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Marie Antoinette (Widescreen)

4.5 4.5 out of 5 stars 4,843 ratings
IMDb6.5/10.0

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Typical price: $13.31
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Genre Drama
Format NTSC, Multiple Formats, Closed-captioned, Dubbed, Subtitled, Anamorphic, Digital Sound
Contributor Ross Katz, Sofia Coppola, Rose Byrne, Rip Torn, Asia Argento, Molly Shannon, Judy Davis, Shirley Henderson, Danny Huston, Kirsten Dunst, I Want Candy LLC, Jason Schwartzman, Steve Coogan See more
Language English, French
Runtime 2 hours and 3 minutes
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Product Description

Product Description

An electrifying yet intimate re-telling of the turbulent life of history's favorite villainess, Marie Antoinette, who married France's young and indifferent King Louis XVI.

Amazon.com

While much was made of the fact that Marie Antoinette elicited boos at Cannes, the many favorable reviews attracted less attention. Inspired by Antonia Fraser's biography, Sofia Coppola fashions a portrait that's just as dreamy as The Virgin Suicides, her first literary adaptation, and the Oscar-winning Lost in Translation. Set to a soundtrack of post-punk (a conceit that adds more interest than resonance), the teenaged Marie (Kirsten Dunst, quite good) may be shallow, but she's rarely unsympathetic. The story begins in the late-18th century as the Austrian Archduchess agrees to marry Louis-Auguste (Jason Schwartzman). After bidding adieu to her mother, Maria Theresa (Marianne Faithfull), she travels to France, where King Louis XV (Rip Torn) sets the rules--and the list is endless (Judy Davis' Comtesse de Noailles is the primary enforcer). As for the Dauphin, he's just a boy, really, with more interest in his key collection than their marriage bed. Should Marie produce an heir, it might be enough to sustain her--since life is nothing but an endless shopping spree--but clouds gather on the horizon as an impoverished populace rises up against their extravagant leaders. Coppola merely suggests what happens next, although history paints a darker picture. Filmed in and around the Chateau of Versailles, Marie Antoinette is a riot of rustling gowns, sparkling jewels, and Manolo Blahnik-designed shoes. To say that style trumps substance does its maker a disservice, but the look of the thing does leave the deepest impression. --Kathleen C. Fennessy

Extras from Marie Antoinette (click for larger image)



Featurette:
On the filming of
Marie Antoinette:
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Film Clip:
"The Introduction"
high bandwidth


Film Clip: "The Royal Treatment"
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Stills from Marie Antoinette (click for larger image)







Beyond Marie Antoinette at Amazon.com


The Book,
Marie Antoinette: The Journey


More Period Pieces With A Twist


The Films of Kirsten Dunst

Product details

  • Aspect Ratio ‏ : ‎ 1.85:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
  • Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.53 inches; 3.2 ounces
  • Item model number ‏ : ‎ 2227572
  • Director ‏ : ‎ Sofia Coppola
  • Media Format ‏ : ‎ NTSC, Multiple Formats, Closed-captioned, Dubbed, Subtitled, Anamorphic, Digital Sound
  • Run time ‏ : ‎ 2 hours and 3 minutes
  • Release date ‏ : ‎ February 13, 2007
  • Actors ‏ : ‎ Kirsten Dunst, Jason Schwartzman, Judy Davis, Rip Torn, Rose Byrne
  • Dubbed: ‏ : ‎ French
  • Subtitles: ‏ : ‎ English, French
  • Producers ‏ : ‎ Ross Katz, Sofia Coppola
  • Language ‏ : ‎ English (Dolby Digital 5.1), French (Dolby Digital 5.1), Unqualified
  • Studio ‏ : ‎ Sony Pictures Home Entertainment
  • ASIN ‏ : ‎ B000M06KJ8
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.5 4.5 out of 5 stars 4,843 ratings

Customer reviews

4.5 out of 5 stars
4,843 global ratings
Love this movie!!
5 out of 5 stars
Love this movie!!
I’ve seen this movie too many times to count lol but it’s always been on streaming. I decided that I really wanted to own it. It’s one of my favorite films so why not. The blu ray quality is great, the case is pretty plain though, doesn’t have any inserts inside nor any codes for digital copies (darn) but that’s okay. I’m just happy I have a physical copy of this film now.
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Top reviews from the United States

Reviewed in the United States on October 9, 2024
Really great movie! Great acting. A fun interpretation of history. Really fun chick flick. The soundtrack is fun also. Get your popcorn ready! A macaroon spread works too! Lol~
Reviewed in the United States on February 15, 2010
Those who hate it are usually the ones who come to it expecting a BBC-type production chronicling Marie Antoinette's life as accurately as possible, with every detail double-checked and the music accurate of the time period. If they actually watched the trailer beforehand, they'd realize that it's a stylish adaptation that contains modern music, so no excuse there.

