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Loon Lake: A Novel Paperback – September 11, 2007
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E.L. Doctorow
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E.L. Doctorow
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Print length258 pages
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LanguageEnglish
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PublisherRandom House Trade Paperbacks
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Publication dateSeptember 11, 2007
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Dimensions5.18 x 0.59 x 8.01 inches
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ISBN-100812978218
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ISBN-13978-0812978216
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Editorial Reviews
About the Author
E. L. Doctorow’s works of fiction include Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, World’s Fair, Billy Bathgate, The Waterworks, City of God, The March, Homer & Langley, and Andrew’s Brain. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner awards, and the presidentially conferred National Humanities Medal. In 2009 he was shortlisted for the Man Booker International Prize, honoring a writer’s lifetime achievement in fiction, and in 2012 he won the PEN/ Saul Bellow Award for Achievement in American Fiction, given to an author whose “scale of achievement over a sustained career places him in the highest rank of American literature.” In 2013 the American Academy of Arts and Letters awarded him the Gold Medal for Fiction. In 2014 he was honored with the Library of Congress Prize for American Fiction.
Excerpt. © Reprinted by permission. All rights reserved.
They were hateful presences in me. Like a little old couple in the woods, all alone for each other, the son only a whim of fate. It was their lousy little house, they never let me forget that. They lived on a linoleum terrain and sat in the evenings by their radio. What were they expecting to hear? If I came in early I distracted them, if I came in late I enraged them, it was my life they resented, the juicy fullness of being they couldn’t abide. They were all dried up. They were slightly smoking sticks. They were crumbling into ash. What, after all, was the tragedy in their lives implicit in the profoundly reproachful looks they sent my way? That things hadn’t worked out for them? How did that make them different from anyone else on Mechanic Street, even the houses were the same, two by two, the same asphalt palace over and over, streetcars rang the bell on the whole fucking neighborhood. Only the maniacs were alive, the men and women who lived on the street, there was one we called Saint Garbage who went from ash can to ash can collecting what poor people had no use for—can you imagine?—and whatever he found he put on his cart or on his back, he wore several hats several jackets coats pairs of pants, socks over shoes over slippers, you couldn’t look at his face, it was bearded and red and raw and one of his eyes ran with some yellow excrescence oh Saint Garbage. And three blocks away was the mill where everybody in Paterson made the wages to keep up their wonderful life, including my father including my mother they went there together and came home together and ate their meals and went to the same bed together. Where was I in all of this, they only paid attention to me if I got sick. For a while there I got sick all the time, coughing and running fevers and wheezing, threatening them with scarlet fever or whooping cough or diphtheria, my only power was in suggesting to them the terrible consequence of one mindless moment of their lust. They clung to their miserable lives, held to their meager rituals on Sundays going to Mass with the other suckers as if some monumental plan was working out that might be personally painful to them but made Sense because God had to make Sense even if the poor dumb hollow-eyed hunkies didn’t know what it was. And I despised that. I grew up in a dervish spin of health and sickness and by the time I was fifteen everything was fine, I knew my life and I made it work, I raced down alleys and jumped fences a few seconds before the cops, I stole what I needed and went after girls like prey, I went looking for trouble and was keen for it, I was keen for life, I ran down the street to follow the airships sailing by, I climbed firescapes and watched old women struggle into their corsets, I joined a gang and carried a penknife I had sharpened like an Arab, like a Dago, I stuck it in the vegetable peddler’s horse, I stuck it in a feeb with a watermelon head, I slit awnings with it, I played peg with it, I robbed little kids with it, I took a girl on the roof with it and got her to take off her clothes with it. I only wanted to be famous!
