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Machine of Death: A collection of stories about people who know how they will die Paperback – October 13, 2010
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- Print length464 pages
- LanguageEnglish
- Publication dateOctober 13, 2010
- Dimensions6 x 1.05 x 9 inches
- ISBN-100982167121
- ISBN-13978-0982167120
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Review
But where this collection could have merely skated by on its own cleverness, it turns out to be a lot deeper than that. A lot more intelligent. A lot less predictable... -- Hannah Strom-Martin, Strange Horizons
About the Author
Matthew Bennardo has lived in Cleveland for the past twenty years. His stories have previously been published in Asimov's Science Fiction and Strange Horizons, among other markets.
David Malki ! is the author of the Eisner-, Harvey- and Ignatz-nominated comic strip "Wondermark." His latest collection is Dapper Caps & Pedal-Copters, published by Dark Horse Books. He lives in Los Angeles and he likes to fly airplanes. Read his comics at Wondermark.com.
Randall Munroe, a cartoonist from southern Virginia, is the creator of the webcomic "xkcd" (xkcd.com), one of the most popular comics on the Internet. Formerly a roboticist at NASA, he now makes a living writing comics. He spends his time drawing, traveling, and training computers to beat humans at Rock-Paper-Scissors. He lives in Massachusetts.
Kate Beaton draws men in fancy hats for a living. On an exciting day she'll draw a character with epaulets. Visit her at Harkavagrant.com.
Product details
- Publisher : Bearstache Books; First Edition (October 13, 2010)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 0982167121
- ISBN-13 : 978-0982167120
- Item Weight : 1.32 pounds
- Dimensions : 6 x 1.05 x 9 inches
- Best Sellers Rank: #890,736 in Books (See Top 100 in Books)
- #2,423 in Science Fiction Anthologies (Books)
- #9,068 in Short Stories Anthologies
- Customer Reviews:
About the authors

James L. Sutter is a co-creator of the Pathfinder and Starfinder Roleplaying Games. He’s the author of the young adult romance novel Darkhearts, as well as the fantasy novels Death's Heretic and The Redemption Engine. His short stories have appeared in such venues as Nightmare, The Magazine of Fantasy & Science Fiction, and the #1 Amazon best-seller Machine of Death. He’s also written comic books, video games, a wealth of tabletop gaming material, and essays for publications like Clarkesworld and Lightspeed: Queers Destroy Science Fiction.
James lives in Seattle, where he's performed with with musical acts ranging from metalcore to musical theater. For more information, please visit www.jameslsutter.com.

Ryan North is the (New York Times bestselling, Eisner-award winning) creator of Dinosaur Comics, the co-editor of the Machine of Death series, and the author of both "To Be or Not To Be" and "Romeo and/or Juliet": the choose-your-own-path versions of Shakespeare's plays. He also wrote "The Unbeatable Squirrel Girl" for Marvel Comics, who you might know from their movies about an iron man. His non-fiction work includes "How To Invent Everything: A Survival Guide for the Stranded Time Traveller" and the upcoming "How to Take Over the World".
He lives in Toronto, Canada with his wife Jenn and his dog Noam Chompsky.

David Malki ! is the creator and author of the comic strip "Wondermark", a unique gag strip created entirely from Victorian-era woodcuts. Formerly a professional movie-trailer editor, Malki now spends his days making Wondermark comics and clever spinoff items, as well as serving as the Supreme Commander of Publicity & Promotions for TopatoCo, at least the world's third-largest publisher of licensed webcomics merchandise.

Matthew Bennardo lives in Kent, Ohio.
He is co-editor and co-publisher of MACHINE OF DEATH: A COLLECTION OF STORIES ABOUT PEOPLE WHO KNOW HOW THEY WILL DIE, which was ranked as one of Amazon's Top Ten Customer Favorites for 2010 in Science Fiction & Fantasy.
A sequel, called THIS IS HOW YOU DIE, was published by Grand Central Publishing in July 2013.
His short stories appear in ASIMOV'S SCIENCE FICTION, STRANGE HORIZONS, DAILY SCIENCE FICTION, LIGHTSPEED, SHIMMER, BENEATH CEASELESS SKIES, and others.

Discover more of the author’s books, see similar authors, read author blogs and more

Discover more of the author’s books, see similar authors, read author blogs and more

