Print List Price:	$18.00
Kindle Price:	$13.99 Save $4.01 (22%)
Sold by:	Random House LLC Price set by seller.

Promotions apply when you purchase

Add an

audiobook with Audible narration for $8.49

Read with our free app

You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.

Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions

There was an error. We were unable to process your subscription due to an error. Please refresh and try again.

Follow the author

Nina George

Follow

The Little Paris Bookshop: A Novel Kindle Edition

by Nina George (Author) Format: Kindle Edition

4.0 15,772 ratings

See all formats and editions

Monsieur Perdu can prescribe the perfect book for a broken heart. But can he fix his own?

Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can't seem to heal through literature is himself; he's still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.

After Perdu is finally tempted to read the letter, he hauls anchor and departs on a mission to the south of France, hoping to make peace with his loss and discover the end of the story. Joined by a bestselling but blocked author and a lovelorn Italian chef, Perdu travels along the country’s rivers, dispensing his wisdom and his books, showing that the literary world can take the human soul on a journey to heal itself.

Internationally bestselling and filled with warmth and adventure, The Little Paris Bookshop is a love letter to books, meant for anyone who believes in the power of stories to shape people's lives.

Length

398
Pages
Language

EN
English
Kindle feature

Sticky notes
On Kindle Scribe
Publisher

Ballantine Books
Publication date

2015
June 23
File size

3.4 MB
Kindle feature

Page Flip
Enabled
Kindle feature

Word Wise
Enabled
Kindle feature

Enhanced typesetting
Enabled
See all details

Nina George
3,183
Kindle Edition
1 offer from $5.99
Nina George
227
Kindle Edition
1 offer from $13.99
Nina George
969
Kindle Edition
1 offer from $13.99
Muriel Barbery
6,749
Kindle Edition
1 offer from $2.99
Jenny Colgan
9,061
Kindle Edition
1 offer from $12.49
Jenny Colgan
16,504
Kindle Edition
1 offer from $14.99

Popular Highlights in this book

What are popular highlights?

“All the love, all the dead, all the people we’ve known. They are the rivers that feed our sea of souls. If we refuse to remember them, that sea will dry up too.”
Highlighted by 2,897 Kindle readers
“To carry them within us—that is our task. We carry them all inside us, all our dead and shattered loves. Only they make us whole. If we begin to forget or cast aside those we’ve lost, then…then we are no longer present either.”
Highlighted by 2,817 Kindle readers
Habit is a vain and treacherous goddess. She lets nothing disrupt her rule. She smothers one desire after another: the desire to travel, the desire for a better job or a new love. She stops us from living as we would like, because habit prevents us from asking ourselves whether we continue to enjoy doing what we do.
Highlighted by 2,756 Kindle readers

Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

1

How on earth could I have let them talk me into it?

The two generals of number 27 Rue Montagnard—Madame Bernard, the owner, and Madame Rosalette, the concierge—had caught Monsieur in a pincer movement between their ground-floor flats.

“That Le P. has treated his wife shamelessly.”

“Scandalously. Like a moth treats a wedding veil.”

“You can hardly blame some people when you look at their wives. Fridges in Chanel. But men? Monsters, all of them.”

“Ladies, I don’t quite know what . . .”

“Not you of course, Monsieur Perdu. You are cashmere compared with the normal yarn from which men are spun.”

“Anyway, we’re getting a new tenant. On the fourth floor. Yours, Monsieur.”

“But Madame has nothing left. Absolutely nothing, only shattered illusions. She needs just about everything.”

“And that’s where you come in, Monsieur. Give whatever you can. All donations welcome.”

“Of course. Maybe a good book . . .”

“Actually, we were thinking of something more practical. A table, perhaps. You know, Madame has—”

“Nothing. I got that.”

The bookseller could not imagine what might be more practical than a book, but he promised to give the new tenant a table. He still had one.

Monsieur Perdu pushed his tie between the top buttons of his white, vigorously ironed shirt and carefully rolled up his sleeves. Inward, one fold at a time, up to the elbow. He stared at the bookcase in the corridor. Behind the shelves lay a room he hadn’t entered for almost twenty-one years.

Twenty-one years and summers and New Year’s mornings.

But in that room was the table.

He exhaled, groped indiscriminately for a book and pulled Orwell’s 1984 out of the bookcase. It didn’t fall apart. Nor did it bite his hand like an affronted cat.

He took out the next novel, then two more. Now he reached into the shelf with both hands, grabbed whole parcels of books out of it and piled them up beside him.

The stacks grew into trees. Towers. Magic mountains. He looked at the last book in his hand. When the Clock Struck Thirteen. A tale of time travel.

If he’d believed in omens, this would have been a sign.

He banged the bottom of the shelves with his fists to loosen them from their fastenings. Then he stepped back.

There. Layer by layer, it appeared. Behind the wall of words. The door to the room where . . .

