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Magic Hour Hardcover – January 1, 1991

4.1 4.1 out of 5 stars 316 ratings

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In the glamorous Hamptons of Long Island, a movie mogul is killed, and detective Brady, a recovering alcoholic and inveterate playboy, discovers the prime suspect to be a women he shared with the victim

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Editorial Reviews

From Publishers Weekly

Good news for Isaacs's fans: she is back in top form, using the mystery formula that made Compromising Positions a standout, and again exhibiting her wickedly observant eye and flair for ricocheting, pitch-perfect dialogue. The setting this time, the various sections of Long Island's Hamptons (N.Y.), allows her to depict the tension between the hardworking locals, many of whom live on the edge of poverty, and the snooty summer people, phony Manhattan culture hounds and social climbers. Movie producer Sy Spencer is clearly among the latter, and when he is shot by the side of his glitzy Southampton swimming pool, homicide detective Steve Brady is not surprised to discover plentiful evidence of widespread resentment and hatred of Spencer. Among the suspects are Spencer's current mistress and the star of his film-in-progress, who knew she was about to be dumped; one of his ex-wives, a sexy failed screenwriter; and a Mafia gangster who was a childhood friend. As he pursues the investigation, Brady must cope with his own demons, the residue of service in Vietnam: he is a recovering alcoholic and druggie. He is also trying to work up enthusiasm for marrying his fiancee, a boringly nice WASP schoolteacher, and when he finds himself obsessively drawn to Spencer's cast-off wife, he imperils the case and his own reputation. Isaacs spins her tale with brio, again proving herself the master of neat surprises and perceptive character portrayal. 150,000 first printing; $20,000 ad/promo; Literary Guild and Doubleday Book Club main selections; author tour.
Copyright 1990 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Harpercollins; First Edition (January 1, 1991)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 412 pages
  • ISBN-10 ‏ : ‎ 0060165731
  • ISBN-13 ‏ : ‎ 978-0060165734
  • Item Weight ‏ : ‎ 15.7 ounces
  • Dimensions ‏ : ‎ 1.5 x 6.5 x 9.4 inches
  • Customer Reviews:
    4.1 4.1 out of 5 stars 316 ratings

About the author

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Susan Isaacs
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I was born in a thatched cottage in the Cotswolds. Oh, you want the truth. Fine. I was born in Brooklyn and educated at Queens College. After leaving school, I saw one of those ads: BE A COMPUTER PROGRAMMER! Take our aptitude test. Since I had nothing else in mind, I took the test-and flunked. The guy at the employment agency looked at my resume and mumbled, “You wrote for your college paper? Uh, we have an opening at Seventeen magazine.” That’s how I became a writer.

I liked my job, but I found doing advice to the lovelorn and articles like “How to Write a Letter to a Boy” somewhat short of fulfilling. So, first as a volunteer, then for actual money, I wrote political speeches in my spare time. I did less of that when I met a wonderful guy, Elkan Abramowitz, then a federal prosecutor.

We were married and a little more than a year later, we had Andrew (now a corporate lawyer). Three years later, Elizabeth (now a philosopher) was born. I’d left Seventeen to be home with my kids but continued to write speeches and the occasional magazine piece. During what free time I had, I read more mysteries than was healthy. Possibly I became deranged, but I thought, I can do this.

And that’s how Compromising Positions, a whodunit with a housewife-detectives set on Long Island came about. Talk about good luck: it was chosen the Main Selection of the Book-of-the-Month Club, auctioned for paperback, sold to the movies, translated into thirty languages, and became a bestseller. I was a little overwhelmed by the success, but since it’s hard to be cool and go to fabulous downtown parties when you’re living in the suburbs with a husband, two kids, two dogs, and a station wagon, I simply wrote another book… and then another and another. About half my works are mysteries, two fall into the category of espionage, and the rest are…well, regular novels. In the horn-tooting department, all my novels have been New York Times bestsellers. (Goldberg Variations will be published October 2, 2012.)

I also wrote one work of nonfiction, a slew of articles, essays, and op-ed pieces. Newsday sent me to write about the 2000 presidential campaign, which was one of the greatest thrills of my life-going to both conventions, riding beside John McCain on the Straight Talk Express, interviewing George W. Bush. I also reviewed books for the New York Times, Los Angeles Times, Washington Post, and Newsday. (My website has far more information about my projects than most people would want to know, but have a look.)