And the coal trucks releasing their fearsome anthracite down the sliding chutes to the dark basements, and Ricco the Sweet Potato man putting into your hand a hot orange potato in a half sheet of the Daily News for three cents, the filthy black snow lying banked in the streets, the wind smelling of soot and machine oil blowing down Mechanic Street and you are holding your hands on the sweet heat, cupping it holding it up to your red face. The taking humbly, almost unconsciously of goodness by little kids who took it all, the rage of parents, the madness of old women in the dank stairwells, murder, robbery, threat in the sky, the unendurable prison of schoolrooms. In the five-and-ten was the cornucopia of small tin cars with wind-up keys made in Japan and rubber cops on motorcycles, and rubber chiefs in sidecars from Japan there were tin autogyros and tin DC-3s! You went for the small things, the molded metal car models that would fit in your palm, you watched the lady in her green smock and the eyeglasses looping from a black string around her neck, and when she turned, out came the white hand like a frog’s tongue, like a cobra’s, and down the aisles you went, another toy of goodness, bright-painted toy of gladness in your pocket.
But I was alone in this, I was alone in it all, alone at night in the spread of warmth waking to the warm pool of undeniable satisfaction pissed from my infant cock into the flat world of the sheet and only when it turned cold and chafed my thighs did I admit to being awake, mama, oh mama, the sense of real catastrophe, he wet the bed again—alone in that, alone for years in all of that. I don’t remember anyone’s name, I don’t remember who the gang members were, I don’t remember the names of my schoolteachers, I was alone in all of it, there was some faculty of being alone I was born with, in the noise of life and clatter of tenement war, my brain was alone in the silence of observation and perception and understanding, that true silence of waiting for conclusions, of waiting for everything to add up to a judgment, a decision, that silence worse than the silence of the deaf and dumb.
And then one day I am caught breaking the lock on the poorbox, the fat priest in his skirts grabbing my neck with a hand like pincers, not the first time slapping my head with his flat hand and giving me the bum’s rush back to the sacristy behind the stone Christs and Marys and the votive candles flickering like a distant jungle encampment and I conceive of what a great vaulting stone penitence this is, with its dark light quite deliberate and its hard stone floors and its cathedral carved space intimating the inside of the cross of man the glory of God, the sin of existence, my sin of existence, born with it stuck with it enraging them all with it God the Father the Son and That Other One really pissing them off with my existence I twist turn kick the Father has balls they don’t cut off their own balls they don’t go that far the son of a bitch—spungo! I aim truly and he’s no priest going down now with eyes about to pop out of his head, red apoplectic face I know the feeling Father but you’re no father of mine he is on his hands and knees on the stone he is gasping for breath You want your money I scream take your fucking money and rearing back throw it to heaven run under it as it rains down pennies from heaven on the stone floor ringing like chaos loosed on the good stern Father. I run through the money coming down like slants of rain from the black vaults of heaven.
I lived in New York for a couple of months. It seemed to me at first an incredibly clean place with well-dressed people and washed cars and bright-painted red-and-yellow streetcars and white buildings. It was a stone city then, and in midtown the skyscrapers were white stone and the sanitation men went around pushing big cans on two-wheeled carts and they’d stop here and there and sweep the gutters, that seems incredible to me now, they wore white jackets and white pants and military style caps of khaki. And in Central Park, which I thought of as the country, the park men came along with broomsticks with a nail on the end of them and impaled cigarette wrappers and ice cream wrappers on these sticks and then wiped the sticks off in these burlap bags they carried over their shoulders. The park was glorious and green. The city hummed with enterprise. It was a wonderful city! I thought, a place where things happened and where everyone was important even streetsweepers just from being there not like Paterson where nothing mattered because it was Paterson where nothing important could happen where even death was unimportant. It had size it had magnitude, it gave life magnitude it was one of the great cities of the world. And it went on, it was colossal, miles of streets of grand famous stores and miles of streetcar tracks, great ships bassoing in the harbor and gulls gliding lazily over the docks. I rode the clattering elevated trains that rocked and careened around the corners and when the weather was cold I stayed aboard making complete circles around the city keeping warm on the rush seats set over the heaters. I got to know the city. It calmed me down. Off on its edges you could always get a place to flop, there were still shanties on the hillsides below Riverside Drive, there were mission houses where you could get a bed down at the Bowery and be fumigated and there was a whole network of welfare places where you could get soup and bread if you weren’t proud. But I looked for work, I tried to stay clean and present myself at employment agencies crowds of pushing shoving men staring at jobs described in chalk on blackboards at employment agencies it was very difficult to persuade yourself you and not any of a hundred others were the man for the job.
