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Of Love and Evil (Songs of the Seraphim, Book 2) Hardcover – Deckle Edge, November 30, 2010
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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Thus begins Anne Rice’s lyrical, haunting new novel, a metaphysical thriller of angels and assassins that once again summons up dark and dangerous worlds set in times past. Anne Rice takes us to other realms, this time to the world of fifteenth-century Rome, a city of domes and rooftop gardens, rising towers and crosses beneath an ever-shifting layer of clouds; familiar hills and tall pines . . . of Michelangelo and Raphael, of the Holy Inquisition and of Leo X, second son of a Medici, holding forth from the papal throne . . .
And into this time, into this century, Toby O’Dare, former government assassin, is summoned by the angel Malchiah to solve a terrible crime of poisoning and to search out the truth of a haunting by an earthbound restless spirit—a diabolical dybbuk.
O’Dare soon discovers himself in the midst of dark plots and counterplots surrounded by a darker and more dangerous threat as the veil of ecclesiastical terror closes in around him.
As he embarks on a powerful journey of atonement, O’Dare is reconnected with his own past, with matters light and dark, fierce and tender, with the promise of salvation and with a deeper and richer vision of love.
- Print length192 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateNovember 30, 2010
- Dimensions5.81 x 0.88 x 9.64 inches
- ISBN-109781400043545
- ISBN-13978-1400043545
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Editorial Reviews
From Publishers Weekly
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From Booklist
Review
—Carmela Ciuraru, The Boston Globe
"Rice tells a good story, nicely balancing the profound and the profane."
—Judith Chettle, Richmond Times-Dispatch
"Rice knows how to tell a story, and this one’s a lot of fun. . . Rice’s knock-your-socks-off cliffhanger ending leaves no doubt that this series has wings."
—People magazine (3½ stars out of 4)
"Rice is remarkable in her ability to breathe life into another place, another time."
—The Associated Press
"Present, as always, is the author’s ability to craft dreamlike prose to lull readers into believing every heavenly scenario she puts forth without a whiff of disbelief."
—Andrea Hoag, The Denver Post
“A bullet of a book—and an absolute bull’s eye.”
—Kirkus (starred)
“Readers who enjoy Rice’s larger-than-life tales and elegant writing will find much to appreciate here, and the cliff-hanger ending will leave fans eager for the next installment.”
—Kristine Huntley, Booklist
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I DREAMED A DREAM OF ANGELS. I SAW THEM AND I heard them in a great and endless galactic night. I saw the lights that were these angels, flying here and there, in streaks of irresistible brilliance, and some as great as comets which seemed to draw so close the fire might devour me, and yet I felt no heat. I felt no danger. I felt no self.
I felt love around me in this vast and seamless realm of sound and light. I felt intimately and completely known. I felt beloved and held and part of all I saw and heard. And yet I knew I deserved nothing of it, nothing. And something akin to sadness swept me up and mingled my very essence with the voices who sang, because the voices were singing of me.
I heard the voice of Malchiah rise high and brilliant and immense as he said that I must now belong to him, that I must now go with him. That he had chosen me as his companion and I must do what he would have me do. How strong and brilliant was his voice rising higher and higher. Yet there came against him a smaller voice, tender, lustrous, that sang of my life on earth and what I had to do; it sang of those who needed me and loved me; it sang of common things and common dreams, and pitted these with faultless courage against the great things which Malchiah sought to do.
Oh, that such a mingling of themes could be so very magnificent and this music should surround and enfold me as if it were a palpable and loving thing. I lay upon the breast of this music, and I heard Malchiah triumph as he claimed me, as he declared that I was his very own. The other voice was fading but not conceding. The other voice would never concede. The other voice had its own beauty and it would go on singing forever as it was singing now.
Other voices rose; or they had been there all the while. Other voices sang all around me and of me, and these voices vied with angelic voices as though answering them across a fathomless vault. It was a weave, these voices, angelic and other, and I knew suddenly that these were voices of people praying, praying for me. They were people who had prayed before and would pray after and in the far future and would always pray, and all these voices had to do with what I might become, of what I might be. Oh, sad, small soul that I was, and how very grand was it, this burning world in which I found myself, a world that makes the very word itself meaningless as all boundaries and all measures disappear.
There came to me the blessed knowledge that every living soul was the subject of this celebration, of this infinite and ceaseless chorus, that every soul was loved as I was loved, known now as I was known.