I could simply buy a table.

Monsieur Perdu ran his hand over his mouth. Yes. Dust down the books, put them away again, forget about the door. Buy a table and carry on as he had for the last two decades. In twenty years’ time he’d be seventy, and from there he’d make it through the rest. Maybe he’d die prematurely.

Coward.

He tightened his trembling fist on the door handle.

Slowly the tall man opened the door. He pushed it softly inward, screwed up his eyes and . . .

Nothing but moonlight and dry air. He breathed it in through his nose, analyzing it, but found nothing.

——’s smell has gone.

Over the course of twenty-one summers, Monsieur Perdu had become as adept at avoiding thinking of —— as he was at stepping around open manholes.

He mainly thought of her as ——. As a pause amid the hum of his thoughts, as a blank in the pictures of the past, as a dark spot amid his feelings. He was capable of conjuring all kinds of gaps.

Monsieur Perdu looked around. How quiet the room seemed. And pale despite the lavender-blue wallpaper. The passing of the years behind the closed door had squeezed the color from the walls.

The light from the corridor met little that could cast a shadow. A bistro chair. The kitchen table. A vase with the lavender stolen two decades earlier from the Valensole plateau. And a fifty-year-old man who now sat down on the chair and wrapped his arms around himself.

There had once been curtains, and over there, pictures, flowers and books, a cat called Castor that slept on the sofa. There were candlesticks and whispering, full wineglasses and music. Dancing shadows on the wall, one of them tall, the other strikingly beautiful. There had been love in this room.

Now there’s only me.

He clenched his fists and pressed them against his burning eyes.

Monsieur Perdu swallowed and swallowed again to fight back the tears. His throat was too tight to breathe and his back seemed to glow with heat and pain.

When he could once more swallow without it hurting, Monsieur Perdu stood up and opened the casement window. Aromas came swirling in from the back courtyard.

The herbs from the Goldenbergs’ little garden. Rosemary and thyme mixed with the massage oils used by Che, the blind chiropodist and “foot whisperer.” Added to that, the smell of pancakes intermingled with Kofi’s spicy and meaty African barbecued dishes. Over it all drifted the perfume of Paris in June, the fragrance of lime blossom and expectation.

But Monsieur Perdu wouldn’t let these scents affect him. He resisted their charms. He’d become extremely good at ignoring anything that might in any way arouse feelings of yearning. Aromas. Melodies. The beauty of things.

He fetched soap and water from the storeroom next to the bare kitchen and began to clean the wooden table.

He fought off the blurry picture of himself sitting at this table, not alone but with ——.

He washed and scrubbed and ignored the piercing question of what he was meant to do now that he had opened the door to the room in which all his love, his dreams and his past had been buried.

Memories are like wolves. You can’t lock them away and hope they leave you alone.

Monsieur Perdu carried the narrow table to the door and heaved it through the bookcase, past the magic mountains of paper onto the landing and over to the apartment across the hall.

As he was about to knock, a sad sound reached his ears.

Stifled sobbing, as if through a cushion.

Someone was crying behind the green door.

A woman. And she was crying as though she wanted nobody, absolutely nobody, to hear.

2

“She was married to You-Know-Who, Monsieur Le P.”

He didn’t know. Perdu didn’t read the Paris gossip pages.

Madame Catherine Le P.-You-Know-Who had come home late one Thursday evening from her husband’s art agency, where she took care of his PR. Her key no longer fit into the lock, and there was a suitcase on the stairs with divorce papers on top of it. Her husband had moved to an unknown address and taken the old furniture and a new woman with him.

Catherine, soon-to-be-ex-wife-of-Le-Dirty-Swine, possessed nothing but the clothes she had brought into their marriage—and the realization that it had been naïve of her to think that their erstwhile love would guarantee decent treatment after their separation, and to assume that she knew her husband so well that he could no longer surprise her.

“A common mistake,” Madame Bernard, the lady of the house, had pontificated in between puffing out smoke signals from her pipe. “You only really get to know your husband when he walks out on you.”

Monsieur Perdu had not yet seen the woman who’d been so coldheartedly ejected from her own life.

Now he listened to the lonely sobs she was desperately trying to muffle, perhaps with her hands or a tea towel. Should he announce his presence and embarrass her? He decided to fetch the vase and the chair first.

He tiptoed back and forth between his flat and hers. He knew how treacherous this proud old house could be, which floorboards squeaked, which walls were more recent and thinner additions and which concealed ducts that acted like megaphones.

When he pored over his eighteen-thousand-piece map of the world jigsaw in the otherwise empty living room, the sounds of the other residents’ lives were transmitted to him through the fabric of the house.

