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A Little Life: A Novel Hardcover – March 10, 2015
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Praise for A Little Life:
NATIONAL BOOK AWARD FINALIST
SHORT-LISTED FOR THE MAN BOOKER PRIZE
FINALIST FOR THE 2015 KIRKUS PRIZE FOR FICTION
“Yanagihara’s immense new book, A Little Life, announces her, as decisively as a second work can, as a major American novelist. Here is an epic study of trauma and friendship written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured.”
—Sam Sacks, The Wall Street Journal
"With her sensitivity to everything from the emotional nuance to the play of light inside a subway car, Yanagihara is superb at capturing the radiant moments of beauty, warmth and kindness that help redeem the bad stuff. In A Little Life, it's life's evanescent blessings that maybe, but only maybe, can save you."
—John Powers, NPR
“…A Little Life becomes a surprisingly subversive novel—one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery. And having upset our expectations once, Yanagihara does it again, by refusing us the consolations we have come to expect from stories that take such a dark turn…. Yanagihara’s novel can also drive you mad, consume you, and take over your life. Like the axiom of equality, A Little Life feels elemental, irreducible—and, dark and disturbing though it is, there is beauty in it.”
—Jon Michaud, The New Yorker
"This exquisite, unsettling novel follows four male friends from their meeting as students at a prestigious Northeastern college through young adulthood and into middle age.... The book shifts from a generational portrait to something darker and more tender: an examination of the depths of human cruelty, counterbalanced by the restorative powers of friendship."
—The New Yorker (Briefly Noted)
"Hanya Yanagihara's second novel asks for a kind of immersion at odds with the practices of contemporary attention-deficit culture. A Litle Life is epic in scope, riveting on every page, and frequently stomach-churning in its explorations of pain and loss... [It] brought me to tears more than once; it is a book that asks the reader to feel as fully as Jude does, with a deep aesthetic and ethical purpose of observing and witnessing the pain of others."
—Jenny Davidson, Bookforum
"Spring's must-read novel... If [Yanagihara's] assured 2013 debut, The People in the Trees, a dark allegory of Western hubris, put her on the literary map, her massive new novel...signals the arrival of a major new voice in fiction."
—Megan O'Grady, Vogue
"Astonishing... It’s not hyperbole to call this novel a masterwork—if anything that word is simply just too little for it."
—Caroline Leavitt, San Francisco Chronicle
"[The] book has so much richness in it—great big passages of beautiful prose, unforgettable characters, and shrewd insights into art and ambition and friendship and forgiveness."
—Leah Greenblatt, Entertainment Weekly
"Through insightful detail and her decade-by-decade examination of these people’s lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. It’s a life, just like everyone else’s, but in Yanagihara’s hands, it’s also tender and large, affecting and transcendent; not a little life at all."
—Nicole Lee, The Washington Post
"There are truths here that are almost too much to bear—that hope is a qualified thing, that even love, no matter how pure and freely given, is not always enough. This book made me realize how merciful most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful. It's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful."
—Steph Cha, Los Angeles Times
"A Little Life floats all sorts of troubling questions about the responsibility of the individual to those nearest and dearest and the sometime futility of playing brother’s keeper. Those questions, accompanied by Yanagihara’s exquisitely imagined characters, will shadow your dreamscapes."
—Jan Stuart, The Boston Globe
"[A] monument of empathy, and that alone makes this novel wondrous."
—Claire Fallon, The Huffington Post
"A Little Life is a harrowing novel with no happy ending, yet Yanagihara writes so well that it’s difficult to put it down, even in the midst of sobbing. Somehow, it’s an ordeal to read and a transformative experience, not soon forgotten."
—Anna Andersen, Minneapolis Star-Tribune
"Yanagihara's most impressive trick is the way she glides from scenes filled with those terrifying hyenas to moments of epiphany. 'Wasn't it a miracle to have survived the unsurvivable? Wasn't friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely? Wasn't this house, this beauty, this comfort, this life a miracle?' A Little Life devotes itself to answering those questions, and is, in its own dark way, a miracle."
—Marion Winik, Newsday
"[A] stunning work of fiction."
—Sherryl Connelly, The New York Daily News
"Yanagihara’s novel is a remarkable feat."
—Ilana Masad, Bustle.com
“A modern-day epic… This book will make you feel.”
—Isaac Fitzgerald, Buzzfeed
“The phrase ‘tour de force’ could have been invented for this audacious novel.”
