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Losing the Nobel Prize: A Story of Cosmology, Ambition, and the Perils of Science's Highest Honor Paperback – Illustrated, September 24, 2019
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"Riveting."―Science
A Forbes, Physics Today, Science News, and Science Friday Best Science Book Of 2018
Cosmologist and inventor of the BICEP (Background Imaging of Cosmic Extragalactic Polarization) experiment, Brian Keating tells the inside story of the mesmerizing quest to unlock cosmology’s biggest mysteries and the human drama that ensued. We follow along on a personal journey of revelation and discovery in the publish-or-perish world of modern science, and learn that the Nobel Prize might hamper―rather than advance―scientific progress. Fortunately, Keating offers practical solutions for reform, providing a vision of a scientific future in which cosmologists may finally be able to see all the way back to the very beginning.
- Print length368 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateSeptember 24, 2019
- Dimensions5.5 x 1 x 8.3 inches
- ISBN-100393357392
- ISBN-13978-0393357394
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Editorial Reviews
Review
― ScienceNews
"By losing the Nobel Prize, Keating… has led us to an even greater victory: the recognition that there are more important things in this Universe… than the fleeting glory of an earthly award."
― Forbes
"A compelling personal memoir, a fascinating history of cosmology, and an interesting firsthand account of a dramatic scientific adventure."
― Physics Today
"[Keating] is a deft writer, interweaving the science with personal musings."
― Ron Cowen, Nature
"An engaging examination of challenges that scientists, especially cosmologists, face today."
― Ramin Skibba, Undark
"Engaging and accessible.… Science enthusiasts and scientists alike will enjoy delving into this exciting extragalactic drama."
― Library Journal
"Brian Keating's riveting new book tells the inside story of the search for cosmic origins, emphasizing the influence of Nobel dreams and laying bare the question of whether the lure of grand prizes is ultimately a good thing for science."
― Brian Greene, author of The Elegant Universe
"A fascinating autobiographical account, full of intriguing detail, of the passions and inspirations that underlie the scientific quest to comprehend the nature and origins of our universe.… A highly thoughtful and informative book."
― Sir Roger Penrose, Emeritus Rouse Ball Professor of Mathematics, University of Oxford, and author of The Emperor’s New Mind
"Visionary Brian Keating takes us along on a refreshing and honest journey to see how great discoveries are made and unmade. This is one of the greatest stories told in cosmology. I couldn’t put it down!"
― Stephon Alexander, professor of physics, Brown University; jazz musician; and author of The Jazz of Physics
"In this riveting personal account, Brian Keating writes frankly of his challenges, frustrations, and motivations during the years spent building and operating the instruments used to tackle one of the most fundamental problems in science: how our universe began."
― Martin J. Rees, Astronomer Royal and author of Universe
About the Author
Product details
- Publisher : W. W. Norton & Company; Illustrated edition (September 24, 2019)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0393357392
- ISBN-13 : 978-0393357394
- Item Weight : 10.2 ounces
- Dimensions : 5.5 x 1 x 8.3 inches
- Best Sellers Rank: #551,975 in Books (See Top 100 in Books)
- #563 in Cosmology (Books)
- #1,010 in Scientist Biographies
- #17,854 in Memoirs (Books)
- Customer Reviews:
About the author

Brian Keating is the Chancellor's Distinguished professor of physics at the University of California, San Diego. He has lectured on six of the seven continents, including Antarctica. He is an expert in the study of the universe’s oldest light, the cosmic microwave background, which he uses to investigate the origin and evolution of the universe. In 2014, amidst the purported detection of a long-sought signal heralding the "spark that ignited the Big Bang', Keating was busy co-teaching a course at UC San Diego entitled "Poetry for Physicists", with Pulitzer Prizewinner Rae Armantrout. His first book, Losing the Nobel Prize was ranked a Best Science Book of the Year by Science Friday, Physics Today, Forbes Magazine, and selected as an Amazon Editors' Pick as a Best Nonfiction Book.
Keating's second book, Think Like a Nobel Prize Winner, is based on interviews from his top ranked podcast, The INTO THE IMPOSSIBLE Podcast. Think Like a Nobel Prize Winner distills the life-lessons of 9 Nobel Prize winners into a self-help guide for STEM professionals and beyond.
Keating produced and co-narrated the first-ever audiobook by Galileo Galilei: The Dialogue on Two World Systems. His fellow narrators include Carlo Rovelli, S. James Gates, Lucio Piccirillo, CERN Director Fabiola Gianotti, and Nobel Prize winner Frank Wilczek.