And the coal trucks releasing their fearsome anthracite down the sliding chutes to the dark basements, and Ricco the Sweet Potato man putting into your hand a hot orange potato in a half sheet of the Daily News for three cents, the filthy black snow lying banked in the streets, the wind smelling of soot and machine oil blowing down Mechanic Street and you are holding your hands on the sweet heat, cupping it holding it up to your red face. The taking humbly, almost unconsciously of goodness by little kids who took it all, the rage of parents, the madness of old women in the dank stairwells, murder, robbery, threat in the sky, the unendurable prison of schoolrooms. In the five-and-ten was the cornucopia of small tin cars with wind-up keys made in Japan and rubber cops on motorcycles, and rubber chiefs in sidecars from Japan there were tin autogyros and tin DC-3s! You went for the small things, the molded metal car models that would fit in your palm, you watched the lady in her green smock and the eyeglasses looping from a black string around her neck, and when she turned, out came the white hand like a frog’s tongue, like a cobra’s, and down the aisles you went, another toy of goodness, bright-painted toy of gladness in your pocket.
But I was alone in this, I was alone in it all, alone at night in the spread of warmth waking to the warm pool of undeniable satisfaction pissed from my infant cock into the flat world of the sheet and only when it turned cold and chafed my thighs did I admit to being awake, mama, oh mama, the sense of real catastrophe, he wet the bed again—alone in that, alone for years in all of that. I don’t remember anyone’s name, I don’t remember who the gang members were, I don’t remember the names of my schoolteachers, I was alone in all of it, there was some faculty of being alone I was born with, in the noise of life and clatter of tenement war, my brain was alone in the silence of observation and perception and understanding, that true silence of waiting for conclusions, of waiting for everything to add up to a judgment, a decision, that silence worse than the silence of the deaf and dumb.
And then one day I am caught breaking the lock on the poorbox, the fat priest in his skirts grabbing my neck with a hand like pincers, not the first time slapping my head with his flat hand and giving me the bum’s rush back to the sacristy behind the stone Christs and Marys and the votive candles flickering like a distant jungle encampment and I conceive of what a great vaulting stone penitence this is, with its dark light quite deliberate and its hard stone floors and its cathedral carved space intimating the inside of the cross of man the glory of God, the sin of existence, my sin of existence, born with it stuck with it enraging them all with it God the Father the Son and That Other One really pissing them off with my existence I twist turn kick the Father has balls they don’t cut off their own balls they don’t go that far the son of a bitch—spungo! I aim truly and he’s no priest going down now with eyes about to pop out of his head, red apoplectic face I know the feeling Father but you’re no father of mine he is on his hands and knees on the stone he is gasping for breath You want your money I scream take your fucking money and rearing back throw it to heaven run under it as it rains down pennies from heaven on the stone floor ringing like chaos loosed on the good stern Father. I run through the money coming down like slants of rain from the black vaults of heaven.
