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The Locket
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| Genre | Mystery & Suspense/Film Noir |
| Format | Black & White, Full Screen, NTSC |
| Contributor | John Brahm, Henry Stephenson, Gene Raymond, Robert Mitchum, Bert Granet, Ricardo Cortez, Brian Aherne, Sharyn Moffett, Laraine Day See more |
| Language | English |
| Studio | Warner |
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Product Description
A gold locket around the neck of a little girl. So sweet, so demure, so unlikely to trigger a nightmare of death and deceit. The Locket is a chilling film noir suffused with the vivid postwar psychological mystery that made films such as Spellbound Bijou favorites. Laraine Day stars as a woman who was denied the locket in childhood and who now turns her charms on man after man as she plots jewel theft after jewel theft and as theft ultimately leads to murder. The film's intricate use of flashbacks has earned it cult status. And icon-to-be Robert Mitchum takes an atypical role as a vulnerable artist destroyed by his love for the unstable, emotionally scarred beauty for whom nothing can replace the lost locket.
Product details
- Aspect Ratio : 1.33:1
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.72 Ounces
- Director : John Brahm
- Media Format : Black & White, Full Screen, NTSC
- Release date : August 3, 2010
- Actors : Laraine Day, Brian Aherne, Robert Mitchum, Gene Raymond, Sharyn Moffett
- Producers : Bert Granet
- Language : Unqualified
- Studio : WARNER BROS.
- ASIN : B003YY2886
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #36,900 in Movies & TV (See Top 100 in Movies & TV)
- #6,688 in Drama DVDs
- Customer Reviews:
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Top reviews
Top reviews from the United States
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Laraine Day ("Foreign Correspondent," "Dr. Kildare" film series) is probably at the top of her acting prowess here and receives top billing as the femme fatale. She plays her character well as a charming, beautiful woman with a past. Her usually twinkling eyes can go dark quickly when she is confronted with her past. The viewer ponders the question "Did she or didn't she" throughout the film as the events from the past are entwined into the story.
And it's that twining that is the first remarkable thing about this film. We begin the movie in present time (around 1947), then as the story unfolds, we flashback to 1938, and from there we flashback to 1935, and while there, we flashback further to sometime in the 1920s -- a flashback within a flashback within a flashback -- and it works beautifully! The director never leaves the viewer confused as to the time period the film is presenting, and I can't see that inserting these flashbacks separately would have been any better. It is a truly remarkable and unusual use of a common plot device that helps the story flow and keeps the viewer intrigued all the way.
The second remarkable thing about this film is Queenie Leonard. This veteran character actress usually played "background characters" -- maids ("And Then There Were None," "Forever and a Day," "The Lodger"), nurses ("Homecoming"), and even voiced flighty characters for Disney ("Alice in Wonderland," "101 Dalmatians"). But here, Queenie has for once shed those wallflower characterizations and prances into the spotlight -- as a singer performing a rather risque (for the time) number, "Hands, Knees and Boomps-a-Daisy"! It's Queenie as you've never seen her! What fun!
This movie may not be in any top-ten classic film list on any count, but it's suspenseful, mysterious, intriguing, enjoyable -- and downright entertaining!
Top reviews from other countries
The ending appears rushed and must have puzzled a fair proportion of the original cinema audiences.
However The Locket was a real discovery for me, and coupled with a transfer from a good original copy, and above average sound quality for 1946 is a firm recommendation.