—Kirkus Reviews, starred review
"This is a novel that values the everyday over the extraordinary, the push and pull of human relationships—and the book's effect is cumulative. There is real pleasure in following characters over such a long period, as they react to setbacks and successes, and, in some cases, change. By the time the characters reach their 50s and the story arrives at its moving conclusion, readers will be attached and find them very hard to forget."
About the Author
Hanya Yanagihara lives in New York City.
Top customer reviews
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Overall, I found it to be an engrossing read; I felt for the characters, I thought it was well written (though not fabulous or outstanding, but decently done, very little purple prose, which I appreciate), and it generated a lot of response from me. I was okay up until the penultimate section "Dear Comrade," which I spent bawling my eyes out over. But the book made me think about larger issues, regarding art and class and sexuality, and I want to address just a few of those issues in my review.
I don't give this book a higher rating, however, because I do think there are some flaws. Certainly it could have been edited more tightly and thus been shorter. Two of the main characters are somewhat short-changed, and I would have liked to have seen further development with them. The initial meeting of the four friends is never fully explained, nor is the meeting and buildup of trust between Jude and Andy, and I would have liked to seen just how Jude came to trust his friends, particularly Andy and Willem, so deeply. Jude's career definitely needed more flushing out; he's a bigshot lawyer but what we see of his personality and private life doesn't fit with that, and I would have liked a better exploration of his life in the courtroom, to make him more three-dimensional as a character. I was also really irked that the novel has no historical setting. It follows these people for more than three decades, but at the very outset, in their youth, they have cell phones and modern technology, so I'm assuming the novel takes you into the 2040s, which is awkward. Also the treatment of queer issues and how society views homosexuality seems very modern but doesn't evolve as the time goes on. Some historical context to anchor the novel, the way key locations in New York anchored it, would have been welcome.
Now, then, to give my two cents on the biggest negative criticism, that this is tragedy porn: Yes, it is a very difficult read. Yes, lots of horrific tragedies are heaped on to the main character, and some may view this as unrealistic overkill. But as someone who works in the counseling profession (though I am NOT a counselor, I just work with them), I can tell you that people who have the history of physical and sexual abuse that Jude has are more likely to face continued abuse as they grow older--they are more likely to get into abusive relationships, for example, and struggle with self-harm and drug abuse. We don't like to talk about these issues, because they are difficult and have no easy solutions. If you think what happens to Jude is unrealistic or overly exaggerated, I have very bad news for you. Child trafficking exists; there are many, many incidents of an authoritative figure--a coach, a doctor, a family member, whoever--taking advantage of young children, sometimes abusing them for years; pedophilic rings do exist, even in America; and of course abuses committed by members in organizations such as the Catholic Church have occurred and continue to occur (and be covered up). I wouldn't say that the suffering Jude experiences is unrealistic. Quite the opposite: These things happen under our noses every day in America. We don't like to face it, but it is reality. We certainly don't like to face the long-lasting consequences; we the public think everything is OK when the pervert goes to jail or whatever, we revel when these bad guys get their comeuppance, but the psychological scarring and warped worldview of the victims continues for the rest of their life. We don't want to acknowledge that some of these victims are going to suffer forever.
Two of the many themes in this novel deal with this idea of "tragedy porn" in an oblique way. The first is that life is not fair; this theme is pretty explicitly stated, even by Jude, fairly early on in the novel. I'm reading this book, particularly the difficult "Dear Comrade" section, and thinking, "My god, life is so unfair! This isn't fair!" And that's part of the point. There is nothing about life that is fair. We are all going to suffer in our lives. We are all going to be or going to know someone who has been abused in some manner, who will attempt or be successful at suicide, who has (sometimes quite severe) mental illness, who struggles with drug abuse, who has been in an abusive relationship, who is injured or killed in an accident, who suffers from a debilitating illness or disability. Life is quite unhappy. I am reminded of a story once told of the Buddha; a grieving mother came to him asking him to heal her dead child, and the Buddha told her to bring him rice from the household of someone who has never been visited by tragedy. She couldn't find anyone in her village untouched, and thus the teaching: All will suffer. No one is exempt from life's ugliness.
The second section in the novel, "The Postman," lays out a lot of themes and world views of the characters, particularly Jude and Harold, and is worth a revisit and a closer read, or, if you are reading it for the first time, you should pay particular attention to this section and keep it in mind as the book goes on. I think a close read of this section might affect your opinion of the novel overall. I think "The Postman", with its discussion of the law and debate between Jude and Harold, is probably the most enlightening as to what the book is really about.