I lived in New York for a couple of months. It seemed to me at first an incredibly clean place with well-dressed people and washed cars and bright-painted red-and-yellow streetcars and white buildings. It was a stone city then, and in midtown the skyscrapers were white stone and the sanitation men went around pushing big cans on two-wheeled carts and they’d stop here and there and sweep the gutters, that seems incredible to me now, they wore white jackets and white pants and military style caps of khaki. And in Central Park, which I thought of as the country, the park men came along with broomsticks with a nail on the end of them and impaled cigarette wrappers and ice cream wrappers on these sticks and then wiped the sticks off in these burlap bags they carried over their shoulders. The park was glorious and green. The city hummed with enterprise. It was a wonderful city! I thought, a place where things happened and where everyone was important even streetsweepers just from being there not like Paterson where nothing mattered because it was Paterson where nothing important could happen where even death was unimportant. It had size it had magnitude, it gave life magnitude it was one of the great cities of the world. And it went on, it was colossal, miles of streets of grand famous stores and miles of streetcar tracks, great ships bassoing in the harbor and gulls gliding lazily over the docks. I rode the clattering elevated trains that rocked and careened around the corners and when the weather was cold I stayed aboard making complete circles around the city keeping warm on the rush seats set over the heaters. I got to know the city. It calmed me down. Off on its edges you could always get a place to flop, there were still shanties on the hillsides below Riverside Drive, there were mission houses where you could get a bed down at the Bowery and be fumigated and there was a whole network of welfare places where you could get soup and bread if you weren’t proud. But I looked for work, I tried to stay clean and present myself at employment agencies crowds of pushing shoving men staring at jobs described in chalk on blackboards at employment agencies it was very difficult to persuade yourself you and not any of a hundred others were the man for the job.
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Product details
- Publisher : Random House Trade Paperbacks; Reprint edition (September 11, 2007)
- Language : English
- Paperback : 258 pages
- ISBN-10 : 0812978218
- ISBN-13 : 978-0812978216
- Item Weight : 8.5 ounces
- Dimensions : 5.18 x 0.59 x 8.01 inches
-
Best Sellers Rank:
#1,236,576 in Books (See Top 100 in Books)
- #13,288 in Psychological Fiction (Books)
- #27,286 in Contemporary Literature & Fiction
- #65,062 in Literary Fiction (Books)
- Customer Reviews:
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3.6 out of 5 stars
3.6 out of 5
45 global ratings
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Reviewed in the United States on May 6, 2020
Verified Purchase
I read this book together with my bookclub. We all hated it and it was the lowest rated book in the history of our bookclub which has been meeting for more than 15 years. It is confusing and really simply boring. The characters have no redeeming qualities and the writing style varies from non-sentences, switching from 1st person to 3rd person narrative without any indication who the character is that is narrating and jumping all over in a non-sequential manner, even in the middle of sections. There are no chapters.. You had to guess who the narrative was about and where it was taking place. I only finished this book so that I could thoroughly discuss it with my group. Everyone in my bookclub had trouble reading it, including an English teacher!!!! If you like esoteric styles, maybe you will like this book, but for most of us, it is a waste of time!!!
3 people found this helpful
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4.0 out of 5 stars
I'm not saying Fitzgerald's Gatsby isn't a great book, but it is limited in scope
Reviewed in the United States on March 9, 2016Verified Purchase
I'm not saying Fitzgerald's Gatsby isn't a great book, but it is limited in scope, whereas this is more panoramic, dramatic, darker, and kind of the "adult" version. My first Doctorow, I don't know if he's just like that, but I thought it was written in a pretty inimitable style-- you know all the dirty laundry about the characters without being able to know what they're going to do next... Everything's kind of misty like the Adirondacks. For the sense of alienation it conveys I would place it somewhere between Vonnegut and Eric Miles Williamson. Sometimes I'm not sure whether it's the mark of good or bad writing, but this is one of those books I found myself going back and rereading sections to look for clarification or clues to the narrative. So in a sense you could say it was so good I read it twice! There was no particular passage I could point to as brilliant, it's not a particularly quotable book, but it's still compelling and thrilling and conveys an atmosphere unlike most anything else that comes to mind.
5 people found this helpful
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Reviewed in the United States on May 31, 2019
Verified Purchase
The first 10 pages of this blew me away, and then the novel moved into this pseudo-experimental direction that lost me. Perhaps I'm not smart enough, I don't know. I loved "Ragtime" and some of his short stories, and parts of "Loon Lake" are wonderful, but I was pretty relieved when I finished it.
