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The Late Work of Margaret Kroftis (Little House on the Bowery) Paperback – January 1, 2010
| Mark Gluth (Author) Find all the books, read about the author, and more. See search results for this author |
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In The Late Work of Margaret Kroftis, Mark Gluth does something I've never seen another author do: he captures perfectly the feel of daydreams. Though everybody in the book daydreams, Gluth doesn't simply describe their thoughts; instead, he does something better and more brillianthe infuses his words with the deceptive simplicity and surrealism of the fantasies we dream up for ourselves. Like daydreams, his book is brief but powerful; like daydreams, it is both heartbreakingly hopeful and heart-stoppingly honest. It's a reverie that's a revelation. It is great.”Derek McCormack, author of The Show that Smells
The Late Work of Margaret Kroftis begins during the later days of Margaret Kroftis's life. She is a writer, living alone. As she experiences a personal tragedy the narrative moves forward in an emotionally coherent manner that exists separately from linear time. Themes of loss and grief cycle and repeat and build upon each other. They affect the text and create a complex structure of crosshatched narratives within narratives. These mirror each other while also telling unique stories of loss that are both separate from Margaret's as well as deeply intertwined.
This groundbreaking debut demonstrates an affinity with the work of such contemporary European writers as Agota Kristof and Marie Redonnet, while existing in a place and time that is uniquely American. Composed in brief paragraphs and structured as a series of vignettes, pieces of fiction, and autobiography, The Late Work of Margaret Kroftis creates a world in which a woman's life is refracted through dreamlike logic. Coupled with the spare language in which it is written, this logic distorts and heightens the emotional truths the characters come to terms with, while elevating them beyond the simply literal.
Mark Gluth's writing has previously appeared in the anthology Userlands (Akashic, 2007) and Ellipsis magazine. He was born in Cleveland, Ohio and now lives in Bellingham, Washington with his wife and their two dogs.
Dennis Cooper's (series editor) novels have been translated into eighteen foreign languages. He has guest-edited sections of fiction and nonfiction for BookForum, Nerve, the L.A. Weekly Literary Supplement, and the Village Voice Literary Supplement. He is a contributing editor of ArtForum magazine and lives in Los Angeles.
- Print length120 pages
- LanguageEnglish
- PublisherAkashic Books
- Publication dateJanuary 1, 2010
- Dimensions5.4 x 0.4 x 8.3 inches
- ISBN-101933354941
- ISBN-13978-1933354941
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Product details
- Publisher : Akashic Books; First Printing edition (January 1, 2010)
- Language : English
- Paperback : 120 pages
- ISBN-10 : 1933354941
- ISBN-13 : 978-1933354941
- Item Weight : 3.92 ounces
- Dimensions : 5.4 x 0.4 x 8.3 inches
- Best Sellers Rank: #4,274,073 in Books (See Top 100 in Books)
- #22,715 in Women's Domestic Life Fiction
- #24,731 in Psychological Fiction (Books)
- #55,770 in Contemporary Literature & Fiction
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About the author

I am the author of The Late Work of Margaret Kroftis (Akashic/Little House On the Bowery, 2010). I live in the Pacific Northwest with my wife and our 3 dogs. All 5 of us are vegan. My Emusic profile says "I listen to Indie Rock, Black Metal and Drum and Bass. I like sad music and rainy days". You can email me @ markegluth@gmail.com
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As in life the events that occur in The Late Work of Margaret Kroftis are driven by chance, have little meaning behind their causation: tragedy occurs, words are said, life goes on. Events happen, many without reason, but which have far reaching effects. Gluth is masterful at writing the main events of the novel off the page, this keeps the narrative's focus away from unnecessary distraction and on the emotions of the characters.This simultaneously shows great restraint on his part and maintains a detached feeling throughout. The events that occur to the characters are sad, insidiously and hopelessly sad and the only force that holds the characters together are the love which they share with each other. Young couples, old couples, humans with each other and humans with animal companions. Love is the quiet central theme of the work and by hiding it beneath layers of tragedy Gluth makes love appear that much more beautiful. Gluth shows that love is fleeting, mortal and insulates us from entropy.
Much of Late Work is a study in the connections between dreams, art, love and death. Every character whose profession is mentioned is an artist: sketcher, writer, photographer, playwright. Some are more talented than others but art is universally portrayed as a source of freedom and a way to connect with love after death. Many of the character's works are referred to or written out in full in the novella. Late Work bridges an all to common chasm in literature between pathos and intellect, Gluth combines them remarkably well.There are steady but understated threads of Borgesian recursion and metarecursion which overlap enough (but not too much) and provide the novel with satisfying verisimilitude along with an air of the supernatural. I found that the novel takes on extra dimensions when the nested layers of works described in the novel are mapped out.
Late Work can be read in one (intense) sitting and yet packs force greater than, say, one of Marquez's tomes. I can think of one other work for me that has had the same effect per page as Late Work but the intense overwhelming sadness of this novel places it light years beyond.