How could it not be? How could I, with all my failures, all my bitter losses, be the only one? Oh, no, the universe was filled with souls woven into this triumphant and glorious song.
And all were known and loved as I was known and loved. All were known as even their prayers for me became part of their own glorious unfolding within this endless and golden weave.
“Don’t send me away. Don’t send me back. But if you must, let me do your Will, let me do it with all my heart,” I prayed, and I heard my own words become as fluid as the music that surrounded me and sustained me. I heard my own particular and certain voice. “I love You. I love You who made all things and gave us all things and for You I will do anything, I will do what it is You want of me. Malchiah, take me. Take me for Him. Let me do His Will!”
Not a single word was lost in this great womb of love that surrounded me, this vast night that was as bright as day. For neither day nor night mattered here, and both were blended and all was perfect, and the prayers rising and rising, and overlapping, and the angels calling were all one firmament to which I completely surrendered, to which I completely belonged.
Something changed. Still I heard the plaintive voice of that angel pleading for me, reminding Malchiah of all that I was to do. And I heard Malchiah’s gentle reproof and ultimate insistence, and I heard the prayers so thick and wondrous that it seemed I would never need a body again to live or love or think or feel.
Yet something changed. The scene shifted.
I saw the great rise of the Earth beneath me and I drifted downwards feeling a slow but certain and aching chill. Let me stay, I wanted to plead, but I didn’t deserve to stay. It was not my time to stay, and I had to feel this inevitable separation. Yet what opened now before me wasn’t the Earth of my expectations but vast fields of wheat blowing golden under a sky more vivid in the brightening sun than I had ever beheld. Everywhere I looked I saw the wildflowers, “the lilies of the field,” and I saw their delicacy and their resilience as the force of the breeze bent them to and fro. This was the wealth of the Earth, the wealth of its blowing trees, the wealth of its gathering clouds.
“Dear God, never to be away from you, never to wrong you, never to fail you in faith or in heart,” I whispered, “for this, all this you have given me, all this you have given us.”
And there followed on my whisper an embrace so close, so total, that I wept with my whole soul.
The fields grew vague and large and a golden emptiness enveloped the world and I felt love embracing me, holding me, as if I were being cradled by it, and the flowers shifted and turned into masses of colors I couldn’t describe. The very presence of colors we did not know struck me deep and rendered me helpless. Dear God, that you love us so very much.
Shapes were gone. Colors had detached themselves effortlessly from shapes, and the light itself was rolling now as if it were a soft and consuming smoke.
There appeared a corridor and I had the distinct impression, in words, that I had passed through it. And now, down the long corridor there came to me the tall slender figure of Malchiah, clothed as he always was, a graceful figure, like that of a young man.
I saw his soft dark hair, his oval face. I saw his simple dark suit with its narrow lines.
I saw his loving eyes, and then his slow and fluid smile. I saw him reach out to me with both arms.
“Beloved,” he whispered. “I need you once again. I will need you countless times. I will need you till the end of time.”
It seemed then the other voices sang from their hearts, in protest, in praise, I couldn’t tell.
I wanted to hold him. I wanted to beg him to let me stay just a little while more with him here. Take me again into the realm of the lamps of Heaven. I wanted to cry. I had never known as a child how to cry. And now as an adult, I did it repeatedly, awake and in dreams.
Malchiah came on steadily as though the distance between us was far greater than I had supposed.
“You’ve only a couple of hours before they come,” he said, “and you want to be ready.”
I was awake.
The morning sun flooded the windows.
The noise of traffic rose from the streets.
I was in the Amistad Suite, in the Mission Inn, and I was sitting back against a nest of pillows, and Malchiah sat, collected and calm, in one of the wing chairs near the cold stone fireplace and he said again to me that Liona and my son would soon come.
CHAPTER TWO
A CAR WAS GOING TO PICK THEM UP FROM THE Los Angeles airport and bring them straight to the Mission Inn. I’d told her I’d meet her under the campanario, that I’d have a suite for her and for Toby—that was my son’s name—and that I’d take care of everything.
But I still didn’t believe she’d really come. How could she come?
I’d disappeared out of her life, in New Orleans, ten years ago, leaving her seventeen and pregnant, and now I was back via a phone call from the West Coast, and when I’d found out she wasn’t married, not even engaged, not even living with someone, when I’d found that out, I’d almost passed out on the spot.
