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Love Saves the Day: A History of American Dance Music Culture, 1970-1979 Paperback – February 2, 2004
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Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era’s most powerful djs, the venues in which they played, and the records they loved to spin—as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music’s tireless engine.
Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies—listing the favorite records of the most important spinners of the disco decade—and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
- Print length528 pages
- LanguageEnglish
- Publication dateFebruary 2, 2004
- Dimensions6.13 x 1.31 x 9.25 inches
- ISBN-100822331985
- ISBN-13978-0822331988
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Editorial Reviews
Review
“As authoritative as it is gossipy, Love Saves the Day is the ultimate backstage view of disco, the underground phenomenon that ended up defining a decade. Tim Lawrence talked to virtually everyone who shaped ‘70s urban nightlife, but he keeps his prime focus on the djs who created its seductive soundtrack. With them as your witty, opinionated guides, you’ll find yourself well past the velvet ropes, deep inside a scene that has never been so thoroughly or lovingly illuminated.”—Vince Aletti, Village Voice
“At last disco gets the history it deserves. Tim Lawrence tells the story of ten years that shook the musical world with the scholar’s concern for detail and the fan’s concern for honor. Great tales of the humble and the ahubristic, of money, sex, and the utopia of the sound system. Illuminating and moving.”—Simon Frith, author of Performing Rites: On the Value of Popular Music
“At long last, a candid, detailed, and authoritative look back on one of dance music’s most seminal moments in time. This book on the genesis of the movement in 1970s New York will delight anyone from the researcher wanting some serious unbiased fact-checking all the way to the casual music lover curious for juicy anecdotes. It’s about time!”—François K., dj and founder and president of Wave Music
“I wish I'd written it myself.”—Barry Walters, Senior Music Critic, Rolling Stone
“[A]n extraordinarily rich work that ought to transform the ways we write the history of popular music. . . . [A] marvelous book. . . .”―Mitchell Morris, Journal of Popular Music Studies
"[A] fine, groundbreaking history filled with fresh information and thoughtful perspectives on the disco decade, the result of his hundreds of interviews and exhaustive research. Scores of photographs and signature discographies nicely complement the text."―Library Journal
"[A]s Tim Lawrence illustrates in Love Saves The Day, the story of disco is richer than its battered reputation lets on. . . . [A]n exceedingly well-reported history. . . . Love Saves The Day works as an eye-opening history of a movement that found a nation taking time out to dance."
―Andy Battaglia, The Onion
"[P]acked with detail . . . without turning dull; [Love Saves the Day] offers a non-hagiographic treatment of dance-music icons. . . and, perhaps best of all, Lawrence's riveting storytelling puts you deep in the proto-disco moment. . . . Love Saves the Day not only gets dance-music history right--it refocuses that history to include those unjustly excluded from it."―Ethan Brown, New York
"[T]his is as close to a definitive account of Disco as we're likely to get, and as entertaining as a great night out."―Richard Smith, Gay Times
"[T]o some, a respectful history of disco may seem as perverse as a paean to strip malls. Tim Lawrence's Love Saves the Day boldly overturns that story. . . . I, for one, won't be able to dismiss dance culture so quickly, and his book should become a fixture in the libraries of serious students of American pop."―Philip Christman, Paste
"Lawrence has documented the scene with a fan's affection and a scholar's thoroughness. . . . His interview subjects, veteran DJs and clubgoers all, best convey in their own words what it was like to be on the dance floor at the Loft, the Gallery or the Paradise Garage when the crowd--drenched in sweat, screaming and whistling, arms in the air--gave itself up to rapture."
