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The Lost Spells Hardcover – Illustrated, October 27, 2020
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Print length120 pages
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LanguageEnglish
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PublisherAnansi International
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Publication dateOctober 27, 2020
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Dimensions5.1 x 1.1 x 7 inches
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ISBN-101487007795
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ISBN-13978-1487007799
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Editorial Reviews
From School Library Journal
Review
PRAISE FOR ROBERT MACFARLANE, JACKIE MORRIS, AND THE LOST SPELLS
International Bestseller
“Elegant … There is enough magic here to summon wild things even for those who are snug indoors.” — Wall Street Journal
“This unusually beautiful book brings to readers the magic and wonder of nature … Breathtakingly magical.” — Kirkus Reviews, STARRED REVIEWS
“Macfarlane’s lyrics … ring with consonance (“Thrift thrives where most life fails, falls,/ is cast adrift”) and wordplay (“Woodpecker, tree-wrecker”) … Morris’s fluid artwork renders the elegant tilt of a fox’s snout, birds’ calligraphic flight patterns, and the eyelike whorls of silver birch bark … One to treasure.” — Publishers Weekly, STARRED REVIEW
“Macfarlane and Morris bring us the mystery and wisdom of wild things as complementary and consolatory to our tame incompleteness … These painted verses sing and shimmer with a magical exuberance that renders the wild world not parallel, not foreign, but proximate, beckoning, native to our own souls … A charm against the curse of civilization, of exploitation, of apathy.” — Maria Popova, Brain Pickings
“Through deeply humane poems paired with warm illustrations, MacFarlane and Morris invited readers into the space where the enchanting natural world meets the expansive imagination . . . Crafted with the same tenderness as its sibling.” — Shelf Awareness
“The Lost Spells employs Robert Macfarlane’s rapturous language and Jackie Morris’s bewitching illustrations to return language and art to their ancient occupations: building bridges of understanding between human and non-human worlds. More than a mere book, it’s a brave act of shamanism that touches and transforms the reader’s heart, healing and encouraging at a time when the world feels most desperately in need of restoration.” — Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity
PRAISE FOR ROBERT MACFARLANE, JACKIE MORRIS, AND THE LOST WORDS
Winner, CILIP Kate Greenaway Medal
Finalist, Wainwright Prize
“A gorgeous book!” — @MargaretAtwood
“Every page is enthralling.” — New York Times
“Art, verse, and nature are combined with entertaining elegance in The Lost Words . . . This large, quality hardcover allows words and watercolour to shine and results in a work that can be left open at any page to stunning effect.” — Shelf Awareness, STARRED REVIEW
“A gorgeous coffee-table book . . . with stunning artwork made with watercolour and gold leaf, and poems on words ranging from ‘acorn’ to ‘wren.’” — PEI Guardian
“Stylish and melancholy, The Lost Words is a book to savour.” — Wall Street Journal
“My top book of the year.” — Spectator
“Sumptuous . . . a book combining meticulous wordcraft with exquisite illustrations deftly restores language describing the natural world to the children’s lexicon . . . The Lost Words is a beautiful book and an important one.” — Observer
“One of the most striking and poignant picture books of the season . . . This giant tome contains not only beautiful illustrations but a haunting series of poems that read like a summoning back of the wild . . . A book in which every page seems like an act of love.” — Herald
“A breathtaking book.” — New Statesman
“A sumptuous, nostalgic ode to a disappearing landscape.” — Kirkus Reviews
“This union of natural history, poetry, art, and whimsy is, indeed, a truly enchanting all-ages book of life to contemplate, read aloud, and share.” —
Booklist
“Utterly enchanting, it’s a celebration of nature — but also language itself. If I ran the world, it’d be in every school library and classroom possible.” — Seven Impossible Things Before Breakfast
“One of the most stunningly beautiful books I have had the pleasure of reading (and rereading) this year.” — Fab Book Reviews
“Gorgeous to look at and to read. Give it to a child to bring back the magic of language — and its scope.” — Jeanette Winterson
“The most beautiful and thought-provoking book I’ve read this year.” — Frank Cottrell-Boyce
“Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty.” — Alex Preston
Review
PRAISE FOR ROBERT MACFARLANE, JACKIE MORRIS, AND THE LOST SPELLS
International Bestseller
“Elegant … There is enough magic here to summon wild things even for those who are snug indoors.” — Wall Street Journal
