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Little, Big Kindle Edition

4.3 4.3 out of 5 stars 969 ratings

John Crowley's masterful Little, Big is the epic story of Smoky Barnable, an anonymous young man who travels by foot from the City to a place called Edgewood—not found on any map—to marry Daily Alice Drinkawater, as was prophesied. It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.

Popular Highlights in this book

Editorial Reviews

Review

''One of my favorite works of modern fantasy, Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author

''A book that all by itself calls for a redefinition of fantasy.'' --Ursula K. Le Guin

''Crowley is generous, obsessed, fascinating, gripping. Really, I think Crowley is so good that he has left everybody else in the dust.'' --Peter Straub, award-winning horror fiction author

Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --
Washington Post

''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of
Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author

''One of my favorite works of modern fantasy,
Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author

Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --
Washington Post

''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of
Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author

''One of my favorite works of modern fantasy,
Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author

Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --
Washington Post

''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of
Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author

''One of my favorite works of modern fantasy,
Little, Big, is an amazing tale told in an amazing way. Reading it I felt as if I were watching a high-wire artist: one slip and he would fall into the dreadful net of Twee. Yet Crowley never slips, not upon a single word, and the book grows more powerful with every page.'' --Katharine Kerr, bestselling author

Ambitious, dazzling, strangely moving, a marvelous magic-realist family chronicle.'' --
Washington Post

''John Crowley writes sentences of such coruscating magnificence that the rest of the English language has fallen in love with them. I once knew an adverbial clause who was so infatuated with the linguistic beauty of
Little, Big that the poor creature pined away into a comma.'' --James Morrow, World Fantasy Award-winning author

About the Author

JOHN CROWLEY is an American writer who has also worked in television and documentary films. He is a recipient of the prestigious American Academy of Arts and Letters Award for Literature. His fantasy and science fiction have established him as a major voice in imaginative writing. His other novels include The Deep, Engine Summer, and Aegypt.

Product details

  • ASIN ‏ : ‎ B005DB7O0U
  • Publisher ‏ : ‎ Harper Perennial (May 22, 2012)
  • Publication date ‏ : ‎ May 22, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1292 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 564 pages
  • Customer Reviews:
    4.3 4.3 out of 5 stars 969 ratings

About the author

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John Crowley
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John Crowley was born in the appropriately liminal town of Presque Isle, Maine, in 1942, his father then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 14th volume of fiction (Lord Byron's Novel: The Evening Land) in 2005. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all his work is still in print.

Customer reviews

4.3 out of 5 stars
969 global ratings

Customers say

Customers find the story entrancing, wonderful, and meaningful. They also say the characters stay with them long after the book is put down. Readers describe the magic as subtle, captivating, and immersive. They find the relationships between people poetic and easy to empathize with. However, some find the pacing slow and hard to get into. Opinions are mixed on the writing quality, with some finding it beautiful and well-written, while others say it's not particularly appealing.

AI-generated from the text of customer reviews

55 customers mention "Story quality"44 positive11 negative

Customers find the story entrancing, wonderful, and meaningful. They say the writing is careful and conveys both mystery and deep feelings. Readers also mention the story is winding, fantastical, and strange. They say it has spiritual implications and the author's narration brings it to life wonderfully.

"...anticipation to a crescendo which culminated in a tearful, yet truly sublime ending...." Read more

"...It's an apt comparison in that both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising..." Read more

"...The Tale he tells in this book is a timeless one--love, fantasy, expectations both realized and dashed--and it will stay with you long after reading..." Read more

"...The story is rife with questions, answers to questions you didn't ask, more questions that will never be answered and throughout it all is the..." Read more

11 customers mention "Character development"9 positive2 negative

Customers find the characters amazing and stay with them long after they have put down the novel. They also mention the house, people, and story are magical.

