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The Man Who Never Died: The Life, Times, and Legacy of Joe Hill, American Labor Icon Hardcover – August 30, 2011
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- Print length448 pages
- LanguageEnglish
- PublisherBloomsbury USA
- Publication dateAugust 30, 2011
- Dimensions6.51 x 1.51 x 9.46 inches
- ISBN-101596916966
- ISBN-13978-1596916968
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About the Author
William M. Adler is a freelance writer who has contributed to numerous publications, including Esquire, Rolling Stone, Mother Jones, Texas Monthly, and the Texas Observer. He is the author of Land of Opportunity, about the rise and fall of a crack cocaine empire, and Mollie's Job, following the flight of one woman's factory job from the U.S. to Mexico. Adler lives with his wife and son in Denver, Colorado.
Product details
- Publisher : Bloomsbury USA; 1st edition (August 30, 2011)
- Language : English
- Hardcover : 448 pages
- ISBN-10 : 1596916966
- ISBN-13 : 978-1596916968
- Item Weight : 1.45 pounds
- Dimensions : 6.51 x 1.51 x 9.46 inches
- Best Sellers Rank: #943,146 in Books (See Top 100 in Books)
- #420 in Folk & Traditional Music (Books)
- #431 in Labor & Industrial Relations (Books)
- #452 in Country & Folk Composer Biographies
- Customer Reviews:
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About the author

William M. Adler has written for many national and regional magazines, including Esquire, Rolling Stone, Mother Jones, and the Texas Observer. In addition to The Man Who Never Died, he has authored two other books of narrative nonfiction: Land of Opportunity (Atlantic Monthly Press, 1995), an intimate look at the rise and fall of a crack cocaine empire, and Mollie's Job (Scribner, 2000), which follows the flight of a single factory job from the U.S. to Mexico over the course of fifty years. His work explores the intersection of individual lives and the larger forces of their times, and it describes the gap between American ideals and American realities. Adler lives with his wife and son in Colorado.
For more information about Adler and The Man Who Never Died, including tour dates, samples of Joe Hill's songs, and a gallery of archival images, see themanwhoneverdied.com
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William M. Adler makes all of this clear in his fine biography, "The Man Who Never Died -- The Life, Times, and Legacy of Joe Hill, American Labor Icon." In fact, Adler probably comes closer than anyone to writing the definitive account of Hill's sad story, and to conducting the most thorough investigation possible of the crime for which he was killed. But what makes this book especially fascinating is the way that Adler's research supports his subtitle. Throughout this tale, he gives events of 100 years ago a powerful contemporary relevance in terms of how what happened then can still teach us lessons today.
Then as now, economic inequality was a very real problem in the United States. As Adler notes in his Introduction: "A federal study in 1915 found one-third to one-half of the population living at a `near-starvation level' while 2 percent of Americans owned 60 percent of the nation's wealth."
Under these conditions, the radical Industrial Workers of the World (IWW, or "Wobblies" for short) took the opportunity to challenge corporate management with a form of "direct action" that had never been used as effectively in this country before. The Wobblies shunned the softer tactics of the more employer-friendly American Federation of Labor, and constantly pushed for "One Big Union" to demand better treatment for all working men and women. They pursued this mission through a creative combination of organizing blue-collar citizens from the street level up and spreading their message with some of the first commercial folk/protest songs.
The latter is where Joe Hill came into the picture because of his natural talent for writing topical lyrics set to popular tunes of his time. As Hill said himself, "A pamphlet is never read more than once, but a song is learned by heart and repeated over and over." In this vein, the popular expression, "you'll get pie in the sky when you die" comes straight from Hill's "The Preacher and the Slave" composition that followed the melody for "In the Sweet By and By."
The prosaic details of the double murders that Hill was convicted of seem mundane when compared to the scope of the forces involved in condemning him to the death penalty. Sometime between 9:45 and 10:15 pm on Saturday, January 10, 1914, two masked men burst into the Salt Lake City grocery store of John G. Morrison. One of the intruders shot and killed Morrison, a former city policeman, along with his son Arling, while Morrison's younger son, Merlin, may or may not have witnessed the crime from the back of the store.
