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Condition: Used: Good
Comment: Everything is intact. May have some wear on cover (dust cover if applicable) and pages. May also have limited notes and underlining, does not prohibit reading text. May have Library notes and stickers
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The Lost Princess of Oz (Books of Wonder) Hardcover – September 28, 1998

4.3 out of 5 stars 123 customer reviews
Book 11 of 14 in the Oz Series

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Frequently Bought Together

  • The Lost Princess of Oz (Books of Wonder)
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  • Rinkitink in OZ
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  • The Tin Woodman of Oz: A Faithful Story of the Astonishing Adventure Undertaken by the Tin Woodman, Assisted by Woot the Wanderer, the Scarecrow of Oz, and Polychrome, the Rainbow's Daughter
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Editorial Reviews

About the Author

L. Frank Baum (1856-1919) published The Wonderful Wizard of Oz in 1900 and received enormous, immediate success. Baum went on to write seventeen additional novels in the Oz series. Today, he is considered the father of the American fairy tale. His stories inspired the 1939 classic film The Wizard of Oz, one of the most widely viewed movies of all time.

Michael Sieben is a professional designer and illustrator, primarily within the sub-culture of skateboarding, whose work has been exhibited and reviewed worldwide as well as featured in numerous illustration anthologies. He is a staff writer and illustrator for Thrasher magazine, and a weekly columnist for VICE.com. He is also a founding member of Okay Mountain Gallery and Collective in Austin, Texas, as well as the cofounder of Roger Skateboards. The author of There's Nothing Wrong with You (Hopefully), he lives and works in Austin.



John R. Neill was born in Philadelphia in 1877. In 1904, at the age of twenty-six, Neill received his first major book assignment, as illustrator for The Marvelous Land of Oz. From then until his death in 1943, Neill would illustrate over forty Oz books, including three he wrote himself. Today, his fabulous illustrations are synonymous with Oz.

From the Inside Flap

Book 8 of L. Frank Baum's immortal OZ books, in which Ozma is lost -- as are all the known magical instruments in Oz -- and how the search party of Dorothy, the Wizard and other loyal friends embarks upon bizarre adventures and meets such strange creatures as the Frogman and the Lavender Bear while trying to find her. --This text refers to the Paperback edition.
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Product Details

