- Hardcover: 352 pages
- Publisher: Penguin Press; 1st Edition edition (September 12, 2017)
- Language: English
- ISBN-10: 0735224293
- ISBN-13: 978-0735224292
- Product Dimensions: 6.3 x 1.1 x 9.3 inches
- Shipping Weight: 1.2 pounds (View shipping rates and policies)
- Average Customer Review: 3,010 customer reviews
- Amazon Best Sellers Rank: #100 in Books (See Top 100 in Books)
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Little Fires Everywhere Hardcover – September 12, 2017
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An Amazon Best Book of September 2017: With her first two novels, Celeste Ng has established herself as a writer of rare sensitivity and talent. Her debut Everything I Never Told You was picked by the Amazon Editors as the best book of 2014 and went on to be a best seller. Now, Little Fires Everywhere is sure to please her fans and attract many more. The Richardson family lives in the planned community of Shaker Heights, Ohio—a place of wealth, comfort, and stability—and they are a clan that embodies those traits. But when Mia, a single mother, and her fifteen year old daughter, Pearl, rent a house in the area, their very different lives will merge with those of the Richardson family and begin to contort the carefully laid lattice that supports their views. Once again, the plotting and pacing are nearly perfect, the characters believable and real. Ng is a master of family and societal dynamics, shifting perspectives, and the secrets that we try to protect—and readers who loved her debut will recognize the author in this second novel, even as she continues to stretch herself as a writer. We are now eagerly awaiting her next novel. --Chris Schluep, Amazon Book Review
"I read Little Fires Everywhere in a single, breathless sitting. With brilliance and beauty, Celeste Ng dissects a microcosm of American society just when we need to see it beneath the microscope: how do questions of race stack up against the comfort of privilege, and what role does that play in parenting? Is motherhood a bond forged by blood, or by love? And perhaps most importantly: do the faults of our past determine what we deserve in the future? Be ready to be wowed by Ng's writing -- and unsettled by the mirror held up to one's own beliefs." - Jodi Picoult, New York Times bestselling author of Small Great Things and Leaving Time
“Witty, wise, and tender. It's a marvel.” -Paula Hawkins, author of The Girl on the Train and Into the Water
“Witnessing these two families as they commingle and clash is an utterly engrossing, often heartbreaking, deeply empathetic experience…It’s this vast and complex network of moral affiliations—and the nuanced omniscient voice that Ng employs to navigate it—that make this novel even more ambitious and accomplished than her debut…Our trusty narrator is as powerful and persuasive and delightfully clever as the narrator in a Victorian novel…It is a thrillingly democratic use of omniscience, and, for a novel about class, race, family and the dangers of the status quo, brilliantly apt…The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America]. Who set the littles fires everywhere? We keep reading to find out, even as we suspect that it could be us with ash on our hands.” —Eleanor Henderson, The New York Times Book Review
“[Ng] captures her setting with an ethnologist’s authority…And there are time-capsule pleasures in her evocation of 1997…The writing is poised.” —Wall Street Journal
“Delectable and engrossing…A complex and compulsively readable suburban saga that is deeply invested in mothers and daughters…What Ng has written, in this thoroughly entertaining novel, is a pointed and persuasive social critique, teasing out the myriad forms of privilege and predation that stand between so many people and their achievement of the American dream. But there is a heartening optimism, too. This is a book that believes in the transformative powers of art and genuine kindness — and in the promise of new growth, even after devastation, even after everything has turned to ash.” —Boston Globe
“[Ng] widens her aperture to include a deeper, more diverse cast of characters. Though the book’s language is clean and straightforward, almost conversational, Ng has an acute sense of how real people (especially teenagers, the slang-slinging kryptonite of many an aspiring novelist) think and feel and communicate. Shaker Heights may be a place where “things were peaceful, and riots and bombs and earthquakes were quiet thumps, muffled by distance.’ But the real world is never as far away as it seems, of course. And if the scrim can’t be broken, sometimes you have to burn it down. Grade: A-” —Entertainment Weekly
“Stellar…The plot is tightly structured, full of echoes and convergence, the characters bound together by a growing number of thick, overlapping threads….Ng is a confident, talented writer, and it’s a pleasure to inhabit the lives of her characters and experience the rhythms of Shaker Heights through her clean, observant prose. Before she became an author she was a miniaturist — almost too perfect for a writer of suburban fiction — and there’s a lovely, balanced, dioramic quality to this novel. She toggles between multiple points of view, creating a narrative both broad in scope and fine in detail, all while keeping the story moving at a thriller’s pace.”—LA Times
