I heard the tune "Burning the Bowery" and had to buy the CD. All I can say is this is a tight Cd with great tunes. Not one dog in the bunch, but it's "Burning the Bowery" that really knocks me out.
Give it chance. Buy Jesse Malin and the St. Marks Social CD "Love it to LIfe", pretty cool, unique stuff.
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Love It To Life
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Track Listings
| 1 | Burning the Bowery |
| 2 | All the Way from Moscow |
| 3 | The Archer |
| 4 | St. Marks Sunset |
| 5 | Lowlife in a High Rise |
| 6 | Disco Ghetto |
| 7 | Burn the Bridge |
| 8 | Revelations |
| 9 | Black Boombox |
| 10 | Lonely at Heart |
Editorial Reviews
Love it to Life is the new studio album from Jesse Malin featuring a collective of players and friends called "The St. Marks Social".
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.63 x 5.12 x 0.31 inches; 2.4 Ounces
- Manufacturer : INGrooves
- Item model number : SD14152
- Original Release Date : 2010
- Date First Available : March 7, 2010
- Label : INGrooves
- ASIN : B0039SFKVE
- Number of discs : 1
- Best Sellers Rank: #248,731 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #7,580 in Dance Pop (CDs & Vinyl)
- #13,096 in Dance & Electronic (CDs & Vinyl)
- Customer Reviews:
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Customer reviews
4.6 out of 5 stars
4.6 out of 5
26 global ratings
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Reviewed in the United States on May 21, 2010
Reviewed in the United States on August 6, 2010
This album fits in with a heretofore unidentified niche on the American music scene: lean, driving music that is played and sung with passion, is well-produced, and wears its heart on its sleeve. Think Paul Westerberg or Ryan Adams with a few musical flourishes all its own.
The songs are all good here--"Burning the Bowery" kicks things up with a muscular charm, and the rest of the tracks keep that guitar/bass/drums/rough-hewn vocals thing going. The desperation evident on track two when he shouts "you don't get your money back here!" lets the listener know that this is personal, as indeed it is.
My personal favorites on the album right now are "Disco Ghetto" and "Lonely at Heart," a ballad-riffic album closer which reminds me of Westerberg or Adams while briefly lifting from Elvis Costello ("you drink in self-defence"). While he does lift a little bit of attitude and structure from the artists listed above (Westerberg in particular), Malin's still got a distinct personality and distinction of his own. From name-checking Ken Kesey novels to his rocking explorations of the night life of people who simply don't know any other way to live, this album really does a lot of things well. It rocks, it rolls, and it's both intelligent and passionate at the same time.
A very good record.
The songs are all good here--"Burning the Bowery" kicks things up with a muscular charm, and the rest of the tracks keep that guitar/bass/drums/rough-hewn vocals thing going. The desperation evident on track two when he shouts "you don't get your money back here!" lets the listener know that this is personal, as indeed it is.
My personal favorites on the album right now are "Disco Ghetto" and "Lonely at Heart," a ballad-riffic album closer which reminds me of Westerberg or Adams while briefly lifting from Elvis Costello ("you drink in self-defence"). While he does lift a little bit of attitude and structure from the artists listed above (Westerberg in particular), Malin's still got a distinct personality and distinction of his own. From name-checking Ken Kesey novels to his rocking explorations of the night life of people who simply don't know any other way to live, this album really does a lot of things well. It rocks, it rolls, and it's both intelligent and passionate at the same time.
A very good record.
Reviewed in the United States on July 4, 2010
I first heard Jesse Malin when he opened for Ryan Adams several years ago. His stage presence and storytelling reminded me of Bruce Springsteen - and all he had with him was his guitar. "Love It To Life" is his best album yet, surpassing even his debut.
Reviewed in the United States on December 26, 2012
Again Jesse Malin delivers yet another brilliant record. The Archer is my favourite song. A great songwriter, great voice & a talented musician. I Love It To Life & yes I went there.
Reviewed in the United States on October 26, 2013
This is a fantastic CD. It rocks from start to finish. As usual with Jesse the song writing is top notch. This CD should be playing on everyone's boombox!
