- Series: Everyman's Library Classics & Contemporary Classics
- Hardcover: 248 pages
- Publisher: Everyman's Library (March 9, 1993)
- Language: English
- ISBN-10: 0679420304
- ISBN-13: 978-0679420309
- Product Dimensions: 5.2 x 0.8 x 8.3 inches
- Shipping Weight: 14.4 ounces (View shipping rates and policies)
- Average Customer Review: 517 customer reviews
- Amazon Best Sellers Rank: #642,157 in Books (See Top 100 in Books)
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Silas Marner (Everyman's Library Classics & Contemporary Classics)
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From Library Journal
This 19th-century classic, read by Andrew Sachs, is a tale of betrayal, gold, and love, encased in the elegant symmetrical structure so popular in traditional English fiction, featuring Marner, the weaver, who is framed for theft by his best friend and becomes a recluse, focusing his strong affections only on the store of golden coins he receives in payment for his work. As usual, Chivers has produced an excellent audio presentation of a literary masterpiece. Alas, in this day and age fewer and fewer readers not enrolled in literature classes actually read the works of what are frequently referred to as "dead white males" even if, as in this case, they were actually written by a woman. For this reason, this title is recommended for all academic but only larger public libraries.
-I. Pour-El, Iowa State Univ., Ames
Copyright 2000 Reed Business Information, Inc. --This text refers to the Paperback edition.
“More strikingly than in any other novel, George Eliot combines pastoral, symbolic, legendary elements with a rooted local setting and an evocation of ordinary lives and credible moral choices. It is a fine Shakespearian-Wordsworthian story of loss and restoration . . . Silas Marner is a compound of English life rendered with ‘rich density of detail,’ as Henry James described it, and the imaginative patterning of romance and myth.”
—from the Introduction by Rosemary Ashton
"I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect. . .which marks a classical work."
Top customer reviews
But the exception proves the rule in "Silas Marner," George Eliot's novel about a hermit-like weaver whose life is changed forever when a child wanders into his house. While Eliot explores the pliancy of gender roles and qualities, at heart this is just a heartwarming story about love and family. The ending is rather predictable and a little sappy, but it's a pleasant glimpse of English village life in the 1800s.
Weaver Silas Marner moves to the town of Raveloe, and takes up residence far from other people. Nobody knows why, except for the readers -- he was betrayed by his best friend, dumped by his girlfriend, framed for a robbery and expelled from his church. He also suffers from cataleptic seizures, as if life for him didn't suck enough. Now he wants just to be alone in his remote house, and hoard the gold that he earns over fifteen years of weaving cloth.
Then one night, the squire's dissolute younger son Dunsey Cass steals his gold and vanishes from the town, leaving Silas without the one thing he has come to love. Meanwhile, Dinsey's older brother Godfrey is freaking out because of an ill-advised marriage to a poor drug addict, which would probably get him disinherited if his strict father knew.
But then the wife is found frozen to death in a blizzard, and her toddler child -- Godfrey's daughter -- wanders into Silas' house. And to the surprise of all Raveloe, Silas declares that since "it's a lone thing—and I'm a lone thing," and that he's going to care for the child from now on. This adoption will not only change Silas' life, but Godfrey's as well -- and as the child Eppie grows to adulthood, will finally bring about the admission of long-hidden secrets.
As a woman who wrote serious literature in a time when women's literary skills were scoffed at, George Eliot knew something about the bendability of gender roles. Even though the main character is a heterosexual male, she subtly positions him as having a strong feminine side -- he has a job associated with femininity ("you're partly as handy as a woman, for weaving comes next to spinning"), he's the perceived successor of the local hedgewitch, and he has nothing to do with the "manly man" pursuits of boozing it up in the local pub every night, as literally all the local men do.
And, of course, he cares for a young child with the tenderness and soft-heartedness that was usually attributed to women, not men. And yet, Eliot never treats this character with anything but respect -- he is not seen as less than other men because he has traditionally feminine traits, but as MORE. And these traits are ultimately what brings him happiness, love and friendship from everyone in the community.
But while Silas is the center of the story, Eliot fleshes out the village of Raveloe with deft strokes, from the wealthy (Godfrey and his insufferable girlfriend/wife Nancy) to the ordinary working-class folks whose lives intersect with Silas'. And she knows both the good and bad of these communities -- they have good hearts and kindness, but they also tend to be kind of judgmental and ignorant of people different from themselves. The best example of this is Dolly, a smart, take-charge woman who becomes Silas' best friend and advisor.
And twined together with Silas's story is the story of Godfrey, whose life withers as Silas' blooms. He's essentially a very weak man who shies away from telling the unpleasant truth to anyone, and misses out on fatherhood because of it. It's hard to see why he is so enamored of Nancy, though -- she's a rigid, moralistic priss who holds everyone to her impossibly high standards (for instance, she's opposed to adoption because she's decided, based on nothing at all, that it's against God's will).
The story's biggest problem? Well, in some regards the story is rather predictable, with a heartwarming ending that borders on sappy. More subtle handling is given to Silas revisiting his old home, and discovering what has come of the betrayals he's suffered.
"Silas Marner" is a fascinating little novella, twining together a story about love and family with a subtle message on gender roles. Not bad for such a simple little story.
It is a story about a steady personality (the protagonist) who overcomes devastating adversity and personal cruelty under small favourable circumstances which are both unpredictable for the reader and could be true to life. This novel, could be based on a true story for its detail and convincing authenticity of trade and character development. The storyline lent itself well to being dramatized with Sir Ben Kingsley playing "Silas"
in the 1980's BBC production which adheres well to the intention expressed in the novel by George Eliot
The paperback by George Elliot makes a fine gift for a young person starting life.
I love the simplicity of the narrative written in the old English tongues of long ago.
The hope is that we will all see God as good even to the most meek,