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Maggie: A Girl of the Streets Paperback – February 12, 1985
| Stephen Crane (Author) Find all the books, read about the author, and more. See search results for this author |
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| Paperback, February 12, 1985 | $1.71 | — | $0.44 |
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- Print length160 pages
- LanguageEnglish
- PublisherFawcett
- Publication dateFebruary 12, 1985
- Dimensions4.25 x 0.5 x 7 inches
- ISBN-100449300242
- ISBN-13978-0449300244
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Product details
- Publisher : Fawcett; Reissue edition (February 12, 1985)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0449300242
- ISBN-13 : 978-0449300244
- Item Weight : 2.4 ounces
- Dimensions : 4.25 x 0.5 x 7 inches
- Customer Reviews:
About the authors

Stephen Crane (November 1, 1871 – June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.
The ninth surviving child of Protestant Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.
In 1896, Crane endured a highly publicized scandal after appearing as a witness in the trial of a suspected prostitute, an acquaintance named Dora Clark. Late that year he accepted an offer to travel to Cuba as a war correspondent. As he waited in Jacksonville, Florida, for passage, he met Cora Taylor, with whom he began a lasting relationship. En route to Cuba, Crane's vessel the SS Commodore, sank off the coast of Florida, leaving him and others adrift for 30 hours in a dinghy. Crane described the ordeal in "The Open Boat". During the final years of his life, he covered conflicts in Greece (accompanied by Cora, recognized as the first woman war correspondent) and later lived in England with her. He was befriended by writers such as Joseph Conrad and H. G. Wells. Plagued by financial difficulties and ill health, Crane died of tuberculosis in a Black Forest sanatorium in Germany at the age of 28.
At the time of his death, Crane was considered an important figure in American literature. After he was nearly forgotten for two decades, critics revived interest in his life and work. Crane's writing is characterized by vivid intensity, distinctive dialects, and irony. Common themes involve fear, spiritual crises and social isolation. Although recognized primarily for The Red Badge of Courage, which has become an American classic, Crane is also known for his poetry, journalism, and short stories such as "The Open Boat", "The Blue Hotel", "The Bride Comes to Yellow Sky", and The Monster. His writing made a deep impression on 20th-century writers, most prominent among them Ernest Hemingway, and is thought to have inspired the Modernists and the Imagists.
Bio from Wikipedia, the free encyclopedia. Photo by unknown author [Public domain], via Wikimedia Commons.

Kevin J. Hayes spent most of his twenties as a bike bum. Returning home from distant parts of the globe, he would regale friends with stories of his two-wheeled adventures. He now channels his story-telling abilities to reconstructing the lives of people from the past. He has told the stories of some intrepid cyclists of the high-wheeled era, but his main focus has been on leading figures in American history and culture—Benjamin Franklin, Patrick Henry, Thomas Jefferson, Herman Melville, Edgar Allan Poe, Mark Twain and George Washington. Hayes is a recipient of the George Washington Prize.
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Crane was no humanist; he was content to record the depravity around him with a keen eye and a cool heart. In his mind man was but passing flashes of cosmic debris, and his New York stories, written in the first half of 1890s and collected here, capture the jagged pieces of life he saw with unblinking candor. "War Is Kind" was the title of a collection of Crane poems; this collection of stories could be called "Man Is Not".
In "When A Man Falls, A Crowd Gathers", we have a tale of urban rubbernecking before the age of the automobile. A man collapses on the street, and a throng soon surrounds him, gaping hopefully for the sight of death and trodding on each other's toes. "An Eloquence Of Grief" covers a young lady accused of prostitution realizing no one cares about her plight in the cold recesses of a busy courtroom.
"The Men In The Storm" sets us amid another throng, this time a huddled mass seeking shelter beneath a blizzard: "Then a dull roar of rage came from the men on the outskirts; but all the time they strained and pushed until it appeared to be impoosible for those that they cried out against to do anything but be crushed to pulp."
That's about the lot of everyone in these stories, sadly, from the title character of Crane's first novel "Maggie" to a small dark-brown dog who finds temporary shelter with a small boy and his thoughtless family. For Crane, originally from upstate New York, Gotham in the last decade of the 19th century was a frightening place, hellish because it placed people in such close proximity to one another.
The stories collected here don't necessarily work in isolation, though "A Dark Brown Dog" remains a sentimental favorite of mine when I feel tough enough to read it and "George's Mother" works very well as a story of a shortsighted woman and her wayward son. But reading them in tandem here gives you a sense for what it was Crane found so fascinating and terrifying. Even a lighter piece like "The Broken-Down Van" feels fabulously unreal in Crane's hands, almost dreamlike in the way the narration jumps around without rhyme or reason among drivers, spectators, drunks, and a cop.
The character of Maggie makes a cameo in "George's Mother, and the book's Introduction by Larzer Ziff states flatly that three of the other stories - "Dark-Brown Dog", "An Ominous Baby", and "A Great Mistake" - also deal with Maggie's family. That seems a reach to me, though it's true Crane's characters feel oddly connected with one another, even when they are of different station. The children in "Mr. Binks' Day Off" have the same first names as Maggie and her siblings, though they couldn't be farther apart socially.
It's been said that Crane was both Naturalist and Impressionist when it came to his art, and that case is well presented in this collection. Miserable as man's condition may be, boring it's not, and Crane is as good a representer of that reality as anyone.
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