The Goldenbergs’ arguments (Him: “Can’t you just for once . . . ? Why are you . . . ? Haven’t I . . . ?” Her: “You always have to . . . You never do . . . I want you to . . .”) He’d known the two of them as newlyweds. They’d laughed together a lot back then. Then came the children, and the parents drifted apart like continents.

He heard Clara Violette’s electric wheelchair rolling over carpet edges, wooden floors and doorsills. He remembered the young pianist back when she was able to dance.

He heard Che and young Kofi cooking. Che was stirring the pots. The man had been blind since birth, but he said that he could see the world through the fragrant trails and traces that people’s feelings and thoughts had left behind. Che could sense whether a room had been loved or lived or argued in.

Perdu also listened every Sunday to how Madame Bomme and the widows’ club giggled like girls at the dirty books he slipped them behind their stuffy relatives’ backs.

The snatches of life that could be overheard in the house at number 27 Rue Montagnard were like a sea lapping the shores of Perdu’s silent isle.

He had been listening for more than twenty years. He knew his neighbors so well that he was sometimes amazed by how little they knew about him (not that he minded). They had no idea that he owned next to no furniture apart from a bed, a chair and a clothes rail—no knickknacks, no music, no pictures or photo albums or three-piece suite or crockery (other than for himself)—or that he had chosen such simplicity of his own free will. The two rooms he still occupied were so empty that they echoed when he coughed. The only thing in the living room was the giant jigsaw puzzle on the floor. His bedroom was furnished with a bed, the ironing board, a reading light and a garment rail on wheels containing three identical sets of clothing: gray trousers, white shirt, brown V-neck sweater. In the kitchen were a stove-top coffee pot, a tin of coffee and a shelf stacked with food. Arranged in alphabetical order. Maybe it was just as well that no one saw this.

And yet he harbored a strange affection for 27 Rue Montagnard’s residents. He felt inexplicably better when he knew that they were well—and in his unassuming way he tried to make a contribution. Books were a means of helping. Otherwise he stayed in the background, a small figure in a painting, while life was played out in the foreground.

However, the new tenant on the third floor, Maximilian Jordan, wouldn’t leave Monsieur Perdu in peace. Jordan wore specially made earplugs with earmuffs over them, plus a woolly hat on cold days. Ever since the young author’s debut novel had made him famous amid great fanfare, he’d been on the run from fans who would have given their right arms to move in with him. Meanwhile, Jordan had developed a peculiar interest in Monsieur Perdu.

While Perdu was on the landing arranging the chair beside the kitchen table, and the vase on top, the crying stopped.

In its place he heard the squeak of a floorboard that someone was trying to walk across without making it creak.

He peered through the pane of frosted glass in the green door. Then he knocked twice, very gently.

A face moved closer. A blurred, bright oval.

“Yes?” the oval whispered.

“I’ve got a chair and a table for you.”

The oval said nothing.

I have to speak softly to her. She’s cried so much she’s probably all dried out and she’ll crumble if I’m too loud.

“And a vase. For flowers. Red flowers, for instance. They’d look really pretty on the white table.”

He had his cheek almost pressed up against the glass.

He whispered, “But I can give you a book as well.”

The light in the staircase went out.

“What kind of book?” the oval whispered.

“The consoling kind.”

“I need to cry some more. I’ll drown if I don’t. Can you understand that?”

“Of course. Sometimes you’re swimming in unwept tears and you’ll go under if you store them up inside.” And I’m at the bottom of a sea of tears. “I’ll bring you a book for crying then.”

“When?”

“Tomorrow. Promise me you’ll have something to eat and drink before you carry on crying.”

He didn’t know why he was taking such liberties. It must be something to do with the door between them.

The glass misted up with her breath.

“Yes,” she said. “Yes.”

When the hall light flared on again, the oval shrank back.

Monsieur Perdu laid his hand briefly on the glass where her face had been a second before.

And if she needs anything else, a chest of drawers or a potato peeler, I’ll buy it and claim I had it already.

He went into his empty flat and pushed the bolt across. The door leading into the room behind the bookcase was still open. The longer Monsieur Perdu looked in there, the more it seemed as though the summer of 1992 were rising up out of the floor. The cat jumped down from the sofa on soft, velvet paws and stretched. The sunlight caressed a bare back, the back turned and became ——. She smiled at Monsieur Perdu, rose from her reading position and walked toward him naked, with a book in her hand.

“Are you finally ready? asked ——.

Monsieur Perdu slammed the door.

No.

3

“No,” Monsieur Perdu said again the following morning. “I’d rather not sell you this book.”

Gently he pried Night from the lady’s hand. Of the many novels on his book barge—the vessel moored on the Seine that he had named Literary Apothecary—she had inexplicably chosen the notorious bestseller by Maximilian “Max” Jordan, the earmuff wearer from the third floor in Rue Montagnard.

The customer looked at the bookseller, taken aback.

“Why not?”

“Max Jordan doesn’t suit you.”