Discover more of the author’s books, see similar authors, read author blogs and more
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The premise for this collection of short stories was introduced back in 2005, in an installment of Ryan North's popular Dinosaur Comics. In it, he presents the following premise: there is a machine which, with only a small sample of your blood, can tell you how you will die. But there are no dates, no details, no explanations. Just a few words, and that's it. The Machine is never wrong, but it is annoyingly vague and has a decidedly un-machinelike love of irony. So you might get OLD AGE and think you were set, right? Not necessarily. You could be murdered by an octogenarian while trying to steal their TV. Or you might get PLANE CRASH and decide never to fly again. Fine, but that won't stop the single-engine Cessna from plowing into your house one fine spring afternoon. Pulled GUILLOTINE, did you? Hope you know to stay away from heavy metal concerts.
But it doesn't matter. The Machine, while perversely misleading at times, is never wrong, and like most prophets, its predictions often only make sense after the event has already happened.
With that premise, hundreds of writers across the internet set to work. How would this Machine affect people? How would it affect society or business or politics? Would we become slaves to its predictions, or simply shrug it off and live our lives as we did before, knowing that we were going to die someday anyway?
In "Flaming Marshmallow" by Camille Alexa, we see how the existence of the Machine has begun to shape youth culture. Carolyn is about to turn sixteen, the legal age at which one can be tested. A milestone equivalent with getting one's driver's license or being able to vote, kids monitor each other's fates with scrupulous detail. Your eventual manner of death brings you together with those of similar fates, and new cliques begin to form. Kids who are going to die violent deaths sit together in the lunch room, far away from the ones who get OLD AGE. The kids with DRUG OVERDOSE and fates like it all mill about with each other, and nobody talks to the ones who get SUICIDE. By finding out one's manner of death, a teenager gets what teenagers always want: a sense of belonging and inclusion. But will Carolyn's fate bring her closer to her fellow students or just leave her an outsider?
"After Many Years, Stops Breathing, While Asleep, With Smile On Face," by William Grallo, continues that idea out into the adult world. Ricky is dragged out on the town to a nightclub where people flaunt their deaths. They wear fake toe tags with MURDER or HEART ATTACK on them. Or, if they're feeling impish, NEVER, or BOREDOM. But while everyone else is mocking their deaths, Ricky is in the odd position of knowing that he's got a good end to his life. What he doesn't know is what will happen between now and then, or with whom he will share it.
David Malki ! explores the darker side of society's reactions in "Cancer." James is a young man whose father is dying of cancer. It's what the Machine had predicted, and it was all coming true. Despite the Machine's infallibility, however, his father was seeking out a cure, a way out from the fate that had been given to him. And he's not the only one - a new generation of hucksters and faith healers has sprung up, all claiming to be able to defy the predictions of The Machine. It gives James' father hope, but whether that hope is worth the price or not is something James is unsure of.
"Nothing," by Pelotard, is a touching tale of a young woman who discovers a family secret that never would have been revealed before the Machine was invented. "Despair," by K.M. Lawrence, is an examination of how paralyzed people might become by the ambiguity of the predictions, unable to act lest they inadvertently fulfill them. "Improperly Prepared Blowfish" by Gord Sellar is an entertaining moment of secrets and betrayal among a group of yakuza in Japan, and Ben "Yahtzee" Croshaw has some fun with the politics of Machine predictions by giving us a politician whose fate is to die from EXHAUSTION FROM HAVING SEX WITH A MINOR.
Some stories are funny, others are touching, but they all center around that most existential of questions: how do we live, knowing that we will die?
Without The Machine, we still know we're going to die. Every one of us has, somewhere in the back of our mind, that constant reminder that our lives are finite, that there is a limit to the amount of time we can spend on this earth. And, for the most part, we choose to ignore it. After all, if you spend your whole life obsessing over your own death, then you can't have much of a life, now can you? But add to that fundamental knowledge of finitude the extra awareness of the manner of your death. If you get CAR CRASH, what can you do with that knowledge? You know it's inevitable, that The Machine is never wrong, but you may still struggle with that fate. You may cut up your driver's license, move out to Amish country and vow never to be within striking distance of a car again. The entire course of your life will shift drastically, based on the two words printed on that card, but the end result will be the same: CAR CRASH. Knowing that, is it better to act on the knowledge you have gained, or to ignore it?
Even worse, sometimes the very act of finding out your fate leads you right to it. In "Suicide" by David Michael Wharton, characters learn about their deaths only moments before experiencing it. Had they not gone to get tested on The Machine - had they not gone to that machine - would they have avoided their fate? The Machine would say no, but you'd have to ask it first. The best expression of this paradox is contained in the book's shortest tale, "HIV Infection From Machine of Death Needle" by Brian Quinlan, wherein the very act of discovering your fate causes that fate to happen, whereas you would never have had it if you hadn't gone looking for it. It's kind of a mind trip, if you think about it.
What if you get something fairly straightforward, like CANCER, and you decide to, say, jump out of an airplane without a parachute? Will that even be possible, or will random events conspire to keep you safe until your proscribed end? And if you get SUICIDE, the one form of death you have absolute control over, do you fight against it or give in, knowing that nothing you do will change the outcome?
And what could this tell you about the future for everyone? In "Heat Death of the Universe," by Ramon Perez, teenagers who reach the legal testing age start getting NUCLEAR BOMB as their means of death. The government springs into action, testing, re-testing, and vowing to corral all these kids into one place. But if their deaths are inevitably by NUCLEAR BOMB, what does that mean? It means that whether they're all in one place or dispersed across the country, that is how they will die. Acting on the information doesn't change its outcome, only what the manner of that outcome will be.