Of course I couldn’t tell her that an angel named Malchiah told me I had a son. I couldn’t tell her what I’d been doing both before and after I met that angel, and I couldn’t tell her when or how I might see her again.
I couldn’t explain either that the angel was giving me time to see her now, before I went off on another assignment for him, and when she agreed to fly out here to see me, to bring my son, Toby, with her, well, I’d been in a sustained state of jubilation and disbelief.
“Look, the way my father feels about you,” she’d said, “it’s easier for me to fly to the West Coast. And of course I’ll bring your son to see you. Don’t you think he wants to know who his father is?”
She was still living with her father, apparently, old Dr. Carpenter, as I had called him back then, and it didn’t surprise me that I had earned his contempt and scorn. I’d crept off with his daughter into the family guesthouse, and never dreamed all these years that she’d had a child as the result.
The point is: they were coming.
Malchiah went down with me to the front walk. It was perfectly plain to me that other people could see him, but he looked entirely normal, as he always did, a man of my height, and dressed in a three-piece suit pretty much like my own. Only his was gray silk. Mine was khaki. His shirt had a sheen to it, and mine was a workingman’s blue shirt, starched, pressed and finished off with a dark blue tie.
He looked to me rather like a perfect human being, his wondering eyes drifting over the flowers and the high palms against the sky as if he was savoring everything. He even seemed to feel the breeze and to glory a little in it.
“You’re an hour early,” he said.
“I know. I can’t sit still. I feel better if I just wait here.”
He nodded as though that was perfectly reasonable when in fact it was ridiculous.
“She’s going to ask what I’ve been doing all this time,” I said. “What do I say to her?”
“You’ll say only what’s good for her and for your son,” he answered. “You know that.”
“Yes, I do,” I conceded.
“Upstairs, on your computer,” he said, “there’s a long document you wrote called ‘Angel Time.’?”
“Yes, well, I wrote that when I was waiting for you to come to me again. I wrote down everything that happened on my first assignment.”
“That was good,” he said, “a form of meditation and it worked well. But Toby, no one must read that document, not now, and maybe not ever.”
I should have known this. I felt a little crestfallen but I understood. With embarrassment I thought of how proud I’d been to recount my first mission for the angels. I’d even boasted to The Right Man, my old boss, that I had changed my life, that I was writing about it, that maybe someday he’d find my real name in the bookstores. As if he cared, the man who’d sent me as Lucky the Fox to kill over and over again. Ah, such pride, but then, in all my adult life, I’d never done anything before to be proud of. And The Right Man was the only person in this world with whom I had regular conversations. That is, until I had met Malchiah.
“Children of the Angels come and go as we do,” Malchiah said, “only seen by a few, unseen and unheeded by others.”
I nodded.
“Is that what I am now, a Child of the Angels?”
“Yes,” he said, smiling. “That’s what you are. Remember it.”
With that he was gone.
And I was left realizing I had some fifty minutes to wait for Liona.
Maybe I’d take a little walk, have a soda in the bar, I didn’t know. I only knew suddenly I was happy, and I was.
As I thought about this, I turned around, and looked towards the doors of the lobby, but for no particular reason. I saw a figure there, to one side of the doors, a figure of a young man, who stood with arms folded, leaning against the wall, staring at me. He was as vivid as anything around him, a tall man like Malchiah, only with reddish blond hair, and larger blue eyes, and he wore a khaki suit identical to my own. I turned my back on him to avoid his fixed stare, and then I realized how unlikely it was that the guy should be wearing a suit exactly like mine, and staring at me like that, with an expression that was just short of anger. No, it hadn’t been anger.
I turned back. He was still staring. It was concern, not anger.
You’re my guardian angel!
He gave me a near-imperceptible nod.
A remarkable sense of well-being came over me. My anxiety melted away. I’ve heard your voice! I’ve heard you with the other angels. I was fascinated and oddly comforted, and all of this in a split second.
A little crowd of guests came out of the lobby doors, passing in front of this figure, and obscuring him, and as they turned left to go along another path, I realized he had disappeared.
My heart was skipping. Had I seen all this correctly? Had he really been staring at me, and had he nodded to me?
My mental picture of this was fading rapidly. Someone had been standing there, yes, of course, but there was no way now to check what had happened, to submit it to any kind of analysis.