In the mid-1980s, I wrote the screenplay for Paramount’s Compromising Positions which starred Susan Sarandon and Raul Julia. I also wrote and co-produced Touchstone’s Hello Again which starred Shelley Long, Gabriel Byrne, and Judith Ivey. (My fourth novel, Shining Through, set during World War II became the 20th Century Fox movie starring Michael Douglas, Melanie Griffith and Liam Neeson. I would have written the script, except I wasn’t asked.)

Here’s the professional stuff. I’m a recipient of the Writers for Writers Award, the Marymount Manhattan Writing Center Award, and the John Steinbeck Award. I’m chairman of the board of the literary organization, Poets & Writers and a past president of Mystery Writers of America. I also belong to the National Book Critics Circle, the Creative Coalition, PEN, the American Society Of Journalists and Authors, The International Association of Crime Writers, and Adam Round Table.

In the community, I’m a trustee of the Queens College Foundation and the Jewish Theological Seminary. I also support the Walt Whitman’s Birthplace Association, the North Shore Child and Family Guidance Association, the Nassau County Coalition against Domestic Violence, and a couple of organizations working on behalf of the developmentally disabled. (My adorable grandson Edmund was born with a genetic disorder called 5P-, or cri-du-chat.)

Writers need freedom, and I’m an ardent supporter of free speech and free expression. I’ve worked to gather support for the National Endowment of the Arts’ literature program and have been involved in several anti-censorship campaigns.

My children are grown, married to wonderful people, and they’ve made me a grandmother. (Being a grandparent is one of those rare times in life that lives up to its rave reviews – I suppose as partial compensation for adolescence.) And I still live on Long Island with my husband, the criminal defense lawyer, breakfast chef, and fellow political junkie. After forty years of marriage, we’re still exchanging significant looks as we watch Meet the Press.

Customer reviews

4.1 out of 5 stars
316 global ratings

Customers say

Customers find the humor in the book great. They also describe the plot twists as decent and delightful. Readers praise the writing quality as well-written, snappy, and crafty. They describe the book as a good and brilliant read.

AI-generated from the text of customer reviews

6 customers mention "Humor"6 positive0 negative

Customers find the book humorous. They say the author has a great sense of humor that translates to the page.

"...The appeal is simple-- it's Susan Isaac's writing. Infused with genuine humor, a compelling cast of minor characters, and snappy dialogue between..." Read more

"...example of her really unique style-- beautifully written, often hysterically funny, and always "a ripping good yarn." Having now read and..." Read more

"...Susan Isaacs is really respectably crafty and funny. Luckily, she's pretty prolific so there's more to munch on...." Read more

"...Note: I still love her sense of humor, which is evident in everything she writes, and it's delightful. That actually brought it up one star...." Read more

6 customers mention "Plot twist"6 positive0 negative

Customers find the plot twist in the book decent, interesting, and delightful. They also describe the story as a sweet and delicious romance.

"...either sympathizing or snorting with laughter, and the story is an interesting murder mystery. Buy it, read it, and then get Shining Through...." Read more

"...sense of humor, which is evident in everything she writes, and it's delightful. That actually brought it up one star...." Read more

"...Yes, it's well written. But most of all it's a sweet and delicious romance.I just finished it and I really want to read it again...." Read more

"...Not many. Read it for excellent writing, plot, and most of all, because you root for the hero ... and the heroine." Read more

6 customers mention "Writing quality"6 positive0 negative

Customers find the writing quality of the book well-written and snappy. They also say the author is respectably crafty and funny.

"...with genuine humor, a compelling cast of minor characters, and snappy dialogue between Brody and Bonnie Spencer, the book isn't your typical mystery...." Read more

"...Isaacs, and it's a great example of her really unique style-- beautifully written, often hysterically funny, and always "a ripping good..." Read more

"...Susan Isaacs is really respectably crafty and funny. Luckily, she's pretty prolific so there's more to munch on...." Read more

"...Yes, it's full of Susan Isaacs' humor and social commentary. Yes, it's well written. But most of all it's a sweet and delicious romance...." Read more

4 customers mention "Readability"4 positive0 negative

Customers find the book decent, brilliant, and a good read.