"...For all the magic-realism trappings of this story, the characters always feel like real people...." Read more

"...less action, the vivid detail of the scenery and the thoughts of the characters are amazing...." Read more

"...John Crowley is a dear and brilliant wizard. I have four print copies of “Little, Big” around the house, and am reading it again, now on my Kindle...." Read more

"...truly wonderful, his ideas are fanciful and profound, his characters are so appealing: one just wants to live in the universe of "Little,..." Read more

9 customers mention "Magic"9 positive0 negative

Customers find the book mysterious, whimsical, funny, tragic, and fascinating. They say it's captivating, immersive, and rewarding.

"...Nothing did. I get it, it's magical. The prose weaves and dips and leads you like a fairy in the woods...somewhere...." Read more

"...Little, Big is at once epic in scope and deeply personal, magical and commonplace...." Read more

"...totally immune to the lure of the supernatural, although the magic in it is subtle and may be tolerated easily by whoever is open-minded enough to..." Read more

"...It is mysterious, magical, whimsical, funny, tragic, fascinating, unpredictable and totally enjoyable...." Read more

6 customers mention "Empathy"6 positive0 negative

Customers find the writing lovely, evocative, and poetic. They say the relationships between people are equally poetic. Readers also mention the book is epic in scope and deeply personal. They appreciate the characters that are easy to empathize with.

"...for me to relate to, Crowley creates characters that are very easy to empathize with...." Read more

"...The relationships between people are equally poetic and it is a joy to discover who will end up "holding court" so to speak, over our new..." Read more

"...The slow progression from reality to fantasy is very approachable; it reminds me of Pan's Labyrinth and A Song of Ice and Fire in that regard." Read more

"...Little, Big is at once epic in scope and deeply personal, magical and commonplace...." Read more

4 customers mention "Creativity"4 positive0 negative

Customers find the book creative, unique, and imaginative. They also appreciate the respectful and intelligent handling of the subject.

"...: brilliantly layered, richly lyrical, fresh, wildly fanciful and creative --and all the while solid in its underpinnings...." Read more

"...Mr. Crowley's imaginative, respectful and intelligent handling of this subject...." Read more

"...This isn't an easy to read book, but if you like fairytales it's a unique, wonderful, and delicious." Read more

"Slow, different and often beautiful..." Read more

57 customers mention "Writing quality"37 positive20 negative

Customers have mixed opinions about the writing quality of the book. Some mention it's beautiful, well-written, and evocative. However, others say the writing is not particularly appealing, predictable, verbose, and tedious.

"...First off, it's for intelligent adults, not children, or anyone looking for pure escapism. It's also not a Tolkien type fantasy...." Read more

"...both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising and falling fortunes of..." Read more

"...author's vision and the depth of his imagination but this is a very hard book to read...." Read more

"...is a rare writer--he has a massive vocabulary, his sentences are so well-constructed you will fall into them like falling onto a feather bed--..." Read more

12 customers mention "Pacing"3 positive9 negative

Customers find the pacing of the book slow and hard to get into. They also say it's sheer torture.

"...This book was sheer torture. In fact, I’ve heard tell that it’s been used at Guantanamo Bay as an inhumane method of enhanced interrogation...." Read more

"...It is by far the best book I have ever read. Granted, it’s hard to get into, but once you’re hooked (about 100 pages) you’re in!..." Read more

"...It takes its time, moves slowly, sets the mood, and throws you in for the curve...." Read more

"...This tale is more of an experience, than a book. It feels slow at first, but oh, does it ever reward you for your patience...." Read more

5 customers mention "Boredom"0 positive5 negative

Customers find the book tedious, forgettable, and mind-numbing.

"...Auberon, who at least leave the town to do something, everyone else is just kind of boring...." Read more

"...of incest, drug use and infidelity seem completely uninteresting, forgettable and mind numbing...." Read more

"...'s all I can spare for this book, which I found tedious, repetitive, boring, as written, at least for the first ~160 pages...." Read more

"This book is incredibly tedious and boring. Very little movement in the plot ... in fact on page 78 I still haven't found the plot...." Read more