“Max Jordan doesn’t suit me?”

“That’s right. He’s not your type.”

“My type. Okay. Excuse me, but maybe I should point out to you that I’ve come to your book barge for a book. Not a husband, mon cher Monsieur.”

“With all due respect, what you read is more important in the long term than the man you marry, ma chère Madame.”

She looked at him through eyes like slits.

“Give me the book, take my money, and we can both pretend it’s a nice day.”

“It is a nice day, and tomorrow is the start of summer, but you’re not going to get this book. Not from me. May I suggest a few others?”

“Right, and flog me some old classic you’re too lazy to throw overboard where it can poison the fish?” She spoke softly to begin with, but her volume kept increasing.

“Books aren’t eggs, you know. Simply because a book has aged a bit doesn’t mean it’s gone bad.” There was now an edge to Monsieur Perdu’s voice too. “What is wrong with old? Age isn’t a disease. We all grow old, even books. But are you, is anyone, worth less, or less important, because they’ve been around for longer?”

“It’s absurd how you’re twisting everything, all because you don’t want me to have that stupid Night book.”

The customer—or rather noncustomer—tossed her purse into her luxury shoulder bag and tugged at the zip, which got stuck.

Perdu felt something welling up inside him, a wild feeling, anger, tension—only it had nothing to do with this woman. He couldn’t hold his tongue, though. He hurried after her as she strode angrily through the belly of the book barge and called out to her in the half-light between the long bookshelves: “It’s your choice, Madame! You can leave and spit on me. Or you can spare yourself thousands of hours of torture starting right now.”

“Thanks, that’s exactly what I’m doing.”

“Surrender to the treasures of books instead of entering into pointless relationships with men, who neglect you anyway, or going on crazy diets because you’re not thin enough for one man and not stupid enough for the next.”

“It’s absurd how you’re twisting everything, all because you don’t want me to have that stupid Night book.”

The customer—or rather noncustomer—tossed her purse into her luxury shoulder bag and tugged at the zip, which got stuck.

Perdu felt something welling up inside him, a wild feeling, anger, tension—only it had nothing to do with this woman. He couldn’t hold his tongue, though. He hurried after her as she strode angrily through the belly of the book barge and called out to her in the half-light between the long bookshelves: “It’s your choice, Madame! You can leave and spit on me. Or you can spare yourself thousands of hours of torture starting right now.”

“Thanks, that’s exactly what I’m doing.”

“Surrender to the treasures of books instead of entering into pointless relationships with men, who neglect you anyway, or going on crazy diets because you’re not thin enough for one man and not stupid enough for the next.”

She stood stock-still by the large bay window that looked out over the Seine, and glared at Perdu. “How dare you!”

“Books keep stupidity at bay. And vain hopes. And vain men. They undress you with love, strength and knowledge. It’s love from within. Make your choice: book or . . .”

Before he could finish his sentence, a Parisian pleasure boat plowed past with a group of Chinese women standing by the railing under umbrellas. They began clicking away with their cameras when they caught sight of Paris’s famous floating Literary Apothecary. The pleasure boat drove brown-green dunes of water against the bank, and the book barge reeled.

The customer teetered on her smart high heels, but instead of offering her his hand, Perdu handed her The Elegance of the Hedgehog.

She made an instinctive grab for the novel and clung to it.

Perdu held on to the book as he spoke to the stranger in a soothing, tender and calm voice.

“You need your own room. Not too bright, with a kitten to keep you company. And this book, which you will please read slowly, so you can take the occasional break. You’ll do a lot of thinking and probably a bit of crying. For yourself. For the years. But you’ll feel better afterward. You’ll know that now you don’t have to die, even if that’s how it feels because the guy didn’t treat you well. And you will like yourself again and won’t find yourself ugly or naïve.”

Only after delivering these instructions did he let go. --This text refers to the hardcover edition.

Review

New York Times Bestseller
A LibraryReads Favorite of the Favorites
An Indie Bestseller of 2015

"If you're looking to be charmed right out of your own life for a few hours, sit down with this wise and winsome novel...Everything happens just as you want it to... from poignant moments to crystalline insights in exactly the right measure."—Oprah.com

“The settings are ideal for a summer-romance read…Who can resist floating on a barge through France surrounded by books, wine, love, and great conversation?”—Christian Science Monitor

“[A] bona fide international hit.”—New York Times Book Review

"A story that reflects all the romance and sweetness of Paris itself.” —San Francisco Book Review

"George’s exquisite, multilayered love story enchanted Europe for more than a year, and the U.S. publication of this flawless translation will allow gob-smacked book lovers here to struggle with the age-old dilemma: to race through each page to see what happens next or savor each deliciously enticing phrase. Do both; if ever a book was meant to be read over and over, this gem is it.”—Library Journal (starred review)