“Riveting…unearthing the ways that race, class, motherhood and belonging intersect to shape each individual…Perhaps Ng's most impressive feat is inviting the reader's forgiveness for Mrs. Richardson –– a woman whose own mission for perfection, and strict adherence to rules ultimately become the catalyst for the maelstrom that ensues.”—Chicago Tribune
“Like Sue Monk Kidd or Madeleine Thien, Celeste Ng has a carpenter’s sure touch in constructing nested, interconnected plots…There are few novelists writing today who are as wise, compassionate and unsparing as Ng, about the choices you make, the ones you don’t, and the price you might pay for missed lives.” —Financial Times
"When you're in the mood for family drama that's not your own, Little Fires Everywhere by CelesteNg will have you hooked." -The Skimm
“Sharp and entertaining—you can’t look away even when things are crashing and burning (literally)—and it possibly ranks up there with all-time great suburbia fiction, like Jeffrey Eugenides’s The Virgin Suicides.” — Goop
“Opposites attract and also ignite in this thoughtful novel.” —People
"Ng writes with the wisdom of a hundred lives lived.” — Harpers Bazaar
“A riveting read and one of our favorite new works of fiction this fall.” —Refinery29
“[Ng] probes privilege and the compromises it requires in a riveting novel.” –O, The Oprah Magazine
“A meditation on rules, race, class, insiders, outsiders, motherhood. There is no throwaway character. And after you've raced to the end of the book, you'll want to read it again, to take the ideas and hold them up to the harsh light of 2017. Ng's novel would be a great read in any time period—but if you’re struggling with the present moment and how we got here, this novel will do what any good piece of fiction does: illuminate.” —Barrie Hardymon, NPR’s Best Books of 2017
“Like Everything I Never Told You, Ng’s excellent debut, the book plots its way into a smart, accessible conversation about race and class. But free of the restraints of Everything’s thriller construction, Little Fires gives Ng the space and patience to confront how progressive-minded communities approach identity.” –GQ.com
“[A] suspenseful, tense tale.” —W Magazine
“[Ng’s] descriptions are so dead-on you can practically see the Cleveland skyline as you ride shotgun with these characters.” —Glamour
“A meditation on the unspoken pains and contradictions of motherhood. Its story unspools all the raw, knotted tensions that go into making a family…Choosing a rambling van over a 401(k) isn't a sign of delinquent parenting in Ng's universe; it's just one of a series of possible paths, with its own unique pleasures and pitfalls.” –Refinery29
“Unmissable…Ng’s psychological insight is acute, yet generous,…Little Fires Everywhere examines the cruelties that we unwittingly inflict on those we claim to love.” ―Claire Fallon, HuffPost’s Best Fiction Books of 2017
“Takes unerring aim at upper-middle-class America’s blind spots…a nuanced study of mothers and daughters and the burden of not belonging to our families or our communities.” — Vogue
“Totally absorbing, each character drawn so well it makes it impossible to decide whose side you’re on.” — Marie Claire
“Ng writes with the wisdom of a hundred lives lived, churning out complex characters mostly sympathetic, sometimes loathsome, but all startlingly human.” —HarpersBazaar.com
“Fans of novelist Celeste Ng’s debut, Everything I Never Told You, and devotees of her resistance-ready Twitter feed can rejoice…The story drifts effortlessly between characters; each is full and memorable as they coax the novel to its fiery climax. Ng reminds us that action is a choice, and you’ll want to keep reading until the last irreversible actions play out.” —Bust
“Compelling…Little Fires Everywhere invests all of its emotional energies in the relationship between mothers and their children…in Ng’s precisely rendered perfect suburb.” –Vox
“Ng’s taut class drama is calibrated for fireworks.” –New York Magazine, Books to Read This Fall
“Written with deep empathy and vivid characters who feel true to life, Little Fires Everywhere is a captivating, insightful examination of motherhood, identity, family, privilege, perfectionism, obsession, and the secrets about ourselves we try to hide.” –Buzzfeed
“There are few modern writers as brilliant at capturing the complexities of a family as Celeste Ng…The book is smart, nuanced, and exhilarating—but more than anything, Little Fires Everywhere is a gorgeous exploration of motherhood in its many forms, and the many different paths that women travel to get there.” —Shondaland.com
“Ng’s uncanny ability to embody multiple viewpoints makes for a powerful, revelatory novel.” –BBC.com, Ten Books to Read in September
“The un-put-downable story that everyone will be talking about this Fall. A must read for book clubs.” –PopSugar
“Equal parts clever, relatable, surprising and unsettling… Ng covers a lot of ground here, from class nuance to the nature of conformity. But the story really shines when she examines complex mother-daughter relationships and how they work…until they don’t.”— PureWow
