Big Book Like Many of Tezuka's genious.
This may be, one of the greatest peices of literature with art of the era, I have read. Its long, deep and smart. It was written with a direction and its a trek to the end at glance (its an omnibus,most are big ie:Tomie) but the journey of the things you will see and read i. Chapter one alone will confuse you and disorent you. Some people might be sensitive to the material I'm not like that at all but its graphic, in a Mr. Magoo kind of way at times almost adding an element new readers to this kind of work will either hate or enjoy. Ito does very good realistic work, for reasons Osamu goes middle ground;less so in this than earlier work, Human Insect's.
Came damaged to hell, i fixed it rebound it with PVA Ph and hard work. Took 45min, I have the hardcover in Japanese but this reviews for English ver.
If anyone wants to know how to say the title. In Japan, it sounds like 'Moo' or "mu" I have heard said in New York.
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MW Hardcover – October 30, 2007
by
Osamu Tezuka
(Author),
Camellia Nieh
(Translator)
|
Osamu Tezuka
(Author)
Find all the books, read about the author, and more.
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Print length584 pages
-
LanguageEnglish
-
PublisherVertical
-
Publication dateOctober 30, 2007
-
Reading age16 years and up
-
Dimensions6.48 x 1.82 x 8.23 inches
-
ISBN-101932234837
-
ISBN-13978-1932234831
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Editorial Reviews
Review
"Verdict - 9.6
A diabolically epic story.
+ An anti-hero you can't take your eyes off of.
+ Osamu Tezuka. (Need we say more?)
- Possibly Tezuka's bleakest work yet." - Anime media network.
"Created during the period of 1976-1978 MW is a shocker, especially for it's time, both in terms of the potential for terrorism and the phsychological effects on the reader, who, in some cultures, might not easily adapt to this nature of storytelling (for example, what would Hollywood do with this plot?)" - www.anime.com
"MW is a story that will make you think, and will probably make you unhappy about a segment of mankind, and will thrill you in ways that feel uncomfortable. It’s a major graphic novel by a major creator, grappling with the nature of evil in a way that superhero comics only wish they could. And it’s presented in a form nearly transparent to Western readers. From what I’ve seen, Tezuka’s dark works of the ‘60s and ‘70s are easily his best, and MW is right up there." - ComicMix
"The author shrewdly reveals through these characters the vulnerability of human beings and the concept of latent "original sin" that lurks inside us." - Brian Cirulnick
A diabolically epic story.
+ An anti-hero you can't take your eyes off of.
+ Osamu Tezuka. (Need we say more?)
- Possibly Tezuka's bleakest work yet." - Anime media network.
"Created during the period of 1976-1978 MW is a shocker, especially for it's time, both in terms of the potential for terrorism and the phsychological effects on the reader, who, in some cultures, might not easily adapt to this nature of storytelling (for example, what would Hollywood do with this plot?)" - www.anime.com
"MW is a story that will make you think, and will probably make you unhappy about a segment of mankind, and will thrill you in ways that feel uncomfortable. It’s a major graphic novel by a major creator, grappling with the nature of evil in a way that superhero comics only wish they could. And it’s presented in a form nearly transparent to Western readers. From what I’ve seen, Tezuka’s dark works of the ‘60s and ‘70s are easily his best, and MW is right up there." - ComicMix
"The author shrewdly reveals through these characters the vulnerability of human beings and the concept of latent "original sin" that lurks inside us." - Brian Cirulnick
About the Author
Osamu Tezuka ( 1928-89) is the godfather of Japanese manga comics. He originally intended to become a doctor and earned his degree before turning to what was still then considered a frivolous medium. His man early masterpieces include the series known in the U.S. a Astro Boy. With his sweeping vision, deftly intertwined plots, and indefatigable commitment to human dignity, Tezuka elevated manga to an art form. Other works available from Vertical include Apollo's Song, Ode to Kirihito and the eight-volume epic Buddha, winner of the Eisner and Harvey awards.