"Warmhearted...A charming novel that believes in the healing properties of fiction, romance, and a summer in the south of France."—Kirkus

"A beautiful story of grief, companionship, forgiveness and building a life worth living. A vulnerable, relatable tale of great love and loss, missed opportunities and moving on, The Little Paris Bookshop is, like the books its main characters recommends, medicine for the wounded soul.”—Bookpage

"Engaging... [George's] sumptuous descriptions of both food and literature will leave readers unsure whether to run to the nearest library or the nearest bistro."—Publishers Weekly

"There's a special category of books that appeal most strongly to people who just plain love to read. Not thrillers, or mysteries, or traditional romances, they are instead love letters to books themselves and to the power and delight of the written word and of stories…Now joining the ranks of those books you just have to give to the bibliophiles in your life is The Little Paris Bookshop by Nina George…The Little Paris Bookshop is the kind of book that readers might not know they needed or wanted until they picked it up -- meaning that George herself is doing exactly the same kind of work as Jean Perdu on his floating literary apothecary.”—Bookreporter.com

"Nina George's enchanting The Little Paris Bookshop deals with the nature of grief and the power of friendship, love and truth…George is a lyrical writer whose beautiful, sensory language and imagery enhance this adventurous, moving narrative.”—Shelf Awareness

"Uplifting... An international best seller, this one will make you happy."—The Independent

"The Little Paris Bookshop is an enchantment. Set in a floating barge along the Seine, this love letter to books - and to the complicated, sometimes broken people who are healed by them - is the next best thing to booking a trip to France."—Sarah Pekkanen, author of Catching Air

“Simultaneously heartbreaking and heartwarming, Nina George’s impressionistic prose takes the reader on a journey not just through the glories of France and the wonders of books, but through the encyclopedic panoply of human emotions. The Little Paris Bookshop is a book whose palette, textures, and aromas will draw you in and cradle you in the redemptive power of love.”—Charlie Lovett, author of The Bookman’s Tale

"Nina George tells us clever things about love, about reading that 'puts a bounce in your step,' about tango in Provence, and about truly good food. . . . One of those books that gets you thinking about whom you need to give it to as a gift even while you're still reading it, because it makes you happy and should be part of any well-stocked apothecary." —Hamburger Morgenpost (Germany)

“Enchanting and moving ... Rarely have I read such a beautiful book!”—Tina magazine (Germany)
--This text refers to the hardcover edition.

Product details

ASIN ‏ : ‎ B00O0286MS
Publisher ‏ : ‎ Ballantine Books; Reprint edition (June 23, 2015)
Publication date ‏ : ‎ June 23, 2015
Language ‏ : ‎ English
File size ‏ : ‎ 3514 KB
Text-to-Speech ‏ : ‎ Enabled
Screen Reader ‏ : ‎ Supported
Enhanced typesetting ‏ : ‎ Enabled
X-Ray ‏ : ‎ Enabled
Word Wise ‏ : ‎ Enabled
Sticky notes ‏ : ‎ On Kindle Scribe
Print length ‏ : ‎ 398 pages

Best Sellers Rank: #174,422 in Kindle Store (See Top 100 in Kindle Store)
- #41 in Booksellers & Bookselling
- #669 in Romance Literary Fiction
- #1,234 in Contemporary Literary Fiction

Customer Reviews:
4.0 15,772 ratings

Brief content visible, double tap to read full content.

Full content visible, double tap to read brief content.

Videos

Help others learn more about this product by uploading a video!

Upload your video

About the author

Follow authors to get new release updates, plus improved recommendations.

Nina George

Brief content visible, double tap to read full content.

Full content visible, double tap to read brief content.

Born 1973 in Bielefeld, Germany, Nina George is a prize-winning and bestselling author (“Das Lavendelzimmer” – “The Little Paris Bookshop”) and freelance journalist since 1992, who has published 26 books (novels, mysteries and non-fiction) as well as over hundred short stories and more than 600 columns. George has worked as a cop reporter, columnist and managing editor for a wide range of publications, including Hamburger Abendblatt, Die Welt, Der Hamburger, “politik und kultur” as well as TV Movie and Federwelt. Georges writes also under three pen-names, for ex “Jean Bagnol”, a double-andronym for provence-based mystery novels.

In 2012 and 2013 she won the DeLiA and the Glauser-Prize. In 2013 she had her first bestselling book “Das Lavendelzimmer”, translated in 27 langues and sold more than 500.000 copies.

In November 2011, Nina George established the “JA zum Urheberrecht” (YES on Author’s Rights) initiative, which supports the rights of authors, artists and entertainers and is dedicated to resolving issues within the literary community as well as establishing fair and practical rights-license models for the web-distribution. 14 writers’ associations and 27 publishing partners have since joined the JA…-Initiative. George supports the “Initiative Urheberrecht” (Author’s Rights Initiative—www.urheber.info) as well as the “gib 8 aufs Wort”-campaign of the VG Wort.

