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Macbeth (Collector's Library) Main Market Ed. Edition

4.4 out of 5 stars 653 customer reviews
ISBN-13: 978-1905716791
ISBN-10: 1905716796
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Frequently Bought Together

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Total price: $33.94
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Editorial Reviews

From School Library Journal

Grade 7 Up–Each book includes a brief introduction to the play, followed by an illustrated cast of characters and a glossary of literary terms. Annotated text from the play alternates with black-and-white illustrations of selected scenes, in the style of a graphic novel. It is unclear why the editors did not make these true graphic novels throughout. The black-and-white comic art is undistinguished, and as most of it simply depicts two characters in conversation, it does little to clarify what is going on. The first two plays in particular offer marvelous possibilities for the illustrator, so the ho-hum comics are disappointing. Think about it boxes contain study questions such as, What has worried Macbeth? and boxed Literary terms give examples like, ‘Hermia...Hermia...Helena...' is...alliteration. Teacher's guides accompany the books. Those interested in a graphic-novel interpretation might want to consider Arthur Byron Cover's Macbeth (Puffin, 2005), which is illustrated in manga style and would probably appeal more to reluctant readers. These titles might be useful for teaching Shakespeare to reluctant readers, but a better choice might be a simple annotated Shakespeare such as a Sparknotes No Fear Shakespeare series (Spark), supplemented by Bruce Coville's William Shakespeare's Romeo and Juliet (1999) and William Shakespeare's Twelfth Night (2003, both Penguin), which are picture-book prose adaptations, or Adam McKeown's Romeo and Juliet: Young Reader's Shakespeare (Sterling, 2004).–Kathleen E. Gruver, Burlington County Library, Westampton, NJ
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

"I "highly recommend" Campfire's comics. They do what they are intended to do and do it in a way that excites kids about classic literature."-- Chris Wilson, The Graphic Classroom (a resource for teachers and librarians) --This text refers to an out of print or unavailable edition of this title.
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The latest book club pick from Oprah
"The Underground Railroad" by Colson Whitehead is a magnificent novel chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. See more

Product Details

  • Series: Collector's Library
  • Hardcover: 149 pages
  • Publisher: Collector's Library; Main Market Ed. edition (September 1, 2011)
  • Language: English
  • ISBN-10: 1905716796
  • ISBN-13: 978-1905716791
  • Product Dimensions: 0.5 x 4 x 9.2 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (653 customer reviews)
  • Amazon Best Sellers Rank: #1,256,847 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By David E. Levine on April 12, 2005
Format: Paperback
I consider myself to be a reasonably literate individual but, I have always avoided Shakespeare since I cannot make sense of the text. But now, I have fianally read Macbeth because, with "No Fear Shakespeare," each left hand page is written in the original whereas the right hand page is a plain English translation. So now I know, that when a porter says "it makes him stand to and not stand to," he is not referring about someone standing up on his feet. Instead, it means that alcoholic drinks make a man have an erection but then, lose the erection. How true is that and how cool is it to be able to understand that? Seriously, Macbeth is a great tale of ambition, deception and conscience. Thanks to this innovative book, I was able to read the original, then, after reading each page, I referred to the translation so I could understand. It was fun to read lines in the original, try to work out what I thought it meant and then check whether I was right. I recommend this as a way finally read and appreciate Macbeth.
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By A Customer on March 28, 2004
Format: Paperback
I won't even attempt to critique Shakespeare's work, as some have done here. I'm not reviewing MacBeth, but this particular version of it. As a homeschooling Mom with three highschool students, the only way we could get through Shakespeare's works is by having a copy of Shakespeare Made Easy on hand. As it is, we completed 5 plays this year - all done orally, with each of us taking several parts. While I think it's important that my kids read Shakespeare in it's original format (and they did), I had the Shakespeare Made Easy translation handy so that I could give simple, concise explanations whenever they just didn't "get it". I recommend these books for that purpose - not for the watered down versions of these classics, but to make them understandable to the average student who might otherwise find Shakespeare's works boring and a waste of time (as many students do).
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By D. Durkee on October 24, 2005
Format: Audio CD
I've been playing this in a regular senior English class. Many of the students are finally understanding the play. The actors in this cd do a wonderful job interpreting their lines. The Scottish accents are well done. Sound effects make it vivid. It's the best production I've found to date.
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Format: Paperback
Virtually all editions of Macbeth will have at least some annotations. Rummaging through five different editions, I preferred this Yale University Press version, edited by Burton Raffel, as having the most comprehensive and comprehensible notes, as well as an excellent introduction to Shakespeare's play. Raffel not only explains the meanings of obscure words, but also gives brief notes pertaining to relevant history, geography, stage directions, etc, that are rarely addressed as fully by other editors. In addition, Raffel frequently gives the proper way to stress the syllables in a line when reading it aloud, which can be extremely helpful. (However, in most places these stresses need to be very subtle, so that you don't sound like "taDUM taDUM taDUM".) And Yale's page layout is among the clearest that I've seen.

As a bonus, this edition includes at the back a long essay on the play by Harold Bloom. This is not an uninteresting commentary, but Bloom desperately needs a good editor. His essay is not only at least three times longer than it should be, but is startlingly repetitious. Yale would have been wise to have asked Bloom for a rewrite.
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Format: Audio CD
This series is wonderful if you are a teacher. It really helps students to hear how Shakespeare's words are supposed to flow when spoken by classically trained actors. Students snicker a bit at first when they hear the Scottish accents, but they get used to them quickly and the quality of the recording is excellent. The cheesy music in between acts is irritating, but you learn to ignore it. A fun bit of trivia is that the porter scene is acted by David Tennant who most people know as the current Dr. Who! It's also a treat to be able to listen to Macbeth in my car. Shakespeare makes rush-hour almost tolerable.
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Format: Paperback
Macbeth has always been one of Shakespeare's most popular plays. It is vivid, has blood & murder, magic, visions, treachery, and just deserts. I mean, what is not to love? The play moves along quickly and isn't one of the longer plays. For all these reasons and more, audiences love it.

But there is a lot more to the play than the plot outline might suggest. Shakespeare brilliantly works out the subtleties of character through the action, interactions, and self-discussions in the play. It isn't a simple "action" play, it is also a masterwork of revealing the character of the characters even when they are themselves unaware of the trap they are leaping into.

I am partial to the Arden editions because I trust the text, love the extensive notes, and the introductory and additional material that helps give the play context and talks about sources Shakespeare almost certainly used. In this case Holinshed's "Chronicles of Scotland". Throughout this edition there are also discussions of the textural problems of this play: where some things seem to be missing, what might be interpolations, and so forth.

This is a very useful edition of a great play.
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