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A Man for All Seasons
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Product Description
Adaptation of Robert Bolt's play about Sir Thomas More, a Catholic statesman in England who rebelled against Henry VIII's self-proclaimed status as the head of the Church of England and paid for his religious beliefs by having his head exhibited on London Bridge.
Amazon.com
Robert Bolt's successful play was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make A Man for All Seasons, as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint." Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savoring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : s_medG G (General Audience)
- Product Dimensions : 7.75 x 5.75 x 0.53 inches; 4 Ounces
- Director : Fred Zinnemann
- Media Format : Multiple Formats, Anamorphic, Closed-captioned, Color, Full Screen, NTSC, Widescreen
- Run time : 2 hours
- Release date : January 26, 1999
- Actors : Paul Scofield, Wendy Hiller, Leo McKern, Robert Shaw, Orson Welles
- Subtitles: : English
- Producers : Fred Zinnemann
- Language : English (Dolby Digital 2.0 Mono)
- Studio : Sony Pictures Home Entertainment
- ASIN : 6305252564
- Number of discs : 1
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Best Sellers Rank:
#77,214 in Movies & TV (See Top 100 in Movies & TV)
- #17,163 in Drama DVDs
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Leo McKern gives an Oscar performance, but he couldn't win because he plays a villain.
The refrain, "This isn't Spain, this is England!" intended to justify the wrongdoing, actually has a sinister irony, since what is going on at the court of Henry the 8th is no different from the cruelties of the Spanish Inquisition.
The voice under the end credits tell us what we need to hear after the tragedy: "Cromwell was headed five years later for high treason, the Archbishop was burned at the stake. The Duke of Norfolk should have been beheaded, but the King died of syphilis the night before."
Many think this the best film of all time. If it isn't, it's certainly close.
Top reviews from other countries
However, no amount of re-scanning could improve upon what I personally consider to be the height of Directorial expertise and superb acting performances from the whole cast. It also achieves something that many films depicting this era; it seems to bring that era to life.
One more however, however, there are two versions in book and film form as to the character of Sir Thomas More; one as a devout Catholic who will not go against the literal command of the bible and one as a Fundamentalist Catholic who was prepared to put men to the rack in order to save their soles, as in the series Wolf Hall (Well worth watching).
As a convinced atheist, the religious goings in the play simply confirm my rejection of the existence of a God but, by ignoring this aspect of his portrayal in this film and Wolf Hall I find no clash with the religious plotting that brought Sir Thomas More to his end.
Quite simply, if you haven't seen this film then for the past 53 years you have been denying yourself the opportunity to experience a true masterpiece.
The story focuses on Sir Thomas More's friendship with Henry VIII and the king's ease with More. That is, until Henry decides he wants to divorce his Spanish wife, Katherine of Aragon, who has failed to produce a son that lives beyond early childhood. More become Lord Chancellor of England and clashes with the king's efforts to secure a divorce. He resigns his office and retires to his home in Chelsea..
The king, superbly played by Robert Shaw, is a mercurial man, given to sudden rages and tirades when only minutes before he is discussing the lilac in More's garden. Robert Shaw made a wonderful Henry VIII (complete with auburn hair and green eyes) and was truly terrifying. Paul Scofield as the devoutly Catholic More battles with his conscience and refuses to sign the Oath of Supremacy, a legal document that all have to sign, acknowledging Henry VIII as Supreme Head of the Church in England. Many will die for their refusal to sign. Thomas More is resolute in his decision, is sent to the Tower of London, and is subsequently beheaded.
The supporting cast: Nigel Davenport, Suzannah York, Wendy Hiller, John Hurt, and lastly Leo McKern as Thomas Cromwell are all excellent. Orson Welles, resplendent in his cardinal's robes, is enormously fat and fills the space of his small office when interviewing More. Cromwell, who becomes More's implacable enemy, is listening at the door.
Paul Scofield played More in a very understated way and shows a stubborn will, despite being harried and dragged to interrogation in the middle of the night.
The music, photography and mood of Tudor England at its most dangerous is vividly used. One favourite scene is when Henry VIII is on the river Thames dropping in on a 'surprise' visit to More at his Chelsea home. Henry is in his element, watching his courtiers getting their finery mud-splattered.
A great film for anyone interested in Tudor history, although Hilary Mantel's portrayal of Sir Thomas More is not like this one. Certainly Thomas Cromwell is portrayed as a ruthless and rather thuggish personality who will do anything that Henry VIII wishes, whereas his predecessor Cardinal Wolsey failed in this. Mantel shows a rather different More, whereas this film shows him only in his opposition to Henry VIII. Heresy is only touched on and More does not mention the persecution and burning of them (something he did with great zeal), apart from a discussion with his future son-in-law and his views on Luther.
The fearful apprehension of the King’s power and that temperament of what “might come next“.
The position Cardinal Wolsey put Thomas More in by naming him as his successor (if he did) knowing full well More could not reconcile the King’s wishes for divorce by rationalising his marriage as not “legal”.
Paul Schofield depicts the person of Thomas More, the writing is carefully thought out.
Raises discussion about the Pope, Christian belief, and a massive turning point in British history, all brought about by one man, a King, who was so worried about accession, needing a son, and the accession of female off spring.
Fascinating.
I don't want to spoil the plot for anyone who hasn't seen it yet, so I will simply say that it is an excellent film of an excellent play, with excellent acting.
Anyone with an interest in questions of ethics and morality will find this an interesting and absorbing film, which rewards being watched and re-watched, and will also provide much material for discussion and reflection.
Highly recommended.
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