I put it out of my mind. If he was my guardian, what was he doing but guarding me? And if he wasn’t, if he’d been someone else, well, what was that to me? My memory of this continued to fade. And of course, I’d settle the whole matter with Malchiah later. Malchiah would know who he was. Malchiah was with me. Oh, we are creatures of such little faith.
An extraordinary contentment filled me suddenly. You are a Child of the Angels, I thought, and the angels are bringing Liona and her son, your son, to you.
I took a long walk around the Mission Inn, thinking what a perfect cool California day it was, passing all my favorite fountains and chapel doorways and patios and curios and other such things, and it was just time then for her to have come.
I returned to the far end of the walkway, near the doors to the lobby, and I waited for two likely people to start up the path and then pause under the low arched campanario with its many bells.
I couldn’t have been there for longer than five minutes, pacing, looking around, checking my watch, moving in and out of the lobby now and then, when suddenly I realized that amid the steady flow of foot traffic along the path, there were two people standing right beneath the bells as I had asked those two people to do.
For a moment I thought my heart would stop.
I’d expected her to be pretty because she’d been pretty when she was a girl, but that had been the bud to this, the radiant flower, and I didn’t want to do anything except stare at her, to drink in the woman she’d become.
She was only twenty-seven. Even I at twenty-eight knew that’s not very old, but she had a womanly manner about her, and she was dressed in the most becoming and most finished way.
She wore a red suit, fitted at the waist and flaring over her narrow hips, with a short flared skirt that just covered her knees. Her pink blouse was open at her throat and there she wore a simple string of pearls. There was a tiny bit of pink handkerchief in her breast pocket, and her purse was patent leather pink, and so were her graceful high-heeled shoes.
What a picture she was in those clothes.
Her long full black hair was loose over her shoulders, with only some of it drawn back from her clear forehead and fixed perhaps with a barrette, the way she’d done it when she was a girl.
A sense came over me that I would remember her this way forever. It didn’t matter what would happen next or hereafter. I would simply never forget the way she looked now, so gorgeous in red, with her full and girlish black hair.
In fact a passage came to me from a film, and it’s one that many people love. It’s from the film Citizen Kane, and an old man named Bernstein speaks the passage as he reflects on memory and how things can strike us that we see for no more than a few seconds. In his case, he’s describing a young woman he once glimpsed on a passing ferryboat. “A white dress she had on,” he says, “and she was carrying a white parasol. I only saw her for one second and she didn’t see me at all, but I’ll bet a month has not gone by since that I haven’t thought of that girl.”
Product details
- ASIN : 1400043549
- Publisher : Knopf; First Edition/First Printing (November 30, 2010)
- Language : English
- Hardcover : 192 pages
- ISBN-10 : 9781400043545
- ISBN-13 : 978-1400043545
- Item Weight : 13.1 ounces
- Dimensions : 5.81 x 0.88 x 9.64 inches
- Best Sellers Rank: #1,076,897 in Books (See Top 100 in Books)
- #1,088 in Renaissance Literary Criticism (Books)
- #2,020 in Metaphysical & Visionary Fiction (Books)
- #4,132 in Christian Mystery & Suspense Romance (Books)
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"
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O'Dare travels to Rome during time of the loss of power of the Medici in Florence (Savonarola) and during Jewish persecution in Rome. He is sent to discover what is causing a dybbuk (spirit) to continue to haunt a house and a particular family. I think I am dissatisfied with this particular novel set in this particular time period because I am comparing it to the works of Sarah Dunant, especially The Birth of Venus, and there is just no comparison. Of course, Ms. Rice did research on the time period and even a particular event in Rome, but the scholarly results are just not woven as magically and as deeply as with Ms. Dunant's efforts. Not that much time seems to have passed between the first book in the angel series, Angel Time, and this one, and perhaps not enough time was given for the next deadline, but I am a little disappointed in this effort. I still have not read any of Ms. Rice's vampire books, just her angel-themed ones and her Christ-themed ones after her return to Catholicism a few years ago.
A little before Of Love and Evil was published, Ms. Rice's subsequent leaving of Christianity and organized religion was in the news. If you follow her on Facebook, you know how interactive she is with her followers and how she posts current events and asks provocative questions about a number of issues. I really enjoy the discourse she encourages. Her postings are usually either informative or controversial and I appreciate her accessibility to the "people of the page." This regular discourse and dialect might be another reason I am somewhat disappointed in Of Love and Evil. I just did not care about the characters in Rome that she introduced. The threads of this tale just were not interwoven to the extent to get me emotionally involved. I did enjoy the continued story of Toby and his personal redemption from assassin to angel assistant, but his story is only one aspect of this short novel. Ms. Rice does create another dilemma in O'Dare's continuing drama, and I will read the next one.