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Product details
- Publisher : Vertical; First American Edition (October 30, 2007)
- Language : English
- Hardcover : 584 pages
- ISBN-10 : 1932234837
- ISBN-13 : 978-1932234831
- Reading age : 16 years and up
- Item Weight : 1.94 pounds
- Dimensions : 6.48 x 1.82 x 8.23 inches
-
Best Sellers Rank:
#710,938 in Books (See Top 100 in Books)
- #1,863 in Mystery Manga (Books)
- #111,299 in Science Fiction & Fantasy (Books)
- Customer Reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
153 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
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5.0 out of 5 stars
Must read. Even if Manga/Graphic Novels aren't your thing this is a full fledge omnibus
Reviewed in the United States on January 21, 2020Verified Purchase
5.0 out of 5 stars
Must read. Even if Manga/Graphic Novels aren't your thing this is a full fledge omnibus
By Kojima on January 21, 2020
Big Book Like Many of Tezuka's genious.By Kojima on January 21, 2020
This may be, one of the greatest peices of literature with art of the era, I have read. Its long, deep and smart. It was written with a direction and its a trek to the end at glance (its an omnibus,most are big ie:Tomie) but the journey of the things you will see and read i. Chapter one alone will confuse you and disorent you. Some people might be sensitive to the material I'm not like that at all but its graphic, in a Mr. Magoo kind of way at times almost adding an element new readers to this kind of work will either hate or enjoy. Ito does very good realistic work, for reasons Osamu goes middle ground;less so in this than earlier work, Human Insect's.
Came damaged to hell, i fixed it rebound it with PVA Ph and hard work. Took 45min, I have the hardcover in Japanese but this reviews for English ver.
If anyone wants to know how to say the title. In Japan, it sounds like 'Moo' or "mu" I have heard said in New York.
Images in this review
8 people found this helpful
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Reviewed in the United States on March 8, 2019
Verified Purchase
This is a narrative that explores queer fiction and identity. It also engages in Vietnam War era politics. What sounds like a strange combination for a graphic novel actually holds itself together. The ending you never saw coming. I am being intentionally vague about the story because it is so good! Better if you go in blind. This is not for kids! You won't believe that this came from the same creator who made Astro Boy and Kimba, the White Lion
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Reviewed in the United States on October 30, 2007
What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him.
Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody.
There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock.
The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."
Verified Purchase
This is the story of the two survivors of an "accident." In the early `60s, the United States stashed away on a tiny Japanese island, with Japanese cooperation, of course, some deadly gas (Tezuka calls it "MW,"--hence the title)--we really did---but in Tezuka's manga some leaks out, killing all 800 inhabitants of the island. The survivors, Iwao Garai, 15, and Michio Yuki, 9, are protected from the gas because they are sheltered in a cave. When they come out the next morning, it is to an island of the dead: men, women, children, birds and beasts--every sentient being. The gekiga (a manga for adults, which MW is, in spades) tells us about the rest of their lives, (almost...) beginning 15 years later. We find out about the events on the island in flashbacks.
What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him.
Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody.
There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock.
The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."
What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him.
Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody.
There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock.
The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."
5.0 out of 5 stars
"Astro Boy" it ain't...or "Black Jack"...or even "Ode to Kirihito."
By Julie Vognar on October 30, 2007
This is the story of the two survivors of an "accident." In the early `60s, the United States stashed away on a tiny Japanese island, with Japanese cooperation, of course, some deadly gas (Tezuka calls it "MW,"--hence the title)--we really did---but in Tezuka's manga some leaks out, killing all 800 inhabitants of the island. The survivors, Iwao Garai, 15, and Michio Yuki, 9, are protected from the gas because they are sheltered in a cave. When they come out the next morning, it is to an island of the dead: men, women, children, birds and beasts--every sentient being. The gekiga (a manga for adults, which MW is, in spades) tells us about the rest of their lives, (almost...) beginning 15 years later. We find out about the events on the island in flashbacks.By Julie Vognar on October 30, 2007
What happened to the rest of the gas? (The cover-up has of course been enormous.) And what will Garai and Yuki (now, respectively, a Catholic priest and a loan executive at a Tokyo bank) do about it? Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing him of every speck o conscience, so that he takes great joy in using, kidnapping, torturing and killing people. We find out his reason--just as insane as the acts themselves--in the second third of the manga. Yuki always confesses his crimes to Father Garai, who--and we don't understand why, at first-- never tells on him.
Yuki and Garai have (since when?) an uneasy homosexual relationship (Yuki is Tezuka's only true homosexual main character). It's very hard to hate our arch-villain Yuki: he's cute as a button , very smart, has a great sense of humor, and really loves Garai (although he loves nobody else on earth). Garai--until the second part of the manga, when he begins to develop a backbone--is a rather poor creature, although he's a big, handsome fellow, not being able to honestly follow any part of his heart. But it must be difficult to be in love with God and a sociopath at the same time. He lies to his father confessor, the police, Yuki, and himself. Of course Yuki lies to evrybody.
