Buy new:
$62.10$62.10
FREE delivery:
Thursday, April 6
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $56.00
Other Sellers on Amazon
+ $3.99 shipping
90% positive over last 12 months
Usually ships within 3 to 4 days.
+ $3.99 shipping
87% positive over last 12 months
Usually ships within 3 to 4 days.
+ $5.99 shipping
90% positive over last 12 months

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.

Follow the Authors
OK
Logo Modernism Hardcover – November 1, 2015
Enhance your purchase
Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design.
This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares.
Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.
- Print length432 pages
- LanguageMultilingual
- PublisherTASCHEN
- Publication dateNovember 1, 2015
- Dimensions10.1 x 1.8 x 14.9 inches
- ISBN-103836545306
- ISBN-13978-3836545303
More items to explore
From the Publisher

Brand new
Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design.

An unprecedented catalog of modern trademarks
Examine the distillation of modernism in graphic design with this vast collection of approximately 6,000 logos from 1940–1980. Ranging from media outfits to retail giants, airlines to art galleries, these clean, clear visual concepts may be seen as the visual birth of corporate identity.
|
|
|
---|---|---|
This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. |
Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. |
Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form. |

Editorial Reviews
Review
“…blockbuster new book Logo Modernism…is a beautiful distillation of modernist ideals rendered in their most superbly crafted way.” ― Itsnicethat.com
“…Almost limitless as a logo archive for the period, TASCHEN’s Logo Modernism means business about the business of good design.” ― PedroSilmon.com
“…This book is not only full-to-bursting with hugely important logos, it is physically huge!… If you have an interest in social, cultural or corporate history, this is an unrivalled resource and deserves a place on your shelves (if it will fit).” ― FormFIftyFive.com
About the Author
R. Roger Remington is Vignelli Distinguished Professor of Design at the Vignelli Center for Design Studies, Rochester Institute of Technology, New York. He has lectured and written extensively on the history of graphic design, including Nine Pioneers in American Graphic Design and Design and Science: The Life and Work of Will Burtin and has been reocgnized by the RIT Eisenhart Award for Outstanding Teaching and the Trustees Lifetime Achievement Award for Scholarship in Graphic Design.
Product details
- Publisher : TASCHEN; Multilingual edition (November 1, 2015)
- Language : Multilingual
- Hardcover : 432 pages
- ISBN-10 : 3836545306
- ISBN-13 : 978-3836545303
- Item Weight : 7.91 pounds
- Dimensions : 10.1 x 1.8 x 14.9 inches
- Best Sellers Rank: #36,120 in Books (See Top 100 in Books)
- #3 in Advertising Graphic Design
- #7 in Branding & Logo Design
- #75 in Graphic Design Techniques
- Customer Reviews:
About the authors
Julius Wiedemann was born in Brazil, where he studied design and marketing, and has lived and worked in Japan, Germany, Spain, the United States and in the UK. He is a Senior Editor for Architecture, Design and Pop Culture at TASCHEN Publishing House, Chief Curator at www.domestika.org, and a member of the advisory board of German science magazine Science Notes. He has edited and co-authored over 100 books, is a regular, lecturer, contributor to magazines, and has been in the jury of several awards all over the world. Wiedemann’s publications have sold over 2 million copies worldwide, and among his most popular titles are History of Graphic Design, Jamie Hewlett, Information Graphics, Understanding the World, and the books about record covers and web design. His main interests reside in the intersection between culture, communication and technology. He is the father of two, lives and works between the UK, Brazil, Spain, and wherever he has wifi, and is a happy traveller.
Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Reviewed in the United States on February 27, 2020
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Upon receiving it, I noticed the box it came in was a bit large for a book and.. I then understood why haha! This thing is massive and has quite the weight to match. I was shocked initially but the amount of valuable content-- from the different patterns and styles-- this book is worth it. The languages are split up nice and evenly among each other, making it a book absolutely filled with examples.
Be aware though that the examples are not a step-by-step break down of the process designers/studios/agencies used at the time to arrive at that specific design. The designs are displayed, along with what company they belong to, who designed them and in what year. Also has a few real-life applications and some brief history here and there. A really good book in my opinion. Recommend.

Upon receiving it, I noticed the box it came in was a bit large for a book and.. I then understood why haha! This thing is massive and has quite the weight to match. I was shocked initially but the amount of valuable content-- from the different patterns and styles-- this book is worth it. The languages are split up nice and evenly among each other, making it a book absolutely filled with examples.
Be aware though that the examples are not a step-by-step break down of the process designers/studios/agencies used at the time to arrive at that specific design. The designs are displayed, along with what company they belong to, who designed them and in what year. Also has a few real-life applications and some brief history here and there. A really good book in my opinion. Recommend.


I don't like logos with many colors, gradients. This book takes the simplicity back. Everything here is simple, scalable to small sizes and remarkable.
Also the categories the book have are extremely useful. Such as: shapes that complete each other, vertical lines, circles, monograms and so on. The categories are related to the challenges designers face when designing logos. Its easy to find right the kind of shape you need to inspire you.
The only real complain i have is with the size. The book is too huge. It should be 30% smaller and still show pretty well all of its content.
I get it. Its planned for being a table book. But its too cumbersome to use for research and to have on the top of your desk all day. So to me that defeats the purpose.
But the content is worth. Go get it.

Reviewed in the United States 🇺🇸 on April 15, 2021

Top reviews from other countries

The book design is clean and impactful and never interferes with digesting the information.
I've bought books on logos before, but this one looks like being the book that renders the others redundant. A classic in the making.
> I've added a CD to one of the images to give you and idea of scale.


Reviewed in the United Kingdom 🇬🇧 on October 17, 2015
The book design is clean and impactful and never interferes with digesting the information.
I've bought books on logos before, but this one looks like being the book that renders the others redundant. A classic in the making.
> I've added a CD to one of the images to give you and idea of scale.















What I was disappointed in was Amazons packaging and care of such a great item. A massive box with no packing inside the book was all damaged. This is or was Amazons core business… books. Get a grip of what you do and quality of shipping. You can’t blame the courier if the item is not sufficiently packaged.


Reviewed in the United Kingdom 🇬🇧 on September 21, 2022
What I was disappointed in was Amazons packaging and care of such a great item. A massive box with no packing inside the book was all damaged. This is or was Amazons core business… books. Get a grip of what you do and quality of shipping. You can’t blame the courier if the item is not sufficiently packaged.




The only issue I have with the book is the lack of logotypes I see. I love logotypes and it's my main focus of work. Would love to have seen some other logo styles used!
All in all a great book, it's huge and feels good to hold.

Very big didnt expect it to quite big and bulky. That would be my only downfall otherwise it has a brilliant way to be inspired by old logos with modern twist
