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The Making of Star Wars: The Definitive Story Behind the Original Film (Star Wars - Legends) Paperback – April 24, 2007
| J.W. Rinzler (Author) Find all the books, read about the author, and more. See search results for this author |
Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published “lost” interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for an unprecedented behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the “little” movie that became a phenomenon. For the first time, it’s all here:
• the evolution of the now-classic story and characters–including “Annikin Starkiller” and “a huge green-skinned monster with no nose and large gills” named Han Solo
• excerpts from George Lucas’s numerous, ever-morphing script drafts
• the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking
• the grueling, nearly catastrophic location shoot in Tunisia and the following breakneck dash at Elstree Studios in London
• the intensive auditions that won the cast members their roles–and made them legends
• the who’s who of young 1970s film rebels who pitched in to help–including Francis Ford Coppola, Steven Spielberg, and Brian DePalma
But perhaps most exciting, and rarest of all, are the first interviews conducted before and during production and immediately after the release of Star Wars–in which George Lucas, the film’s stars, composer John Williams, effects masters Dennis Muren, Richard Edlund, and John Dykstra, Phil Tippett, Rick Baker, legendary production designer John Barry, and a host of others share their fascinating tales from the trenches and candid opinions of the movie that would ultimately change their lives.
No matter where you stand in the spectrum of this thirty-year phenomenon, The Making of Star Wars stands as a crucial document–rich in fascination and revelation–of a genuine cinematic and cultural touchstone.
- Print length324 pages
- LanguageEnglish
- PublisherLucasBooks
- Publication dateApril 24, 2007
- Dimensions11.25 x 1.05 x 10.45 inches
- ISBN-100345477618
- ISBN-13978-0345477613
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About the Author
Product details
- Publisher : LucasBooks; First Edition (April 24, 2007)
- Language : English
- Paperback : 324 pages
- ISBN-10 : 0345477618
- ISBN-13 : 978-0345477613
- Item Weight : 4.45 pounds
- Dimensions : 11.25 x 1.05 x 10.45 inches
- Best Sellers Rank: #343,676 in Books (See Top 100 in Books)
- #264 in Video Direction & Production (Books)
- #403 in Movie Direction & Production
- #734 in Movie History & Criticism
- Customer Reviews:
About the author

Former executive creative for 15 years at Lucasfilm, Rinzler wrote and directed an animated short "Riddle of the Black Cat," which was shown at numerous film festivals, including the Montreal World Film Festival. His adaptation of George Lucas's original rough draft became "The Star Wars" graphic novel and was a #1 New York Times best-seller.
Born in Lakewood, New Jersey; grew up in Manhattan/NYC and Berkeley, CA, J W Rinzler fell in love with old monster films, such as Dracula and Frankenstein, as well as Robin Hood and other adventure movies.
His historical-fiction novel ALL UP, a thriller about the first Space Age, from World War II to the Apollo 11 mission, will be out in July 2020.
"All Up is an exceptional book that takes the reader beyond the usual descriptions of the challenges and achievements of the first Space Age, by describing the human reality behind the extraordinary efforts of intelligence and will that made it all possible. Imagine if we could meet Wernher von Braun, Jack Parsons, and Sergei Korolev, and hear them speak about their lives, their failures and hopes and their eventual successes. That is the story told in All Up, a timely contribution at the moment America is seriously considering a return to the Moon, and a valuable guide to the stunning voyages to come."—Dr. Jacques F. Vallée, computer scientist, winner of the Jules Verne Award for science-fiction
“With its fascinating personalities that only Rinzler could describe, ALL UP can’t be put down.”
—David Mandel, Emmy–award winning writer/executive producer, Veep & Curb Your Enthusiasm
“Hang on for the jet-propelled ride of your life. You won’t want to stop till you find out how it all comes out!”—Roy Thomas, writer/editor, member Will Eisner Comic Book Hall of Fame
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Learn more how customers reviews work on AmazonReviewed in the United States on December 12, 2019
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This is a fantastic work, which spans the origins and creation of the film and includes insights into nearly every aspect of the filmmaking process. A true archive of both information and visuals, it is, in my opinion, a book that should be in the collection of every fan of the film. Highest recommendation.