"A darned good read! Recommended.Characters you'll like living with for the read and miss after...." Read more

"...So I read "Magic Hour."It's decent, but only just...." Read more

"Brilliant!!!!..." Read more

"Excellent! I couldn't put it down!!!!..." Read more

Top reviews from the United States

Reviewed in the United States on September 12, 2006
"HE was a man who fled from the past..."

"SHE was a woman who lived in it..."

No, wait...

"FOR every man there is a woman who holds the key to his past..."

"FOR every woman, there is a man who can open her future..."

**********

OK, this was never made into a movie, and Susan Isaacs is a much better writer than me, but her two strong protagonists seem just right for the big screen. Detective Stephen Brody is a modern film noir hero, straight out of Bogart: He's a cynic who doesn't play by the rules, he has his own moral code (that, nevertheles,p lays well with readers,, and when he falls for a woman, he falls hard. That is, if he can remember his alcohol-induced trysts. See, Brody has a past, no, make that a PAST! ...possibly undiagnosed PTSD out of Vietnam, subsequent heavy-duty alcoholism, and a strangely askew family history, including a would-be social climber of a mom on the fringes of upper-class Long Island.

Ms. Bonnie Spencer is the castoff spouse of rich guy producer Sy Spencer, neatly killed (it looks like a professional hit) near the location of his newest movie. He's having an affair with the lead, who's fooling aroun with the director, even the technical and artistic staff are fooling around with each other--it's wonder anything got made (meaning the movie, of course). Brody arrives en scene, and he and his partners in Homicide focus on three suspects, eventually zooming in on Ms. Spencer. Ms. Spencer was a slightly promising screenwriter when she met Sy Spencer; she's an impoverished hack living la vida promiscuous when Sy Spencer reenters her life. Importantly, there's a strange attraction and sexual tension between detective Brody and Bonnie Spencer, something fishier than the Long Island Sound is going on here. One starts thinking Oedipal Complex before too long, but Ms. Isaacs resolves the mystery credibly, if somewhat conveniently.

It's a fast "page-turner" of a book, believable, with a supposed man's eye view of sex (maybe if you're an alcoholic man with a PAST), and fairly credible multiple suspects. Really, I looked forward to getting back in to the book, the dialogue crackles, the observations on the Long Island social scene are funny and well-observed, and Brody has that Bogart-like appeal. Still, when you're done with the book, you can't help but wonder how Isaacs does so well with so little: There are only a few plot twists (though they're important ones), almost no action or violence (except fot that page one murder of Sy Spencer), and the characters seem too familiar.

The appeal is simple-- it's Susan Isaac's writing. Infused with genuine humor, a compelling cast of minor characters, and snappy dialogue between Brody and Bonnie Spencer, the book isn't your typical mystery. Isaacs doesn't waste time on fussy details or convoluted plot mechanics. It's refreshingly direct, it mixes Shirlock Holmesian deduction with Mickey Spillane sex, and she mixes bemused detachment with intense drama. As she's proven several times over, Isaacs is a master story-teller.
13 people found this helpful
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Reviewed in the United States on July 16, 2001
This was the first book I ever read by Susan Isaacs, and it's a great example of her really unique style-- beautifully written, often hysterically funny, and always "a ripping good yarn." Having now read and re-read her entire oeuvre, settling down with Magic Hour reminds me of sitting down to a hot toddy and a meatloaf-and-mashed-potatoes dinner on a cold and rainy night -- anticipated with pleasure, full of comfort, and leaving one with a nice feeling of satisfaction when it's over. Isaacs' characterizations are full and real, the often witty and/or self-deprecating inner monologues of the characters will have you either sympathizing or snorting with laughter, and the story is an interesting murder mystery. Buy it, read it, and then get Shining Through. The only thing disappointing about Isaacs is that she hasn't written about twice as many books!
16 people found this helpful
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Reviewed in the United States on July 9, 2015
A darned good read! Recommended.

Characters you'll like living with for the read and miss after. Susan Isaacs is really respectably crafty and funny. Luckily, she's pretty prolific so there's more to munch on.

