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Madame Bovary Hardcover – Deckle Edge, September 23, 2010
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"[Flaubert's] masterwork has been given the English translation it deserves."
-Kathryn Harrison, The New York Times Book Review
"[A] brilliant new translation."
-Lee Siegel, The New York Observer
"[Davis] has a finer ear for the natural cadences of English, in narrative and dialogue, than any of her predecessors, and there are many moments in her Madame Bovary when one pauses to admire how clean and spare a sentence seems by comparison with its earlier translated versions. . . . Only a very good writer indeed could have written it. . . . The bones of the original French show clearly through her English, and the rawness of her translation is, on the whole, invigorating."
-Jonathan Raban, The New York Review of Books
"How tickled Madame Bovary herself would be by the latest homage paid to her. . . . I'm grateful to Davis for luring me back to Madame Bovary and for giving us a version which strikes me as elegant and alive."
-Maureen Corrigan, NPR's Fresh Air
"Flaubert's obsessive masterpiece finally gets the obsessive translation it deserves."
"Davis is the best fiction writer ever to translate the novel. . . . [Her] work shares the Flaubertian virtues of compression, irony and an extreme sense of control. . . . Davis's Madame Bovary is a linguistically careful version, in the modern style, rendered into an unobtrusively American English."
-Julian Barnes, London Review of Books
"Davis captures with precision the sensitivity of the novel's language. . . . [Her] version . . . ultimately demonstrates her own empathy with Emma."
-The New Republic
"At last, the real Madame Bovary . . . The publication of the Davis version is an event. . . . Davis has come closer than any previous translator to capturing Flaubert's style and content accurately for English-language readers. . . . Her version benefits from her finesse as a writer and seems fresh and different compared to other translations."
-The American Spectator
"Davis has produced a very fine [translation that] displays a cool detachment not at all dissimilar to Flaubert's own."
-The New Criterion
"Davis [is] operating in top form in her new translation of Madame Bovary. . . . I was struck delirious by the force of Flaubert's writing, and the precision (the perfection) of Davis's translation."
-Macy Halford, The New Yorker's Book Bench
"Davis's edition should bring a new generation to Flaubert's classic of bourgeois ennui and adultery."
"A new translation that spans the ages [and] hews as close to the original as may be possible. . . . Davis's translation strives for-and largely achieves-the flavor of Flaubert's realism. . . . It provides such an unfussy, straightforward narrative that it underscores how truly modern a writer Flaubert was."
"Davis has forged a masterpiece out of a masterpiece. . . . This Madame Bovary is a veritable page-turner. . . . In French, the story leapt out at me like a hallucinatory Technicolor poem; in the lapidary English of Lydia Davis, I receive the same frisson of recognition-that the novel still lives. . . . Thanks to Lydia Davis, the book remains: a great, companionlike, eternal gilded mirror of Flaubert's world."
-Neil Baldwin, The Faster Times
"Davis . . . does a brilliant job of capturing Flaubert's diamond-hard style. . . . Davis's English prose has precisely the qualities she notes that Flaubert was striving for in French; it is 'clear and direct, economical and precise.' This translation reminds you what an aggressively modern writer Flaubert is."
"[Davis] is one of the most innovative prose stylists of our time, and thus an excellent match for Flaubert's masterpiece. Flaubert's sentences are certainly sonorous in French, and the sentences in this translation reveal a similar attention to sound. . . . We are in debt to Flaubert for his influence on much of the writing we have today; the extent of our debt has never been so clear."
Acclaim for Lydia Davis and her translation of Swann's Way
"[Her] capacity to make language unleash entire states of existence reveals the extent to which Davis's fiction is influenced by her work as a translator."
-The New York Times
"Few writers now working make the words on the page matter more."
"Davis is the best prose stylist in America."
"Swann's Way is transformed into something even more enchanting in Lydia Davis's new translation."
"Davis is closer, much closer, to Proust's French. . . . [Her] Swann's Way is one of those translations . . . that put the question of languages out of your mind, and leave you only with questions of language."
-The Village Voice
"Accessible and faithful to Proust. Davis replicates the hesitations and digressions, the backward looks and forward glances that swell Proust's sentences and send them cascading to their conclusion-without sacrificing the natural air of his style."
-Los Angeles Times Book Review
"Davis is an extraordinary technician of language, capable of revealing elusive human tendencies through the most unusual means."
"[Davis] commands language and imagery, playing the reader like a master."
-Los Angeles Times
"The subtleties of the French language, in spite of their difficulty, hold no secrets from you. . . . No literary genre deters you. You helped to make known to the English-speaking public some of the finest French literature of the century. . . . You have found a way not only to put your many talents at the service of the French language and culture, but also to place your stamp on the literary legacy of our times."
-French Insignia of the Order of Arts and Letters citation
Text: English (translation)
Original Language: French --This text refers to the Paperback edition.
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Top Customer Reviews
I recommend reading this book before watching any film production of this Flaubert accomplishment.
The story starts out by introducing Charles Bovary, who eventually marries Emma, the principal character of the book. Charles is by even 19th century standards , a nondescript regular guy. He is the village doctor, but not a particularly good one. Charles has one saving grace: he loves and adores his wife, the beautiful but irresponsible Emma. She plays the outward part of a good wife but inwardly seethes with contempt at the ineptitude and bumbling simplicity of her husband. Emma reads too many romance novels which causes her to regret that her husband does not measure up to any of her book heroes. From her novels she is convinced that a "man surely , ought to know everything, ought to excel in a host of activities , ought to initiate you into the energies of passion, the refinements of life, all its mysteries. But this man knew nothing, taught nothing, desired nothing." (pp39, Chap.7).
Emma has a string of affairs to assuage her personal unhappiness. She goes into debt in order to buy her lovers more and more expensive presents. In the meantime , she neglects her daughter and her husband. Marital life bores her to tears and the responsiblities of married life disgust her.
The story ends in a way we do not want.
Questions remain for the modern reader. It is as relevant today for women to ask themselves:
1) If our marriages are unhappy , do we just bail ? Have lovers? Pretend there is no problem?
2) Has society ceased to offer women support and encouragement for their very important roles
as wives and mothers?
Jackie Kennedy once said ," I'll be a wife and mother first, then First Lady." She also said,"
If you bungle raising your children, I don't think whatever else you do matters very much."
This book has a great introduction and analysis of the novel ,but I suggest reading it only after one has finished the book.
The themes of Emma Bovary are timeless and thought-provoking. This is not light reading. But it's well worth it to set aside some summer day for reading this unique portrayal of an unhappy wife in 19th century France and see its parallels in our modern world.
It is absolutely useless - unless one is trying to smuggle it into a country where it's banned.
Most Recent Customer Reviews
id not care for this book,too disjointedRead more