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Local News from Someplace Else Paperback – June 18, 2013
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- Print length104 pages
- LanguageEnglish
- Publication dateJune 18, 2013
- Dimensions6 x 0.24 x 9 inches
- ISBN-101625640943
- ISBN-13978-1625640949
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Editorial Reviews
Review
--Shara McCallum, author of This Strange Land and The Face of Water: New and Selected Poems
Marjorie Maddox brings us Local News from Someplace Else, a 'brief alphabet of grief, ' 'where loss . . . flies fastest / in the smallest of words': hurricanes, fires, school shootings, mine cave-ins. But she is also a reporter of joy: births, barbecues, retirement parties, hotel rooms with 'the hundred-plus / channels of cable / deliciously at our command.' 'We are in love / with room service at midnight, ' Maddox writes, and you will be too.
--Barbara Crooker, author of Gold
Marjorie Maddox's poems move with faith and grace through the violent landscapes of contemporary America, through the humdrum chores of parenting and work, through the thin spaces that divide the living from the dead. Hers is a poetry haunted by the presence of survivors, and, as she confesses, 'What we hold / is ourselves holding on.' In the gift of her deeply reflective poems, we glimpse 'the sad joy that lets her see / all that the world is.'
--Todd Davis, author of In the Kingdom of the Ditch and The Least of These
From the Back Cover
--Shara McCallum, author of This Strange Land and The Face of Water: New and Selected Poems
"Marjorie Maddox brings us Local News from Someplace Else, a 'brief alphabet of grief,' 'where loss . . . flies fastest / in the smallest of words': hurricanes, fires, school shootings, mine cave-ins. But she is also a reporter of joy: births, barbecues, retirement parties, hotel rooms with 'the hundred-plus / channels of cable / deliciously at our command.' 'We are in love / with room service at midnight,' Maddox writes, and you will be too."
--Barbara Crooker, author of Gold
"Marjorie Maddox's poems move with faith and grace through the violent landscapes of contemporary America, through the humdrum chores of parenting and work, through the thin spaces that divide the living from the dead. Hers is a poetry haunted by the presence of survivors, and, as she confesses, 'What we hold / is ourselves holding on.' In the gift of her deeply reflective poems, we glimpse 'the sad joy that lets her see / all that the world is.'"
--Todd Davis, author of In the Kingdom of the Ditch and The Least of These
About the Author
Product details
- Publisher : Wipf and Stock (June 18, 2013)
- Language : English
- Paperback : 104 pages
- ISBN-10 : 1625640943
- ISBN-13 : 978-1625640949
- Item Weight : 5.6 ounces
- Dimensions : 6 x 0.24 x 9 inches
- Customer Reviews:
About the author

www.marjoriemaddox.com
Professor of English and Creative Writing at Lock Haven University, Marjorie Maddox has published Begin with a Question (Paraclete 2022); Heart Speaks, Is Spoken For (Shant Arts), a collaboration with photographer Karen Elias; Transplant, Transport, Transubstantiation (reissued, Wipf & Stock 2018; finalist for the Philip McMath post-publication book award and finalist for the Brittingham Book Award); Wives' Tales (Seven Kitchens Press 2017); True, False, None of the Above (Poiema Poetry Series 2016 and Illumination Book Award Medalist); Local News from Someplace Else (Wipf & Stock 2013); Weeknights at the Cathedral (WordTech 2006); Transplant, Transport, Transubstantiation (2004 Yellowglen Prize); Perpendicular As I (1994 Sandstone Book Award); Perpendicular As I (ebook 2013); When The Wood Clacks Out Your Name: Baseball Poems (2001 Redgreene Press Chapbook Winner); Body Parts (Anamnesis Press 1999); Ecclesia (Franciscan University Press 1997); How to Fit God into a Poem (1993 Painted Bride Chapbook Winner); and Nightrider to Edinburgh (1986 Amelia Chapbook Winner); the short story collection What She Was Saying (Fomite 2017); as well as over 650 poems, stories, and essays in such journals and anthologies as Poetry, Prairie Schooner, Crab Orchard Review, and Image: A Journal of the Arts and Religion.