I've heard many criticisms of this film, so I'll attempt to address them.

Criticism #1: Not every detail in her life is shown.

...such as the Affair of the Diamond Necklace incident, her imprisonment, and subsequent execution, though once again, this is NOT a BBC miniseries or History Channel biography. Sofia Coppola herself has stated in numerous interviews that she was never trying to make a historical biopic.

As Roger Ebert brilliantly put it: "No, the picture is not informative and detailed about the actual politics of the period. That is because we are entirely within Marie's world. And it is contained within Versailles, which shuts out all external reality. It is a self-governing architectural island, like Kane's Xanadu, that shuts out politics, reality, poverty, society."

Criticism #2: None of their accents are the same/ Why aren't they speaking like Hugh Grant?/ Ew they are using American accents!

I don't really know what accent people assume they're supposed to adopt, a stereotypical posh English accent? That would have been just as inaccurate, for the majority would have spoken French at court. Might as well let the actors keep their natural accents, for then the audience won't get distracted by attempts that fall short. And really, one can argue that the differences in their English-speaking accents could translate well for differences in French accents, since English is standing in for French.

Criticism #3: Modern music is used.

The most popular criticism I've heard is over the use of modern music, though this is probably what really made me love the film. Sofia Coppola was trying to capture a teenager's world and feelings, and I think she hit the perfect note. Some feel that this made it too catered (or even dumbed down) for the younger audience, but really, what's wrong with making a connection to that particular age group? This is, after all, a film about a teenager. A teenager from the 18th century born into royalty who lived a life of wealth, privilege and influence, yes, but a teenager nonetheless.

Roger Ebert continued to say in his review: "Coppola has been criticized in some circles for her use of a contemporary pop overlay -- hit songs, incongruous dialogue, jarring intrusions of the Now upon the Then. But no one ever lives as Then; it is always Now. Many characters in historical films seem somehow aware that they are living in the past. Marie seems to think she is a teenager living in the present, which of course she is -- and the contemporary pop references invite the audience to share her present with ours."

Criticism #4: It's boring.

Well, go watch Transformers then. If you were bored through this, then period pieces in general must not be your thing. I don't think your dislike has anything to do with Coppola's direction then.

Seriously though, this whole movie was such lovely eye candy; so full of color and life. I could go on and on about the clothes and locations and flowers and pastries and champagne featured throughout. It's very aesthetically-pleasing. Coppola perfectly captured the youthfulness and decadence, as well as the gossiping, sycophantic society of that era, and managed to make it accessible and pleasurable to watch. I think Marie Antoinette would have approved.
23 people found this helpful
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Reviewed in the United States on September 21, 2013
At first viewing I thought I would barf. The film seemed narcissistic, self indulgent, gratuitous. It seemed that the only good thing about the film might be the obviously beautiful cinematography. Then I decided to give it one more shot and watch it again. And there, in this most magical second viewing, I discovered the brilliance of Sophia Coppola. When you get past the simple, almost annoying teenaged dialogue, it hits you that these were actually teens, 14 to be exact in Marie Antoinette's (MA) part, and even had she been speaking in French, and a long time ago, her dialogue would have likely had the same rhythm: slightly shallow and sweet but very much a young girl. I could almost imagine a bedazzeled cell phone popping from under her skirt while sitting at church while she fills her cell phone's screen with a long string of acronyms. The dialogue of all things was actually the first thing that really helped me get into the mind of Ms. Coppola. Right from the start she wanted us to be in MA's world and what better way than to make us feel like a teenaged girls ourselves?

Another thing that she, and in turn the brilliant Kirsten Dunst portrayed, is getting me to see past the masses of sugar coated pastels that were all the rage at the time and allow me to see a deep and complex vulnerability. After watching the movie for a second time I started to do some reading on the the ill-fated queen - her story, despite it's excesses and privilege that surrounded it ended quite badly. It made me wonder what her life might have been like had she been raised to think about anything other than herself and had she not been in the unfortunate position of being sold off to the neighboring country as a peace offer. I don't know but I think that things might have turned out well for her, say, as a farmer's wife. . .