There are many fascinating characters in this manga: the reporter to whom Garai finally tells the story of the island, the public prosecuto0r, who has a face like a misshapen dinner plate, but whose brain is in fine order, Yuki's brother, an onnagata (a man who plays women's parts in Kabuki theater), who looks as much like Yuki as the second pea in a pod. Mistaken identity is common in Kabuki; it occurs here too. Some of Tezuka's best drawing is here--the faces of the dead in the reporter's article, Yuki's disquisition on...Garai's day. There is all you could wish for of political corruption, self-sacrifice, ugly violence, sadness, humor, anger, and occasional very kinky sex (which I have not mentioned). The ending is worthy of the darkest Hitchcock.
The translation (from the French I read) is occasionally disappointing, The French is softer in tone, but--is the French, or the English closer to the original Japanese? I don't know. Sometimes the drawing is too stark. (It'a 30 years since the serialization....what are we looking at?) Perhaps ....an "18+"would be more appropriate than a "l6+" as a rating. The sex is not explicit, nor is the plot just an excuse for it, but a few scenes would be shocking to some, and there is the occasional use of the right word in the wrong place at the wrong time (being used to American films, this really surprised me). I wouldn't want to keep anyone from reading it, but more conservative human beings might see the equivalent of an "X"-----and think, "I think I'll sit this one out."
Images in this review
37 people found this helpful
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Reviewed in the United States on July 14, 2008
Verified Purchase
MW is the third single-volume "adult" Tezuka manga to be published in the US by Vertical Inc. Fans of those previous volumes-- Ode to Kirohito and Apollo's Song-- will definitely enjoy MW. It's a lurid thriller with serious undertones, sex and violence in Tezuka's cartoony style and the same astounding command of the comics medium that Tezuka makes seem effortless.
The harder question is whether general readers-- readers of novels who enjoy the intelligent graphic novel here and there (like Persepolis, Watchmen, MAUS, etc)-- should check out MW. I remember reading Tezuka's Adolf back in the early 90s when it was released by Viz and was seriously taken aback by Tezuka's odd combination of a cartoony style and casual sex and violence, his weird blend of serious subject matter and slap-dash storytelling. It's something you just have to accept with Tezuka, but once you get used to it, you can appreciate the many wonders in Tezuka's serious works: their originality, their commitment to entertainment, even titillation, and, as mentioned already, his superhuman command of the comic book form.
Just like an old Disney film, there's a suspension of disbelief, an acceptance of the rules he plays by, but once you get past those, each of Tezuka's serious works is as jam-packed with originality, action, characters, and ideas as the greatest Disney classic.
The harder question is whether general readers-- readers of novels who enjoy the intelligent graphic novel here and there (like Persepolis, Watchmen, MAUS, etc)-- should check out MW. I remember reading Tezuka's Adolf back in the early 90s when it was released by Viz and was seriously taken aback by Tezuka's odd combination of a cartoony style and casual sex and violence, his weird blend of serious subject matter and slap-dash storytelling. It's something you just have to accept with Tezuka, but once you get used to it, you can appreciate the many wonders in Tezuka's serious works: their originality, their commitment to entertainment, even titillation, and, as mentioned already, his superhuman command of the comic book form.
Just like an old Disney film, there's a suspension of disbelief, an acceptance of the rules he plays by, but once you get past those, each of Tezuka's serious works is as jam-packed with originality, action, characters, and ideas as the greatest Disney classic.
5 people found this helpful
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Reviewed in the United States on April 13, 2020
Verified Purchase
I would've given it 5 stars but I personally wanted the ending to be different. I won't say what. It's a long story and I'm the end everything begins to speed up way to quickly. Felt rushed. However I loved it! It was a really good story and If you liked death note check this out. I do like death note more but this one is still pretty good. Something to pass time :). I would recommend it to people who like serial killers stuff. I glad out teacher made us read this :)
Reviewed in the United States on May 30, 2017
Verified Purchase
Great manga, really interesting story, given the time it was written in it's nice how blatant Tezuka was with his characters sexuality. Even these days you won't always find comics willing to say and show so much.