Non spoiler review
2 out of 5 stars
Non spoiler review
Standard Amazon note: Multiple listings for the same story, each with differing review sets.Some authors (Ray Bradbury and Tanith Lee come to mind) write in a poetic way. Evoking moods: Wonder, terror, yearning. And creating stories that feel as if one has visited wonderous worlds... Or at least read a book about wonderous worlds.This author writes poetically, evoking... As near as I can tell, the feeling of staring at dust on a glass table top protector. And I feel as though I might've read a street directory of a mildly interesting world.2* is a bit generous, but I started skipping larger and larger chunks in a futile quest to find Some. Section. That. Did. Nooooot. Feeeeel. Liiiiiike... It waaaaas. Stuck. In. Congealing. Grease.No luck. So bonus star in case I missed something decent.
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Top reviews from the United States

Reviewed in the United States on October 20, 2008
Where do I begin in attempting to review this remarkable book? I'll apologize in advance for being long-winded but I have much to say about John Crowley's tour de force. It's place might be in the fantasy genre, but it's unlike any fantasy novel I've ever read. First off, it's for intelligent adults, not children, or anyone looking for pure escapism. It's also not a Tolkien type fantasy. The bulk of the plot doesn't take place in an imaginary kingdom, with stereotypical heroes and villains, and exalted but all too obvious themes. It's not allegorical as are the works of MacDonald and Lewis. The fantastic elements, fairies, elves, and such, aren't ubiquitous, but operate for the most part in clandestine fashion, behind the scenes. LITTLE, BIG can rightly be termed realistic fiction with unrealistic elements, and the fantastic elements are often presented with a Carrollian wit. Characters are introduced much the way Dickens would have. Even their names have a certain Dickensian flavor. Most of the major characters are painted with subtle, rather than broad brush strokes, in a way reminiscent of George Eliot. Despite a basic goodness and decency, major characters like Smokey and George Mouse do things that violate certain moral codes, but these transgressions aren't unduly focused on. We discover things about these people that surprise us, but shouldn't shock us. Human weakness in the form of a surrendering to carnal urges serves to counterpoint inherent nobility. The action starts in the middle part of the 20th century, with the very mundane Smokey Barnable, on his way to a place called Edgewood, to marry a girl named Daily Alice Drinkwater, and play his part in the Tale. The Tale is one of the major motifs in LITTLE, BIG, and it ends at the conclusion of the novel. This "Tale" encompassed by the greater fiction of the novel is one of the charming aspects of this book, sort of a myth grafted onto a slice of 20th century American history.

What is the Tale? On the surface, it is something a mysterious old woman named Mrs. Underhill may have mentioned to Alice's great grandmother Violet Bramble. It was understood that the Tale involved the family of Violet and her architect husband John Drinkwater, and it wouldn't end for quite some time. LITTLE, BIG tells the story of 4 generations of this family in lavish, beautifully descriptive prose. Part of the plot also involves a distant cousin of the family named Ariel Hawksquill and a sinister individual named Russell Eigenblick. Both will have their own important parts to play in the Tale. A good portion of the story takes place in Edgewood, which is represented by a very unusual house, designed and built by Violet's husband John, and located somewhere in the Northeast countryside (upstate NY?). Edgewood was built not merely to serve as a residence (a quite disorienting one at that), but as a way station between this dimension and the dimension of Faerie. It exists on the "edge" of the 2 realities. Edgewood is actually one of the main characters in the novel, and it's purpose is made clearer at the end of the book. Parts of the story also take place in the Great City (NYC), where Smokey and Alice's son Auberon (named after a great uncle) goes to play his role in the Tale. Auberon's journey is one of self discovery, in which he finds love, then loses it and almost loses his sanity in the aftermath. Crowley is wonderful at drawing parallels between things. In one instance he mentions a time when the Woods were wild and fearsome. Now the Woods are peaceful, and the city is in actuality, the Wild Wood. Smokey journeys from the wild city to the peaceful woods to marry and unwittingly becomes part of something greater and more profound than his humdrum reality, while years later, his only son does the reverse to escape the meaninglessness of his own existence and unwittingly fulfill his own destiny. Beautiful symmetry abounds in this novel. A recurring theme involves the seasons. Each season has a symbolic significance in the novel, and key sections of the narrative have plot elements that reflect the season in which they occur. There are many subtle and clever devices Crowley employs to foreshadow events in the novel. A charming scene in a subway tunnel between Auberon and his lover Sylvie, anticipates future events. Near the end, even something as simple as Smokey reaching for a copy of Ovid's Metamorphosis has a portentous significance which in an offhanded way underscores the Tale's mythic nature.