I think I now understand the reaction of some critics who probably hated it as much as I did when the film premiered. Perhaps the biggest challenge for the viewer, and it was true for me, was to think that it was actually possible to have two silly kids running a country and having all of the other equally silly adults giving them such minimal direction that they basically watched a country fall apart. Honestly, the entire concept was almost too difficult to watch.

I now put on the film when I am looking for something familiar and comforting. There is something very real about her story although her life could not be further from my own. I think back and pity her, not for her excess and extravagance to the point of revulsion, but for the loneliness she must have felt being alone in a country and in a household that did not really want her. Perhaps it's her loneliness that you feel in the entire film that makes it so remarkable. Even in scenes of grandeur, you see it living right on the screen. Long moments of pure and unadulterated loneliness that leave me feeling strangely sad.

I would not MA's life even if it were handed to me on a gold platter. However, I can now say that every single time I watch the film I uncover some other little nugget that Sophia slyly hid on the screen for me to find.
6 people found this helpful
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Reviewed in the United States on September 11, 2024
I loved this movie so much I had to buy it for my collection so I can watch whenever I choose
Reviewed in the United States on August 12, 2024
I honestly like the movie. Had recognizable actors and very interesting. Very good movie and wasn’t disappointed.

Top reviews from other countries

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Nicole 4C
5.0 out of 5 stars Luv it
Reviewed in Canada on June 15, 2022
I luv this movie. The scenery and costumes are over the top like Marie Antoinettes hair. Every thing is so beautiful and picturesque.
monvoisin
5.0 out of 5 stars Livraison rapide
Reviewed in France on September 30, 2024
Bon dvd
Roxana Ramos
1.0 out of 5 stars No pude verla
Reviewed in Mexico on June 17, 2018
No pude verla, no me acepta la región.
Súper triste. Es la peimera vez que me pasa con una película adquirida por aquí
Maverick
5.0 out of 5 stars Bello, bellissimo, originale
Reviewed in Italy on March 6, 2017
L'attrice perfetta nel suo ruolo. Amo di questo film la figura di Maria Antonietta sul finire della sua vita dove il film ne restituisce inaspettatamente il carattere dignitoso e forte. Sofia Coppola è stata egregia in questo film. ha restituito i colori, lo sfarzo, gli usi e costumi di quel tempo in chiave "moderna".
La musica che accompagna il film è irriverente quasi a stonare eppure io la trovo bellissima a tal punto che a parte e in un secondo momento ho comprato il cd.
Un film che cela benissimo dietro sfarzo e allegria, l'inquietudine e le sofferenze di un popolo. La vita di palazzo nasconde insidie e mutamenti.
Maria Antonietta, una giovanissa regina che ha che ha portato a corte innovazione e scompiglio. Una "bambina" a cui non è stata data la possibilità di diventare donna.
Un film decisamente sottovalutato ma che andrebbe visto almeno una volta.
Consegna puntuale.
Mary
5.0 out of 5 stars Maria Antonieta + Sofia Coppola en estado puro
Reviewed in Spain on February 10, 2012
El DVD de Maria Antonieta es de región 2 PAL 1.85, 16x9.
Incluye lo siguientes idiomas en 5.1:
* Español.
* Inglés.
* Catalán.
Y subtítulos en:
* Español.
* Inglés.
* Portugués.
Su duración es de 118 min. e incluye como contenido extra:
* Cómo se rodó María Antonieta.
* Escenas Eliminadas.
* Tráiler de cine de María Antonieta.
* Tráiler de María Antonieta.
* Las Casas de Luís XVI.

Sobre la película decir que Sofía Coppola dirige una narración electrizante a la par que intimista sobre la turbulenta vida de la mala favorita de la Historia. , María Antonieta. Kristen Dunst da vida a la joven princesa de fatal destino, que se casó con un joven e indiferente rey Luis XVI. Sintiéndose sola en medio de una corte llena de escándalos e intrigas palaciegas, María Antonieta se enfrentó tanto a la realeza como al pueblo, lo que finalmente marcó su destino.

Para mí una película de 10 que me trasporta a la época de María Antonieta pero sin sentirla alejada, mostrándome como pudo sentirse este personaje histórico desnostada durante mucho tiempo e enigmático.

La película fue ganadora en 2006 del Festival de Cine de Cannes y ganadora de un Oscar en 2006 a Mejor Diseño de Vestuario por Milena Canonero.

Consto con un presupuesto de 40.000.000$ y obtuvo una recaudación en taquilla de 60.917.189$.