Knocked off one star because the publisher flipped the pages so it would read like a western book and that effects placement of speech bubbles, making some conversations hard to follow, and the general flow of the action. Would be 5 stars with a corrected printing cause honestly, that's the only downside to this book.
Knocked off one star because the publisher flipped the pages so it would read like a western book and that effects placement of speech bubbles, making some conversations hard to follow, and the general flow of the action. Would be 5 stars with a corrected printing cause honestly, that's the only downside to this book.
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Top reviews from other countries
Keris Nine
4.0 out of 5 stars
Dark, mature Tezuka
Reviewed in the United Kingdom on October 8, 2009Verified Purchase
Not only is Osamu Tezuka's 1976 graphic novel MW a remarkably different kind of story from the Japanese master of comics, but challenging his country's political infrastructure, the corruption behind election string-pulling, the government connections with rich and influential businessmen and the thorny question of US involvement in Japan, it's a daring and challenging work of great relevance.
More than that, Tezuka explores the human, or perhaps more accurately, the inhuman impulses that lie behind such actions. At the centre of the story is an unusual love affair between a priest, Father Garai, and a morally corrupt young man, Yuki. The two of them have in the past survived the accidental release of a deadly experimental virus called MW that wiped out the entire population of a small Japanese island. Only a child at the time, the experience and exposure to a smaller dose of the virus has however has deeply affected Yuki, the effeminate young man now a quite dangerous and ruthless kidnapper and murderer. His actions seem random, striking out at authority but also showing up in cruel behaviour towards Father Garai and anyone who comes into close contact with him, but they all have a connection to what happened 16 years ago on that small island.
As well as the interesting questions that Tezuka raises in regard to US wartime actions, their influence in Japan and their impact on the psychology of the individual (are the actions of Yuki any less harmful to society than what has been perpetrated by the respective governments?) - Tezuka's layouts and artwork techniques as always remain fascinating, the writer-artist's style still cartoony, but finding other appropriate means in the line work and the arrangements to express the dark elements that underlie the story.
More than that, Tezuka explores the human, or perhaps more accurately, the inhuman impulses that lie behind such actions. At the centre of the story is an unusual love affair between a priest, Father Garai, and a morally corrupt young man, Yuki. The two of them have in the past survived the accidental release of a deadly experimental virus called MW that wiped out the entire population of a small Japanese island. Only a child at the time, the experience and exposure to a smaller dose of the virus has however has deeply affected Yuki, the effeminate young man now a quite dangerous and ruthless kidnapper and murderer. His actions seem random, striking out at authority but also showing up in cruel behaviour towards Father Garai and anyone who comes into close contact with him, but they all have a connection to what happened 16 years ago on that small island.
As well as the interesting questions that Tezuka raises in regard to US wartime actions, their influence in Japan and their impact on the psychology of the individual (are the actions of Yuki any less harmful to society than what has been perpetrated by the respective governments?) - Tezuka's layouts and artwork techniques as always remain fascinating, the writer-artist's style still cartoony, but finding other appropriate means in the line work and the arrangements to express the dark elements that underlie the story.
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ross brocklesby
5.0 out of 5 stars
A Great Read!
Reviewed in the United Kingdom on August 1, 2011Verified Purchase
Osamu Tezuke' darkest work, very dark and sometimes explicit not for the easily offended. Awsome characters and the story is truly one of a kind! Youd be mad not to pick this up. My only dissapointment is that its not in the original japanese format of ready right to left but some may see that as a positive as it is easier to read if you arnt familiar with the proper way to read japanese graphic novels. 5* book though so buy it!
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Henry Wood
5.0 out of 5 stars
Know what you're getting into..
Reviewed in the United Kingdom on June 12, 2015Verified Purchase
A great, yet massively disturbing read.
This is the most anti-tezuka manga I've ever read, despite still being written by the God himself.. I is a very unique read, and not for the faint of heart, with rape, abuse, killing of children and more than friendly relations with a dog.
This is the most anti-tezuka manga I've ever read, despite still being written by the God himself.. I is a very unique read, and not for the faint of heart, with rape, abuse, killing of children and more than friendly relations with a dog.
Maria N.
4.0 out of 5 stars
Worth checking out, although the release is not perfect.
Reviewed in the United Kingdom on November 18, 2019Verified Purchase
For whatever reasons VERTICAL decided to release this manga in @western style@, so you must read it from left to right, instead of from left to right.
Amazon Customer
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on September 12, 2017Verified Purchase
TEzuka books are all worth owning
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