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The Mandibles: A Family, 2029-2047 Paperback – June 20, 2017
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“Instead of 1984, read this.” —Washington Post
From New York Times bestselling author Lionel Shriver, a near-future novel that explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family
In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation.
The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival.
Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets.
The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.
- Print length416 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateJune 20, 2017
- Dimensions5.31 x 0.94 x 8 inches
- ISBN-10006232828X
- ISBN-13978-0062328281
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Editorial Reviews
Review
“A provocative and very funny page-turner…” — Wall Street Journal
“….[A] powerful work...Prescient, imaginative and funny, it also asks deep questions.” — The Economist
“Hilarious, brilliant new novel...” — Elle
“Known for tackling big contemporary issues head-on, Shriver deals skilfully here with the implications of economic meltdown. The novel, set in a near-ish future, tells of the plight of the once wealthy Mandible family and the decline of four generations into penury, thieving and prostitution.” — Financial Times (A Summer Pick of 2016)
“[Shriver has] a sharp social eye and a blistering comic streak, and her focus on nailing down the economic nitty-gritty of her plot is only one piece of the great, disconcerting fun she has in sending the world as we know it so vividly to hell.” — The New Yorker's Page-Turner Blog
“Shriver has always seemed to be at least a few steps ahead of the rest of us, but her new novel establishes her firmly as the Cassandra of American letters….I don’t remember the last time a novel held me so enduringly in its grip.” — New York Times Book Review
“It’s scaring the hell out of me.” — Tracy Chevalier
The world that the Mandible family must negotiate is evoked in seamless detail… One thing I really like is her coining of made-up slang for her younger generation of characters and her resolutely materialist analysis of what could be coming. — Jane Smiley, The Guardian
“Distinctly chilling.” — Independent (UK)
“This is a sharp, smart, snarky satire of every conspiracy theory and hot button political issue ever spun; one that, at first glance, might induce an absurdist chuckle, until one realizes that it is based on an all-too-plausible reality.” — Booklist (starred review)
From the Back Cover
In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the bancor. In retaliation, the president declares that America will default on its loans. The government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation.
The Mandibles have been counting on a sizable inheritance once their ninety-seven-year-old patriarch dies. When their birthright turns to ash, what begins as mere disappointment spirals into the challenge of sheer survival.
Avery is petulant that she can’t buy olive oil, while her sister, Florence, is forced to take now-homeless family members into her cramped household. Their aunt Nollie, an expat author, returns from abroad at seventy-three to a country that’s unrecognizable.
Nollie’s brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility is unaffordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets.
About the Author
Although Lionel Shriver has published many novels, a collection of essays, and a column in the Spectator since 2017, and her journalism has been featured in publications including the Guardian, the New York Times and the Wall Street Journal, she in no way wishes for the inclusion of this information to imply that she is more “intelligent” or “accomplished” than anyone else. The outdated meritocracy of intellectual achievement has made her a bestselling author multiple times and accorded her awards, including the Orange Prize, but she accepts that all of these accidental accolades are basically meaningless. She lives in Portugal and Brooklyn, New York.
Product details
- Publisher : Harper Perennial; Reprint edition (June 20, 2017)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 006232828X
- ISBN-13 : 978-0062328281
- Item Weight : 12.8 ounces
- Dimensions : 5.31 x 0.94 x 8 inches
- Best Sellers Rank: #66,746 in Books (See Top 100 in Books)
- #793 in Fiction Satire
- #1,794 in Family Life Fiction (Books)
- #5,370 in Literary Fiction (Books)
- Customer Reviews:
About the author

Lionel Shriver is a novelist whose previous books include Orange Prize–winner We Need to Talk About Kevin, The Post-Birthday World, A Perfectly Good Family, Game Control, Double Fault, The Female of the Species, Checker and the Derailleurs, and Ordinary Decent Criminals.
She is widely published as a journalist, writing features, columns, op-eds, and book reviews for the Guardian, the New York Times, the Wall Street Journal, the Financial Times, the Economist, Marie Claire, and many other publications.
She is frequently interviewed on television, radio, and in print media. She lives in London and Brooklyn, NY.