I will recommend this book as a quick and easy read, but did not enjoy this effort as much as I had hoped or as much as the four previous books of Ms. Rice's that I have read.
Her newest entry to the "Songs of the Seraphim," series does not deviate from the established, proven formula of her other novels. This is not a form of criticism. In actuality, her formula of enticing prose, first-person perspectives of a reclusive individual, and rich historical settings elevates her books to a very high level of quality. This year alone, I have read an estimated ten or twelve Anne Rice books, alongside a slew of college-required reads. Her books leave an imprint of great intrigue that cannot be divested. Instead, the reader only craves for the next installment in one of her many series or does research on some of the intriguing historical, spiritual, or philosophical questions raised in her books.
Anne Rice's inquisitive self has always been the strength of her novels. Every novel of hers is mostly centered around some difficult spiritual question that she herself has been wrestling with. "Of Love and Evil," raises an interesting dilemna that is pivotal to our faith. Now, that we have equipped ourselves with this new Christian perspective, What determines something as a good or evil act? More importantly, could a loving act that we believe reflects the spirit of Christ be a definably evil act?
Readers are transported to Renaissance Italy to become involved with a mystery that involves a Jewish physician wrongly being convicted for supposedly poisoning their trusted, Catholic patient. Anne Rice uses this perplexing mystery to immerse the reader into this picturesque world with ease. Using Toby O'Dare as the curious soul with a spiritual dilemna, the reader's full psyche becomes attached to this main perspective. Again, these troubled, reclusive souls of Anne Rice's books work wonderfully because they essentially reflect universal themes of spiritual struggle. All of us equally,with some variance,feel spiritually bankrupt at times in our life even when we have a solid relationship with God. Similarly with the Jesus novels, spiritual struggles are not exempted from the characters even when their faith appears to be perfected.
Whether you are a Christian or not, this novel should appeal widely to any readers that thirsts for an exciting mystery story that contains human characters with realistic flaws. More importantly, the spiritual struggles of these characters are equally faced by all individuals of differing faith backgrounds. Christians, Jews, Muslims, Atheists, and agnostics alike ponder the question of our purpose for existence. Even when our beliefs appear externally solidified. We still disbelieve the beliefs we thought we had conceived. At the time of reading this novel, I struggled greatly with the question of: "What if my supposed belief in God is worthless after I become nonexistent when I die ?
Meaning, after I die, the whole notion of having a conscious self will become a useless ideal. If there really is nothing after our deaths then "What really is the use of striving to morally perfect ourselves?" There would be no benefits or compensation for acting benevolently towards other humans. Because, in the short frame of our human lives, we'll only be partially experiencing the wonders of a morally-superb life filled with love. We'll only have glimpses of a perfected world where our pain and struggling truly works as a cause that will bring about an effect in the form of an afterlife which informs us that our endeavors are not completely useless. Toby O'Dare chooses to undertake the risk of facing the possibility of a meaningless existence because the other solution involves having a belief that our inclination to love is an accidental , purposeless desire. Having a God be our endpoint serves not as an escape from the pain of the reality of nothingness. It strengthens the truth that our love, our dreams, and our desires are not manufactured by a soulless machine. Internally, there exists a soul that powers this insatiable desire for transcendence. When we peer at art or are overwhelmed by the ineffable beauty of rich, symphonic music, we are having otherworldly experiences that inform our need for a God. Anne Rice books mimic that same effect. Every time, I read her books; I sense the poverty of my soul and realize the many abstract qualities or mysteries of our world that prove to us that this universe requires a God.
After reading the first five chapters or so I thought to myself, Mrs. Rice is losing her touch. However, once Toby got to Italy the story started to really move and I found myself turning the pages with anticipation. The characters Toby meets in the past are especially well drawn and her prose is as vivid as ever. Remember, even though Mrs. Rice is a devout Catholic, this is fiction not theology. However, her historical setting is spot on. You can tell a lot of research went into this little book. This is not her best work, but stick with it and I think you'll enjoy it.
Top reviews from other countries
I liked cause i like her writing in genereal, although not as good as the Vamoire Chronicles, a good read anyhow .)