This review is broken down by the following group areas - Written Content, Visual Collateral, Presentation/Quality, and Overall Value - focuses on the perspective of the original prop hobbyist, in that sometimes we are looking for photos pertaining to real, original props and editorial content is of less interest; other times, in performing research, we may be seeking information more so than photos, etc.
Written Content (10/10)
This is, quite frankly, the most impressive and comprehensive Star Wars resource I have ever laid hands on. Whereas the legendary Star Wars Chronicles set the mark some time ago, in my opinion, in terms of visual collateral and photos, it had little by way of actual written content - just remarks about the stunning photography and images.
This book matches the visual collateral in quality (though not sheer quantity) but far exceeds in the realm of pure information, narrative, background, insights, opinions, and more. You truly can't appreciate it until you begin flipping through this book - it's just astounding.
If anything, the reader gains an appreciation for how impossible it seems to be that the final product is what it is, in that it was such a collaborative process that underwent constant change and alteration, and it had so much stacked against it throughout the creation of the film.
As someone particularly interesting in story, character, and writing, I was especially captivated in following the development of the story and script itself, and its many and drastic changes.
But I would say that there is definitely something for everyone in this work. There is focus given to special effects, models, creatures/masks, acting, production, post production - it's all here, in a format that encourages a bit of "flipping around".
Visual Collateral (9/10)
Of course, some of the photos have been seen before, in various publications and elsewhere. But there is so, so much I'd never personally seen. An incredible amount of "eye candy". Description just can't do it justice.
Particularly interesting to me were some of the prototype props, such as the photos of the unpainted prototype R2D2 and the early lightsaber prototypes (think "flashlight").
There is a substantial amount of behind the scenes material as well as sketches and artist renditions, photos of models, sets, workshops, actors, etc.
As far as photos of actual props go, there are some excellent reference photos with great detail, which may be of some help to those lucky enough to have original pieces from A New Hope.
Between this book and Star Wars Chronicles, I think any fan would be happy with the amount of material covered in both books.
Presentation/Quality (9/10)
It's a nice-looking, squareish hardcover book with a reflective yet not "fingerprint magnet" jacket. I usually take the jacket off right away (I find them annoying) and the actual book is all black textured material with a gold signature across the front (I assume George Lucas).
The interior pages are of a high quality, and I get the impression it will hold up to handling quite well. Again, not of the "fingerprint magnet" variety (my biggest pet peeve with books - designed so as to discourage handling!).
The content of the book is laid out in good order and there is at least one photo on every page in the book; though the "all photo(s)" pages are few and far between, which is a distinct departure from the Chronicles style. This is just as much about information as it is the visuals, and the visuals truly compliment the editorial content.
Given the overall length of the book, things are broken up well enough to where you can read section by section or skip around based on interest.
I was a bit disappointed with the index. It is fairly comprehensive in listing actors and production members, as well as main characters, but is limited to mostly that (i.e. you can't look up "lightsaber" and find the references in the book). Not the biggest deal, but given how much content there is, going back and trying to find something after the fact is a huge challenge. An expanded index would have been a bonus, in that there is so much content to work through. One would truly have to read through the entire work once just to have an idea of how much is covered throughout the book.
In summary, it is a beautiful "coffee book-style" piece that is difficult to put down once you start flipping through it.
Overall Value (9/10)
The retail price is $75, which seems like a lot for a book. However, Star Wars Chronicles was $150 in initial release, and was fewer pages (320 vs 372) though it was 100% full color with pull outs and a slip case.
Given that it can be had via Amazon.com for $[...] and deeply discounted at other retailers as well, I think it is well worth the price of acquisition. It is a wealth of information, in a high quality book, with all full color photos throughout.