“Engrossing…Ng’s characters are authentic and complex, but it’s her confident narration that will invite readers to settle in for the ride—a storyteller who knows what she's doing is at the wheel…With each revelation, Little Fires Everywhere grows more propulsive and insightful, boring through the placid surface of American suburbia.” —Dallas Morning News
“Ng has one-upped herself with her tremendous follow-up novel… a finely wrought meditation on the nature of motherhood, the dangers of privilege and a cautionary tale about how even the tiniest of secrets can rip families apart… Ng is a master at pushing us to look at our personal and societal flaws in the face and see them with new eyes… If “Little Fires Everywhere” doesn’t give you pause and help you think differently about humanity and this country’s current state of affairs, start over from the beginning and read the book again.” --San Francisco Chronicle
“The truth is messy for everyone in Little Fires Everywhere. As she did so well in Everything I Never Told You, Ng crafts sympathetic backstories for the characters that make their decisions understandable if not entirely acceptable. She also creates layered portraits, especially of the girls and women, to raise questions about what mothers can give and what their children need when no one can stick to the rules.”—St. Louis Post-Dispatch
“Ng’s talent for depth of story and character development shines and will stay with you long after you’ve finished the book.” —Richmond Times-Dispatch
“Immersive and thought-provoking…Hang on and prepare to be mesmerized as you meet two families in idyllic Shaker Heights, Ohio.” —The Missourian
“A haunting, layered story of mothers and daughters, and how they attract and repel each other.” – Seattle Times
“A multilayered, tightly focused and expertly plotted narrative…A deeply impressive novel with the power to provoke and entrance.” —Minneapolis Star Tribune
“One of the best novels of the fall is an emotional tale about motherhood, class and so much more… Everything I Never Told You, was good, but this is better.” —AARP.org
“Mesmerizing…The result is a deftly woven plot that examines a multitude of issues, including class, wealth, artistic vision, abortion, race, prejudice and cultural privilege.” —BookPage
“Ng’s best-selling first novel Everything I Never Told You proved her deft hand at crafting family dramas with the deep-rooted tension of a thriller, a skill she puts to pitch-perfect effect in her latest entry…that is equal parts simmering and soulful.” —HarpersBazaar.com
“A quiet but powerful look at family, secrets, and running from the past. Once again, Ng has delivered a near-perfect novel.” —BookRiot
“An intricate and captivating portrait of an eerily perfect suburban town with its dark undertones not-quite-hidden from view and a powerful and suspenseful novel about motherhood…Ng explores the complexities of adoption, surrogacy, abortion, privacy, and class, questioning all the while who earns, who claims, and who loses the right to be called a mother…an impressive accomplishment.” —Publishers Weekly (starred review)
“Ng’s stunning second novel is a multilayered examination of how identities are forged and maintained, how families are formed and friendships tested, and how the notion of motherhood is far more fluid than bloodlines would suggest…[A] tour de force.”—Booklist (starred review)
“This incandescent portrait of suburbia and family, creativity, and consumerism burns bright… As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege. With her second novel, Ng further proves she's a sensitive, insightful writer with a striking ability to illuminate life in America.” —Kirkus Reviews (starred)
"Spectacular sophomore work...a magnificent, multilayered epic that’s perfect for eager readers and destined for major award lists." -- Library Journal (starred review)
"Little Fires Everywhere takes us deep into other people's homes and lives and darkest corners. Along the way, Celeste Ng is always witty, engrossing, unsparing and original." -- Meg Wolitzer
"Little Fires Everywhere is a dazzlingly protean work - a comedy of manners that doubles as a social novel and reads like a thriller. By turns wry, heart-rending and gimlet-eyed, it confirms Celeste Ng's genius for gripping literary fiction." -- Peter Ho Davies, author of The Fortunes
"As if it wasn't totally obvious from her stunning first novel, Little Fires Everywhere showcases what makes Celeste Ng such a masterful writer. The way she examines the complexity of place, and the people who inhabit that place, is some of the most virtuosic, compelling, and wise storytelling that I've seen in a long time. By looking so closely at this community, she opens up the entire world, and it's an amazing experience." -- Kevin Wilson, author of The Family Fang and Perfect Little World
"Yes, it's the story of one Ohio town, but Little Fires Everywhere is not that familiar tale of the underside of the American suburb. It's a powerful work about parenthood and politics, adolescent strife and artistic ambition, and the stark choice between conformity and community. Celeste Ng possesses the remarkable ability to write about the most serious of subjects with the lightest possible touch." -- Rumaan Alam, author of Rich and Pretty