This was not the first time someone had tried to hold up the elder Morrison, but on this occasion it appeared that Arling had managed to produce a gun and return fire during the attack. Coincidentally, later that night, Joe Hill turned up at a local physician's house, asking to be treated for a bullet wound he had taken to his chest earlier in the evening. Other than this circumstantial evidence, there was nothing to link Hill to the homicides of Morrison and his boy. Young Merlin could not even positively identify Hill as the gunman. More than that, the police initially arrested another suspect who seemed far more likely to be the murderer. His booking name was Frank Z. Wilson, but that was just one of numerous aliases for the man originally known as Magnus Olson, who -- unfortunately for Joe -- not only looked very much like Hill but was also a fellow immigrant with many of the same characteristics.
Adler builds a convincing case that Wilson was the real murderer of the Morrisons, citing police records that indicate Wilson had a violent history, was acting suspiciously near the scene of the hold-up later that night, and had been on a serious crime spree in the days immediately before and after the grocer and his child were killed. However, for reasons which still remain unclear, the detectives apparently believed Wilson's proclamations of innocence and let him go ... whereupon he continued to break the law and commit more acts of violence, eventually even getting caught up in the notorious 1929 St. Valentine's Day massacre in Chicago.
This is where things get complicated and the investigation takes a twist. Alerted by the doctor who treated Hill's bullet wound to the chest, the police picked up Joe at the house where he had been staying with friends, and brought him to the station for questioning. Once under interrogation, Hill denied murdering the Morrisons, but refused to say how he was shot on the night of the crime.
That stubbornness would doom him to the grave, and for many years the mystery has been why Hill never provided the alibi that could have saved his life. This is where Adler has uncovered some startling new information that strongly suggests Hill was unfairly tried and wrongly executed. At the same time, the author advances a plausible theory for what kept Hill silent when his very existence was at stake.
Born Joel Emanuel Hägglund in Gävle, Sweden, on October 7, 1879, the young man immigrated to the United States in 1902 and soon Americanized his name to Joe Hillstrom before shortening it still further to Joe Hill. Little is known of his first few years here, but he is believed to have worked his way west, doing odd jobs wherever he could, appearing in Cleveland in December 1905, and witnessing (and writing about) the great San Francisco earthquake of April 1906, before eventually joining the Wobblies in Portland sometime around 1908. As an itinerant "bindlestiff," or low-wage working man, Hill was just one more nobody traveling across the country and trying to eke out a living in a particularly difficult environment where there was plenty of cheap labor for business to exploit. He often suffered the indignities common to immigrants of that era, but as the IWW's bard-in-residence, Hill discovered a higher purpose.
This is the context in which the drama that killed him unfolded. So when he was arrested for the Morrison murders, Hill finally had a reputation to uphold. Initially, he told the surgeon who treated his chest wound that another fellow had shot him in a dispute over a woman, but then said he did not wish to discuss the matter further. At his trial, despite the constitutional protection of the Fifth Amendment supporting his refusal to testify, Hill's silence cost him dearly. His unwillingness to provide an alternative explanation, rebutting the prosecution's claim that he was injured during the hold-up at the grocery, apparently sealed his fate.
Now, in "The Man Who Never Died," Adler produces some proof that Hill's wound on the night of the murders did indeed result from a jealous spat over a lady Joe was involved with at the time. The new evidence comes from the woman in question herself. In 1914, Hilda Erickson was engaged to Hill's friend Otto Appelquist when he and Hill were both staying at her parent's house. However, Erickson apparently became smitten with Joe and broke off her engagement with Appelquist. Erickson describes what occurred next in a letter she wrote to a scholar researching Hill's case in 1949.
"... Joe was wounded on the same night as the Morrison case," she recalled. "I came home from Salt Lake the following Sunday afternoon. I saw Joe in my grandmother's parlor. He was lying on her old-fashioned iron cot. ... I asked him what was the matter. ... He finally told me that `Otto shot him in a fit of anger.' ... When I heard this about Otto I was very angry myself, then I knew that Otto went away because Joe may die. But when I heard about the Morrison case, I was bewildered and did not know what to think. I saw Joe every Sunday afternoon in the Salt Lake jail. I would speak English to him, but he would talk Swedish to me in a low voice and tell me not to say a word because he was innocent of the Morrison case. Therefore the state of Utah could not prove him guilty."