Conclusion and Overall Rating (10/10)
I would characterize this book as a "must have" for any Star Wars fan. It is a fantastic book with an incredible about of both written and visual content, much of which is unique to this release. Along with Star Wars Chronicles, I would say these are the two books any serious Star Wars fans should have in their library. Highly recommended. I can count the books in my collection that I would rate a "10" overall on one hand, and I have a pretty extensive library. Star Wars is, in my opinion, the most important film of my generation, and this book gives exclusive insights into the making of that legend.
Jason De Bord, Original Prop Blog
As a fan, I pride myself on knowing a decent amount of Star Wars trivia and folklore. Still, I was amazed at the things I learned in the book. It's been 33 years since the original film came out. I, like some many others, have grown up with the Star Wars mythos as part of the fabric of my life - it's easy to take for granted. For most of us, we don't really remember a world without Star Wars. (I'm also happy to say that I've passed my love of "Star Wars" done to both of my kids.) With that perspective, I found it fascinating to Lucas struggle to pull this new world together. You get to follow that evolution through four different versions of the script, and ultimately to what we all know and love from the film itself. You can see Lucas as he struggles to meld the ideas that he has, refine them down., and deliver a true "modern fairy tale". You also see his unyielding self criticism, and unhappiness with how the movie eventually turned out. It's easy to understand why he revisited the films in 1997 to "fix" them, and try to put on the screen the story he always wanted to (except for the Greedo incident - there he should have left well enough alone - Han ALWAYS shoots first. End of story).
Along with the evolution of the script, you get a good look at what it took to start a special effects company from scratch (ILM), and get a movie that no one believed in, made in the late 70's. There were many stories I had heard before - Luke Skywalker was originally called Luke Starkiller; and many that I had not heard - he was called Starkiller up until just shortly after principle photography had started. Lucas felt, with the Manson murders in the news, that Starkiller might not play well. They hadn't yet filmed the scene where Luke introduces himself to Leia in the Death Star prison cell, so the change was made.
If you are a "Star Wars" fan, or just a fan of movies, you should read this book. I am giving it five stars. I almost gave it four stars because it was so physically frustrating to read but, in the end, I just enjoyed it too much. "Star Wars" was a seminal event in film history, and I loved to get a look behind the scenes of how it came to be. Rinzler is publishing a definitive history of the making of "The Empire Strikes Back" - due out this summer. I've already got it in my shopping basket on Amazon.
Don't know how this 15 yr old book got by me. Glad Amz pointed me its way.
Great buy at 35 bucks too!
Oh, and mine arrived (Amz assoc seller) wrapped in two layers of bubble wrap BUT in a no crush zone box. Still, the PO/carrier didn't seem to abuse the pkg too much and only damage was a bott of spine crush and a 1/8" tear. Dj wasn't torn at all but it is def shelf worn w/ lots of rub marks. But again, no tears. My copy musta spent a lot of time in a warehs.
Top reviews from other countries
"The Making Of Star Wars" is a galactic size book, with 362 pages, dimensions of 263 x 289 x 35mm and weighing over 2.3kg. Almost everything is covered in detail, with colour and black and white photographs, diagrams, drawings, sketches, and a detailed narrative describing every step of the movie-making process.
There are twelve overflowing chapters. The opening one "Two Visions" starts in 1968, where early ideas for plots, themes, characters and weapons are described. Interestingly, George Lucas gained inspiration from the ongoing Vietnam War for plot and character ideas. And, his original name for a lightsaber was a "lazer sword".
The next chapter "Fighting Words" details rough drafts of the early scripts. "Flash Gordon" cartoon strips and the Errol Flynn movie "Captain Blood" were used as inspirations, especially the fighting scenes. At this point, the movie was called "Adventures Of The Starkiller".
Next, "Boundary Busters" contains detailed artwork of Darth Vader, C3PO, planets, the Death Star and many vehicles. And, early storyboards show plot outlines developing, with some being retained unchanged in the final movie.
"Frenzy" shows the model creation process for many vehicles, including the iconic Sandcrawler, Star Destroyer and Tie Fighters.