“This unusually beautiful book brings to readers the magic and wonder of nature … Breathtakingly magical.” — Kirkus Reviews, STARRED REVIEWS
“Macfarlane’s lyrics … ring with consonance (“Thrift thrives where most life fails, falls,/ is cast adrift”) and wordplay (“Woodpecker, tree-wrecker”) … Morris’s fluid artwork renders the elegant tilt of a fox’s snout, birds’ calligraphic flight patterns, and the eyelike whorls of silver birch bark … One to treasure.” — Publishers Weekly, STARRED REVIEW
“Macfarlane and Morris bring us the mystery and wisdom of wild things as complementary and consolatory to our tame incompleteness … These painted verses sing and shimmer with a magical exuberance that renders the wild world not parallel, not foreign, but proximate, beckoning, native to our own souls … A charm against the curse of civilization, of exploitation, of apathy.” — Maria Popova, Brain Pickings
“Through deeply humane poems paired with warm illustrations, MacFarlane and Morris invited readers into the space where the enchanting natural world meets the expansive imagination … Crafted with the same tenderness as its sibling.” — Shelf Awareness
“The Lost Spells employs Robert Macfarlane’s rapturous language and Jackie Morris’s bewitching illustrations to return language and art to their ancient occupations: building bridges of understanding between human and non-human worlds. More than a mere book, it’s a brave act of shamanism that touches and transforms the reader’s heart, healing and encouraging at a time when the world feels most desperately in need of restoration.” — Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity
PRAISE FOR ROBERT MACFARLANE, JACKIE MORRIS, AND THE LOST WORDS
Winner, CILIP Kate Greenaway Medal
Finalist, Wainwright Prize
“A gorgeous book!” — @MargaretAtwood
“Every page is enthralling.” — New York Times
“Art, verse, and nature are combined with entertaining elegance in The Lost Words … This large, quality hardcover allows words and watercolour to shine and results in a work that can be left open at any page to stunning effect.” — Shelf Awareness, STARRED REVIEW
“A gorgeous coffee-table book … with stunning artwork made with watercolour and gold leaf, and poems on words ranging from ‘acorn’ to ‘wren.’” — PEI Guardian
“Stylish and melancholy, The Lost Words is a book to savour.” — Wall Street Journal
“My top book of the year.” — Spectator
“Sumptuous … a book combining meticulous wordcraft with exquisite illustrations deftly restores language describing the natural world to the children’s lexicon … The Lost Words is a beautiful book and an important one.” — Observer
“One of the most striking and poignant picture books of the season … This giant tome contains not only beautiful illustrations but a haunting series of poems that read like a summoning back of the wild … A book in which every page seems like an act of love.” — Herald
“A breathtaking book.” — New Statesman
“A sumptuous, nostalgic ode to a disappearing landscape.” — Kirkus Reviews
“This union of natural history, poetry, art, and whimsy is, indeed, a truly enchanting all-ages book of life to contemplate, read aloud, and share.” — Booklist
“Utterly enchanting, it’s a celebration of nature — but also language itself. If I ran the world, it’d be in every school library and classroom possible.” — Seven Impossible Things Before Breakfast
“One of the most stunningly beautiful books I have had the pleasure of reading (and rereading) this year.” — Fab Book Reviews
“Gorgeous to look at and to read. Give it to a child to bring back the magic of language — and its scope.” — Jeanette Winterson
“The most beautiful and thought-provoking book I’ve read this year.” — Frank Cottrell-Boyce
“Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty.” — Alex Preston
About the Author
ROBERT MACFARLANE is a Fellow of Emmanuel College, Cambridge, and the author of a number of bestselling and prize-winning books, including The Wild Places, The Old Ways, Holloway, Landmarks, and Underland, which won the Wainwright Prize. His work has been translated into many languages and widely adapted for film, television, and radio. The American Academy of Arts and Letters awarded him the E. M. Forster Award for Literature in 2017. He is a word-collector and mountain-climber ― and he has three children who have taught him more about the world than any book.
JACKIE MORRIS grew up in the Vale of Evesham and studied at Hereford College of Arts and at Bath Academy. She won the CILIP Kate Greenaway Medal, the highest honour in children’s book illustration, for The Lost Words. She has illustrated for the New Statesman, the Independent, and the Guardian, collaborated with Ted Hughes, and has written and illustrated over forty books, including beloved classics such as The Snow Leopard, The Ice Bear, Song of the Golden Hare, Tell Me a Dragon, East of the Sun, West of the Moon, and The Wild Swans. Jackie Morris lives in a cottage on the cliffs of Pembrokeshire.