The only slight dissapointment was the killer, though a complete surprise, which ought to be good enough..
Reviewed in the United States on October 28, 2015
My introduction to Susan Isaacs came when I read an excerpt from "Almost Paradise" in a magazine many years ago and immediately rushed to find the book. Then I read the book, threw it away, and vowed never to read anything by that author again. Fast-forward a few years when I discovered "Shining Through" in a Waldenbooks, and realized that if I didn't want my husband to drag me out of the store, I'd have to buy the book. I did, and loved it. "Shining Through" became almost a Bible of how to "show not tell" in writing; how to write emotions so they come through as real. But then I'd remember "Almost Paradise" and that would keep me from buying any of Isaac's other books. Finally, a few weeks ago I got a wild hair and decided to see if she wrote anything else decent. So I read "Magic Hour."

It's decent, but only just.

To begin with, "Magic Hour" is supposed to be from the perspective of a male of close to 40 years old, but the narrative voice sounded EXACTLY like the narrator in "Shining Through," a female of 30. And the manner in which the writer "shows" is exactly the same as in "Shining Through," but since it's set in modern day rather than the 1930s/1940s of "Shining Through," it includes a lot of less-than exemplary language. This doesn't bother me so much as that the language purported to be "this is the way a hard-boiled cop talks." Well, my son was a cop for several years--a military detective, and if you're familiar with the military, you know they know how to use colorful language. And they do, but not in every single sentence, as this book does. A lot of the language seems to be just for shock effect. This makes it hard to believe.

Also, Isaacs' work always (at least in the three books I read) requires anyone's suspension of disbelief to work overtime; I'll make the guess that most of her books do? In AP, you have to accept that a rich woman can for no reason suddenly become terrified of leaving her house. In ST, you must believe that a guy who can't speak a single foreign language runs all over Nazi-occupied Europe conducting secret missions for the OSS. And in MH, well, I won't go into that one TOO deeply, but it's a doozy, requiring you to believe that an alcoholic who was blacked out for much of his life suddenly remembers an important event with Technicolor depth, ILM-level special effects, and makes a whole bunch of procedure-breaking, life-changing decisions based solely on this memory.

It's like that very stupid movie a few years back where Ryan O'Neal as a has-been boxer was trying to convince his new owner, Barbra Streisand, that for personal ethical reasons he could not fight anymore. He told a long and moving story about fighting a championship round and accidentally killing his opponent, and AFTER he's sold her completely, he remembers the key point he left out of his carefully memorized story and throws it in: "Oh and by the way, he was my best friend." Of course the overkill lost all his credibility, and Isaacs does the same thing in this book.

If she had kept it a mystery, it might have been better, but she had to put in the "romance," which is more like "greatest sex I ever had = made for each other." It also removed any sympathy I had built up for the characters by that time. By then I would've welcomed the rich wife who was scared of leaving the house or the "English-only" lawyer doing secret missions for the OSS; they were easy to believe compared to this. I wish I could say more, but this is too close to being a spoiler already.

Note: I still love her sense of humor, which is evident in everything she writes, and it's delightful. That actually brought it up one star. I also noticed the private joke for people who'd read "ST" about the party at Mrs. Quentin Dahlmeyer's. Or maybe she just loved that name so much she had to reuse it. For the record, I'd have preferred to know what Mrs. Ed Leland was up to instead.
4 people found this helpful
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Reviewed in the United States on May 15, 2022
I have loved this book for years and read it countless times. Yes, it's a murder mystery with a surprise ending. Yes, it's full of Susan Isaacs' humor and social commentary. Yes, it's well written. But most of all it's a sweet and delicious romance.

I just finished it and I really want to read it again. Right now.
Reviewed in the United States on May 30, 2019
I love Susan Isaacs’ writing. This book is not even close to her earlier books. But, even a sub-par Isaacs is better than most other writers.
One person found this helpful
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Top reviews from other countries

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ひくつ
4.0 out of 5 stars オールドミスに朗報
Reviewed in Japan on August 18, 2003
主人公はめずらしく男性。でも、本当に描きたかったのは、相手の女性のほうでしょうね。45歳にして、主人公をどうしようもなくむらむらさせる女。というわけで、やっぱり男を主人公にしないと説得力が出ないということでしょう。
内容はミステリ、フーダニットです。伏線が少ないので犯人当ては難しいかな。でも、主人公のむらむら具合で楽しく読めます。