Reviewed in the United States on October 24, 2010
Just when I thought Glitter was his Abbey Road; he comes out with "Love it to Life" This is a double surprise when you consider the cover "Sleeve" album (waste of time) followed Glitter. I really thought he was done. Although I'm ready to move this to #1; I still can't get Broken Radio out of my head - Best Song in his catalog. My least favorite is probably In Heat; while I must admit it was going to be tough to follow that outstanding debut "FAOD" which just gave me chills I hadn't had since my first intro to Bruce. Ironic that these guys get along. Also as a Westerbeg junkie; I get and agree with some of the comparisons. Let me give you one more excellent songwriter under the radar, who you might like along with Bruce, Jesse & PW - Michael McDermott (check him out!)
Reviewed in the United States on December 9, 2012
The best comment I ever heard regarding Jesse Malin, was from critic Robert Parker, who said, "Malin's musical output has never been quite as impressive as his phonebook." Which just about had me rolling in the isles, feeling that I'm one of the few people who get both the joke and the music of Jesse Malin.
See, there are a ton of folks who want to pigeonhole Malin as some sort of mature punk, and I can see their point, but it's hardly true, especially here on Love It To Life, a play on the old Alice Cooper album Love It To Death. The notorious, on again off again druggie seems to be quite healthy on this outing, backed by the relentless St. Marks Social, hands down, the tightest, most sinister band Jesse has put together in a very long time, flashing the efforts of Jeff Tweedy in my ears at every bend in the road. As always, Jesse pulls no punches, wears his heart on his sleeve, knocks you back, and then grabs you just before you fall over, only to repeat these musical punches again and again.
As always, as with the rest of his releases, I take from Love It To Life what I really dig hearing, and those are: "Burning The Bowery," "All The Way From Moscow," [a nod to Mott The Hoople's "All The Way From Memphis"], "St. Mark's Sunset," "Lowlife In A High Rise," and "Burn The Bridge."
Review by Jenell Kesler
See, there are a ton of folks who want to pigeonhole Malin as some sort of mature punk, and I can see their point, but it's hardly true, especially here on Love It To Life, a play on the old Alice Cooper album Love It To Death. The notorious, on again off again druggie seems to be quite healthy on this outing, backed by the relentless St. Marks Social, hands down, the tightest, most sinister band Jesse has put together in a very long time, flashing the efforts of Jeff Tweedy in my ears at every bend in the road. As always, Jesse pulls no punches, wears his heart on his sleeve, knocks you back, and then grabs you just before you fall over, only to repeat these musical punches again and again.
As always, as with the rest of his releases, I take from Love It To Life what I really dig hearing, and those are: "Burning The Bowery," "All The Way From Moscow," [a nod to Mott The Hoople's "All The Way From Memphis"], "St. Mark's Sunset," "Lowlife In A High Rise," and "Burn The Bridge."
Review by Jenell Kesler
Reviewed in the United States on June 9, 2010
One of the best albums of the year so far! Jesse's got a great voice, the band rocks, and the songs recall Springsteen at his rockin' best. Highlights: "Burning The Bowery" and "All The Way From Moscow."
Top reviews from other countries
Trisha
5.0 out of 5 stars
A great album from Jesse Malin
Reviewed in the United Kingdom on December 12, 2023
as described, thank you
Load Trash Histo
4.0 out of 5 stars
Jesse ne fait pas le malin
Reviewed in France on July 15, 2017
Jesse Malin a, à l'instar de Bruce Springsteen avec son E. Street Band, formé son groupe qui l'accompagne sur cet album : The St. Marks Social, et il nous délivre 10 pépites de rock ou de power pop, dans la lignée de ce qu'il nous a déjà offert sur ses 3 prédécesseurs. Il chante toujours de sa voix puissante et chaude qui peut rappeler sur certaines chansons, où il chante de façon plus posée, celle de Tom Petty ("The archer"). Même si ce disque n'apporte rien de plus à l'oeuvre de cet ancien punk qu'est Jesse Malin (écoutez "Black Boombox" si vous doutez de cette dernière affirmation), il est agréable à écouter d'autant qu'il est varié dans ses ambiances, passant du rock pêchu ("Revelations") à des ballades ("Lonely at my heart", "Lowlife in a high rise") en passant par des morceaux se rapprochant de la power pop ("Burning the bowery" , "Disco ghetto"). A noter que son pote Ryan Adams est venu lui donner un coup de main sur 2 chansons, au chant et à la gratte.
