Little Town on the Prairie

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Springtime On The Claim

After the October Blizzard last fall, they had all moved to town and for a little while Laura had gone to school there. Then the storms had stopped school, and all through that long winter the blizzards had howled between the houses, shutting them off from each other so that day after day and night after night not a voice could be heard and not a light could be seen through the whirling snow.

All winter long, they had been crowded in the little kitchen, cold and hungry and working hard in the dark and the cold to twist enough hay to keep the fire going and to grind wheat in the coffee mill for the day's bread.

All that long, long winter, the only hope had been that sometime winter must end, sometime blizzards must stop, the sun would shine warm again and they could all get away from the town and go back to the homestead claim.

Now it was springtime. The Dakota prairie lay so warm and bright under the shining sun that it did not seem possible that it had ever been swept by the winds and snows of that hard winter. How wonderful it was, to be on the claim again! Laura wanted nothing more than just being outdoors. She felt she never could get enough sunshine soaked into her bones.

In the dawns when she went to the well at the edge of the slough to fetch the morning pail of fresh water, the sun was rising in a glory of colors. Meadow larks were flying, singing, up from the dew-wet grass. Jack rabbits hopped beside the path, their bright eyes watching and their long ears twitching as they daintily nibbled their breakfast of tender grass tips.

Laura was in the shanty only long enough to set down the water and snatch the milk pail. She ran out to the slope where Ellen, the cow, was cropping the sweet young grass. Quietly Ellen stood chewing her cud while Laura milked.

Warm and sweet, the scent of new milk came up from the streams hissing into the rising foam, and it mixed with the scents of springtime. Laura's bare feet were wet and cool in the dewy grass, the sunshine was warm on her neck, and Ellen's flank was warmer against her cheek. On its own little picket rope, Ellen's baby calf bawled anxiously, and Ellen answered with a soothing moo.

When Laura had stripped the last creamy drops of milk, she lugged the pail to the shanty. Ma poured some of the warm new milk into the calf's pail. The rest she strained through a clean white cloth into tin milk pans, and Laura carefully carried them down cellar while Ma skimmed thick cream from last night's milk. Then she poured the skimmed milk into the calf's pail, and Laura carried it to the hungry calf.

Teaching the calf to drink was not easy, but always interesting. The wobbly-legged baby calf had been born believing that it must butt hard with its little red poll, to get milk. So when it smelled the milk in the pail, it tried to butt the pail.

Laura must keep it from spilling the milk, if she could, and she had to teach it how to drink, because it didn't know. She dipped her fingers into the milk and let the calf's rough tongue suck them, and gently she led its nose down to the milk in the pail. The calf suddenly snorted milk into its nose, sneezed it out with a whoosh that splashed milk out of the pail, and then with all its might it butted into the milk. It butted so hard that Laura almost lost hold of the pail. A wave of milk went over the calf's head and a splash wet the front of Laura's dress.

So, patiently she began again, dipping her fingers for the calf to suck, trying to keep the milk in the pail and to teach the calf to drink it. In the end, some of the milk was inside the calf.

Then Laura pulled up the picket pins. One by one, she led Ellen, the baby calf and the yearling calf to fresh places in the soft, cool grass. She drove the iron pins deep into the ground. The sun was fully up now, the whole sky was blue, and the whole earth was waves of grass flowing in the wind. And Ma was calling.

"Hurry, Laura! Breakfast's waiting!"

In the shanty, Laura quickly washed her face and hands at the washbasin. She threw out the water in a sparkling curve falling on grass where the sun would swiftly dry it. She ran the comb through her hair, over her head to the dangling braid. There was never time before breakfast to undo the long braid, brush her hair properly, and plait it again. She would do that after the morning's work was done.

Sitting in her place beside Mary, she looked across the clean, red-checked tablecloth and the glinting dishes at little sister Carrie and baby sister Grace, with their soap-shining morning faces and bright eyes. She looked at Pa and Ma so cheerful and smiling. She felt the sweet morning wind from the wide-open door and window, and she gave a little sigh.

Pa looked at her. He knew how she felt. "I think, myself, it's pretty nice," he said.

"It's a beautiful morning," Ma agreed.

Then after breakfast Pa hitched up the horses, Sam and David, and drove them out on the prairie east of the shanty, where he was breaking ground for sod corn. Ma took charge of the day's work for the rest of them, and best of all Laura liked the days when she said, "I must work in the garden."

Mary eagerly offered to do all the housework, so that Laura could help Ma. Mary was blind. Even in the days before scarlet fever had taken the sight from her clear blue eyes, she had never liked to work outdoors in the sun and wind.

Laura Ingalls Wilder (1867–1957) was born in a log cabin in the Wisconsin woods. With her family, she pioneered throughout America’s heartland during the 1870s and 1880s, finally settling in Dakota Territory. She married Almanzo Wilder in 1885; their only daughter, Rose, was born the following year. The Wilders moved to Rocky Ridge Farm at Mansfield, Missouri, in 1894, where they established a permanent home. After years of farming, Laura wrote the first of her beloved Little House books in 1932. The nine Little House books are international classics. Her writings live on into the twenty-first century as America’s quintessential pioneer story.

Garth Williams is the renowned illustrator of almost one hundred books for children, including the beloved Stuart Little by E. B. White, Bedtime for Frances by Russell Hoban, and the Little House series by Laura Ingalls Wilder.

He was born in 1912 in New York City but raised in England. He founded an art school near London and served with the British Red Cross Civilian Defense during World War II. Williams worked as a portrait sculptor, art director, and magazine artist before doing his first book Stuart Little, thus beginning a long and lustrous career illustrating some of the best known children's books.

In addition to illustrating works by White and Wilder, he also illustrated George Selden’s The Cricket in Times Square and its sequels (Farrar Straus Giroux). He created the character and pictures for the first book in the Frances series by Russell Hoban (HarperCollins) and the first books in the Miss Bianca series by Margery Sharp (Little, Brown). He collaborated with Margaret Wise Brown on her Little Golden Books titles Home for a Bunny and Little Fur Family, among others, and with Jack Prelutsky on two poetry collections published by Greenwillow: Ride a Purple Pelican and Beneath a Blue Umbrella. He also wrote and illustrated seven books on his own, including Baby Farm Animals (Little Golden Books) and The Rabbits’ Wedding (HarperCollins).

The little settlement that weathered the long, hard winter of 1880-81 is now a growing town. Laura is growing up, and she goes to her first evening social. Mary is at last able to go to a college for the blind. Best of all, Almanzo Wilder asks permission to walk home from church with Laura. And Laura, now fifteen years old, receives her certificate to teach school.