- Series: Edwin O. Reischauer Lectures
- Paperback: 265 pages
- Publisher: Harvard University Press (November 30, 2002)
- Language: English
- ISBN-10: 0674009673
- ISBN-13: 978-0674009677
- Product Dimensions: 10.9 x 8.2 x 0.6 inches
- Shipping Weight: 2.4 pounds
- Average Customer Review: 2 customer reviews
- Amazon Best Sellers Rank: #3,191,692 in Books (See Top 100 in Books)
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The Lyric Journey: Poetic Painting in China and Japan (Edwin O. Reischauer Lectures) Paperback – November 30, 2002
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[Cahill] disturbs common assumptions and establishes unexpected connections in painting history, directs attention to unjustly neglected works and raises numerous issues well worth debating.
--Tony Howes (China Review)
This generously illustrated book has all the appurtenances required by scholars, taking its place in the thousand year, Oriental tradition of study and debate about the meaning, style and social role of painting. Yet its agreeable prose, based on the author's lectures, reflects his interest in reaching the general reader. That's fortunate, since Cahill's comparison of Japanese and Chinese painting holds plenty of lessons for Westerners unfamiliar with Asian arts. (Times Picayune)
From the Back Cover
Poetic paintings - works done in response to lyric poems, or else as pictorial equivalents to them - compose a major category of East Asian art. In this beautifully illustrated book James Cahill looks at three exemplary traditions in this genre, works from three very different times and places, bringing new understanding of the paintings and of the relationship between the art and the societies that produced it. Creating paintings with poetic resonances, sometimes with ties to specific lines of poetry, is a practice that began in China in the eleventh century, the Northern Sung period. Cahill vividly surveys its first great flowering among artists working in the Southern Sung capital of Hangchou, probably the largest and certainly the richest city on earth in this era. He shows us the revival of poetic painting by late Ming artists working in the prosperous city of Suchou. And we learn how artists in Edo-period Japan, notably the eighteenth-century Nanga masters and the painter and haiku poet Yosa Buson, transformed the style into a uniquely Japanese vehicle of expression. In all cases, Cahill shows, poetic painting flourished in crowded urban environments, it accompanied an outpouring of poetry celebrating the pastoral, escape from the city, immersion in nature. An ideal of the return to a life close to nature - the "lyric journey" - underlies many of the finest, most moving paintings of China and Japan, and offers a key for understanding them. --This text refers to the Hardcover edition.
Top customer reviews
I especially enjoyed his argument that establishes a difference between realistic painting and poetic painting.
Another lecture introduces the charming Japanese artist, Yosa Buson.