One person found this helpful
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Reviewed in the United States on January 28, 2014
Verified Purchase
I have read just about every book this man has produced but this one is a tad confusing. It may be that he is too sophisticated for my working man powers of comprehension. Then too, it might be that this book is a slapped together compilation of rambling stream-of -consciousness clippings mingled with the usual fine quality narrative of Doctorow. It does get better if you get past the first half.
But by then you don't really care how it turns out....you just want it to be over.!
But by then you don't really care how it turns out....you just want it to be over.!
3 people found this helpful
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Reviewed in the United States on October 23, 2017
Verified Purchase
One of three Doctorow books set in the Depression Loon Lake follows a street-wise young man through life changing adventures. Quirky syntax and telling detail mark the work of one of our greatest recent authors.
2 people found this helpful
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Reviewed in the United States on April 20, 1999
Verified Purchase
Like all Doctorow, Loon Lake tells an amazingly interesting tale with vibrant, often beautiful, sometimes brutal detail. Even though few readers will be able to relate directly to the plotline (set in pre-WWII USA), Doctorow (as usual) manages to uncover universally human feeling despite the strange adventures the story depicts. A great work, but be warned: the switching from first to third person, tense shifts, and interspersion of poetry makes this a challenging work, but well worth the effort. I give it 4 instead of 5 stars only because, while great, the book is a notch below Billy Bathgate.
36 people found this helpful
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Reviewed in the United States on April 27, 2013
Verified Purchase
In writing this book, the author of several successful but conventional novels earned the right to show his fellow writers what he is capable of. There are amazing flights of imagination, changes of style, voice and point of view . . . The language can be quite remarkable.
The narrator is a tough street kid who grows up in Paterson, New Jersey, but who cons his way into a rich man's life. It is a rags-to-riches novel, but one that unfolds in an entirely original and experimental way.
The narrator, who has lived like a hobo, is adopted by his wealthy patron, and he winds up with an Ivy League education and the rich man's name. What I especially love about this book is the way Doctorow mixes the diction, so that the narrator's voice is alternately crude and polished. The idea that a voice could sound like this--and convincingly so--has been a great lesson to me.
I can understand why this book would turn off and confuse an average reader, but if you are a writer yourself, or if have an interest in experimental prose, this really deserves your attention.
The narrator is a tough street kid who grows up in Paterson, New Jersey, but who cons his way into a rich man's life. It is a rags-to-riches novel, but one that unfolds in an entirely original and experimental way.
The narrator, who has lived like a hobo, is adopted by his wealthy patron, and he winds up with an Ivy League education and the rich man's name. What I especially love about this book is the way Doctorow mixes the diction, so that the narrator's voice is alternately crude and polished. The idea that a voice could sound like this--and convincingly so--has been a great lesson to me.
I can understand why this book would turn off and confuse an average reader, but if you are a writer yourself, or if have an interest in experimental prose, this really deserves your attention.
13 people found this helpful
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Reviewed in the United States on November 1, 2013
Verified Purchase
I'm studying Doctorow's writing style as a developmental exercise. There's something about the rhythm of his lines that is different from most contemporary masters. This is education first hand.
2 people found this helpful
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Top reviews from other countries
Sol
4.0 out of 5 stars
Cambios de narradores
Reviewed in Spain on June 28, 2015Verified Purchase
Doctorow hace uso de su maestría para sacar adelante este libro con cambios en el narrador, en el tiempo y en el espacio. Al principio choca pero realmente es un gran texto.
cerrig
1.0 out of 5 stars
Neither the book nor I are as groovy as we thought we were.
Reviewed in the United Kingdom on September 21, 2017Verified Purchase
Might have appealed to me in its daym and bissed it, and now I simply find it tiresome. The book itself was fine, good price etc.


