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Comment: exlibrary hardcover book in jacket with light wear, shows some light reader wear throughout ,all the usual library marks and stamps. MInor stains to book edges book is warped
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The Magician King: A Novel (Magicians Trilogy) Hardcover – Deckle Edge, August 9, 2011

4.2 out of 5 stars 652 customer reviews
Book 2 of 3 in the Magicians, Series

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Editorial Reviews

Amazon.com Review

Amazon Best Books of the Month, August 2011: This second volume in Lev Grossman’s celebrated series picks up just after the events of its 2009 prequel The Magicians. Quentin, Eliot, Janet, and Julia are now the High Kings and Queens of Fillory, a fantastic realm not unlike Narnia, and they pass their days “deliquescing atom by atom amid a riot of luxury.” To ease his royal boredom, Quentin embarks on a quest with Julia. Despite his romantic visions of heroic feats and easy accolades, the quest goes horribly awry, and they find themselves back in the depressingly real world of Chesterton, Massachusetts. With the help of seedy underground magicians, a dragon, and a young boy named Thomas, they undertake a desperate journey back to Fillory. Grossman’s writing here is sharp and self-aware, and the characters feel like people you actually know, but cooler: they are delightfully profane and dripping with irony, they are arrogant and shallow, they are finding their way in a magically perfect world that somehow still lets them down, and they are learning to fight for the things they love. The Magician King is a triumph of (and an homage to) modern fantasy writing, and a must-read for grown-up fans of Narnia and Harry Potter. --Juliet Disparte


“[A] serious, heartfelt novel [that] turns the machinery of fantasy inside out.”

The New York Times (Editor’s Choice)

“A spellbinding stereograph, a literary adventure novel that is also about privilege, power, and the limits of being human. The Magician King is a triumphant sequel.”


“[The Magician King] is The Catcher in the Rye for devotees of alternative universes. It’s dazzling and devil-may-care. . . . Grossman has created a rare, strange, and scintillating novel.”

Chicago Tribune

The Magician King is a rare achievement, a book that simultaneously criticizes and celebrates our deep desire for fantasy.”

The Boston Globe

“Grossman has devised an enchanted milieu brimming with possibility, and his sly authorial voice gives it a literary life that positions The Magician King well above the standard fantasy fare.”

San Francisco Chronicle

“Grossman expands his magical world into a boundless enchanted universe, and his lively characters navigate it with aplomb.”

The New Yorker

“Grossman is brilliant at creating brainy, distinct, flawed, complex characters, and nearly as good at running them through narrative gauntlets that inventively tweak the stories that generations have grown up on.”

The Portland Oregonian

The Magician King, the immensely entertaining new novel by Lev Grossman, manages to be both deep and deeply enjoyable.”

Chicago Sun-Times

“Readers who have already enjoyed The Magicians should lose no time in picking up The Magician King. For those who haven’t, read both books: Grossman’s work is solid, smart, and engaging adult fantasy.”

The Miami Herald

“Now that Harry Potter is through in books and films, grown-up fans of the boy wizard might want to give this nimble fantasy series a try.”

New York Post

“Lev Grossman’s The Magician King is a fresh take on the fantasy-quest novel—dark, austere, featuring characters with considerable psychological complexity, a collection of idiosyncratic talking animals (a sloth who knows the path to the underworld, a dragon in the Grand Canal), and splendid set pieces in Venice, Provence, Cornwall, and Brooklyn.”

The Daily Beast

“In this page-turning follow-up to his bestselling 2009 novel The Magicians, Grossman takes another dark, sarcastically sinister stab at fantasy, set in the Narnia-esque realm of Fillory.”

Entertainment Weekly

The Magician King is clearly the middle book in a trilogy, but it’s that rare creature that bridges the gap between tales and still stands on its own. And just as the first book showed that growing up is hard no matter how much power you have, it shows that becoming an adult involves far more than just reaching the right age.”

The A.V. Club

“Fabulous fantasy spiked with bitter adult wisdom—not to be missed.”

Kirkus Reviews (starred review)

“Fans of The Magicians will find this sequel a feast and will be delighted that a jaw-dropping denouement surely promises a third volume to come.”



