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The Making of a Story: A Norton Guide to Creative Writing Reprint Edition
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A Los Angeles Times bestseller: wonderfully lucid and illuminating, Alice LaPlante’s guide to writing fiction “recalls Francine Prose’s bestseller, Reading Like a Writer” (Library Journal).
The Making of a Story is a fresh and inspiring guide to the basics of creative writing―both fiction and creative nonfiction. Its hands-on, completely accessible approach walks writers through each stage of the creative process, from the initial triggering idea to the revision of the final manuscript. It is unique in combing the three main aspects of creative writing instruction: process (finding inspiration, getting ideas on the page), craft (specific techniques like characterization), and anthology (learning by reading masters of the form). Succinct, clear definitions of basic terms of fiction are accompanied by examples, including excerpts from masterpieces of short fiction and essays as well as contemporary novels. A special highlight is Alice LaPlante's systematic debunking of many of the so-called rules of creative writing. This book is perfect for writers working alone as well as for creative writing classes, both introductory and advanced.- ISBN-100393337081
- ISBN-13978-0393337082
- EditionReprint
- PublisherW. W. Norton & Company
- Publication dateJanuary 11, 2010
- LanguageEnglish
- Dimensions6.1 x 1.8 x 9.3 inches
- Print length677 pages
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Editorial Reviews
Review
― Book Passage
"Comprehensive in its coverage of inspiration, craft, aesthetics, veracity, and purpose, this one-stop guide to writing is casual in tone and rigorous in content, elucidating the nature of diction and nonfiction and clarifying the qualities unique to each and common to both. Each chapter contains an explication of such subjects as point of view, characters, and narrative structure; writing exercises; and an illustrative story by the likes of Tim O’Brien, ZZ Packer, Lorrie Moore, John Cheever, and Maxine Hong Kingston. Expansive, clear, and sophisticated, LaPlante’s richly resourced guide is destined to become a standard."
― Booklist
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- Publisher : W. W. Norton & Company; Reprint edition (January 11, 2010)
- Language : English
- Paperback : 677 pages
- ISBN-10 : 0393337081
- ISBN-13 : 978-0393337082
- Item Weight : 1.65 pounds
- Dimensions : 6.1 x 1.8 x 9.3 inches
- Best Sellers Rank: #18,602 in Books (See Top 100 in Books)
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However.
Perhaps I have beaten you to "the making of a story". The book has won my willingness to diverge from my obsessions if only to say, this is one you do not want to miss. Not if you're a student of writing, a teacher of writing, a critic.... Not if you are a writer.
For two decades, I have been all three of these and in some fashion I will remain all three for the duration of my life. And though forever a student of writing, it has been eons since I have purchased a book on the craft.
"the making of a story" is a large volume--a resource to turn to, right? Well yes, it is that. I will return again and again to thumb through the pages and pick and choose according to timely interests. By the look of the volume, that's all I assumed I'd ever do. The assumption was made upfront at the time of purchase, something I didn't intend in the first place, as the classics from back in the day when I took up the craft equipped me with the tools, a rather defined set of tactics--wielding active voice, strong verbs, detail, showing verses telling, avoiding wordiness, the rhythm of the written word and the imitation of speech, parallel expression and pattern variation, usage, style, originality, imagery, editing--that transform correct writing into captivating snapshots of life.
But I had in my hands a copy of Alice LaPlante's book. No, I didn't dribble away my time at a brick and mortar (sorry Borders). I attended the San Francisco Writer's Conference and waiting to meet with an editor, I visited the book table. Again, I didn't intend to purchase the book. I simply picked it up. I'm a writer, which is to say I'm curious. I picked up nearly every book on the table and rustled each of their pages in quick survey. What sold me on Ms. LaPlante's book was a heading, a single heading. That's all I read, the bold print line that said, Write what you know about what you don't know. Hunh? The angle started spinning plates in my head, one of them saying that if there are just a few similar nuggets in this text, which is 1¾ inches thick, then I've struck gold.
Since I had to fly home, I didn't buy the book on the spot. I wrote down the name, went to my meeting, and returning home, now seated at my computer, I clicked on the blue "e". Good old Amazon delivered "the making of a story" to my door a few days later. Again, I flipped through it, thinking, Voila! I found a nice addition to my reference library, and decided that I'd set aside my novel and read a bit before tucking it away on its shelf.
That was a week ago, and like a good novel, I can't put the book down. Can you imagine? An instructional book? A reference? And you can't drag yourself away? Unheard of!
I write about ten hours a day. As I'm trying to finish a novel, I'm at my keyboard seven days a week. I haven't put a dent in Ms. LaPlante's book, but I can tell you that it's already made its way to my pages. Just moments ago, I was showing what a character saw when, instead, I "showed" by describing what he heard. Yes, I knew to draw from all the senses, but Ms. LaPlante raised what I knew to a new level. I am certain my writing will follow.
This book is a rare find. Whatever stage in your writing career, you will profit immeasurably from the insights, examples, and inspiration contained in its 650-plus pages. Enjoy!
The Making of a Story: A Norton Guide to Creative Writing
It has been true throughout my life that the more I learn about something — the more I peer into its technical specifics and the precise mechanisms by which it works — the less enchanted I am with the actual product of that work. It’s been true for everything from math and engineering to high art. This book has been a really wonderful break from that, and the medium maintains it’s magic for me even as I pick it apart.
My best guess is it’s because we are looking into something as bottomless as the human experience.
Sensationalism aside, it’s a great great book and I’d recommend to anyone trying to write or appreciate the writing of others more.
Overall would recommend if your interested in literature analysis or writing.
I remember going to the University of Kentucky basketball camp when I was in 8th grade. One of the lessons I still learn from today was when a former UK point guard said, "Practice against people who beat your ass. Then you will keep getting better. If you're the best on the court, you aren't learning, they are." The principle is the same here.
The amazing thing about this is that Alice undoubtedly had to pay a lot to have all of that work in the book. This is why most writing manuals are full of the opinions and axioms you've heard from nearly every writing manual out there. The authors don't have to go through the hard work of reprinting the work of others and can just grab the money the book will generate. When you fill your manual full of great work, you share the wealth with all of them and spend a lot of time attaining the rights to reprint. What does this tell us about this book?
It tells us that Alice LaPlante is more interested in helping writers improve and reach their goals than making as much money as possible. I respect her immensely for this.
This manual, if you will take the advice to heart and pour through and not only skim the examples will absolutely make you a better writer. I have no doubt. Highly recommended.
Each chapter offers an insightful lesson and examples, followed by exercises to apply the lesson (the exercises even have student examples), and at the end of each chapter, there are reprints of stories for consideration and analysis.
If you could only afford one book, this is the one to get. It covers everything you need to start or support your writing journey. Its only weak point is that it could cover setting more. For setting, I would highly recommend Mary Buckham’s A Writer’s Guide to Active Setting.