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Product details
- Publisher : Anansi International; Illustrated edition (October 27, 2020)
- Language : English
- Hardcover : 120 pages
- ISBN-10 : 1487007795
- ISBN-13 : 978-1487007799
- Item Weight : 14.4 ounces
- Dimensions : 5.1 x 1.1 x 7 inches
-
Best Sellers Rank:
#6,392 in Books (See Top 100 in Books)
- #1 in British & Irish Poetry
- #3 in Nature Poetry (Books)
- #7 in Etymology (Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Naturalist-writer Robert Macfarlane and artist Jackie Morris crafted their 2017 The Lost Words in response to the removal of such terms as “acorn,” “wren,” and “dandelion” from a popular juvenile dictionary. The astonishingly beautiful, oversized volume weaves watercolor with verse to protest our blindness to the wild things around us. A diminutive companion to The Lost Words, The Lost Spells continues to plumb what Macfarlane calls “loss—of language, species, loved places—[which] is the tune of the times.”
Knowing and naming nature demands physical presence. Yet, identifying the exquisite order of a moth wing or beech leaf is not merely sensorial, but spiritual. It reveals something of ourselves: our own vitality, fragility, and design. When nature is displaced, whether from our surroundings or our lexicon, we lose a thread of connection with our own being. As simulated experiences increasingly supplant physical ones, we find ourselves aliens to our own metaphysics. Like spoken poetry and social dance, nature study has become an activity of small children and eccentric subcultures. Can books like The Lost Spells renew our ability to marvel at our landscapes and ourselves? As the virus accelerates our virtual interactions, our need for physical contact and spiritual solace grows more urgent. Macfarlane’s and Morris’ work could not be more timely.
My only fear is that the book is too beautiful. I responded with reflexive horror when my five-year-old pulled it from its package by one cover. To see its satiny dust jacket torn or its silken ribbon frayed would pain any aesthetic sensibility. However, his enthusiasm gives hope that The Lost Spells will grow lustrous with wear as it enchants us into abandoning our avatars for authentic marvel and mystery.
By Elise Matich on November 4, 2020
Naturalist-writer Robert Macfarlane and artist Jackie Morris crafted their 2017 The Lost Words in response to the removal of such terms as “acorn,” “wren,” and “dandelion” from a popular juvenile dictionary. The astonishingly beautiful, oversized volume weaves watercolor with verse to protest our blindness to the wild things around us. A diminutive companion to The Lost Words, The Lost Spells continues to plumb what Macfarlane calls “loss—of language, species, loved places—[which] is the tune of the times.”
Knowing and naming nature demands physical presence. Yet, identifying the exquisite order of a moth wing or beech leaf is not merely sensorial, but spiritual. It reveals something of ourselves: our own vitality, fragility, and design. When nature is displaced, whether from our surroundings or our lexicon, we lose a thread of connection with our own being. As simulated experiences increasingly supplant physical ones, we find ourselves aliens to our own metaphysics. Like spoken poetry and social dance, nature study has become an activity of small children and eccentric subcultures. Can books like The Lost Spells renew our ability to marvel at our landscapes and ourselves? As the virus accelerates our virtual interactions, our need for physical contact and spiritual solace grows more urgent. Macfarlane’s and Morris’ work could not be more timely.
My only fear is that the book is too beautiful. I responded with reflexive horror when my five-year-old pulled it from its package by one cover. To see its satiny dust jacket torn or its silken ribbon frayed would pain any aesthetic sensibility. However, his enthusiasm gives hope that The Lost Spells will grow lustrous with wear as it enchants us into abandoning our avatars for authentic marvel and mystery.
“The Lost Spells” teaches us to listen, to watch, and to feel the nature; it reaches out to our hearts with a call to preserve our true treasure – the nature and the wildlife.
By Viktoria on November 2, 2020
“The Lost Spells” teaches us to listen, to watch, and to feel the nature; it reaches out to our hearts with a call to preserve our true treasure – the nature and the wildlife.
That said, my copy arrived with a torn/crinkled dust jacket. The book was in a box too big was just rattling around in it. For a book this aesthetically pleasing, might be better to try buying from a local store. The book is awesome. Amazon's shipping job sending me a "new" damaged product, not so awesome.
Four months later, I picked it up and was again mesmerized by the art work and the "spells,' the poetry Macfarlane wrote for each creature and their set of illustrations. The pocket-sized version was to encourage people to take it out into the natural world and find the moths, flowers, critters, and trees that made their way into the book. The poems are sometimes cheeky and other times full of wonder.
I am envious of the British for having a writer who has done this for his home. I wish we had someone who would do the same for the USA, except there are very distinct landscapes in the USA with distinctly different biomes. It makes me want to visit Britain again just to go out in the countryside and find these things.
Top reviews from other countries
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