David
4.0 out of 5 stars
Not Bad
Reviewed in the United Kingdom on August 1, 2010
Not a bad album from Jesse but not quite the standard of earlier ones especially The Heat which I thought was terrific. Some good tracks - Disco Ghetto, Low life in a High Rise being two - but a few unmemorable ones too. If you've enjoyed his other albums then buy this one too - it's more than good enough to warrant a purchase.
Martyn Attwood
5.0 out of 5 stars
This guy can write great songs that are original which is not easy these ...
Reviewed in the United Kingdom on March 31, 2015
This guy can write great songs that are original which is not easy these days and has a brilliant voice. Just a class album start to finish.
Thomas Schmitz
3.0 out of 5 stars
Überproduziertes Mittelmaß
Reviewed in Germany on August 10, 2010
Das ist mal wieder das Kreuz mit den Snippets, die man im Internet findet, jenen 30 Sekunden langen Sounddateien in schwacher Qualität, um in Platten reinzuhören. Da hört sich eine so durchschnittliche Platte wie "Love It to Life" eben doch interessant an und reizt zum Kauf. Und was bleibt am Ende übrig? Nicht viel.
Jesse Malins sechstes Solo-Album ist ein richtig mittelmäßiges Stück Erwachsenen-Rock. Und dann unsinnigerweise auch noch überproduziert bis zum Gehtnichtmehr! Jedes Instrument scheint hier so laut wie möglich abgemischt zu sein, heraus kommt stellenweise ein furchtbarer Soundbrei. Selbst in den ruhigen Momenten dengeln die E-Gitarren mit voller Lautstärke - da muss man sich mal fragen, ob Ted Hutt hinter dem Mischpult noch alle Tassen im Schrank hat. Spätestens da hätte Jesse Malins Freund Ryan Adams doch eingreifen können, der auf zwei schwachen Songs zu hören ist. Der Americana-Rocker weiß wenigstens, wie man Dynamik hinbekommt.
Natürlich ist nicht alles schwach, aber das meiste. "All the Way from Moscow" ist ein kraftvoller Rocksong mit einem schönen singenden E-Gitarren-Sound. "St. Marks Sunset" ein ordentlicher Radio-Rock-Song und "Revelations" eine ebenso radiotaugliche Mid-Tempo-Ballade. Doch dann gibt es da auch die wirklich dürftigen Titel. Der versuchte Soul-Blues-Verschnitt "Lowlife on a High Rise" ist verdammt langweilig, "Disco Ghetto" hat schon nach dem Intro verloren, "Black Boombox" ist der dreckige kleine Bruder von "All the Way from Moscow", nur ohne Freunde und "Lonely at the Heart" die belangloseste Ballade, die ich seit langem gehört habe.
Jesse Malins sechstes Solo-Album ist ein richtig mittelmäßiges Stück Erwachsenen-Rock. Und dann unsinnigerweise auch noch überproduziert bis zum Gehtnichtmehr! Jedes Instrument scheint hier so laut wie möglich abgemischt zu sein, heraus kommt stellenweise ein furchtbarer Soundbrei. Selbst in den ruhigen Momenten dengeln die E-Gitarren mit voller Lautstärke - da muss man sich mal fragen, ob Ted Hutt hinter dem Mischpult noch alle Tassen im Schrank hat. Spätestens da hätte Jesse Malins Freund Ryan Adams doch eingreifen können, der auf zwei schwachen Songs zu hören ist. Der Americana-Rocker weiß wenigstens, wie man Dynamik hinbekommt.
Natürlich ist nicht alles schwach, aber das meiste. "All the Way from Moscow" ist ein kraftvoller Rocksong mit einem schönen singenden E-Gitarren-Sound. "St. Marks Sunset" ein ordentlicher Radio-Rock-Song und "Revelations" eine ebenso radiotaugliche Mid-Tempo-Ballade. Doch dann gibt es da auch die wirklich dürftigen Titel. Der versuchte Soul-Blues-Verschnitt "Lowlife on a High Rise" ist verdammt langweilig, "Disco Ghetto" hat schon nach dem Intro verloren, "Black Boombox" ist der dreckige kleine Bruder von "All the Way from Moscow", nur ohne Freunde und "Lonely at the Heart" die belangloseste Ballade, die ich seit langem gehört habe.
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