Conversely, it might be impossible to predict anything from the predictions The Machine gives out. As was pointed out in the same story, the 3,000 victims of 9/11 probably wouldn't have all had TERRORISM printed on their little cards. They might have had FALLING or FIRE or PLANE CRASH - all true, but none of that would have helped anyone prevent that event. Even something as clear and unambiguous as GLOBAL THERMONUCLEAR WAR creates problems, as Cassandra finds out in the story of the same name by T. J. Radcliffe. If you tell people about this future, will they even believe you? Or will the actions they take to prevent it instead be what causes it to happen? There are no easy answers, at least not without electroshock.
It's a fascinating group of stories, illustrated by some of the internet's best artists - Adam Koford, Kevin McShane, Aaron Diaz, Kate Beaton, Christopher Hastings, and too many others to mention. It will do what all really good writing should do - make you think. As seductive as it sounds, knowing the means of your death is information that you really can do without. It is the end to your story, whether you know it or not, but everything until then is still up to you. While you may not have any choice over how you die, you still have plenty of control over how you live. You can live in fear or hope, make plans and take risks and hope for the best.
Just like we do now.
I'll leave you with a joke from Steven Wright, one that was running through my head as I read the book: My girlfriend asked me if I could know how and when I was going to die, would I want to know? I said, "No, not really." She said, "Okay, forget it, then."
Thank you, he'll be here all week.
-------------------------------------------------------
"What good is knowing the future if you can't do anything with the knowledge?"
Dad, from "Friendly Fire" by Douglas J. Lane
-------------------------------------------------------
The big question, of course, is, would you use the Machine of Death? Logically, as a literature major, I know that it is never a good idea to know the future, much less how you die. It always ends badly. On the other hand, how could you possibly, as a human being, restrain yourself from obtaining that kind of information? To be human is to open Pandora's Box, to climb Mount Everest, to eat of the Tree of Knowledge. The maddening thing is that, even as such information could totally ruin the rest of our life, it could very possibly be the best thing to happen to our life. It could be as freeing as it could be constricting. It could cripple us with fear, or release us completely from it.
Even worse, could the knowledge of how we die, like with every Greek hero ever, cause that death? In running from fate, would we run right into it? Would this be self-fulfilling prophecy? Would we be like Sleeping Beauty, in being protected from the spinning wheel, run to prick our fingers on it?
Would the very existence of the Machine, the very ability to have this knowledge ruin life, mortality, and death?
If you were the one to invent the Machine, could you release it on the world? Would you feel responsible for the outcome? For the deaths? Would you be a savior, or a monster?
Would knowing affect everything? Is this a question of fate and destiny, or of human psychology, the self-fulfilling prophecy? Do we fight against the dying of the light or do we accept fate and die with a whimper?
Furthermore, is the Machine accurate? If it spits out "JOY" or "SUICIDE" or "ALMOND", is the truth in the fate what the Machine meant, or does the human psyche make it so?
Then we get into the meta part of this. Isn't modern medical technology essentially Machines of Death? Do we have any ability to try to face or change fate? Can we?
Moreover (and here we get literary), does the manner in which we die reflect the way we live? Does the end of our story reflect the beginning and middle? Is our death, the end of our story, random or determined? Is it a reflection of who we are as people? Does our manner of death reflect our manner of life?
Furthermore, could humanity ever possibly live with such divine (or meta) knowledge as the ending of our own stories? Would it save our lives or destroy them? Make us worse or make us better? Could humanity ever cope with certitude? Is hope a curse or a blessing? Can humans ever be human without hope? Would we ever strive to know or fight or do without hope?
If we (both as a human character in this alternative world and as the reader of these stories) know the ending of the story (the death), how does it affect the reader, the writer, the characters? Oh, hell, do I love that double layer!
Because, death gives life. Death affects life.
My favorite stories: Suicide by David Michael Wharton, Almond by John Chernega, Starvation by M. Bennardo, Killed By Daniel by Julia Wainwright, Cocaine and Painkillers by Daivd Malki!, Loss of Blood by Jeff Stautz, and Miscarriage by James L. Sutter.
This collection is highly addicting, incredibly absorbing, comprehensive, clever, imaginative, thought-provoking, and utterly brilliant. Grade: A+
Several of the stories features a variation on the theme of the 2nd Law of Thermodynamics, while others were centered on specific causes of death and exploration of the many different meanings one can take away from specific words and phrases. Some stories were more oblique and interpretive - one based on the very deep and many-layered poem, "Not Waving, But Drowning" by the British poet Stevie Smith.
As with most anthologies, there were a few stories I didn't like or even understand. But they were far outnumbered by the number of absolutely amazing and forward-thinking stories that I read. Would highly recommend!!
Top reviews from other countries
The stories range from the macabre to the amusing and in some cases uplifting and show the broad range of imagination used by the various authors when interpreting the premise and how it would impact the lives of normal and not so normal people. It is difficult to further review the book due to the amount of different authors other than to say that I couldn't put it down.
How would life be different if you knew how you were going to die (or thought you did)? These stories look at every aspect of society: teenage cliques based on how cool your predicted death is; unemployed astrologers who no longer have a trade to peddle; dinner party games matching the prediction to the guest; fearless pilots who fly dangerously knowing that a crash is not how they are fated to go. The style of writing varies tremendously and some stories feel more professional than others but there's a fascinating range of responses here and overall this is a thought-provoking and entertaining collection. Highly recommended.






