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Madame Bovary (Penguin Classics) Paperback – December 31, 2002
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For this novel of French bourgeois life in all its inglorious banality, Flaubert invented a paradoxically original and wholly modern style. His heroine, Emma Bovary, a bored provincial housewife, abandons her husband to pursue the libertine Rodolphe in a desperate love affair. A succès de scandale in its day, Madame Bovary remains a powerful and scintillating novel.
This Penguin Classics edition is translated with notes and an introduction by Geoffrey Wall. It includes a preface by Michele Roberts.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Print length335 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateDecember 31, 2002
- Reading age18 years and up
- Dimensions7.74 x 5.08 x 0.91 inches
- ISBN-100140449124
- ISBN-13978-0140449129
- Lexile measure920L
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Editorial Reviews
Review
About the Author
Geoffrey Wall is author of the critically acclaimed Flaubert: A Life and translated Madame Bovary for Penguin Classics.
Michèle Roberts is the author of ten highly praised novels.
Excerpt. © Reprinted by permission. All rights reserved.
We were in the prep-room when the Head came in, followed by a new boy in mufti and a beadle carrying a big desk. The sleepers aroused themselves, and we all stood up, putting on a startled look, as if we had been buried in our work.
The Head motioned to us to sit down.
'Monsieur Roger,' said he in a quiet tone to the prep master, I've brought you a new boy. He's going into the second. If his conduct and progress are satisfactory, he will be put up with the boys of his own age. '
The new boy had kept in the background, in the corner behind the door, almost out of sight. He was a country lad of about fifteen, and taller than any of us. His hair was clipped straight across the forehead, like a village choirboy's. He seemed a decent enough fellow, but horribly nervous. Although he was not broad across the shoulders, his green cloth jacket, with its black buttons, looked as if it pinched him under the arms and revealed, protruding well beyond the cuffs, a pair of raw, bony wrists, obviously not unaccustomed to exposure. His legs, encased in blue stockings, issued from a pair of drab-coloured breeches, very tightly braced. He had on a pair of thick, clumsy shoes, not particularly well cleaned and plentifully fortified with nails.
The master began to hear the boys at their work. The newcomer listened with all his ears, drinking it in as attentively as if he had been in church, not daring to cross his legs or to lean his elbows on the desk, and when two o'clock came and the bell rang for dismissal, the master had to call him back to earth and tell him to line up with the rest of us.
It was our custom, when we came in to class, to throw our caps on the floor, in order to have our hands free. As soon as ever we got inside the door, we 'buzzed' them under the form, against the wall, so as to kick up plenty of dust. That was supposed to be 'the thing.' Whether he failed to notice this manoeuvre or whether he was too shy to join in it, it is impossible to say, but when prayers were over he was still nursing his cap. That cap belonged to the composite order of headgear, and in it the heterogeneous characteristics of the busby, the Polish shapska, the bowler, the otterskin toque and the cotton nightcap were simultaneously represented. It was, in short, one of those pathetic objects whose mute unloveliness conveys the infinitely wistful expression we may sometimes note on the face of an idiot. Ovoid in form and stiffened with whalebone, it began with a sort of triple line of sausage-shaped rolls running all round its circumference; next, separated by a red band, came alternate patches of velvet and rabbit-skin; then a kind of bag or sack which culminated in a stiffened polygon elaborately embroidered, whence, at the end of a long, thin cord, hung a ball made out of gold wire, by way of a tassel. The cap was brand-new, and the peak of it all shiny.
'Stand up,' said the master.
He stood up, and down went his cap. The whole class began to laugh.
He bent down to recover it. One of the boys next to him jogged him with his elbow and knocked it down again. Again he stooped to pick it up.
'You may discard your helmet,' said the master, who had a pretty wit.
A shout of laughter from the rest of the class quite put the poor fellow out of countenance, and so flustered was he that he didn't know whether to keep it in his hand, put it on the floor or stick it on his head. He sat down and deposited it on his knees.
'Stand up,' said the master again, 'and tell me your name.'
In mumbling tones the new boy stammered out something quite unintelligible.
'Again!'
Again came the inarticulate mumble, drowned by the shouts of the class.
'Louder!' rapped out the master sharply. 'Speak up!'
Whereupon the boy, in desperation, opened his jaws as wide as they would go and, with the full force of his lungs, as though he were hailing somebody at a distance, fired off the word 'Charbovari.'
In an instant the class was in an uproar. The din grew louder and louder, a ceaseless crescendo crested with piercing yells--they shrieked, they howled, they stamped their feet, bellowing at the top of their voices: 'Charbovari! Charbovari!' Then, after a while, the storm began to subside. There would be sporadic outbreaks from time to time, smothered by a terrific effort, or perhaps a titter would fizz along a whole row, or a stifled explosion sputter out here and there, like a half-extinguished fuse.
However, beneath a hail of 'impositions,' order was gradually restored. The master--who had had it dictated, spelled out and read over to him--had at length succeeded in getting hold of the name of Charles Bovary, and forthwith he ordered the hapless wretch to go and sit on the dunce's stool, immediately below the seat of authority. He started to obey, stopped short and stood hesitating.