  • Age Range: 8 - 12 years
  • Grade Level: 3 - 7
  • Series: Books of Wonder
  • Hardcover: 352 pages
  • Publisher: HarperCollins (September 28, 1998)
  • Language: English
  • ISBN-10: 0688149758
  • ISBN-13: 978-0688149758
  • Product Dimensions: 6.8 x 1.1 x 9 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (123 customer reviews)
  • Amazon Best Sellers Rank: #502,228 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Blake Petit VINE VOICE on January 22, 2004
Format: Mass Market Paperback
Like the previous Oz book, "Rinkitink in Oz," this was an outing by Baum that scores by deviating a bit from the standard Oz formula. The characters in the book are on a journey, as usual, but instead of trying to get to the Emerald City, the characters are departing that city to find the missing Princess Ozma who, along with most of the powerful magical objects in Oz, has vanished. Furthermore, Baum puts together one of the largest primary casts ever in an Oz book, including Dorothy and Toto, the Wizard, the Patchwork Girl, the Sawhorse, the Cowardly Lion, Betsy Bobbin and Hank, Trot and Button-Bright and the Woozy, as well as adding the Frogman, Cayke the Cookie Cook and the Big Lavender Bear and the Little Pink Bear.
While it's nice to see to many characters, it does hurt the book somewhat -- it shows really how superfluous Besty and Trot are with Dorothy around, and it includes a bizarre little subplot with Toto that doesn't really add much. Furthermore, the ending is really syrupy and saccharine, even for an Oz book.
The addition of the Frogman is a major plus, though -- he is easily the most entertaining new character added to the series since Scraps the Patchwork Girl, and it was nice to have a book that for once didn't rely on the old villains like the Nome King or the old deus ex machina of Ozma's magic picture and Glinda's magic book. In fact, I kind of wish those two items had stayed lost -- other Oz books rely on them entirely too much for their resolution.
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By A Customer on June 7, 2000
Format: Hardcover
The Lost Princess of Oz is one of L. Frank Baum's most imaginative books. It begins with a serious problem, Ozma's disappearance, and with many of the favorite characters. Yet in a parallel story, an early chapter takes us to the Winkie Country and introduces us to some delightful new characters, The Frogman and Cayke the Cookie Cook. We know that Cayke's stolen magic dishpan is somehow related to Ozma's disappearance.
I love the role that Scraps, the Patchwork Girl, plays in this book. We meet some whimsical new villages and the beings who inhabit them. We pay attention to small details that are nonetheless important to those most affected by them, such as Toto's missing growl. Illusions are turned upside down and inside out, making us think. It's a delightful journey, all in all, one that I highly recommend.
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Format: Hardcover
Tik-Tok of Oz by L. Frank Baum (Books of Wonder edition)
Tik-Tok of Oz is a delightful book with an interesting story of how it came to be. A small Editor's Note by Peter Glassman on page 10 of this book tells the story. There had been two successful stage plays based on the first two Oz books and Baum wanted to write a play based on the third, Ozma of Oz. However, he found out he couldn't use many of the characters because he had already sold the stage rights to them. He took the plot of the third book and changed Dorothy and Ozma into two new characters Betsy Bobbin and Queen Ann Soforth. Then he used the popular Shaggy Man who was introduced in The Road to Oz and changed many of the incidents in the story to create a new script for the stage that he called The Tik-Tok Man of Oz. The play was a success so he then rewrote it into this novel.
If you have read Ozma of Oz, you will indeed see the similarities. Once again an army of one soldier and many officers is led by a girl leader in an attack against the Nome King. This time it is Queen Ann Soforth from the smallest and poorest kingdom in Oz. She is young and tired of her tiny kingdom and wants to seek adventure. When her sister jokingly suggests that Ann raise an army and conquer Oz, Ann likes the idea. She convinces all but one of the eighteen men of her kingdom to join her army and they set out. However, the sorceress Glinda, learns of her plans and magically transports Ann and her army across the Deadly Desert and out of Oz entirely.
Meanwhile Betsy Bobbin, like Dorothy in Ozma of Oz, is lost at sea in a storm with her companion Hank the Mule. They are cast up on shore of the Rose Kingdom where they meet up with the Rose Princess, the Shaggy Man and Polychrome, the Rainbow's daughter.
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Format: Hardcover
While charming enough to delight children, 'The Lost Princess Of Oz' (1917) is not one of the more exceptional books in L. Frank Baum's Oz series.

The problem lies with both writer and illustrator; Baum's cast of characters has been poorly chosen, and John R. Neill's usually masterful, visionary illustrations are in many cases merely serviceable.

The book features four child protagonists--Dorothy, Trot, Betsy Bobbin, and lone male Button-Bright--which is three interchangeable child protagonists too many (in several chapters, Trot and Betsy, though ostensibly present, do not speak and play no part in the action).

As in most of the Oz books, the plot revolves around a journey, and those chosen in this case to undertake the search for the kidnapped Ozma are simply too bland a group.

Colorful eccentrics the Woogle Bug and Jack Pumpkinhead are missing, and while Scraps the Patchwork Girl is included, she ambles about on the periphery of the story for most of the book with little sign of her trademark intrusive spark and spunk.

There are also too many talking animals--whether of 'meat' or magical origin--the Cowardly Lion, Hank the Mule, Toto, the Woozy, and the Sawhorse (and later, the Big Lavender Bear and the Small Pink Bear).

Though several interesting conversations arise from their differing philosophical viewpoints, the characters--which also include the 'Little Wizard' of the original title--are portrayed too homogeneously, and thus the tension and flair usually found in Baum's stories and dialogue are absent.
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