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Few stargazers have devoted their professional lives to a search for physical evidence of the origins of the universe. One such person, a stargazer from the time of his early memories, is Brian Keating, author of Losing the Nobel Prize. Perhaps the most famous stargazer was Dr. Keating’s boyhood hero: the Italian astronomer and builder of telescopes, Galileo di Vincenzo Bonaulti de Galilei.
In 1609, Galileo pointed an eight-powered telescope of his own design and manufacture at Jupiter. What he saw could not be seen with the naked eye—Jupiter’s four largest moons as they existed ninety minutes earlier, the time it takes for light to travel from the sun added to the approximate time it takes the reflected light to travel back to earth. Similarly, when we see stars, or planets, or moons—any celestial objects—whether through a telescope or with the naked eye, what we really see is those objects as they existed in the past. Thus telescopes are time machines, revealing more of the universe than we otherwise could observe.
Inspired by and following in Galileo’s footsteps of celestial discovery, Brian Keating’s career in experimental astronomy includes building telescopes designed to discover whether the universe had an origin, a moment of inception, a moment when time began, a moment that is colloquially and scientifically referred to as the Big Bang: a singular primordial cataclysm from which an infinitely hot and infinitely dense state where time stood still was rapidly changed into an expanding (inflating) state of, literally, astronomical proportions. A telescope he co-designed-BICEP—was created and deployed to the South Pole to discover evidence to support the Big Bang theory.
What would this observable evidence look like, what would it be? Losing the Nobel Prize elegantly and beautifully answers this question in prose that enables the lay reader to comprehend the science and appreciate stories of explorations that take the reader back in time, back toward the birth of the universe. In a word, however, we learn that this evidence would look like B-modes, patterns of very faint swirling polarized electromagnetic waves imprinted on cosmic microwaves by primordial gravitational waves. The seeds of gravitational waves—vacuum fluctuations—and later full-blown gravitational waves were created by inflation before the universe was one second old. Thus, detection of B-modes would prove the existence of the gravity waves that were necessary to imprint them on the primordial cosmic microwaves, and the existence of gravity waves would prove the existence of the inflation necessary to create them. This should give you a feeling for the magnitude of what a discovery of B-modes would mean. In Dr. Keating’s words in Losing the Nobel Prize, discovery of B-modes would be a ticket to Stockholm (where Nobel Prizes are awarded each December.)
On rare occasions when I have finished reading a book, with a sense of wonder and intrigue, with love for the story, the characters, and the writing, I have immediately turned back to page one and begun reading it again. Dreams of my Father by Barack Obama was one of these books. Jobs by Walter Isaacson was another. That I had this experience of wanting right away to read Losing the Nobel Prize a second time places it in my life in rarefied company, illustrating my highest recommendation to other readers of autobiography or memoir or of the history and philosophy of science. If you enjoyed The Grand Design by Stephen Hawking and Leonard Mlodinow (or any of their books) or The Hidden Reality by Brian Greene (or any of his books) or Einstein or Jobs or The Innovators by Walter Isaacson, then Losing the Nobel Prize without question is a book you will be glad you read.
But Losing the Nobel Prize is much more than the Hawking-Mlodinow or the Brian Greene books just mentioned. It is more like Black Holes and Time Warps by Kip Thorne in that it is an exceptional story about the evolution of astrophysics in which the author becomes or is a character. It is more personal and it is more historical in a than popular astrophysics books written for a lay audience. It is what in literature is known as a closed-ended story: the reader knows the outcome (Brian Keating has not yet won a Nobel Prize). The excitement and intrigue is in the journey toward a known destination. Reading Losing the Nobel Prize is riveting suspense as the clock ticks down in the unfolding of a high-stakes science drama.
The subtitle of Losing the Nobel Prize is: A Story of Cosmology, Ambition, and the Perils of Science’s Highest Honor. Losing the Nobel Prize includes these topics and much more. It is also a story of family, familial love, and faith, a telling of the lives and discoveries of some of the greatest astronomers and astrophysicists of past centuries and of this one. It is a non-fiction bildungsroman of the author, who as a boy became enamored of and determined to follow in the footsteps of Galileo as an inventor and builder of telescopes. It is a story of Alfred Nobel and his bequest that established the Nobel Prize in physics. It tells the stories of extraordinary accomplishments of scientists who sought and who were denied the prize. And of course, it tells stories of some of those very few physicists who became Nobel laureates.
