crowley, is not interested in pat answers. The questions are sometimes more important than the conclusions that follow. And sometimes, there are no conclusions explicitly stated. It's up to the reader to use some mental effort to figure out what's happening in the story. This is why I say that this novel is not for everyone. In today's reading culture, where even college-educated adults are only willing to read young adult novels, this book may be a challenge to some. For one thing, Crowley's prose is DENSE. What I mean by that is that he'll write sentences that are their own paragraphs. Sentences with numerous clauses that are separately by a multitude of commas, semi-colons, hyphens, long dashes, and parentheticals. And within these long sentence constructions, Crowley will pack in multiple disparate ideas that he is able to artfully connect with an overarching theme, philosophical thesis, or series of actions. And also, the sentences are beautiful, almost musical, in their prose. Here's an example (the hairy thing mentioned is a squirrel's tail; a love totem from the Fey):
"But they had kept their promise, oh they had, he was on the way to becoming an entire anthology of love, with footnotes (there were a pair of step-ins under his seat, he could not remember who had stepped out of them); only, as he drove from drugstore to church, from farmhouse to farmhouse, with the hairy thing flying from his windscreen, he came to know that it did not and had not ever contained his power over women: his power over women lay in their power over him."
Some people have compared this novel to Gabriel Garcia Marquez's book "One Hundred Years of Solitude". It's an apt comparison in that both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising and falling fortunes of remarkable multi-generational families. But Crowley's novel dives more deeply into the metaphysical. In his story, the universe is actually a multiverse with fantastical realms of existence nested within each other, yet paradoxically, the deeper ones are larger than the ones that contain them. And from this mind-expanding idea, Crowley is able to craft an epic narrative that takes the reader to some truly bizarre and beautiful settings. Some of the characters start to wake up to this and take advantage of this strange architecture of the universe.
The main characters here will speak and live and breathe and stumble and fall their way through this story. For all the magic-realism trappings of this story, the characters always feel like real people. And that is perhaps Crowley's great strength as an author. He never lets the metaphysical or phantasmagoric elements of the story cloud the essential humanity of the people who live inside that reality. I challenge anyone to read this novel from beginning to end and not fall in love with at least 3 of the main characters.
Top reviews from other countries
One of the greats.