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Product Details

  • Series: Magicians Trilogy
  • Hardcover: 416 pages
  • Publisher: Viking; First Edition edition (August 9, 2011)
  • Language: English
  • ISBN-10: 0670022314
  • ISBN-13: 978-0670022311
  • Product Dimensions: 6.5 x 1.3 x 9.6 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (652 customer reviews)
  • Amazon Best Sellers Rank: #124,025 in Books (See Top 100 in Books)

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Top Customer Reviews

Format: Hardcover
Can it possibly be only two years since I read Lev Grossman's The Magicians? If you asked me about that novel, I would immediately tell you that I loved it. Apparently, that's about all I could tell you. Having just read Grossman's engaging follow-up, I regret not having reread, or at least brushed up on, the first novel. References to prior events were plentiful, and rather than jog my memory, they highlighted just how fallible it is. Hopefully yours is better, or you will take the steps I didn't prior to reading the sequel. Oh, and it goes without saying that if you haven't read the first novel, don't start with this one.

Nonetheless, my inexact memory did not keep me from enjoying the latest adventures of Quentin Coldwater et al. Even I recalled that at the end of The Magicians Quentin, Julia, Elliott, and Janet had left our world to become the co-queens and kings of the magical (and not fictional after all) land of Fillory. The end. I thought that was the end. It was a good ending, and I didn't expect any more. As we catch up with Quentin and co., they are living their "happy ever after." It's glorious. It's perfect. It's boring. To some degree, this has ever been the issue of life in a magical world.

Quentin is itching for a quest, but this is countered by the reasonable fear of screwing up a perfect life. When a safe-looking mini-quest comes along, Quentin goes for it--and screws up his perfect life. The mini-quest evolves into a major-quest with the highest of stakes. While this primary drama is unfolding, there is a second story being told in reflection. The Magicians recounted the education and coming of age of Quentin, Elliott, and Janet. Finally we learn what "hedgewitch" Julia was doing all of those years, and how she learned her craft.
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Format: Hardcover Verified Purchase
I enjoyed the first book despite its shortcomings and looked forward to reading this sequel. I even paid full price for both. Now that I have read the sequel, I can't say that I feel the same way about its inevitable follow-up.

We start with Quentin and the three people who picked him up at the end of the last book (Julia, Eliot, and Janet) well established as the rulers of Fillory. Like Narnia, which Grossman rips off even more blatantly in this book than he did in the last, Fillory has two kings and two queens. We skipped over exactly why or how this came to be and no explanation is offered in this book. We DO get a detailed explanation for how Julia became a magician without an acceptance to Brakebills. The story is interesting, but I disliked it for personal reasons. I just take umbrage with any person, fictional or non, who blames their failures on other people. Julia's story is filled with whining about how she deserved to get into Brakebills and she blames everyone except herself for flunking the exam that got her rejected in the first place. INCLUDING QUENTIN, which suddenly becomes a major plot point in the last ten pages of the novel. And since Grossman never establishes that she even WANTED to be a magician in the first place, her attitude is even harder to deal with. Why is she so determined to get into a world she never had much desire to join in the first place? She just wants it because she can't have it. And [BIG SPOILER ALERT!!] that story ends with a crazy rape scene that just pops out of the blue with zero warning and zero context or relevance. There's much to be said about a male author who subjects a female character to rape and then tries to use that as some kind of empowerment.
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Format: Hardcover Verified Purchase
Not as good as The Magicians. This book felt rushed to publication, as the author seemed to default to "the item magically appears so that quest could be completed..." theme over and over and over. My impression of the first book was that the reader would come to that same conclusion (that fortuitous events mystically occurred occasionally in order to move the quest along), but in the first book, such intervention of "fate" seemed indirect and subtle. In the sequel, the appearence of the missing items doesn't surprise the reader (or the characters within the story) and appeared to be the norm and not the exception.

I still love the author's books and his numerous references to modern events and terminology, but overall, the book was mildly disappointing. The first book seemed so "meaty," with exhaustive portions of the story containing riveting explanations of unusual people, places, events, emotions and relationships. (Who didn't love the development of friendships and antagonistic relationships at Brakebills?). The sequel, on the other hand, seems rushed, with very little for us to sink our teeth into. In the first book I found myself loving (and rooting for) many of the main characters and I empathized with so many of the characters in so many of the scenes. Who wasn't heartbroken when primary and secondary characters died in the first book?

In the sequel, the characters seemed to simply be scenery. They just seemed emotionally checked out and disconnected from each other (none of them seemed to rely on each other for anything in the least). I didn't find myself emotionally invested in the characters in the sequel.
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