In August 2014 George initiated the Amazon-protest in Germany www.fairer-buchmarkt.de, where overs 2000 germanspeaking authors – Nobelprizewinnig Elfriede Jelinek or Bestsellingauthor Nele Neuhaus – sign an open letter to Jeff Bezos and Amazon, protesting against the banned-book-methods of the giant retailer in the Hachette/Bonnier-dispute.

In 2015 George is the founder of the Initiative Fairer Buchmarkt e.V., which supports questions of law in daily business of authors – for ex in contracts, fees or author’s rights and e-Business.

George is Member to PEN, Das Syndikat (association of German-language crime writers), the Association of German Authors (VS), the Hamburg Authors’ Association (HAV), BücherFrauen (Women in Publishing), the IACW/AIEP (International Association of Crime Writers), the GEDOK (Association of female artists in Germany), PRO QUOTE and Lean In. Nina George sits on the board of the Three Seas Writers’ and Translaters’ Council (TSWTC), whose members come from 16 different countries.

Nina George teaches writing at Literaturbüro Unna, Alsterdamm Kunstschule, Wilhelmsburger Honigfabrik, where she coaches young people, adults and professional authors.

George also moderates (bilingual) readings and works as a speaker.

www.nina-george.com

find me also on Facebook:

https://www.facebook.com/NinaGeorge.S...

www.ninageorge.de

DE

Die mehrfach ausgezeichnete Publizistin Nina George, geboren 1973, veröffentlichte bisher 23 Romane, Krimis, Science-Thriller sowie ca. 88 Kurzgeschichten und über 500 Kolumnen.

Ihr Pseudonym Anne West gehört zu den erfolgreichsten deutschsprachigen Erotika-Autorinnen.

Für ihren Roman Die Mondspielerin wurde George mit der DeLiA 2011, dem Literaturpreis für den besten Liebesroman des Jahres, ausgezeichnet. Mit dem Wendekrimi Das Licht von Dahme war George 2010 für den Friedrich-Glauser-Preis nominiert. Sie gewann ihn 2012 mit dem in Nigeria angesiedeltem Fußballkrimi „Das Spiel ihres Lebens“.

George gründete 2011 die Initiative „JA zum Urheberrecht“, mit der sie sich aktiv für die Rechte aller Kreativarbeiter und Kulturschaffenden gegen die Mentalität der Gratiskultur im Internet einsetzt.

Sie ist Mitglied im Syndikat, den Mörderischen Schwestern sowie des Verbands deutscher Schriftsteller.

Nina George lebt im Hamburger Grindelviertel.

Bio and photo from Goodreads.

Customer reviews

4 out of 5

15,772 global ratings

How customer reviews and ratings work

Reviews with images

See all photos

Sort reviews by

Top reviews from the United States

There was a problem filtering reviews right now. Please try again later.

M D Costello

I love to read any book written about or set in ...

Reviewed in the United States on December 9, 2015

Verified Purchase

The Little Paris Bookshop is a gem of a story written by Nina George. My book club chose this 2015 novel and the title drew me in immediately. I love to read any book written about or set in the City of Light. The bookshop referred in the title was a very unique bookshop—it was a barge moored on the Seine, filled with all sorts of books, as well as its proprietor, Jean Perdu, and two cats. Jean Perdu (Lost John) is a 50-something man who prescribes books to people to cure what ails them. Be it relationships, loves, family issues, politics, or work, Perdu knew the exact book to aid his customers in their quest for something they needed to heal or advance their lives.

Quote describing Perdu's gift:
Perdu used his ears, his eyes and his instincts. from a single conversation, he was able to discern what each soul lacked. to a certain degree, he could read from a body’s posture, its movements and its gestures, what was burdening or oppressing it. and finally, he had what his father had called transperception. “You can see and hear through most people’s camouflage. and behind it you see all the things they worry and dream about, and the things they lacked.”

So the next time I travel to Paris, I will be looking out for this sweet boat waiting for me on the Seine. Oh, how I wish!

Perdu is a wonderful helper to his customers, but his own life seemed very lonely and depressing. He lives in a building and interacts with some of his neighbors and concierge, but had suffered a tragic romance 20 years earlier and really had little social interaction or love life since then. Throughout the novel, George lets us know the circumstances of this great romance via Perdu’s recollections and a diary left by his lost love, Manon. One of the couples that live in his building are getting a divorce, and Perdu decides to bring the woman some books to help her heal and move on. As they talk and get to know each other, a bond forms and Perdu once again starts to feel his emotions and seems to want to love someone again.