The book is written with humility, wit, and insight. It is told with cognizance of irony and humor. It is a story of contemporary cosmology. It is a tale of inspiration and one of caution. It is a lesson in the perils of confirmation bias. It tells stories of journeys of immeasurable worth. The writing is simply gorgeous.
Brian Keating earned his PhD at Brown University. He completed his Post-Doctoral studies at Caltech. Today he is a Distinguished Professor of Physics at the Center for Astrophysics & Space Sciences in the Department of Physics at the University of California, San Diego.
I purchased a hardcover and a Kindle copy of this book.
Top reviews from other countries
On March 17 2014, a team of astronomers announced at a press conference, held at Harvard University, that they had detected traces of the so-called B-modes - the faint, wiggly signatures produced when the baby universe inflated - using a special type of telescope called BICEP2. Although Keating was co-leader of the project he was regarded by some as a competitor and had not been invited to the press conference. Even his name was barely mentioned during the announcement. Still, despite the snubbing, there was every chance that this discovery would offer him a ticket to Stockholm to collect his golden reward.
Or maybe not.
This book tells the inside story of the quest to find signals from the birth of the universe and the scientific drama that followed. There is plenty of cosmology along the way, clearly explained in a witty and charming style that makes the book a pleasure to read.
Intermingled amongst the cosmology are chapters on the Nobel Prize. Here the author argues that the Nobel Prize has failed to live up to its reputation and rather than advance scientific progress, actually promotes greed and punishes collaboration and innovation. Thoughtfully, he offers his own solutions on how the prize can be reformed and modernised so that it works alongside 21st century science in a more positive way.
This book is a real page-turner and one that I thoroughly enjoyed reading. Highly recommended.
Keating’s story is particularly interesting given the huge implications of his research, however the most pleasing aspect of his book is the way in which scientists are shown to be (above all) human! Would recommend this book to anyone wanting to gain some understanding of observational cosmology or some insight as to how the competitive world of astronomy (and science in general) really works.
Ausgezeichnete Bücher zur modernen Kosmologie und insbesondere zur Rolle der Inflationstheorie, gibt es etliche, darunter auch einige, die für eine breite Leserschaft geeignet sind, etwa Lawrence Krauss 'A Universe from Nothing' und das großartige 'The Infaltionary Universe' von Alan Guth, dem Architekt der Inflationstheorie selbst; das vorliegende Buch ist aber insofern besonders, da es aus dem Blickwinkel eines Experimentalwissenschaftlers verfasst wurde. Zwar erlaubt die Inflation theoretische Erklärungen für einige bedeutende Puzzle der Urknall Kosmologie, aber dieser Theorie wird oft vorgeworfen, dass sie nicht direkt beobachtbar ist. Um so faszinierender ist die Geschichte des Autors, der über seine Ideen zum Nachweis von Mustern in der CMB, die zumindest indirekt einen Beleg für die inflationäre Phase des Univerums liefern sollen, berichtet -- Ideen die schließlich zum Bau des BICEP (Background Imaging of Cosmic Extragalactic Polarization) Teleskops führten.
Der Autor geht aber nicht nur auf die physikalischen und kosmologischen Grundlagen seines Experiments ein, er spricht auch über das Wohl und Wehe eines Wissenschaftlers, insbesondere eines Experimentators – lange vorbei die Zeiten eines Faraday, dessen Versuche einige Rollen Draht, Magnetnadeln und Galvanoskope bedurften, die ganze Anordnung passte gut auf einen Labortisch – heutig Experimente haben aber oft andere Dimensionen, manche fast industrielle – also müssen Fördermittel aufgetrieben werden, die Vorbereitung dauert oft jahrelang und die Aufgaben sind in der Regeln nur von Teams zu bewältigen. Aber auch von den Leidenschaften des Forschens ist die Rede. So fließen in Keatings Darstellungen ganz selbstverständlich auch autobiographische Elemente ein, und es ist nicht verwunderlich, dass der Autor auch über die Nobelpreiswürdigkeit seines Entwurfs nachdenkt – eine solche Chance ergibt sich in einem Forscherleben nur einmal.