LITTLE, BIG consists of 6 books, divided by 26 chapters headed by epigrams from famous philosophers and literary figures like Cicero, Samuel Johnson, and Virginia Woolf; further subdivided into sections with titles crystallizing thoughts presented in each section. This process of subdivision, rather than confusing the reader, allows one to draw a breath and absorb what is presented without getting mentally exhausted. It's necessary, because Crowley's writing often flaunts his erudition. He'll embellish passages with words that send you scrambling for the dictionary. This may not be a style of writing that pleases everyone, but for this novel I think it's effective. The story held my interest from the beginning, further piqued my curiosity as it progressed, and built anticipation to a crescendo which culminated in a tearful, yet truly sublime ending.

Crowley does more than just tell a wonderful story. A fascinating sidelight is the presentation of certain philosophical elements.. historically controversial visions of reality which have seldom been presented in such a beautiful and imaginative way. There are elements of Gnosticism in the Tale; an attempt to link the spiritual with the rational. It brings to mind Hamlet's words to his rational buddy, "There are more things on heaven and earth, Horatio, than are dreamt of in your philosophy". Whether or not Mr. Crowley is a proponent of, or even believes in such notions is not for me to surmise, although I 'm more inclined to think that the Gnostic and Hermetic ideas are used more as plot devices to flesh out the crucial emotional underpinnings of the story, rather than serve as major thematic components. Smokey represents to me, the rational, pragmatic, reasonable world. Alice and her family, the link to the world of spirit and wonder and imagination. The 2 must join together for the Tale to proceed, just as man must recognize his spiritual as well as rational nature. Smokey's life has little value at the start, but ends with a supreme personal fulfillment. The novel describes concentric levels of reality, the deeper in you travel, the more spacious it becomes. Man lives on one level. The faeries on a deeper level. Who knows what exists on levels further in? Carl Jung, in accord with Gnostic and Hermetic sources, describes man as a unique link between the microcosm (Little) and the macrocosm (Big), a portal so to speak, between 2 eternities, one inner and the other outer. The notion presented in the novel of alternative universes is not strictly proprietary to metaphysics. It has been a valid topic of debate in advanced physics. The notion of death in this book is not a fearful notion. Everything we are made of, including our consciousness, has always existed, and will always exist in one form or other for eternity. The deep thoughts are there, but they do not take away from the things in the novel that have primary importance for us as humans who live in the real world and don't pay much thought to alternative realities.

In trying to compare LITTLE, BIG to other works of similar style, I am reminded a bit of One Hundred Years of Solitude, by Garcia Marquez. Both novels make reference to occultism and hermeticism. Both novels contain family trees, and relate unusual family histories through several generations.. but where the Colombian master's Buendia family were almost impossible for me to relate to, Crowley creates characters that are very easy to empathize with. They live and breathe, love and ache, undergo physical, emotional, and spiritual changes, and act all too human even when they become more or less than human. They resonate in your consciousness long after you finish the book. At least they did in mine. I highly recommend this book, and hope more people get to discover it's wonders. Like all great books, this one demands multiple readings. Great books are life experiences..journeys of self discovery, always there to be travelled, each successive venture leading us down more scenic routes to our destination. With LITTLE, BIG Crowley has fashioned his own Edgewood for the reader. We enter through the gates and proceed to a familiar world, one we all know, but nonetheless, a world ripe with mystery, enchantment, and some danger. There are puzzles to solve, and once solved, new ones arise to challenge us. Questions are asked, and once answered, new ones posed for pondering. The world we thought we knew changes into a new world. We leave with new insights, and perhaps a new world view, part of ourselves changed forever as we perceive life from an altered perspective. It may only have been a tale, but it had become our tale. We lived it along with the characters. The experience was just as meaningful for us as for them.
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Reviewed in the United States on January 20, 2017
This is a great American novel that is not meant for everybody, which is why it's a great American novel that's mostly unknown. It's a fairy tale book not meant for little children. Who this book is meant for are those who want to experience the truth of a world like ours that just happens to be poked, prodded, and moved about by the Fey peoples of an alternate plane of existence. This is a novel about an extraordinary family across multiple generations--a family with foibles and flaws and beauty and strength, who struggle to understand the Why of their existence as they also alternately struggle against and work with the Little People (who may not be so little).

