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The Little Man: Short Strips, 1980-1995 (Drawn & Quarterly Anthology) Paperback – August 8, 2006
| Chester Brown (Author) Find all the books, read about the author, and more. See search results for this author |
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"One of the medium's brilliant mavericks." ―Time.com
The Little Man: Short Strips, 1980–1995 is a collection of short-story works by the celebrated and bestselling Louis Riel cartoonist Chester Brown. From his early experimental comedic surrealism to his later autobiographical and essay strips, we see not a major talent in development but a fully realized storytelling virtuoso. Included are his early autobiographical stories "Helder" (a story about a young man's tentativeness when pursuing a woman), "Showing Helder" (a blow-by-blow account of the construction of the previous story), and "Danny" (a strangely compelling moment-by-moment account of Brown waking up and trying to avoid contact with a fellow rooming-house tenant). Other standouts are Brown's controversial essay on schizophrenia (specifically his own mother's) and various medical views on this baffling disease, and the title story, "The Little Man," a Freudian classroom romp fantasy by a adolescent Brown that ties into the schizophrenia essay in a surprising way. The acclaimed compendium, culled mostly from his groundbreaking comic book series Yummy Fur, provides a fascinating insight into Brown's psyche; he rounds out the collection with exacting notes on each story.
- Print length184 pages
- LanguageEnglish
- PublisherDrawn and Quarterly
- Publication dateAugust 8, 2006
- Dimensions6.06 x 0.64 x 8.84 inches
- ISBN-101896597130
- ISBN-13978-1896597133
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Editorial Reviews
Review
“A note of pure genius.” ―Rain Taxi Review of Books
“It might seem jarring for a book to begin with 'The Toilet Paper Revolt' . . . and end with 'My Mom Was a Schizophrenic' . . . , but Brown pulls it off by mixing equal parts surrealism, violence, and contemplation. As a whole, this book tells another story: the maturing of an artist.” ―Details
“Outrageous, surreal, hushed, mystical, and, often, funny as hell.” ―Metro Times (Detroit)
“They universally exhibit Brown's inimitable mix of intimate and surreal.” ―Now
About the Author
Chester Brown (I Never Liked You and Louis Riel) was born in 1960 in Montreal and lives in Toronto; he is an illustrator for The New York Times Magazine and The New Yorker.
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Product details
- Publisher : Drawn and Quarterly; First edition (August 8, 2006)
- Language : English
- Paperback : 184 pages
- ISBN-10 : 1896597130
- ISBN-13 : 978-1896597133
- Item Weight : 10.7 ounces
- Dimensions : 6.06 x 0.64 x 8.84 inches
- Best Sellers Rank: #2,695,189 in Books (See Top 100 in Books)
- #378 in Drawn & Quarterly Comic & Graphic Novels
- #4,228 in Literary Graphic Novels (Books)
- Customer Reviews:
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But the deal breaker for this softcover edition is that the cover is cheaply glued on with an adhesive that will come off when you start paging through the book. The book production is very poor! I only took two stars off for this but really, if the book is coming apart, that's probably zero stars as I'm going to return this. If you're new to Chester Brown I would suggest starting with either Paying For It or Ed the Happy Clown instead. Hope this review helps somewhat in making your buying decision.
and I thoroughly enjoyed it.
I think I mailed it away as a gift after I read it.
Is that re-gifting?
"Danny's Story" is another angry, stupid and dislikable tenant who bothers Brown in the morning with strange and banal stories about his previous night's escapades. Besides these and "My Mom was a Schizophrenic", there's a lot of humour in the material. "The Little Man" is an adventure involving Brown's penis while "The Weird Canadian Artist" mocks artistic dignity juxtaposing peoples' reactions to art and the reality of the artist. There are lots of other smaller strips varying from a page to 3 or 4 but those mentioned above are the best of the bunch.
This is my favourite of Brown's work. It shows his range as a storyteller while the reader sees the development of his art from the early 80s to the mid 90s. His drawing style is eye catching, impeccable and beautiful, unlike any other comics artist around. I highly recommend his other books "I Never Liked You" and "Louis Riel", but this is a fantastic book too.
However, the binding is terrible. Cheap glue which does not survive a single reading (and I read carefully). The book literally falls apart during the reading of it. Be warned.