Um die Hintergründe seines Experiments erläutern können, geht der Autor kurz auf die jüngere Geschichte der Kosmologie ein, die 1916 von Albert Einstein als Wissenschaft etabliert wurde, als er seine kurz vorher geschaffen Allgemeine Relativitätstheorie aus das Universum als Ganzes angewandt hatte. Doch selbst Einstein erwartete nur ein statisches All, er erweiterte dazu sogar seine Feldgleichungen der Gravitation um den sogenannten kosmologische Term. Erst nach den bahnbrechenden Entdeckungen von Edwin Hubble 1923, freundete er sich zögerlich mit dem Model eines expandierendem Universums an, vor allem, da das auch zur Konsequenz hat, dass die Welt einen Anfang in der Zeit haben müsste – dass sie mit einem Big Bang begann – dagegen gab es gravierende philosophische Vorbehalte; deswegen erhielt auch zunächst ein alternatives Model von Hoyle, Bondi und Gold größeren Zuspruch. Erst mit der Entdeckungen der kosmischen Hintergrund Strahlung 1964 von Penzia und Wilson, verdichteten sich die Indizien für die Big Bang Theory. Allerdings konnten auch die Anhänger der Steady State Theory diese Strahlung in ihr erweitertes Model (QSSC) integrieren, sie hätte aber durch die Streuung an kosmischen Staub polarisiert sein müssen. Das konnte aber 2002 durch Messung mit dem Degree Angular Scale Interferometer (DASI) ausgeschlossen werden.
Auch bei BICEP spielen Polarisationsstrukturen in der CMB die entscheidende Rolle. Larry Abbott und Mark Wise zeigten, dass das die inflationäre Phase mit er Erzeugung primordialer Gravitationswellen einhergeht, die dem Plasma Riffel einprägen, aus dem 380000 Jahre später die Hintergrundstrahlung erzeugt wird. Alex Polnarev bewies, dass diese Gravitationswellen B- Mode Polarisationsmuster in der CMB hinterlassen, d.h. wirbelartige Muster im Bereich von Winkelgraden.
Als Postdoc wird Keating von Jaffes et.al. 'Polarization pursuers’ guide' dazu inspiriert, über die Möglichkeiten des Nachweises von B- Modes in der CMB nachzudenken. Er ist davon so eingenommen, dass er seine eigentlichen Themen vernachlässigt. So muss es sich zunächst eine neuen Mentor suchen, er findet ihn in Andrew Lange und wechselt nach Pasadena. Gemeinsam mit Jamie Bock kann er Lange für seine Idee gewinnen, der Mittel organisiert, um BICEP tatsächlich zu bauen. In der Nähe des Südpols führt BICEP von 2005 bis 2008 Beobachtungen durch. Aber erst das verfeinerte Nachfolge Projekt BICEP2, an dem der Autor nicht mehr leitend beteiligt ist, war empfindlich genug, um die gesuchten Polarisationsphänomene tatsächlich identifizieren zu können. Jedenfalls wurde das im Rahmen einer Pressekonferenz im März 2014 verkündet. Das Auswertungsteam hatte sich dabei aber auf Vorabinformationen zur Abschätzung des Einflusses des galaktischen Staubs gestützt. Bereits im September, als erste Daten des Planck Weltraumteleskops veröffentlicht wurden, musste die Ergebnisse revidiert werden.
Der Autor sieht damit seine Chancen auf eine Einladung nach Stockholm schwinden, findet dafür aber einen starken Buchtitel. Darüber mag er nicht weiter räsonieren, bekennt er in der Einleitung, möchte aber das Buch zum Anlass nehmen, um sich darin auch über die Geschichte des von Alfred Nobel gestifteten Preises, seiner Bedeutung für die Gemeinde der Naturwissenschaftler, und über die heutige Vergabepraxis -- insbesondere des Physik Nobelpreises -- zu äußern. Tatsächlich waren bedeutenden neuer Entdeckungen, wie die des Higgs Boson oder der Nachweis von Gravitationswellen, nur im Rahmen von 'Big Science' Experimenten wie ATLAS und CMS am LHC bzw. LIGO möglich, an den riesige Forscherteams beteiligt waren. Ist es da nicht angebracht, den Preis künftig auch an Gruppen zu verleihen, statt ihn nur an maximal drei Laureaten zu verteilen. Ob allerdings Keatings Verstellung, Nobels Vermächtnis 'wieder herstellen' zu müssen, Anklang findet, sei dahingestellt.
Das Buch ist mit acht Farbtafeln, einem ausführlichen Index und einem Anhang mit Anmerkungen zum Text, das auch die Quellenangaben enthält, schön ausgestattet, eine separate Bibliographie fehlt hingegen.