Quite the contrary, given the anti-union sentiment in Salt Lake City, and the sensational nature of the Morrison case, a jury hand-picked by the judge had no problem convicting Hill, based largely on his failure to provide an alibi. Joe's name as a well-known propagandist for the IWW, and a writer of subversive songs, certainly did not help him either.
But why did Hill stay quiet when the Utah Supreme Court -- in an astonishingly cynical legal decision -- confirmed the outcome of his trial, and it gradually became obvious that he would not be given another? The issue seems to have come to a head at the Utah Board of Pardons hearing in which the state's chief judicial officials allegedly offered Hill an unconditional pardon if he would only tell them how and why he was shot on the night of the murders. According to Adler, Hill responded through his lawyer with "a one-sentence valedictory," saying: "Gentlemen, the cause I stand for, that of a fair and honest trial, is worth more than human life -- much more than mine."
At that moment, you can practically see the gears of the legal and political machinery click into place, with the inevitability of Hill being ground into dust the only possible conclusion. As Adler puts it, "Already enshrined by labor as an icon of courage and resistance, Hill had reached that extraordinary place that martyrs come to: the belief that he was worth infinitely more to the cause as a symbol than as an individual, and that by dying a dramatic death, the symbol would live in perpetuity."
In some respects, Hill's situation appears similar to that of Private Eddie Slovik, the U.S. Army soldier who would be executed for desertion during the last days of World War II nearly 30 years later. In both cases, one gets the sense that those in charge did not really want to kill him, and that the condemned man probably would have been granted clemency if he would only compromise his conscience, respect their authority, and accept a future of disgrace. Neither Hill nor Slovik was willing to make that trade. Ultimately, each was a prisoner of his principles as much as anything else.
The rest is nearly anti-climactic. President Woodrow Wilson wrote to Utah Governor William Spry and got him to postpone Hill's execution once, but Spry refused his second request. Hill penned a final plea in which he urged his union comrades to continue organizing workers instead of mourning his death. And he composed a beautifully poetic last will and testament in which he wished all his followers good luck with the struggle that would have to go on without him.
Altogether, Adler has done an excellent job of bringing Joe Hill's life and times back into focus, and explaining why the case still resonates with us today. However, it must be said that he also makes a serious unforced error in describing some of the events in which the labor union movement was involved as Hill's case played out.
The biggest mistake is Adler's careless references to the bombing of the Los Angeles Times building on October 1, 1910. Although it is now generally accepted that union activist James B. McNamara set the bomb that killed 21 newspaper employees and injured hundreds more (even the famous defense lawyer Clarence Darrow could not get him acquitted), Adler continues to give credence to a few union leaders who claimed that a gas leak was responsible for the explosion and fire. The author's failure to set the record straight on this score undermines his credibility in general, and the reader is left to wonder how much Adler's bias toward the union cause has affected his judgment in other areas.
That being said, "The Man Who Never Died" remains one of the best biographies I have read in the past year, and I would highly recommend it for anyone interested in Joe Hill's singular experience as the troubadour of the American labor movement.
Hill, an immigrant laborer, fled life in the religiously intolerant Sweden for the American dream after his parents died. Rather than discovering the promised vision of freedom, he found economic injustice, deplorable working conditions, bare, meager wages, a low standard of living, and controlling, inhumane bosses.
Joe got involved with the I.W.W. (the Wobblies) movement in several cities where he worked organizing rallies for the union and ultimately rose to fame due to his exceptional talent for writing about current conditions, which he set to popular tunes. His songs, infused with irony and humor, stand up as some of the best folks songs I've ever heard.
