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Manufactured Landscapes: The Photographs of Edward Burtynsky Hardcover – March 11, 2003

4.2 out of 5 stars 17 customer reviews

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Editorial Reviews

From the Publisher

Published in association with the National Gallery of Canada, Ottawa

About the Author

Lori Pauli is Assistant Curator of Photographs at the National Gallery of Canada, Ottawa. She is the author of Manufactured Landscapes: The Photographs of Edward Burtynsky (2003).

Ken Baker is a faculty member at Dartmouth College. He is currently Nathaniel Leverone Professor of Management at the Tuck School of Business and also Adjunct Professor at the Thayer School of Engineering. He teaches courses relating to mathematical modeling and operations management. At present, he is a principal investigator on the Spreadsheet Engineering research project, and co-author (with Steve Powell) of The Art of Modeling with Spreadsheets. Over the years, much of Professor Baker's teaching and research has dealt with operations planning and control, and he is widely known for his textbook, Elements of Sequencing and Scheduling, in addition to a variety of technical articles. Professor Baker has served as Tuck School's Associate Dean and Associate Dean of Faculty, and he has directed the Tuck School's management development programs in the manufacturing area. Currently, he serves as a Co-director of Thayer School's Master's program in Engineering Management.

Mark Haworth-Booth is Honorary Research Fellow at the Victoria and Albert Museum and a Senior Fellow of the Royal College of Art.
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Product Details

  • Hardcover: 160 pages
  • Publisher: Yale University Press (March 11, 2003)
  • Language: English
  • ISBN-10: 0300099436
  • ISBN-13: 978-0300099430
  • Product Dimensions: 10.7 x 0.9 x 13 inches
  • Shipping Weight: 3.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #357,119 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover
In 2002, I first noticed Edward Burtynsky's gorgeous 40 x 50-inch color prints at the AIPAD conference in New York. To me, Burtynsky's work stood out from all the rest in that immense exposition, which annually showcases international photography galleries. I hoped his gifts would receive appropriate recognition. I didn't realize the degree to which his reputation as a master photographer was already well established by museums, collectors and critics. Since 1985, the Charles Cowles Gallery has represented his work in New York and the Mira Godard Gallery, one of Canada's most prestigious galleries, represents him in Toronto where he is based. So I am now delighted to report that Yale University Press' handsome catalogue from his recent retrospective exhibition in Ottawa is a remarkable accomplishment in every respect. The National Gallery of Canada organized the show and co-published the book. Although the 64 color plates do not deliver what I love most about seeing his work in person - that is simply not possible to achieve in small-scale, half-tone reproduction. The fact is that this book's design and color plates are wonderful. Every aspect of this book is highly accomplished and carefully, thoughtfully considered. Assistant Curator of Photographs, Lori Pauli, deserves special recognition, firstly as editor for selecting top professionals and for coordinating their efforts seamlesslessly. Secondly, Pauli also wrote a scholarly, insightful essay that sets the tone for engaging inquiry and discourse that is maintained by a distinguished panel of co-authors, each with a different approach, including Mark Haworth-Booth, Kenneth Baker and an interview of the artist by Michael Torosian.Read more ›
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Format: Hardcover
I am a great admirer of Edward Burtynsky - and I will not hide my dissapointment with the book. I've seen an exibition "Manufactured Landscapes" twice, and have to say that reproductions in the album are of a poor quality, not to mention that at least in this particular case size does really matter...

The album is good to have a general idea about the author, his work and his workshop (nice introduction, and interview with Edward Burtynsky - that's what I've missed from the exibitions) but if you haven't seen full-size prints before, do not buy this book - otherwise it might spoil your opinion about one of the best photographers ever...
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Format: Hardcover
Edward Burtynsky surely has a keen eye for unnatural landscapes and features that have been scarred by man, and his stunning and thought-provoking photos of such matters are the focus of this book. Despite Lori Pauli's introduction, not to mention the very title of the book, I don't buy the claims that Burtynsky was dedicated to the relationship between man and nature, or is always on the lookout for "manufactured landscapes." This is certainly true for his shots of railroad cuts up and down huge mountains where they surely don't belong, indicating a desire for conquest by railroad engineers. However, I find much of Burtynsky's work, at least as presented here, to be about devastation and ruination of both the environment's health and its scenic aspects. This is most evident in his terrifying shots of uranium and other heavy metal pollution around lakes in Ontario, the bizarrely angular destruction at marble and granite mines, and the strange operations at a supertanker graveyard in Bangladesh. The main problem with this volume is that is generally meager in its offerings, and Burtynsky's shots are often presented in a disappointingly small size. Thus this book can be best seen as an incentive to explore Burtynsky's work further. [~doomsdayer520~]
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Format: Hardcover
To enjoy the images by Edward Burtynsky as they are meant to be seen would be to go to one of his exhibitions, it is out of the question to expect a book to hold the same weight as seeing the photos in person.
I brought this book for the contextual information that it holds and I was not disappointed. It is important when studying an artists work to read what is written about it as well as viewing the images. The book contains many high quality colour images of Burtynskys work and also a large amount of written material that is well worth the read.
An excellent addition to my library.
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Format: Hardcover Verified Purchase
Absolutely incredible views of man made changes to the planet earth. The interior industrial shots are my favorite, followed by the dump, mining and then the quarry pictures. This fantastic book goes next to my photo books of Hilla and Bernd Becher
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Format: Hardcover
Edward Burtynsky's approach to photography in Manufactured Landscapes is not to celebrate or damn his subject but rather depict it in a way that says, "This is what it is". By not stating what viewers "should" see in his work Burtynsky allows them to see things that, wouldn't be as available if the photograph was identified with a certain political agenda. Images of children knee deep in oil show how desperate we are for oil and the lengths we are going to get it. He is not pointing the finger at specific companies but rather stating that this is the problem we are all facing as a human race. The openness of his method leaves the responsibility to change with the viewer and actually motivates action.
Burtynsky's recent photographs have been about peak oil, the urbanization of China and rock quarry mining. The photographs are an interesting balance of attraction and repulsion. The colors and tonal ranges and sheer beauty of his work attract a closer look leading to the realization that the scene has been caused by humans "disrupting the landscape in pursuit of progress". This book is a good example of how reproductions can be limiting to fine art. The book feels muted compared to Burtynsky's prints. Half of what attracts me to his work is the precise craftsmanship and fine detail.
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