One of the other neighbors in Perdu’s building is popular author, Max, whom Perdu really did not know well or hold in high esteem. He had sold many books recently and was always recognized in public, but Perdu paid little attention to him. This author was younger than Perdu and seemed to look up to him regardless of Perdu’s treatment of him. After meeting with the soon to be divorcée, Perdu’s emotions were running high when he decided on the spur of the moment to unmoor the Literary Apothecary, and travel the canals south and find out what really happened to his lost love. Max happened to be nearby and jumps aboard. An extraordinary adventure begins!

I don’t want to give any little thing away so I will stop where the real escapade commences. I thoroughly enjoyed reading the book from beginning to end. Not only were there magnificent quotes on love and reading and books all throughout, but Ms. George is obviously a Hemingway fan. She mentions the writer at least four times (more than the one or two times for most), and I think she even got the idea for part of her story from Hemingway’s life. Let me just say that at one point in his life, Hemingway was in love with two women at the same time.

Following are a few of the quotes I bookmarked as I read:

We cannot decide to love. We cannot compel anyone to love us. There’s no secret recipe, only love itself. And we are at its mercy–there’s nothing we can do.

Reading–an endless journey; a long, indeed never-ending journey that made one more temperate as well as more loving and kind.

Whenever Monsieur Perdu looked at a book, he did not see it purely in terms of a story, minimum retail price and an essential balm for the soul; he saw freedom on wings of paper.

“Saudade”: a yearning for one’s childhood, when the days would merge into one another and the passing of time was of no consequence. It is the sense of being loved in a way that will never come again. It is a unique experience of abandon. It is everything that words cannot capture.

All the love, all the dead, all the people we’ve known. they are the rivers that feed our sea of souls. If we refuse to remember them, that sea will dry up too.

The trouble is that so many people, most of them women, think they have to have a perfect body to be loved. But all it has to do is be capable of loving–and being loved . . .

10 people found this helpful

Helpful

K. Sellin

A bit overwrought but still an enjoyable read

Reviewed in the United States on August 19, 2023

Verified Purchase

The story of Jean Perdu, who runs a bookshop out of a barge in Paris. One day he decides to just unmoor and take off to find his lost love. His young neighbor and current "it" author Max Jordan decides to jump on board at the last minute.
Some of the writing is a bit overwrought for me, but I loved following along as they sailed the waters of France... Makes me want to get a boat of my own and take off!
Bonus recipes and book recommendations at the end of the book.

One person found this helpful

Helpful

judith knothe

Slow to become at all interesting

Reviewed in the United States on July 10, 2023

Verified Purchase

Very slow start. It got more interesting about a third of the way though.

Helpful

Becky Wilson

My Favorite one to date!

Reviewed in the United States on June 23, 2016

Verified Purchase

Bonjour Mesdames et messieurs! What? You knew this was coming, right? A writer who loves Paris finds an actual book written as a love letter to people who enjoy reading. It's heartbreaking, tender and hysterically funny. One could even compare it to a modern day Wizard of OZ.

Monsieur Perdu is 50 years old and stuck in life. His paralysis comes from a broken heart. He once passionately loved a woman, though she was married (she and her husband had an agreement). But out of the blue she abandons Perdu leaving a sole letter in his apartment. A letter he would not open for 21 years while his life becomes brittle and empty. He can't even mention her by name, he loved her so completely, she is simple a breath (Ahh) if you listen to the audio version.

("——’ s smell has gone.")

So, Perdu tends to his loyal customers who've named him a literary apothecary from his floating bookstore in a barge on the Seine. He has a gift for seeing, reading and hearing peoples' souls and can tell what each person needs to read at their precise moment in life. Each book is a prescription for them to move forward.

("Books are like people, and people are like books. I’ll tell you how I go about it. I ask myself: Is he or she the main character in his or her life? What is her motive? Or is she a secondary character in her own tale? Is she in the process of editing herself out of her story, because her husband, her career, her children or her job are consuming her entire text?”)

OR

(“Books are more than doctors, of course. Some novels are loving, lifelong companions; some give you a clip around the ear; others are friends who wrap you in warm towels when you’ve got those autumn blues. And some… well, some are pink candy floss that tingles in your brain for three seconds and leaves a blissful void. Like a short, torrid love affair.”)

A new occupant comes to the building, Catherine, who was ruthlessly thrown out by her husband with only the clothes on her back. When she arrives at 27 Rue Montagnard, Perdu looks after her cautiously as he feels himself drawn to her. But when they are finally eating dinner one night, it happens. Catherine not only stirs his heart, but she demands he read the 21 year old letter "——’ left for him.

Another dagger strikes him when he reads it, learning his one true love left him because she was dying and she didn't want to burden him. She had hoped that he'd travel to see her because she couldn't travel anymore. Imagine how you would feel: is it too late?

Hitting rock bottom, Perdu starts the floating bookstore's engine and begins his journey south to make peace. A cast of neurotic characters join him as he slowly begins to feel alive again.

(Is there really no book that could teach me to play the song of life?)

