LA Weekly calls MYTHTYM one of the art books of the year. Trinie Dalton has long made popular zines on variety of subjects. She brings together artists, musicians, critics, novelists and cartoonists in one gorgeous stew. MYTHTYM compiles the best work from her previous zines on Werewolves, mythical beings, and the natural world. But best of
all, this volume includes an entirely new, 100-page body of work on the theme of mirrors. This new section will investigate the mirror as a symbolic object in horror stories. The metaphorical mirror within the scope of mental illnesses such as schizophrenia. The metaphysical implications of mirroring, especially in the ancient world of alchemy. Reflective surfaces. Disco. The mirror's role in psychedelic, symmetrical art. The first mirrors to emerge in primitive cultures, and the roles they played in early mythologies. Mirrors as scrying tools. It
can branch out from there, into light, rainbows, death, vampirism, magic. Not restricted legally to mirrors by any means. In fact if it were all about mirrors that would be too many mirrors.
Contributors include: Aurel Schmidt, Folkert De Jong, Takeshi Murata, Jim Drain, Andrew Leland, Aura Rosenberg, Sue De Beer, Leif Goldberg, Matt Greene, Francine Spiegel, Derek McCormack, Jesse Bransford, Shamim Momin, Amy Gerstler, assume vivid astro focus, David Altmejd, Sammy Harkham, Rachel Kushner, Marnie Weber, Bjorn Copeland, Paper Rad.
About her zines, Trinie Dalton has said: "I don't want my books to be cliquish, but at the same time I don't see them as communal free-for-alls. Of course, many people I invite to participate are my friends, and are friends with each other, but I deliberately include not
only established artists and writers but also young people who are relatively unknown in their field. The idea of introducing and contextualizing artists by hanging their art on the same wall is a fundamental one in the art world. To me, my zines are literary/art/music
history anthologies, following the group-show or salon style. They're like parties on paper, and I want to be an exquisite host." --Los Angeles Weekly
LA Weekly calls MYTHTYM one of the art books of the year. Trinie Dalton has long made popular zines on variety of subjects. She brings together artists, musicians, critics, novelists and cartoonists in one gorgeous stew. MYTHTYM compiles the best work from her previous zines on Werewolves, mythical beings, and the natural world. But best of all, this volume includes an entirely new, 100-page body of work on the theme of mirrors. This new section will investigate the mirror as a symbolic object in horror stories. The metaphorical mirror within the scope of mental illnesses such as schizophrenia. The metaphysical implications of mirroring, especially in the ancient world of alchemy. Reflective surfaces. Disco. The mirror's role in psychedelic, symmetrical art. The first mirrors to emerge in primitive cultures, and the roles they played in early mythologies. Mirrors as scrying tools. It can branch out from there, into light, rainbows, death, vampirism, magic. Not restricted legally to mirrors by any means. In fact if it were all about mirrors that would be too many mirrors. Contributors include: Aurel Schmidt, Folkert De Jong, Takeshi Murata, Jim Drain, Andrew Leland, Aura Rosenberg, Sue De Beer, Leif Goldberg, Matt Greene, Francine Spiegel, Derek McCormack, Jesse Bransford, Shamim Momin, Amy Gerstler, assume vivid astro focus, David Altmejd, Sammy Harkham, Rachel Kushner, Marnie Weber, Bjorn Copeland, Paper Rad. About her zines, Trinie Dalton has said: "I don't want my books to be cliquish, but at the same time I don't see them as communal free-for-alls. Of course, many people I invite to participate are my friends, and are friends with each other, but I deliberately include not only established artists and writers but also young people who are relatively unknown in their field. The idea of introducing and contextualizing artists by hanging their art on the same wall is a fundamental one in the art world. To me, my zines are literary/art/music history anthologies, following the group-show or salon style. They're like parties on paper, and I want to be an exquisite host." --Los Angeles Weekly
