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Mad Men Carousel: The Complete Critical Companion Hardcover – November 10, 2015
Each episode review also includes brief explanations of locations, events, consumer products, and scientific advancements that are important to the characters, such as P.J. Clarke’s restaurant and the old Penn Station; the inventions of the birth control pill, the Xerox machine, and the Apollo Lunar Module; the release of the Beatles’ Revolver and the Beach Boys’ Pet Sounds; and all the wars, protests, assassinations, and murders that cast a bloody pall over a chaotic decade.
Mad Men Carousel is named after an iconic moment from the show’s first-season finale, “The Wheel,” wherein Don delivers an unforgettable pitch for a new slide projector that’s centered on the idea of nostalgia: “the pain from an old wound.” This book will soothe the most ardent Mad Men fan’s nostalgia for the show. New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discover a spoiler-friendly companion to one of the most multilayered and mercurial TV shows of all time.
It's the perfect gift for Mad Men fans and obsessives.
Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
- Print length464 pages
- LanguageEnglish
- PublisherAbrams
- Publication dateNovember 10, 2015
- Dimensions6.5 x 1.5 x 9.5 inches
- ISBN-109781419720635
- ISBN-13978-1419720635
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Editorial Reviews
Review
"Matt Zoller Seitz’s recaps are in service to Mad Men’s excellence and complexity. First-rate work." (David Milch, creator of Deadwood and writer-producer for NYPD Blue)
"In this gorgeous collection of recaps, Matt Zoller Seitz seeks the wisdom within Matthew Weiner’s visionary television show, examining it from every angle, shaking it like a snow globe. A treat for anyone who cares about television." (Emily Nussbaum, TV critic for The New Yorker)
"Pithy, witty, smart, and from the heart: That’s what we expect from a classic Don Draper pitch, and Matt Zoller Seitz captures all of these qualities in his must-read Mad Men recaps." (Maureen Ryan, TV critic for The Huffington Post)
"Matt Zoller Seitz writes about television more passionately and compellingly than any other critic writing today. With Mad Men, he’s found his Shangri-La. Mad Men Carousel is essential reading for fans like me, who eagerly awaited his trenchant and witty analyses almost as much as the groundbreaking show itself. Thought-provoking and wildly entertaining, this brilliant collection of essays makes me want to revisit all seven seasons of the greatest American television show ever produced." (Robert Falls, artistic director of Chicago’s Goodman Theatre)
"Matt Zoller Seitz's brilliantly elaborate dissection and exploration of this equally complex series makes this collection absolutely essential for Mad Men obsessives like myself." (Grammy Award-winning singer-songwriter Aimee Mann)
"I envy anyone who has never watched Mad Men and gets to experience it for the first time with the invaluably perceptive Matt Zoller Seitz close at hand. For the rest of us, this addictive and rewarding deep-dive into every episode is an irresistible reason to revisit a great series." (Mark Harris, author of Pictures at a Revolution: Five Movies and the Birth of New Hollywood and Five)
About the Author
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into The Wes Anderson Collection, and his 2008 video essay series “Oliver Stone: The Official History” is the partial basis for The Oliver Stone Experience.
Megan Abbott is the Edgar®-winning author of the novels Queenpin, The Song Is You, Die a Little, Bury Me Deep, The End of Everything, Dare Me, and her latest, The Fever, which was chosen as one of the Best Books of the Summer by the New York Times, People magazine, and Entertainment Weekly, and one of the Best Books of the Year by Amazon, National Public Radio, the Boston Globe, and the Los Angeles Times.
Her writing has appeared in the New York Times, Salon, the Guardian, the Wall Street Journal, the Los Angeles Times Magazine, the Believer, and the Los Angeles Review of Books. Abbott is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three Edgar® Awards, the Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize, and the Folio Prize. She lives in New York City.
Max Dalton is a graphic artist living in Buenos Aires, Argentina by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2012) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams 2014). Max started painting in 1977 and since 2008, he has been creating posters about music, movies, and pop culture.
