Little Miss Sunshine
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Little Miss Sunshine tells the story of the Hoovers, one of the most endearingly fractured families ever seen on motion picture screens. Together, the motley six-member family treks from Albuquerque to the Little Miss Sunshine pageant in Redondo Beach, California, to fulfill the deepest wish of 7-year-old Olive, an ordinary little girl with big dreams. Along the way the family must deal with crushed dreams, heartbreaks, and a broken-down VW bus, leading up to the surreal Little Miss Sunshine competition itself. On their travels through this bizarrely funny landscape, the Hoovers learn to trust and support each other along the path of life, no matter what the challenge.
Pile together a blue-ribbon cast, a screenplay high in quirkiness, and the Sundance stamp of approval, and you've got yourself a crossover indie hit. That formula worked for Little Miss Sunshine, a frequently hilarious study of family dysfunction. Meet the Hoovers, an Albuquerque clan riddled with depression, hostility, and the tattered remnants of the American Dream; despite their flakiness, they manage to pile into a VW van for a weekend trek to L.A. in order to get moppet daughter Olive (Abigail Breslin) into the Little Miss Sunshine beauty pageant. Much of the pleasure of this journey comes from watching some skillful comic actors doing their thing: Greg Kinnear and Toni Collette as the parents (he's hoping to become a self-help authority), Alan Arkin as a grandfather all too willing to give uproariously inappropriate advice to a sullen teenage grandson (Paul Dano), and a subdued Steve Carell as a jilted gay professor on the verge of suicide. The film is a crowd-pleaser, and if anything is a little too eager to bend itself in the direction of quirk-loving Sundance audiences; it can feel forced. But the breezy momentum and the ingenious actors help push the material over any bumps in the road.-- Robert Horton
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- Disc 1 Side A:
- Full Screen Feature
- Disc 1 Side B:
- Widescreen Feature
- 4 Alternate Endings with optional commentary by directors Jonathan Dayton & Valerie Faris
- "Till the End of Time" performed by DeVotchka from the soundtrack
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I think another reason I didn't like it before and can appreciate it more now is because it came out when I was a teenager and my family is similar to the one depicted. When you're a teenager, you don't want to watch a movie that basically feels the same as hanging out with your crazy family. Nowadays, I like to look back on that time with more mature eyes and this film helps with that.