Second, the criticism of the book as tragedy porn is somewhat mirrored in the novel, as artist JB makes a successful career in his paintings, particularly those of Jude. We as readers can criticize the book as tragedy porn, but we are remiss if we do not recognize that within the novel itself, JB uses his friend Jude as tragedy porn. For JB, as with Yanagihara, Jude is subject matter, and JB uses his chosen art medium to comment on Jude. Is this exploitative tragedy porn? Is it wrong of JB to use Jude as material in his paintings? Is it wrong for Yanagihara to use Jude (who is fictional, of course) as material in her book? Both are capitalizing on Jude's pain; within the worldview of the book, JB becomes successful off Jude's suffering, and obviously in our world, Yanagihara has crafted a successful book off Jude's suffering. Of course, it's different because we readers know Jude is fictional, but within the book's world, JB and Jude are both quite real. Is it acceptable for JB to paint and profit off his friend? Is it acceptable for Yanagihara do the same, or is the author crassly manipulating her readers? Is Yanagihara just toying with the emotions of the reader, just piling on the pain in an overwrought manner to elicit a cheap response? I don't think so; I get this sense of manipulation from other authors (such as Jodi Picoult, Mitch Albom, and Alice Sebold), but this novel doesn't feel like cheap manipulation to me. It somehow feels more authentic and sincere.
I think this theme of exploiting tragedy particularly interesting if you carry it further into the real world. Where is the line between tragedy porn and art, or is there even one? I am reminded of some harrowing famous photographs, specifically: the photograph of Phan Th' Kim Phú, the young Vietnamese girl captured running through the street of her village, naked and burned by napalm dropped by South Vietnamese forces during the Vietnam conflict; and the photograph of a starving child in Africa being stalked by a hungry vulture. Do you consider these images tragedy porn? After all, the photographers won prizes and became famous for their work (Kevin Carter, who took the latter photograph, later committed suicide, and his suicide note suggests he was driven to it by his guilt at seeing and photographing such images). Do you believe that these photographs are not tragedy porn because their raw, visceral subjects provide commentary on greater societal and political issues? Is it okay to exploit suffering if you are "proving a larger point"? To me that is the true definition of tragedy porn--capitalizing on the immense suffering of others to further one's own cause! Or perhaps we should step away from "art", and consider: I know people who were shot in the Virginia Tech massacre in April 2007. At a candlelight vigil, one of my friends was in a small group mourning the loss of a dorm-mate, when a cameraman came by, lowered the boom mike into their circle, and recorded their crying. Tragedy porn? Exploitation? Journalism? Gun massacres are headline news, of course, as was the Vietnam war and the photo of the African child--does that make it okay? Where do you personally draw the line in the matter? I'm not looking to pick an argument, I merely think this is a topic worth exploring, and every person is going to have their own red lines on the issue.
I should also note here that I did not find parts of the book to be that tragic. Don't get me wrong, Jude (and others) seriously suffers--but there are many points of happiness and contentment, and two major events that happen to Jude are things I would consider glorious and wonderful. I won't name them, to avoid spoilers, but the book does have some happy moments among all the tragedy; and Jude is blessed with some amazing friends (we should all be so lucky for that!) as well as some horrible abusers. And after all, isn't that what life is? Hence "A Little Life"! It has its glories and its tragedies, but it is a little life all the same. We are all leading our little lives, and we will all experience both joy and tragedy.
So anyway, this is a very small summary of some of the emotions and thoughts this book provoked in me, and that is the reason I enjoyed it so much. While it did have some flaws, it made me THINK, and I like book that makes me think. This book had me squirming and crying at some parts, and laughing and smiling at others, but ultimately it gave me a lot of food for thought, and I appreciate that.
Beautifully written. A hauntingly tragic story. Such intense sadness - it is not a happy book and not for everyone to read. It lived with me for a long time afterwards. A truely astounding book .
So, I laughed and told her my experience trying to get into it. Being my beloved daughter, she immediately disregarded what I had to say and decided to read it on a long flight she was taking that weekend. Long story shorter, she LOVED it. Finished it within a week because she couldn't put it down.
SO now I was determined, thinking I was missing the boat. I picked it up again and struggled at first but finally got into the swing of it and continued reading. Surprise, I finished it but ....really wasn't blown away like everyone else was. It was a story about the lives of four men as they age and live their lives. Parts of it are very sad, dramatic, good, sad again, and then kind of mediocre. I did cry at one dramatic part but i really felt all four characters were unusually self absorbed and that annoyed me. I also felt it lost steam the last few chapters as if the author just wanted to bring it to a close. I wasn't that crazy about " A Little Life: A Novel" but lots of people absolutely LOVE it.
Most recent customer reviews
book. The author's prose is beautiful, the story
is gut wrenching but this will be one of my all
time favorite...Read more