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"The Mandibles" begins in 2029 (100 years since the "crash" of 1929). In what is later called "The Great Renunciation", the president (who is a "Lat": of Latin descent), calls for the renunciation all US debt and defaults on all foreign debt. Invoking the International Emergency Powers Act of 1977 (it's real), he calls for all gold to be confiscated. Blame is placed on nebulous "hostile foreign" entities who have tried to replace the dollar with the "bancor". The President, in addition to recalling all gold (including jewelry and dental work) from every citizen, has ordered the military to do a door-to-door search for hoarded gold and for those responsible to be fined and imprisoned. In addition, the US has "reset" all US Treasury bonds to zero and inflation has driven the price of a (scarce) head of cabbage up to $30. Some folks are happy that the "uber-rich" or the 1%-ers are falling like dominoes seeing it as finally a way to erase the vast economic disparities. The US starts printing (now almost worthless) money by the truckload, though with the toilet paper scarcity - well, you can imagine what happens.
The novel revolves around the eponymous Mandible family, founded by wealthy grandfather Douglas Mandible aka "Grand Man". His oldest granddaughter, Florence, lives in Flatbush, NY, with her teen-aged son, Willing (no kidding), and her lover Esteban. Florence is highly educated (Barnard) but can only find work processing cases in a homeless shelter. Her son, Willing, is the only one who seems to grasp what is happening to the economy, but of course, no one listens to him - he's just a kid! Florence's younger sister Avery, a pseudo-psychotherapist, is married to Lowell, a professor of economics at Georgetown. They have three children, Savannah, Goog and Bing (yep, named after search engines). Avery is used to the good life and now finds that she can't even afford olive oil. It's a long way down. Lowell has a particularly difficult time accepting the economic realities that don't match up with his economic theories.
Shriver's fictional future is full of interesting and humorous possibilities: Putin is still in power: dictator of Russia. Arnold Schwarzenegger ran for president necessitating the 28th Amendment (requiring the President to be born on American soil) to be nullified. Judge Judy was appointed to the Supreme Court (which made cases much shorter). Also in 2024, the entire infrastructure of the US (electricity, water, The Internet - gasp!) was shut down for three weeks and chaos ensued. China was blamed (no proof ever attained). Journalism is dead - no source can be trusted (I'd say that's already happened). I don't want to give away too many of Shriver's "treats" so that you can savor all the ironies yourself, but one about Mexico and a wall is particularly biting.
Shriver is in her element with her sterling wit, scathing satire, and stunning irony. This is the kind of novel you'll want to talk with people about - so I highly recommend it for any Book Club with nerves of steel, because it's going to stir up some fervent feelings about race, class, money, guns, and trust in the government. It couldn't be coming out at a more auspicious moment in US history!
Part One of the book focuses on the Mandible Family at the beginning of economic catastrophe, triggered when the United States repudiates it's debt, prints paper money endlessly and imposes capital controls. Chaos results. Comfortable middle and upper middle class people thrown into a society and economy that looks a lot like Venezuela today. The author focuses on how different generations and members of the once pretty comfortable Mandible clan react, overreact or withdraw from a hard life thrust upon them. The adults, with rare exceptions, don't fare well as the competition for sound money creates envy, selfishness and hopelessness. The "hero" of the tale is quickly apparent in the form of a teenager named Willing, who, though young, has clearly mastered monetarist and supply side economic theory. He is the voice of reason in this tale and can best be described as a cross between Adam Smith and Ayn Rand. The end of Part One sees the family at the start of a great migration, on foot, to the farm of one of the brothers whose real asset of tillable land promises some grounding and salvation in an economy that by and large has ceased to function for those paid in worthless greenbacks.
Part II checks in with the clan twenty years later. America has not gotten better, the government has become vise-like in control of people's economic and personal actions and America is just a shadow of itself as a nation. Mexico has a problem with illegal immigrants flowing from the north and security threats to our long-standing military allies are not met with American troops or material but condolence notes from President Chelsea Clinton (loved that part!).
Throughout, the theme of the story remains economics and its relation to liberty and prosperity. Willing channels the moral and economic lessons the author imparts to the reader and is the only sane and steady presence in a family whose glue fairly melts under the strain of economic and political oppression (though his aunt, an ally in the story against family members who see him as a dark nuisance, is also steady though withdrawn).
