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Used: Very Good | Details
Condition: Used: Very Good
Comment: Nice, clean CD of the 2007 Old Masters edition (705283010523). Minor rubbing to case, else fine. Case, disc, and insert intact. Ready to ship.

His Hotel Biltmore Orchestra

4.3 4.3 out of 5 stars 12 ratings

$19.11
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Bert Lown & Biltmore Hotel Orchestra (1928-1933) Amazon Music Unlimited
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Audio CD, February 4, 1997
$19.11
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Track Listings

1 The Jazz Me Blues
2 Under A Texas Moon
3 Under The Moon It's You
4 Bye Bye Blues
5 I'll Be Blue, Just Thinking Of You
6 Here Comes The Sun
7 Loving The Way I Do
8 The Penalty Of Love
9 You're Simply Delish
10 Crying Myself To Sleep
11 Lonesome Lover
12 To Whom It May Concern
13 They Satisfy
14 Heartaches
15 Please Don't Talk About Me When I'm Gone
16 When I Take My Sugar To Tea
17 You Call It Madness, But I Call It Love
18 Sweet Summer Breeze
19 I Can't Get Mississippi Off My Mind
20 Blues In My Heart
21 Mississippi Basin
22 I'll Build A Nest
23 My Heart's Desire

Editorial Reviews

23 tracks featuring Frank Cush, Elmer Feldkamp, Paul Mason, Adrian Rollini, Tommy Felline, Stan King and others.

Product details

  • Product Dimensions ‏ : ‎ 5.6 x 0.4 x 4.9 inches; 2.88 ounces
  • Manufacturer ‏ : ‎ Old Masters
  • Date First Available ‏ : ‎ February 10, 2007
  • Label ‏ : ‎ Old Masters
  • ASIN ‏ : ‎ B000005DZC
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.3 4.3 out of 5 stars 12 ratings

Customer reviews

4.3 out of 5 stars
12 global ratings

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Top reviews from the United States

  • Reviewed in the United States on August 13, 2006
    I received this CD yesterday and have played it through at least 5 times now. There are 23 songs on this CD, and it plays for well over 70 minutes. The songs are toe-tappingly delightful. Some of the songs are instrumentals, others are sung in the classic style of 20s and 30s music (that kind of "tinny" sound, for lack of a better word), that just sounds FAN-FLIPPIN'-TASTIC! For someone like me who hasn't grown up with this music, it all sounds fresh. Listen to the samples here and see if you agree.
    8 people found this helpful
    Report
  • Reviewed in the United States on May 28, 2014
    i know the music and the label yet unfortunately, the last two copies of this title which i have purchased have arrived blank. please check with the seller and have them check the cd before they send it.
    i can't give this music any less than 5 stars. just beware that you don't get a blank.
  • Reviewed in the United States on May 13, 2015
    We will contact MOM (The Old Masters for 105) old as this CD does not play. But we love this music, but if only the CD would work. We have tried in on three difference CD Players.
  • Reviewed in the United States on October 10, 2021
    Great had-to-get CD...
    I absolutely enjoyed the Music..
    Thank you!
  • Reviewed in the United States on December 12, 2016
    excellent musicianship and vocal work .. tracks are from 1928-1933 .. excellent representations of the period's music and accurate charleston-like vibe
  • Reviewed in the United States on March 16, 2012
    Wow! Love this CD! Great old tunes that make you feel like you've step back in time. I highly recommend this if you are a fan of 1930's music.
  • Reviewed in the United States on January 31, 2017
  • Reviewed in the United States on March 31, 2010
    Bert Lown might ring a bell as the co-author of Bye Bye Blues, but he was also the leader of what must surely be one of the greatest hotel bands of the early thirties, on both sides of the Atlantic. The band has a wonderful drive, thanks mainly to the very well recorded guitar of Tommy Felline, while the sax section is punched along and given considerable depth by Adrian Rollini's prominently featured bass sax (he is not used as the bass: there is also a brass bass in the rhythm section). Rollini also plays vibraphone in some places. Arrangements (by pianist Chauncy Gray) are usually well crafted and imaginative, with many a solo break for Rollini, trumpeter Frank Cush and trombonist Al Philburn (whose languid solo, underpinned by Felline's delicate guitar weavings, is the highlight of Bye Bye Blues). Vocals are mainly taken by a honey-voiced trio, consisting a.o. of Elmer Feldkamp (later to go with Freddy Martin). Whilst this is not a jazz band, the music is certainly more jazz inflected than that of most other hotel bands of the day. The bulk of the recordings stems from 1930-1931, with the last three from 1933 (when Lown's Biltmore contract had already ended). Afterwards Lown seems to have drifted into managing bands rather than leading them. From the band's 86 issued sides, this is a most pleasing selection, given the usual care and attention by TOM: informative liner notes and discographical info, combined with excellent audio restoration. Highly recommended to all who love this kind of pre-swing hot dance music.
    2 people found this helpful
    Report

Top reviews from other countries

  • Joost Kiefte
    5.0 out of 5 stars You're Simply Delish!
    Reviewed in the United Kingdom on March 30, 2010
    Bert Lown might ring a bell as the co-author of Bye Bye Blues, but he was also the leader of what must surely be one of the greatest hotel bands of the early thirties, on both sides of the Atlantic. The band has a wonderful drive, thanks mainly to the very well recorded guitar of Tommy Felline, while the sax section is punched along and given considerable depth by Adrian Rollini's prominently featured bass sax (he is not used as the bass: there is also a brass bass in the rhythm section). Rollini also plays vibraphone in some places. Arrangements (by pianist Chauncy Gray) are usually well crafted and imaginative, with many a solo break for Rollini, trumpeter Frank Cush and trombonist Al Philburn (whose languid solo, underpinned by Felline's delicate guitar weavings, is the highlight of Bye Bye Blues). Vocals are mainly taken by a honey-voiced trio, consisting a.o. of Elmer Feldkamp (later to go with Freddy Martin). Whilst this is not a jazz band, the music is certainly more jazz inflected than that of most other hotel bands of the day. The bulk of the recordings stems from 1930-1931, with the last three from 1933 (when Lown's Biltmore contract had already ended). Afterwards Lown seems to have drifted into managing bands rather than leading them. From the band's 86 issued sides, this is a most pleasing selection, given the usual care and attention by TOM: informative liner notes and discographical info, combined with excellent audio restoration. Highly recommended to all who love this kind of pre-swing hot dance music.