"Purgatory" has an early design of an overweight and bulky Chewbacca - luckily he was slimmed down for the final movie! Colourful location shots from Tunisia representing Tatooine are very atmospheric. And photographs from auditions for Princess Leia and Luke Skywalker show that Carrie Fisher and Mark Hamill may not have been cast in these roles - how different things could have been!
"Rise Of The Poetic State" has brilliant images of Chewbacca's face mask, designs for R2D2, the design process of Luke's Landspeeder and a large model of the Millennium Falcon.
"Mindstorms In The Sand" covers the sometimes difficult filming in the Tunisian desert, with fantastic colour photographs of Luke, Obi-Wan, C3PO and R2D2.
"Faster Than A Speeding Freight Train" describes that Princess Leia's memorable ear-muff hairstyle was inspired by photographs of traditional Native American women.
"Vanishing Point" has a wonderful large image of Han Solo, Chewbacca, Luke and Leia in the cockpit of the Millennium Falcon - possibly the best photo in the entire book.
"Ace-People And The Wizards" describes the ground-breaking special effects, sound and editing processes which were used after filming.
"Celluloid Transfiguration" shows how a real elephant was dressed up in a costume to portray a Bantha - amazing that this is how they did it!
Finally, "Fairy-Tale And Cinema" has loads of posters, press releases and media reaction from the unbelievable opening of the movie.
Overall, this is a truly incredible book which gives a detailed insight into the making of one the most memorable and ground-breaking movies of all-time.
bought a copy for Her birthday as a companion piece to a StormTrooper
helmet also sourced from within these pages. She's a very happy bunny!
It's a big hardback book, measuring 30 cms x 27cms and weighs a ton.
I'm not a hardcore aficionado but from what I am able to deduce 'The
Making Of Star Wars', published in 2007, assumes the status of something
approaching the Holy Grail among fans of the 1977 classic movie. It is packed
full of photographs, illustrations and diagrams; fascinating production details and
interviews with both cast and crew. It's quite likely that I will even read it myself!
The Force would appear to be alive and well in The Wolf Cave these days!
Highly Recommended.
The more I read the more astounded I was by the magnitude and complexity of what Lucas was trying to accomplish for the time, and I have come to better understand why he made several alterations to the movie afterwards, such as with the 1997 Special Editions. Lucas himself admits that he was disappointed in how Star Wars turned out because he hadn't been able to (due to budget and time constraints) completely realize the vision he had had at the beginning. Towards the end of the book, Ben Burtt (Star Wars's sound guru) recognizes they were only able to achieve about 30% of what they had originally intended to sound-wise and it's evident Lucas wasn't satisfied with the visual effects, among other things. I wonder if he'll ever be satisfied with how any of his movies turned out, though having read this book I'd say no. It's such a shame he didn't win the Academy Award for Best Director at the time because I think he probably deserved it the most out of all the nominees (then again, Lucas has never been a Hollywood darling, more of a pariah).
If you're a Star Wars fan or if you're remotely interested in filmmaking, I would heartily recommend giving Rinzler's "The Making of Star Wars" a thorough read. It covers everything you might be interested in, from the many drafts Lucas had to write before getting the story right, to how Ralph McQuarrie's art and Joe Johnston's models worked off each other to build the look and feel of the first Star Wars movie, or how Lucas and John Williams figured out the right music for the film. And I'm only mentioning a handful of people here but there were many, many, more talented people involved in this process, and mentioned throughout the book, that made important contributions to Star Wars who, fortunately, were recognized during the 50th Academy Awards, people like John Mollo in the costumes department; Paul Hirsch, Marcia Lucas, and Richard Chew, for the editing; or John Stears, John Dykstra, Richard Edlund, Grant McCune and Robert Blalack, for the visual effects.
J.W. Rinzler has accomplished something truly marvelous in writing this book and I am eagerly looking forward to "The Making of The Empire Strikes Back." Until then!
PS: Be warned, the font is somewhat small.
Reviewed in the United Kingdom 🇬🇧 on September 27, 2016