Product details
- ASIN : 1419720635
- Publisher : Abrams; Illustrated edition (November 10, 2015)
- Language : English
- Hardcover : 464 pages
- ISBN-10 : 9781419720635
- ISBN-13 : 978-1419720635
- Item Weight : 1.9 pounds
- Dimensions : 6.5 x 1.5 x 9.5 inches
- Best Sellers Rank: #1,189,338 in Books (See Top 100 in Books)
- #743 in TV History & Criticism
- #4,221 in Essays (Books)
- #11,437 in Performing Arts (Books)
- Customer Reviews:
About the author

Matt Zoller Seitz is an American film and television critic, author, and filmmaker based in New York City.
Bio from Wikipedia, the free encyclopedia.
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Top reviews from the United States
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Reading this book was a great way to relive the experience of seeing the show for the first time because you were learning things about characters, development, story, and production for the first time. The book is part novelization, part analysis, and part film school textbook. The creators as well as the characters of the show are characters in the book. When I first heard of this book I had a very small idea of what it would probably be, and I was ok with that. What I got instead was a book I didn't want to put down because it allowed me to occupy space and time with these characters I care so very much about. It allowed me to get to know them better than even two viewings of the complete series had done. Unfortunately, it also meant that when I finished the book I would feel that subtle sadness and emptiness in knowing I would not be sharing any more time with them.
*IMDB as seen through the eyes of Kevin Smith, writer/director/star of Jay & Silent Bob Strike Back
Tons of footnotes and historical references. You always have a time/date reference.
Many of the episode summaries jump around so it is best that you just watched the episode before reading. Most were written as the show originally aired on AMC. This book is a good companion to the DVD set or Netflix.
The actors, writers and production of the show are not written about. This is about the story. How the show came to be and any inside story is not dealt with here. No pictures.
Overall, if you have invested the time to see all the episodes, maybe twice, and what to go deeper into the minds of the characters, this the book for you.
Seitz's compiled reviews shine a light onto the novelization of the medium in general, where a showrunner like Weiner can explore themes and tie them together across episodes and seasons into a more profound accumulation of statements on the life and times of domestic and work life in the 1960s. The critical companion is a meticulous dive into a meticulously, obsessively crafted show that reveals complicated and conflicted characters (my grandparents' and parents' generation) as they are: unvarnished, imperfect, altogether human.
I found it invaluable since I knew the broad strokes of 1960s history and references but not specific people that Roger and others tended to mention in their jokes or monologues. It holds the series to task when episodes and story arcs don't work, so you'll get the sense of it as a truly cultural document that seeks to illuminate one of the most enigmatic stories of TV's Golden Age.
For fans, committed and casual, it's worth your money.
Top reviews from other countries
Reviewed in Brazil on March 27, 2023
Espero que haya sido útil mi valoración
Reviewed in Spain on March 22, 2023
Espero que haya sido útil mi valoración
The relationships, filming etc. are well described. Except it doesn't talk much about pollution (the Gold Violin, Betty throws the trash away without hesitation - littering was very common). The number of cigarettes being smoked are not really mentioned, also the fact of taking the aperitif at 10am. At this level, Seitz did not insist although it is very interesting to analyze it.
The relationship between Peggy and Pete in the first season.. They slept together and Pete doesn't quite accept the fact that she doesn't chase after him.. She chases after her career, not after boys. And Pete always says "You know.. I am married now", yes she knows and she doesn't really care. But Pete wants her to chase after him and needs her attention..
Furthermore, S2E5, the fact that Peggy realizes her power and realizes that she has to treat Don as an "equal" in order to get into the business. In the end, she says "Thank you, Don" and not Mr. Draper, which is a immense sign that she is on first-name terms with him and sees him as a colleague from now on. I think Seitz should have insisted on that.
Mistake : p. 319, footnote 4 is (S2E13) and not (S5E13).