'What are you looking for?' said the master.
'My ca--' began the new boy timidly, casting an anxious glance around him.
An angry shout of 'Five hundred lines for the whole class' checked, like the Quos ego, a fresh outburst. 'Stop your noise, then, will you?' continued the master indignantly, mopping his brow with a handkerchief which he had produced from the interior of his cap.
Product details
- Publisher : Penguin Classics; Revised edition (December 31, 2002)
- Language : English
- Paperback : 335 pages
- ISBN-10 : 0140449124
- ISBN-13 : 978-0140449129
- Reading age : 18 years and up
- Lexile measure : 920L
- Item Weight : 9.9 ounces
- Dimensions : 7.74 x 5.08 x 0.91 inches
- Best Sellers Rank: #50,502 in Books (See Top 100 in Books)
- #1,127 in Psychological Fiction (Books)
- #1,789 in Classic Literature & Fiction
- #4,143 in Literary Fiction (Books)
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4**** : Beautifully written, solid story, flawless emotions, and a fair and honest description of French life back then.
Dr. Amir Gendy
Surgeon and Author of “BETTER” and “ The Future of Medicine and the Fate of Humanity”
I recommend reading this book before watching any film production of this Flaubert accomplishment.
The story starts out by introducing Charles Bovary, who eventually marries Emma, the principal character of the book. Charles is by even 19th century standards , a nondescript regular guy. He is the village doctor, but not a particularly good one. Charles has one saving grace: he loves and adores his wife, the beautiful but irresponsible Emma. She plays the outward part of a good wife but inwardly seethes with contempt at the ineptitude and bumbling simplicity of her husband. Emma reads too many romance novels which causes her to regret that her husband does not measure up to any of her book heroes. From her novels she is convinced that a "man surely , ought to know everything, ought to excel in a host of activities , ought to initiate you into the energies of passion, the refinements of life, all its mysteries. But this man knew nothing, taught nothing, desired nothing." (pp39, Chap.7).
Emma has a string of affairs to assuage her personal unhappiness. She goes into debt in order to buy her lovers more and more expensive presents. In the meantime , she neglects her daughter and her husband. Marital life bores her to tears and the responsiblities of married life disgust her.
The story ends in a way we do not want.
Questions remain for the modern reader. It is as relevant today for women to ask themselves:
1) If our marriages are unhappy , do we just bail ? Have lovers? Pretend there is no problem?
2) Has society ceased to offer women support and encouragement for their very important roles
as wives and mothers?
Jackie Kennedy once said ," I'll be a wife and mother first, then First Lady." She also said,"
If you bungle raising your children, I don't think whatever else you do matters very much."
This book has a great introduction and analysis of the novel ,but I suggest reading it only after one has finished the book.
The themes of Emma Bovary are timeless and thought-provoking. This is not light reading. But it's well worth it to set aside some summer day for reading this unique portrayal of an unhappy wife in 19th century France and see its parallels in our modern world.
I started off feeling sad for Emma. It seemed she was a young attractive women stuck with an older man, who expected so much from her. It was clear right away she regretful for a decision made out of desperation to begin the life she envisioned for herself in her head. Its easy to feel for sad for her at the beginning, taking over the household of a dead controlling wife. It turned out her dreams where totally unrealistic and that she was just flat out materialistic and greedy. Turns out her husband Charles was a great guy, that gave her way to much control over the money. Poor man had two horrible wife's and died broke on a park bench. She had everything she needed and more to live perfectly happy. I went from feeling sad for her to feeling sad for him and despising her. If things had not fallen apart financially during her affair with Leon, I am sure Charles would of been the one ingesting the Arsenic.
I felt no sympathy for her at the end, she got what she deserved. I do feel bad for Charles and Berthe. Charles died a pauper and poor Berthe will be a servant for the rest of her life, working to pay her aunts bills. All these lives ruined over self pity and greed. I have to say it sure makes a great novel.
A definite must read, I found it a little bit of tough read in some spots due to some of the words (mostly French) but it was well worth it. If you like to read, read this novel
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I subsequently bought the Amazon edition (at no cost at all) which is perfectly fine. Here are a couple of the bizarre translations that I've found: 'parents' becomes 'mom and dad' and 'fort' becomes 'fortress'. After one chapter I found the book unreadable and gave up.
Don't bother with this edition.
at the time I wrote the draft for this review the only audio version was as far as I knew, the Whole story audio books unabridged 11 CDs version read by Davina Porter who does a great job, she does not overdo it and while keeping perfect balance in the voice she is not too cold or too impartial or too melancholy which is a great thing. in a few words you have the feeling that she is impartial but not too cold or detached, she reads at the right point
Recently Naxos released their own version of the book (11 CDs) and when I knew the reader was Juliet Stevenson I could not resist buying this version as well. for those who do not know Juliet Stevenson she is excellence and to me her voice has also an evocative power that transports me there especially if listened to at night in complete silence ... magic
Although it is widely regarded as a great story, I found the central character to be so shallow and self-centred that I couldn't engage in the story or find it in myself to care what happened to her.
I don't believe that even a good translation would have made me change my mind.









