- Series: Everyman's Library Contemporary Classics Series (Book 133)
- Hardcover: 368 pages
- Publisher: Everyman's Library; 5th Printing edition (March 9, 1993)
- Language: English
- ISBN-10: 0679410430
- ISBN-13: 978-0679410430
- Product Dimensions: 5.2 x 1 x 8.3 inches
- Shipping Weight: 1 pounds (View shipping rates and policies)
- Average Customer Review: 1,431 customer reviews
- Amazon Best Sellers Rank: #30,794 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ Free Shipping
+ $3.99 shipping
+ $3.99 shipping
Lolita (Everyman's Library Contemporary Classics Series) Hardcover – March 9, 1993
|New from||Used from|
The Amazon Book Review
Author interviews, book reviews, editors picks, and more. Read it now
Frequently bought together
Customers who bought this item also bought
"The only convincing love story of our century." —Vanity Fair
"Lolita blazes with a perversity of a most original kind. For Mr. Nabokov has distilled from his shocking material hundred-proof intellectual farce…Lolita seems an assertion of the power of the comic spirit to wrest delight and truth from the most outlandish materials. It is one of the funniest serious novels I have ever read; and the vision of its abominable hero, who never deludes or excuses himself, brings into grotesque relief the cant, the vulgarity, and the hypocritical conventions that pervade the human comedy." —Atlantic Monthly
"Intensely lyrical and wildly funny." —Time
"The conjunction of a sense of humor with a sense of horror [results in] satire of a very special kind, in which vice or folly is regarded not so much with scorn as with profound dismay and a measure of tragic sympathy…The reciprocal flow of irony gives to both the characters and their surroundings the peculiar intensity of significance that attends the highest art." —The New Yorker
"Lolita is an authentic work of art which compels our immediate response and serious reflection–a revealing and indispensable comedy of horrors." —San Francisco Chronicle
From the Inside Flap
With an Introduction by Martin Amis
When it was published in 1955, Lolita immediately became a cause celebre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov's wise, ironic, elegant masterpiece owes its stature as one of the twentieth century's novels of record not to the controversy its material aroused but to its author's use of that material to tell a love story almost shocking in its beauty and tenderness.
Awe and exhilaration--along with heartbreak and mordant wit--abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.
Try the Kindle edition and experience these great reading features:
1,431 customer reviews
Review this product
Showing 1-3 of 1,431 reviews
There was a problem filtering reviews right now. Please try again later.
Spare yourself from this hassle and just buy "The Annotated Lolita."
On the surface, you might imagine it uncomfortable to read a story in which our narrator and protagonist is a middle aged man with an obsessive fetish for "nymphets," who forms a sexual relationship with a 12 year old girl, traveling around the country while cunningly passing himself off as her father. But readers might find it reassuring(or disappointing) to know that there's actually very little obscenity in this novel, that sex is never actually described in detail, that the closest it comes to erotica would be when Lo reclines and naively rests her legs on the narrator's lap for the first time, that this book is actually a highbrow comedy. Humbert Humbert(or H.H.), as he calls himself, is a handsome, wealthy, and intelligent man, who, seemingly bored and callous to the world, constantly injects his uniquely blithe and sardonic humor into the text. Every character he meets is mocked with a jolly contempt. Every scenario in this book is turned into a parody. Consciously aware of his own creepiness and mental fragility, "lucidly insane," H.H. even parodies himself.
Here you will find a writing style that will make you feel more sophisticated just for having understood it. There are literary allusions to please the English buffs, along with an expansive vocabulary including, but not limited to, some rare and exotic words which do not even appear in the standard Kindle dictionary. But most of the humor, I think, is really in the tone and the way characters are portrayed, and even if you don't quite understand every remark H.H. makes, none of this is really necessary to appreciate the story.
In Part Two, the focus starts to shift a bit to some of the more subtle features of their relationship: the places they visited, Dolly growing up, Dolly bringing friends over, Dolly playing tennis, etc. I found it impressive to see how the characters changed and developed throughout this part, and Humbert Humbert's reflections on their relationship were even somewhat profound sometimes. Some people who aren't interested in the aesthetics here might find this area to be a little slow, but I promise you'll be rewarded soon after. The second to last chapter is hilarious.
As for the annotations, they were ok. They provide some extra background information, they translate the French for you, but they were nothing special. Some reviewers have complained about the lack of in-text hyperlinks, but I honestly don't think these would have been beneficial. The numerical chapter headings already have hyperlinks, my kindle app lets me jump back and forth with just a couple finger taps, and in-text hyperlinks would have been distracting. However, A.A. does seem to give away some spoilers in his annotations, so for those who would prefer a full immersion experience and who would like to try to predict some mysteries on their own, I might suggest actually ignoring the annotations the first time they read Lolita, or at least the ones that don't translate French.
The introduction seemed to start off well until Appel started talking about literary involution. There is a lot of involution in Lolita, realism is deliberately thrown out the window sometimes, but I saw this as contributing to the comical effect and nothing more. Appel seems to interpret some kind of subjectivist philosophical meaning in it which I thought just went too far. His anecdote about the Puppet Show, and how his 5 and 3 year old children began laughing to steel themselves against the terror of questioning the reality of reality(whatever that means) was so stupid, I immediately skipped the rest of the Introduction and continued onto the Foreword. Nabokov's commentary on Lolita at the end, however, was pleasant.
There's around 200 pages worth of footnotes and they have a link to the footnotes at the front of each chapter - but no link on the things that are being foot-noted and no indication at all that they were discussed.
There's no easy way to switch back and forth between the footnotes and the main text. To look something up you basically have to page backwards to the first page of the chapter, click on the link, then page forward through the notes to the item you're interested in, then admittedly there IS a link provided there to send you back to the main text.
So to make the links work without constant paging back and forth, it's almost like you have to read the full notes for the chapter BEFORE reading the chapter. It's really distracting and pulling me out of the narrative. I thought it was going to be individual footnotes so I could look things up as I came across them - not one giant note for the whole chapter. (Little individual footnotes was how the intro is formatted.)
You can jump from one footnote to another, from the footnote to multiple spots in the text, etc. But you can't jump directly from the text to the footnote!
I think this is one book that would work a lot better with paper rather than this really poorly formatted ebook edition.