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Comment: This Used CD is VERY GOOD CONDITION !! We are going to ship from Japan, the delivery time is about 14-28days. Basically, Standard delivery is no charge, (No tracking number) . We are unable to confirm or guarantee the availability of special accessories and bonus items, OBI, photocards, posters and a box for CD/DVD set, for pre-owned products. Sometimes, there is a case where there is a seal mark of rental CD in Japan. It may become sold out in the time difference because it is also sold in the store. So we will have to cancel this order in that case, please understand. Please feel free to contact us before placing the order if any query. We will send a product to you very carefully. Thank you so much!!
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London Calling Import

4.7 out of 5 stars 617 customer reviews

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Audio CD, Import, March 12, 2013
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Editorial Reviews

2013 Japanese pressing Blu-spec CD2 reissue. Sony.

Product Details

  • Audio CD (March 12, 2013)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony Japan
  • ASIN: B00AAKVXNS
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (617 customer reviews)
  • Amazon Best Sellers Rank: #837,312 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 28, 2004
Format: Audio CD
This is one of the few rock albums ever released that is almost impossible to over praise. One can heap on the superlatives, pile on a few more, and still have room for even more laurels. It is probably by any standard one of the five greatest albums released in the rock era, unquestionably the greatest album released by a band with its roots in punk, the greatest explicitly political album ever released by someone who was not Bob Dylan, and one of those rare albums that doesn't seem to age at all. There isn't a weak cut on the album. In fact, the songs are not merely good but great.
Although The Clash started off as a punk band, they were never adequately defined by that phenomenon. Although rooted in the attitudes and political sympathies of the punk movement (and above all else, English Punk, as opposed to the earlier American Punk, was highly political; originator Malcolm McLaren was deeply influenced by Guy Debord and the Situationist International, and included many political ideas in promoting the Sex Pistols and his punk fashions), The Clash quickly outgrew the punk aesthetic. While most of the original punks were merely two-chords-and-a-cloud-of-dust bands, the Clash almost immediately began effortlessly and seamlessly assimilating a host of musical influenced. They were the first rock band, for instance, to use reggae rhythms and not make them sound like a gimmick (compare The Clash's extraordinary "The Guns of Brixton" with Led Zeppelin's "D'yer Maker," which while good sounds a bit like a novelty song, while The Clash sound like they ripped the song off some Jamaicans). The songs are remarkably sophisticated and polished, even when they sound casually.
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Format: Audio CD
The album that changed my life. In 1980 I was 17 years old living in Seattle--a total 70s rocker when I saw London Calling in Tower Records. It had the coolest cover I had ever seen--a black and white photo of Paul Simonon smashing his bass on stage. Something just clicked in my brain and instead of buying the latest Aerosmith album, I bought London Calling and at first the Clash were a total shock to my Led Zeppelin soaked system. Now in 1980, American rock radio consisted of songs that consisted of a really cool guitar intro, 1rst verse, chorus, 2nd verse, chorus, a really bitchin solo by Jimmy Page, Michael Schenker, or Ted Nugent, the 3rd verse, and the chorus. Usually the song was about partying, chicks (and sex), or enchanted forests and castles and such and if the song didnt sound like this we hated it. And here in my innocent hands was a record about revolutions, fascists, junkies, race riots, nuclear destruction, gangsters, rude boys, suburban alienation, consumerism, and Montgomery Clift for Gods sake! And all of this was played in all different styles--ferocious punk with snarling vocals, rockabilly, jazz, ska, and reggae. It totally blew away my perception of what rock music was supposed to be. (I became more aware of the world and what was happening politically thanks to the Clash)
This is one of those rare records that never lets up from beginning to end and is truly packed with with some of the Clash's greatest songs.
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Format: Audio CD
"When phoney Beatlemania has bitten the dust..." cries Joe Strummer from the opening track "London Calling". I don't know about the U.S., but here in the UK we ARE drowning from the tenth-rate phoney Beatle-worshipping Oasis. How we deserve it! The Clash were knocked by us from the moment they arrived. It's only in retropsect that we realise that there will probably never be a band like this again. And never an album of this quality. Every track is brilliant. Why? Because the guys who made it were fundamentely cool, calm and collected. They could rock. They had funk and flavor because they absorbed reggae, jazz and dub. The lyrics are intelligent but not dull. The guitar work on this album showed how talented Mick Jones is as a songwriter, but he didn't have to add layer-upon-layer of gloss to prove his worth. Most of all, the Clash knew how to present an album, present an idea, present themselves. Take most every band and they lack in some crucial department. Take the Clash apart and they still stand up. This is an outstounding album. Trust me. All we have now on offer is watered-down weak-willed wannabes. London Calling - don't have no fear.
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Format: Audio CD
Disc One: The Original LP

Hands down, The Clash's "London Calling" is one of the strongest albums in rock history. Despite being a punk rock group, The Clash explored reggae, ska, jazz, pop with strong melodies with equally as strong lyrics. Throughout the album's 19 tracks, it is never boring and is essential in anyone's record collection.

Disc Two: The Vanilla Tapes

The demos from the "London Calling" sessions are very interesting but it is by no means something one just sits back and listens to. The sound quality is poor, and the songs are not quite in the form that they would take on later. The most intresting is the cover of Bob Dylan's "The Man in Me". It would have been interesting to hear a better cut of that song. Interesting listening for fans but newcomers might not welcome it as much.

DVD: The Last Testament

There is some cool videos on the DVD of "Train in Vain", "London Calling" and "Clampdown" but the documentary itself really kind of drags. Listening to the album take form on disc 2 is interesting but nothing is really learned in the documentary. Plays a lot like a "Behind the Music" episode but not nearly as in depth. Pretty much just an added bonus.

FINAL REVIEW:

As I mentioned, "London Calling" is a must have. A Five Star classic that ranks among the greatest albums of all time. Not having this is like not having "Sgt. Pepper" or "Kind of Blue". The album in its new extended package is excessive and for die hard fans. The demos are interesting but nothing to listen to repeatedly and the DVD is a throw away. Not a waste of money but if you own the original remastered CD, that should suffice.
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