I liked the book. It is a great concept and intriguingly written. Those who believe in economic laws will see this book as much more plausible than the Occupy-Wall Street crowd, who will probably react to this tale as nothing but the hyperventilation of a one-percenter. The author's imagination of what life would be like "if"....is entertaining and plausible for the most part. Parts of it are funny and it by and large does hold the reader's interests. In some parts the author writes meandering sentences that can on occasion lose the reader and break the flow of the story. Those wholly uninterested and unschooled in economics may be lost with some of the set up pieces that explain how government actions ruined the future economy. But, these are fairly minor distractions on what I found to be a pretty engaging story.
Top reviews from other countries
Douglas E Mandible, ‘Grand Man’—who pulled himself up by the bootstraps from socially-inept to socially-smooth raconteur and who’s got both eyes firmly fixed on the stock market—is the patriarch and father to son Carter who, along with wife Jayne, is worth peanuts—in his own opinion—until he can inherit his father’s stack. We never see the Mandible matriarch, Gran Mimi, from whom Douglas was seduced by a shinier, brighter, younger model whose measure Carter’s sure he’s got.
There’s also Carter’s sister Enola—an author who’s lived overseas in France until her life as an American abroad becomes untenable—and his children. Practical Florence earns a living any way she can, along with Latino partner Esteban and young son Willing. Physical therapist Avery is married to intellectual professor of economics Lowell Stackhouse, with whom she has children, Goog, Bing and Savannah. Jarred, their younger brother has opted-out of city life, preferring to run a farm in the sticks.
The Mandibles are an American family: they are America, in microcosm, and if you don’t believe it look at how some of the characters are named: for Lowell, Massachusetts (from whence originated Jack Kerouac); Florence, South Carolina; Willing, New York State. Avery and Lowell’s sons are named after American institutions Google and Bing, while their daughter Savannah is named for a hybrid breed of cat—and how the domesticated side gives way to the wild becomes obvious. Other metaphors and references abound, too numerous to mention here apart from the notable one of people disinherited in their own land by strangers ostensibly seeking asylum—who were allowed entry via the misguided notion of doing good.
As to the family name, why ‘Mandible’? The dictionary definition of the word is of a ‘biting lower jaw,’ and lacking an upper jaw against which to grind this family has lost its bite. Instead they’re being bitten—and it’s their own government putting the bite on them. Their molars, formerly firmly fixed into a very large slice of the pie, are going to have the food turn to dust in their craw when, having survived ‘the Stone Age/Stonage’ they and other citizens suffer total economic collapse at the hands of the aforementioned administration.
I note from other reviews that the book has been criticised for having too much of such economic content, and I grant that there does seem to be an excess of this—but I think the inclusion is deliberate. In the main, the attitude of the general public everywhere aligns with that of Florence:
‘“I’ve no idea what a reserve currency is,” she admitted. “I don’t follow all that economics drear. When I graduated from college, it was all people talked about: derivatives, interest rates, something called LIBOR. I got sick of it, and I wasn’t interested to begin with.”’
Perhaps we should have taken more interest—and that’s precisely what author Lionel Shriver is getting at here. Even economist Lowell—a professional in his work of theorising about the economy—can’t cope with the reality when it’s collapsing all around him, which says a great deal. Personally I've never been great with figures, and I'm sure I’m not the only one in the world who has to stifle my yawns when the financial news comes on the TV.
One character who actually perks up and takes a keen interest at that time and in general is Willing, thirteen-year-old son of Florence at the start of the story—and it’s he around whom the action revolves as matters move to a climax, along with great-aunt Enola. Gay only in the old-fashioned sense, she’s a pistol, to make a pair with the one Willing's packing—taken from the cold, dead hands of another, this still being America, after all, and shooting rampages an ongoing part of it. They journey along their own particular Route Sixty-Six—time-travelling, as Willing puts it—the soundtrack supplied by Enola a blast from the past, pure nostalgia that draws her younger passengers in until they've sang up every song that driver knew.
Freedom's just another word for nothing left to lose indeed, in this dystopian tale full of biting irony and black humour. We have been warned.
I didn't enjoy how the book jumped from mid-leaving town to way in the future either, I would have liked to see their story continue. Instead we receive tidbits and one liners for how main characters wound up dead or otherwise in passing conversations
Une vision d'un futur proche décrivant la vie d'après le Krach boursier qui s'annonce...
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