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A Man of Misconceptions: The Life of an Eccentric in an Age of Change Hardcover – November 8, 2012
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An Atlantic Wire Best Book of 2012
A New York Times Book Review “Editor's Choice”
The “fascinating” (The New Yorker) story of Athanasius Kircher, the eccentric scholar-inventor who was either a great genius or a crackpot . . . or a bit of both.
The interests of Athanasius Kircher, the legendary seventeenth-century priest-scientist, knew no bounds. From optics to music to magnetism to medicine, he offered up inventions and theories for everything, and they made him famous across Europe. His celebrated museum in Rome featured magic lanterns, speaking statues, the tail of a mermaid, and a brick from the Tower of Babel. Holy Roman Emperors were his patrons, popes were his friends, and in his spare time he collaborated with the Baroque master Bernini.
But Kircher lived during an era of radical transformation, in which the old approach to knowledge—what he called the “art of knowing”— was giving way to the scientific method and modern thought. A Man of Misconceptions traces the rise, success, and eventual fall of this fascinating character as he attempted to come to terms with a changing world.
With humor and insight, John Glassie returns Kircher to his rightful place as one of history’s most unforgettable figures.
- Print length352 pages
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateNovember 8, 2012
- Dimensions6 x 1.25 x 9 inches
- ISBN-101594488711
- ISBN-13978-1594488719
Editorial Reviews
From Booklist
Review
—Mark Kurlansky, author of Cod and Salt
“I’ve been waiting my entire adult life for someone to write a popular biography of the loopy, ingenious scholar-priest Athanasius Kircher, and John Glassie has delivered marvelously. A man of insatiable curiosity and staggeringly diverse intellectual passions, Kircher may have been the greatest polymath of all time—or at least the most eccentric.”
—Joshua Foer, author of Moonwalking with Einstein
“Glassie brings the ultimate mad professor Athanasius Kircher vividly to life, revealing him to be a kind of cross between Leonardo da Vinci and Mr. Bean. A most entertaining foray into the history of science.”
—Ross King, author of Brunelleschi’s Dome
“A marvelous insight into the mind of one of the world’s most eccentric thinkers. Glassie brings Kircher to life—and what a life it is!”
—Adrian Tinniswood, author of The Verneys and Pirates of Barbary
“What a brilliant and revealing book about a fascinating character, one I had no previous knowledge about. Glassie’s genius is to make Kircher and his era come alive for us centuries later in such a way that I can hear and touch him.”
— Abraham Verghese, author of Cutting for Stone
"This fascinating biography of the Renaissance polymath Athanasius Kircher explores the birth of modern science through the life of one of the last pre-modern geniuses."
—The New Yorker
“[A] brisk new biography...stirring…with impressive verve and un-Kircherian concision.”
– The New York Times
“In his quirky biography of Athanasius Kircher … Mr. Glassie uses Kircher as something of a comic foil to show how erroneous ideas about investigating nature helped lead to modern science... [A] spirited telling."
—The Wall Street Journal
“You will come away from Glassie's book ... feeling inspired by the incredible inventive spirit of the man behind such creations as the ‘cat piano’ and ‘the speaking trumpet’ — and at the same time a bit sad that such characters as Kircher have been left mostly forgotten in the winds of time. You'll feel more knowledgeable about everything because of this book.”
— The Atlantic Wire
“Hooh boy! ... Why do I love Kircher so much? Chalk it up to the man’s passion for scientific inquiry, and his boundless curiosity about how the world works.”
— Scientific American
“Glassie’s biography ... brings into stark relief the pressures of the intellectual climate he lived in ... a time when witch trials flourished, prevailing logic said bees spontaneously generated from dung, and when it was widely believed that something called the vegetable lamb plant of Tartary produced actual sheep as its fruit.”
— The Daily Beast
"In the course of his life, Kircher opined, almost invariably incorrectly, about the nature of light, magnetism, and the geography of the earth…Glassie has a genuine affection for Kircher despite the latter's laughably bizarre theories and self-aggrandizing egotism. In fact, the author's affection humanizes Kircher, making him oddly credible."