After following the work flow to a series of towns and going to Baja California in 1910 to take part in the Mexican Revolution along with Mexican allies of similar radical persuasion, Joe and another Swedish immigrant, Otto Appelquist, ended up at a boarding house outside of Salt Lake City, Utah. There, Hill and Appelquist both had their eye on the same young woman, Hilda Erickson, to whom Otto became engaged. On the same night Grocer John G. Morrison and his son Arling were murdered at their store, Joe turned up at a physican's house with a bullet wound. He told the doctor he was shot by a romantic rival. Hilda had recently broken off her engagement to Applelquist, and Hill, a songwriter, wrote Hilda two love songs before she broke off it off with Otto.
Alder goes into diligent detail about another fellow in town who went by the alias Frank Z. Wilson, one of many fake identities. Wilson, somewhat of a Hill look-a-like, was a staunch career criminal with a trail of badass crimes as long as Joe's list of conscientious actions that were taken by a man with a high sense of morality and intellect, and deeply devoted to justice, fairness, worker's rights, and the betterment of humankind.
Adler also does an outstanding job chronicling the political and religious views and aspirations of those in positions of power in Utah and how they conflicted with Joe's union supporter rebel persona.
With the sketchy Wilson at large, and without circumstantial or other evidence against Joe Hill, Joe was booked for the Morrison murders. The trial proceedings against Joe were corrupt and manipulated; there was failure to show motive, insufficient identification, and some of the jurors were appointed by a judge with a political aspirations and past that set him squarely against Hill.
As an itinerant physical laborer, Joe Hill couldn't afford a defense and notably fired his lawyers while court was in session, but his request was not honored by the judge. When his case was on appeal to the Utah Supreme Court, he had the help of famed attorney Orrin N. Hilton who declared: "The main thing the state had on Hill was that he was an IWW and therefore sure to be guilty. Hill tried to keep the IWW out of [the trial] ... but the press fastened it upon him."
Though his life was on the line, Joe refused to divulge the woman's name he was involved with, or that of her other suitor, Otto Appelquist, who coincidentally skipped out of town the night Joe was arrested, never to return. Helen Keller, the Swedish Ambassador, President Woodrow Wilson, the activist and orator Elizabeth Gurley Flynn, (for whom Joe wrote the song, "The Rebel Girl"), and other high profile persons in society and the labor movement, rallied for Joe in various ways.
Hill's complex story is of IWW’s most acclaimed martyr - a man of integrity who saw his own life as insignificant in contrast to the needs of the working people and causes which he loyally devoted himself to - versus a false, wicked, and cowardly system, peopled by vile fools. Joe never wavered in his stand for a just trial, which he did not get.
William Adler presents this accomplished account without stating his ultimate judgement on the matter, so I will. Hill, a political prisioner, was framed, and the corrupt legal system has not changed much since. Hill is a hero of mine. Here is one of his songs to Hilda:
OH, PLEASE LET ME DANCE THIS LAST WALTZ WITH YOU
When I hear that melody, with its rhythmic harmony,
Then I feel just like I’d be in a dream entrancing,
And I’d like to float through space, softly glide from place to place,
With the fascinating grace of a fairy dancing.
Oh, please let me dance this waltz with you,
And look in your dreamy eyes of blue.
Sweet imagination, smooth, gliding sensation,
Oh, love, I would die just for dancing this waltz with you.
Listen to that mellow strain, come and let us waltz again.
Please don’t let me ask in vain; I just feel like flying,
Put your head close to my heart, And we’ll never, never part.
Come my darling, let us start, from joy I’m nearly dying.
Or simply to be reminded of our real history, rather than the golden mythologies we are endlessly fed. And to celebrate the triumph of the human spirit, which no system, no matter how brutal and unforgiving, can completely crush. And to remember that whatever gains ordinary Americans have enjoyed, it is because of men like Joe Hill and movements/unions like the IWW.
Top reviews from other countries
The book is thought provoking, and there are many interesting parallells to be drawn to todays world, as a previous reviewer mentioned. In the early 1910s, approximately 1/5 of the Swedish citizens worked and lived in the US, an interesting contrast to todays Europe, with the economic crisis, increasing migration and increasing xenophobia.
As for the paper quality, commented on by an earlier reviewer, I can't really understand the criticism and I can assure you that the book will withstand a good read...a least mine did.
Highly recommended!