And so this novel asks a lot of big philosophical and metaphysical questions. The author, John Crowley, is not interested in pat answers. The questions are sometimes more important than the conclusions that follow. And sometimes, there are no conclusions explicitly stated. It's up to the reader to use some mental effort to figure out what's happening in the story. This is why I say that this novel is not for everyone. In today's reading culture, where even college-educated adults are only willing to read young adult novels, this book may be a challenge to some. For one thing, Crowley's prose is DENSE. What I mean by that is that he'll write sentences that are their own paragraphs. Sentences with numerous clauses that are separately by a multitude of commas, semi-colons, hyphens, long dashes, and parentheticals. And within these long sentence constructions, Crowley will pack in multiple disparate ideas that he is able to artfully connect with an overarching theme, philosophical thesis, or series of actions. And also, the sentences are beautiful, almost musical, in their prose. Here's an example (the hairy thing mentioned is a squirrel's tail; a love totem from the Fey):

"But they had kept their promise, oh they had, he was on the way to becoming an entire anthology of love, with footnotes (there were a pair of step-ins under his seat, he could not remember who had stepped out of them); only, as he drove from drugstore to church, from farmhouse to farmhouse, with the hairy thing flying from his windscreen, he came to know that it did not and had not ever contained his power over women: his power over women lay in their power over him."

Some people have compared this novel to Gabriel Garcia Marquez's book "One Hundred Years of Solitude". It's an apt comparison in that both novels are shining examples of the magic realism genre and great prose, and both are concerned with the rising and falling fortunes of remarkable multi-generational families. But Crowley's novel dives more deeply into the metaphysical. In his story, the universe is actually a multiverse with fantastical realms of existence nested within each other, yet paradoxically, the deeper ones are larger than the ones that contain them. And from this mind-expanding idea, Crowley is able to craft an epic narrative that takes the reader to some truly bizarre and beautiful settings. Some of the characters start to wake up to this and take advantage of this strange architecture of the universe.

The main characters here will speak and live and breathe and stumble and fall their way through this story. For all the magic-realism trappings of this story, the characters always feel like real people. And that is perhaps Crowley's great strength as an author. He never lets the metaphysical or phantasmagoric elements of the story cloud the essential humanity of the people who live inside that reality. I challenge anyone to read this novel from beginning to end and not fall in love with at least 3 of the main characters.
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Top reviews from other countries

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customer
5.0 out of 5 stars Haunting
Reviewed in the United Kingdom on August 14, 2023
I was originally listening to this on Audible, which was very well read but too relaxing. I kept falling asleep - so its a very good sleep aid. But I decided I had better read the book as I was getting confused. It's a very unusual story and when I finished the book I felt quite haunted by it. I dont call it an easy read but its worth the effort. In terms of influences I would say George MacDonald.
Book Person
5.0 out of 5 stars great book, arrived quickly!
Reviewed in Canada on December 1, 2020
Very happy with my purchase1
jim anotsu
5.0 out of 5 stars Genial
Reviewed in Brazil on November 22, 2017
Uma das melhores obras de fantasias que já li na vida. Crowley deveria ser muito mais conhecido.

One of the greats.
Lucia
5.0 out of 5 stars Beautiful
Reviewed in Spain on December 6, 2019
Amazing, poetic and disquieting story set up in a Victorian country setting of magical beauty touching, often merging with the otherworldly.
A Forest
5.0 out of 5 stars Loved it!
Reviewed in Australia on December 2, 2020
My second time reading it! Really such a well written book, pulls you into an altered time and place.

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