"I cracked open this book mid-morning and did not even move again until it was time to turn on a light. What a joy it was to be so thoroughly taken, to let the chores and clocks and even my own breathing stop while I raced through these pages. Celeste Ng once again proves she is a force to be reckoned with. Little Fires Everywhere is a deft, smoldering masterpiece." -- Mira Jacob, author of The Sleepwalker's Guide to Dancing
"As I read Celeste Ng's second novel I found myself thinking, again and again: how does she know so much? About all of us? How does she write with such perception, such marvelous grace, such daring and generosity? Little Fires Everywhere has the irresistible pace of an expertly tuned thriller, and the observational brilliance of lasting literature. It marks Celeste Ng as a writer of the first rank, among the very best in her generation - right there with Zadie Smith and Jacqueline Woodson. I was mad for this book." -- Joe Hill, author of The Fireman and Heart-Shaped Box
“I was fascinated, not to mention worried about, and frightened of and for, these intriguing characters. Celeste Ng is a powerful and poignant writer whose attention to detail is pitch-perfect. Her intuitive rendering of how and why people behave in such unflattering ways is important. Her writing is honest and rich--and I love how little fires spread here until they're put out.” - Terry McMillan, author of I Almost Forgot About You
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When the novel got to the crux of the story, it was really, really good. The plot focus about a Chinese baby abandoned at a fire station and the subsequent court battle when the single mother surfaces six months later to try to reclaim her daughter from the family in the process of adopting her, was really, really well done. All sorts of details are woven together in a terrific way.
I loved how the author really paid attention to details.....one of the characters is a reporter on a second-rate weekly in Cleveland and she uses her reporting skills to dig up a lot of background on other characters. A less-skilled writer would have just had a character (who had never learned how to research) suddenly become an ace detective.
I was up WAY too late finishing this book last night (really this early morning). The second two-thirds of the book are fascinating, thought-provoking and touching.
I recently ordered the author's first novel on CD for an upcoming trip and I'm looking forward to it!
I read this book and found the narrative flow interesting and the characters individualized and representative but Ng's subtle and suggestive touch and deft technique found in her first book was lacking in this work As a reader I felt she was masking documentary in the shape of fiction. Of course the two can be merged into such masterpieces as Steinbeck's Grapes of Wrath or Evan's and Agee's Let Us Now Praise Famous Men.
Emily Dickinson wrote: "Tell All the Truth but tell it Slant." Which I think is in a nutshell what art is all about. There are parts of Ng's work that were quite wonderful, especially the places in the novel where the Richardson teens struggle to achieve identity. Also how Mia the artist gave a kind of emotional shelter to the two Richardson girls, away from their controlling mother and the family's socially and economically privileged position in their Shaker Heights community. .
But there are parts of the novel that seemed, for me at least, overly irksome or just tiresome. Mia, the single mother and central character, uses photography in her artistic projects. Being a professional photographer, I was interested in all the equipment the young artist acquired during her formal education studying at a university under the guidance of a woman who had established herself as a master artist with a camera, like Berenice Abbott at the New School of Social Research or Walker Evans at Yale. But Ng's story lags when she gets quite technical. Way too much information about cameras and tilts and swings offered by a view camera that most readers never need to know. Also I really struggled when it came to Ng's description of Mia's art works. Can you really understand the essence of Hieronymus Bosch's works or any visual artist with words. Like reading a book of art history without the pictures. The last part of the book is important since it focuses on art works Mia has created for each Richardson in the family, including the mother and father. This is a crucial part of the story but trying to picture in one's mind each individual piece of art left in an envelope for the family as a gift was so difficult. I had to read each description two or three times to get some hold on the visual image of each art object.
Ng's first novel was crafted in such a way that we had to participate with her in discovering the Truth (Dickinson's term) that the story allowed us to formulate from the details of the narrative. In Little Fires Ng seems to force her hand, pushes us in a direction she wants us to go, rather than presenting us with a story which readers will use to explore the subject matter and discover for themselves meaning which the details of the book evoke. A good novel is not like a jigsaw puzzle but like a box of Legos, where readers are allowed to take the pieces of the story and imagine or formulate an understanding based on characterization, dialogue, scenes, conflicta, and story line that the writer gives us.