The whole novel is a metaphor for living. There are so many wonderful quotes, you may find yourself in tears. And no, don't roll your eyes at me men! This is a book especially for men.

Let me share with everyone a passage that hit me like a brick. One that caused a deep stir within my own soul:

"I read books— twenty at a time. Everywhere: on the toilet, in the kitchen, in cafés, on the metro. I do jigsaw puzzles that take up the whole floor, destroy them when I’ve finished and then start all over again. I feed stray cats. I arrange my groceries in alphabetical order. I sometimes take sleeping tablets. I take a dose of Rilke to wake up. I don’t read any books in which women like —— crop up. I gradually turn to stone. I carry on. The same every day. That’s the only way I can survive. But other than that, no, I do nothing."

This was me. I've been reading non-stop for the past few months, avoiding life like Monsieur Perdu. And it took a book to make me realize this fact. Books can change your life. I highly recommend this soulful novel.

7 people found this helpful

Helpful

Top reviews from other countries

Abhishek Priyadarshi

Smooth storytelling

Reviewed in India on August 22, 2023

Verified Purchase

The most notable part is how smooth reading this book is. The characters intermingle with each other without ever losing their own trajectories. For book lovers, it’s a rejoice to have so many of them going on in the background as the story unfolds.
The authors grasp on human emotions is refreshing.

Amazon Customer

Beautiful, thoughtful escape to France

Reviewed in Australia on July 7, 2023

Verified Purchase

I’d recommend this book to anyone who likes a well-written book that gently peels back people’s layers, exploring themes such as love, friendship and grief. Also, this novel takes you on an evocative tour from Paris along waterways and canals to the south of France. It’s beautiful.

Sharon

A voyage through France

Reviewed in Canada on October 5, 2023

Verified Purchase

I had the opportunity to read this book for my book club. it was intriguing to read a story set in France and gain insight into a bit of French culture.

Monsieur Jean Perdu owns a floating bookshop on a barge. However, he's not your typical bookseller. He possesses a unique ability to discern people’s moods and personalities, guiding them to books that aid in healing and upliftment. Eccentric in nature, he refrains from selling books to those he believes won't benefit from them. One day, he takes a bold step, deciding to set sail on his barge on a personal journey. As the story unfolds, we learn about Jean Perdu's past relationship with Manon, an affair from twenty years prior that he has yet to come to terms with, having set that entire chapter of his life aside.

Following Jean as he made stops at different locales on his voyage, picking up various individuals as he traveled towards the town where Manon once lived. The narrative brought to mind "The Curious Charms of Arthur Pepper." At moments, the book felt slightly drawn-out. The mention of Nazis in the book made me uncomfortable. I felt that this element wasn't necessary for the story. You may enjoy this, I did enjoy this to a degree I felt that this book read as a bit dated.

Katharine Kirby

Cast off and allow the river to take you home

Reviewed in the United Kingdom on June 7, 2016

Verified Purchase

We chose this for our Book Club choice and seven out of eight of us really loved it. The dissenter felt it went a bit flat in parts, lost its way rather, but we all felt it could be forgiven, after all much of the book is about a meandering river journey.

One member flagged up that the book is really about the management of grief and the various ways we can damp it down, try to wriggle around the experience, but we really do have to go through the misery to emerge safely at the other end. The idea of reading being therapy will be nothing new to regular readers, however the choice of book being more tailored to the reader's situation and nature made us thoughtful and respectful of the power held inside pages. There is much wisdom contained within this one and many quotable phrases. My favourite was a simple one that feels very pertinent to me - "Rivers give, the sea demands". That meant a lot to me.

Another had done the very trip that is described through the canals of central France so she had happy memories of friendships made on the water, shared meals that really do happen spontaneously, relaxed, generous company to be found in those on a similar journey. We all thought it an excellent choice for a summer read and would happily recommend it. My copy has already moved on.

3 people found this helpful

Ananya Bhakat

Pure poetry!

Reviewed in India on December 31, 2021

Verified Purchase

I love the idea of prescribing books as per the need of the reader. I wish i met a book doctor in real life!
I have not read love being more poetically yet practically described than this book. The story telling feels more like poetry than prose. It has some of my most favorite quotes.

"Who knows, maybe each of us has a specific role in the great book of life. Some of us love particularly well; others look after lovers particularly well."

"'You have to dance the things you cannot explain,' Perdu said under his breath. 'And you have to write the things you cannot express', the old novelist thundered."

"Death doesn't matter. We will always remain what we were to one another."

Well, what i didnt like about the book was, it was a bit of a drag at places. Others, would definitely recommend to romance lovers.

Buy for others

Buying and sending eBooks to others

Image Unavailable

Follow the author

The Little Paris Bookshop: A Novel Kindle Edition

Customers who bought this item also bought

Editorial Reviews