She is co-editor, with Jerry Wemple, of Common Wealth: Contemporary Poets on Pennsylvania (Penn State Press 2005) and has four children's books, including two from WordSong: A Crossing of Zebras: Animal Packs in Poetry and Rules of the Game: Baseball Poems (both re-issued by Wipf and Stock), the YA book Inside Out: Poems on Writing and Reading Poems with Insider Exercises (Kelsay Books), finalist for the International Book Award in the Education category; and the 2021 NCTE (National Council of Teachers of English) Notable Poetry Book for Children I'm Feeling Blue, Too! (illustrated by Philip Huber, Wipf and Stock).
Marjorie studied with A. R. Ammons, Robert Morgan, Phyllis Janowitz, and Ken McClane at Cornell, where she received the Sage Graduate Fellowship for her M.F.A. in poetry; with Sena Jeter Naslund at the University of Louisville, where she received an M.A. in English; and with Beatrice Batson and Harold Fickett at Wheaton College, where she received a B.A. in Literature.
Her numerous honors include Cornell University's Chasen Award, the 2000 Paumanok Poetry Award, an Academy of American Poets Prize, the Seattle Review's Bentley Prize for Poetry, a Bread Loaf Scholarship, Pushcart Prize nominations in both poetry and fiction, and Lock Haven University's 2012 Honors Professor of the Year. She is the great great-niece of baseball legend Branch Rickey, the general manager of the Brooklyn Dodgers who helped break the color barrier by signing Jackie Robinson. For updated information and reviews, please see her Web site at www.marjoriemaddox.com
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Speaking in voices that vacillate between the somber yet concise tones of news anchors reporting on painful tragedies, and the nervous fluttering at the maternal breast, Maddox makes it clear that the only way to survive the world is to truly live in it fully. In “Anniversary Coffee,” the speaker lovingly attests to the passage of time, to elevate an otherwise mundane event:
Those behind the counter
know us and know
when to save what we want,
can order for us, smile at how we smile
at each other’s drenched winsomeness. You are
not what I order but what I order now
across the café table, across the morning
spread with such a delectable savor.
The familiarity of a local setting, coupled with the familiarity of an intimate bond grounds the couplets of the poem, as the lines enjamb and cascade over one another, in what William Wordsworth calls in the Preface to Lyrical Ballads, the spontaneous overflow of powerful feelings.
Equally important in the work is the coupling of tension, pain or sorrow with faith in something greater. Maddox, the director of Creative Writing and Professor at Lock Haven University, is able to show us what remains after trauma, even it is simply our ability to endure. “Safe” shows us this visceral, dramatic realization in its’ powerful opening lines, “My baby and I stay home / from the funeral for the murdered child”. Through it all, Maddox’s voice is precise and empathic without being maudlin. While the rest of us might grasp at anything to simply deal with the most overwhelming aspects of our lives, her unwavering confidence that humans are more than just the sum on their parts offers a beautiful, and hopeful message to the reader.
I had a chance to speak to Marjorie Maddox, and present on her work at the North East Modern Language Association’s conference in April of this year, and the audience was fascinated by the provenance of each poem that was discussed, and more importantly, the authority of a woman-writer taking on global and political issues through such a personal medium. For Maddox, the fact that the personal is political is not something that we need to fear, it’s just another challenge that we face every day, and one that can be faced with generosity and compassion for fellow sufferers.
Though occasional bogged down by its own conceit, and a fascination for modern technology, Local News from Someplace Else works hard to bridge the divide between what we know and what we fear from human life by speaking frankly, yet delicately, about what matters most.
It is easy to say, "Oh how sad," when we see stories like the ones featured in Marjorie's poems on the news, but we so easily brush these stories away without a second thought. Marjorie's poems remind us of the reality of the world we live in, and provide us with an opportunity to reflect on what these events say about humanity, not necessarily for the event's sake, but for how we as a people respond to these events, even long after they have passed.
Reflection gives us a chance for redemption. The one triumph that is born of tragedy is that it gives us the opportunity to remember our humanity: to offer our resources for the aid of those who have lost everything, to put an arm around those who mourn and to mourn with them, to bring life back to one another in the midst of destruction, and to not let despair take our humanity from us. Reading these poems reminds us of the stories that we all heard and perhaps ignored at the time, but the beauty is that they remind us that it's never too late to let the past heal us for our future. Marjorie's poems are filled with hope and a prompting to remember our humanity and find healing.
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