—Publishers Weekly (starred review)
“An entertaining reminder that skepticism can be good.”
—Library Journal
“excellent…An entertaining and enlightening biography of a man who has been, probably unfairly, almost entirely left out of the history of science.”
—Booklist
"His sharp eye for the absurd helps Glassie make Kircher's story interesting and superbly human.... Glassie tells Kircher's complex story with humor and genuine passion, using fascinating details to bring us into Kircher's world. "
— Bookslut
"What makes A Man of Misconceptions fascinating is how it sets the intellectual scene of the 17th century ... and it's that clarity of scene that helps make sense of a contradictory character."
—Mental Floss Magazine
"Fun and magisterial ... A simply fascinating book about a fascinating figure."
— Baltimore City Paper
"Very entertaining."
— NPR's "Science Friday"
About the Author
Product details
- Publisher : Riverhead Books; First Edition (November 8, 2012)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 1594488711
- ISBN-13 : 978-1594488719
- Item Weight : 1.05 pounds
- Dimensions : 6 x 1.25 x 9 inches
- Best Sellers Rank: #2,888,274 in Books (See Top 100 in Books)
- #1,318 in Historical Germany Biographies
- #8,125 in German History (Books)
- #10,052 in History & Philosophy of Science (Books)
- Customer Reviews:
About the author

John Glassie is the author of A Man of Misconceptions, a non-fiction book about a great and strange 17th-century genius/crackpot named Athanasius Kircher. An editor for The New York Times Magazine, John has written for The Believer, The New Republic, The Paris Review Daily, Salon, and Wired, as well as The New York Times. In addition to many articles about books, the arts, and ideas, he has interviewed dozens of public figures, from Gene Simmons to Anita Hill to Jhumpa Lahiri.
Glassie's photographs of bikes on the streets of New York became the basis of a 2005 book, Bicycles Locked to Poles, published by McSweeney's, and the subject of an exhibition at Jen Bekman Gallery in New York. At certain odd times he has also exhibited paintings, constructions, and video. John teaches at the Pratt Institute and has given talks or participated on panels at BAM (Brooklyn Academy of Music), Columbia University, Loyola University in New Orleans, The New School, The CUNY Graduate Center, and The University of Iowa. He grew up near Washington, D.C., and went to The Johns Hopkins University in Baltimore. He lives in Brooklyn.
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Athanasius Kircher was a Jesuit priest who lived through the beginnings of the scientific revolution in the early seventeenth century. He spent much of his career as the mathematics chair at the Collegio Romano. His writings were extensive and his interests varied. His books covered countless topics from volcanism and magnetism to hieroglyphics and spontaneous generation to just about anything else in which an intellectual might interest himself. The problem is, this hard-working polymath who presented hypothesis after hypothesis was invariably vague or completely wrong.
In and of itself, this might lead to some fun reading; however, Kircher isn't the right character for this type of biography. The reason is, Kircher appears to be more of a plagiarist and liar than a true intellectual. Much of the best parts of his books are ripped off from other authors. His main claim to fame during his life, his ability to translate hieroglyphics, was a complete fabrication. His deceptions were so obvious that many of his contemporaries were skeptical of his work even in the credulity of the age. (Glassie also makes the poor decision to compare Kircher to some of the bright lights of the age, including Newton, which doesn't really play very well.)
This is not to say that Kircher didn't produce anything of value. His collaboration with Bernini on the Fountain of the Four Rivers remains an artistic highlight. In fact, it is through his collaborations, both intentional and unintentional, where Kircher made his mark. At the Collegio Romano Kircher was a leader as a collector and disseminator of Jesuit knowledge from outposts around the world, including putting together a highly regarded museum of curiosities. Also, many intellectuals were influenced by Kircher's work, whether it be to integrate it into art or debunk it to produce useful science.
In the end, though, Kircher's achievements don't compensate for his intellectual dishonesty and overarching pride. Reading about him becomes increasingly irritating as the book goes on. By the time we reach the end of his life, where he is trying to shore up his crumbling reputation, it feels like Glassie has stepped into Kircher's shoes in an attempt to save his reputation, but it just doesn't work.