- Series: Music Theory in Britain, 1500-1700: Critical Editions
- Hardcover: 136 pages
- Publisher: Routledge (October 28, 2003)
- Language: English
- ISBN-10: 0754605159
- ISBN-13: 978-0754605157
- Product Dimensions: 6.2 x 0.5 x 9.2 inches
- Shipping Weight: 12 ounces (View shipping rates and policies)
- Average Customer Review: Be the first to review this item
- Amazon Best Sellers Rank: #14,467,907 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
A New Way of Making Fowre Parts in Counterpoint by Thomas Campion: and Rules how to Compose by Giovanni Coprario (Music Theory in Britain, 1500–1700: Critical Editions)
Use the Amazon App to scan ISBNs and compare prices.
'This is a valuable publication; it is good to have the content of the two treatises available in such an accessible form, while the interpretative and background material not only illuminates the treatises, but also places their content in a fairly wide historical context, particularly in relation to 16th- and 17th-century musical theory.' The Consort 'Wilson's volume is without doubt a most welcome transcription of two treatises whose importance has yet to be completely realized... Wilson's volume will surely prompt a reconsideration of the place of England, abstract instrumental music, and other genres in our interpretation of the early Baroque.' Music and Letters
About the Author
Christopher R. Wilson, The University of Reading, UK
Author interviews, book reviews, editors picks, and more. Read it now
|5 star (0%)|
|4 star (0%)|
|3 star (0%)|
|2 star (0%)|
|1 star (0%)|