―Tom Beer, Newsday
"Thanks to an impressive amount of research Tim Lawrence . . . creates an evocative portrait of the Big Apple DJ demimonde of the 1970s."―Peter Shapiro, The Wire
"THE book on club music in America—a massive volume that contains more information about the New York scene than we'd ever hoped to learn! The book fills in gaps that we've always been unsure of, and tells the full story of the evolution of New York dance in the 70s—going way past the hype!"―Dustygroove.com
"Tim Lawrence's disco culture tome is one of the sharpest books on dance music to date, striking a balance between you-are-there club descriptions, socioeconomic analysis, and musical critique."―Tricia Romano, Village Voice
"A fantastic history of the birth of disco." ―Tracey Thorn, Everything But the Girl, The Guardian
Review
From the Back Cover
About the Author
Tim Lawrence leads the Music Culture: Theory and Production degree program at the University of East London. He has written liner notes for David Mancuso Presents the Loft and Masters at Work: The Tenth Anniversary Collection. The author’s website for the book is available at www.timlawrence.info
Product details
- Publisher : Duke University Press Books; Illustrated edition (February 2, 2004)
- Language : English
- Paperback : 528 pages
- ISBN-10 : 0822331985
- ISBN-13 : 978-0822331988
- Item Weight : 1.55 pounds
- Dimensions : 6.13 x 1.31 x 9.25 inches
- Best Sellers Rank: #764,518 in Books (See Top 100 in Books)
- #65 in Dance Music
- #754 in Music Reference (Books)
- #3,322 in Cultural Anthropology (Books)
- Customer Reviews:
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This book goes much deeper than the usual Studio 54 cliches that people associate with the genre (although Studio 54 is included, of course) and discusses the origins of the sound and the largely unhearalded people who made this scene happen. David Mancuso is described as a pivotable person here, and the folks who were there will confirm it. The book begins in his legendary club, The Loft, and lovingly details his obsession with sound and the disco experience. Other innovators from the early 70's are also featured including Francis Grasso, Steve D'Acquisto, Bob Casey, and many more. The scene is chronicaled from humble beginnings through the glory years of the mid 70's and ends the decade with the backlash in full swing in mainstream culture but continuing to thrive in clubs like Paradise Garage and Better Days. Along the way you meet producers like Walter Gibbons and Tom Moulton who made some of the classic recordings of the era, and Lawrence takes the time to explain what is so remarkable about their work. You also get delightfully naughty stories about some of the key players in the scene including DJ's, artists, and of course, the patrons that illustrate some of the excesses of the time . Personally, I think that it's this superb combination of detailed research and bitchy gossip that makes the book so thoroughly readable and fun.
I loved reading this book; the only drawback for me was that I couldn't help pining for the days when New York club culture was this incredible before AIDS and Rudy Guilliani conspired to very nearly kill it off (fortunately they weren't entirely successful).
HIGHLY RECOMMENDED!!!
but it did.
So, now & again, I grab it & try to get more substance from it, be it the souvenir of the thrills I once got, at night, in bed.
I learned and connected lots of things from this era, I dived into 70's high-class disco sounds head-first because of Arthur Russell and this book, the story of David Mancuso, Nicky Siano, Larry Levan, the magnificent Walter Gibbons, Bob Blank (wizzard) and oh ! all the ItaloAmericans who dedicated their talent and enthusiasm to giving pleasure vibes to people on improvised dancefloors, the love vibes, the sensual surroundings of it all, the nonstop motion which motor was love, party, get high, love again ! Reading, I was completely taken by that part of contemporary social/musical history. Said Robert Fripp about disco music : "now people are going to vote with their feet". So thanks Tim Lawrence, bless you.
Top reviews from other countries
Surveying the roots of a movement that would become an enormous lifestyle industry, Lawrence starts with the handful of downtown New Yorkers who set disco in motion in the late '60s. David Mancuso was a grizzled urban hippie who charted musical journeys in The Loft, a private apartment open to an eclectic mix of people—white, black, straight, gay—on utopian grounds. While the idea of the discotheque had already existed in New York, The Loft expanded it into a playground for dancing and prancing. A DJ before the distinction bore notice, Mancuso played floaty psychedelic records alongside string-swept soul and galloping African rhythms, placing an emphasis on mood and movement that signaled sounds to come. He was also a hi-fi fiend: He commissioned custom-made speakers and gear (including a $3,000 turntable needle) that goosed up drum sounds and reached previously unheard high-end peaks. While Mancuso had his disciples at The Loft, a growing number of gay clubs and bars forced the relaxation of male-on-male dancing laws, reveling in the newly open environment that would fuel disco's glamorous rise.
The parallel lines of changing music and changing social norms bracket all of Love Saves The Day, an exceedingly well-reported history that reads as too focused on occasion. Regarding the music, Lawrence traces the disco sound through its roots in Philly soul and its debt to machine music flown over from Europe. He also surveys the birth of the DJ as showman, telling gossipy stories about names still getting their proper due, and tracing the lineage of turntable tricks most often attributed to hip-hop. On the social front, Lawrence proves most pointed when surveying disco's sexual and racial swirl. He keeps a steady eye on the gayness that circulated through disco, even at its suburbs-storming peak, and comes down hard on the hints of homophobia that stoked its storied backlash. Some of the abundant details seem geared to insiders only, but on the whole, Love Saves The Day works as an eye-opening history of a movement that found a nation taking time out to dance.








